150: Oscar Wilde: "The Importance of Being Earnest"
StoryWeb: Storytime for Grownups
Release Date: 09/10/2017
StoryWeb: Storytime for Grownups
This week on StoryWeb: Chad Everett’s TV show, Medical Center. If only I could start with the theme song to Medical Center! If I were telling you this story in person, I’d risk humming a few bars, complete with an ambulance-like scream of notes. But alas, I’m left with mere words to conjure up for you the magic that was Medical Center, an hour-long weekly hospital drama starring Chad Everett as the hip, young Dr. Joe Gannon. Chad Everett and Medical Center were literally my claims to fame when I was in college in the early 1980s at the University of Missouri-St. Louis, commonly known as...
info_outline 173: Cynthia Morris: "Chasing Sylvia Beach"StoryWeb: Storytime for Grownups
This week on StoryWeb: Cynthia Morris’s novel, Chasing Sylvia Beach. What do you get when you combine time travel, intriguing literary history, Paris, and romance? Why, Cynthia Morris’s novel, Chasing Sylvia Beach, of course! I know Cynthia from participating regularly in what she previously called Free Write Flings, month-long excursions that have “flingers” writing freely for fifteen minutes each day in response to various “prompts.” I’ve dipped into Cynthia’s Free Write Flings twice a year for the last several years – every October and February – to generate ideas for...
info_outline 172: James H. Cone: "Martin & Malcolm & America: A Dream or a Nightmare"StoryWeb: Storytime for Grownups
This week on StoryWeb: James H. Cone’s book Martin & Malcolm & America: A Dream or a Nightmare. It has been more than 25 years since I read Rev. James H. Cone’s book Martin & Malcolm & America: A Dream or a Nightmare. I was teaching an English 101 course focused on the writing of the Civil Rights Movement, and I wanted to learn more about Dr. Martin Luther King, Jr., and Malcolm X and to understand better the relationship between them, the intersection points, if any, between them. Of course, I’d already read Dr. King’s “I Have a Dream” speech and his landmark...
info_outline 171: Malcolm X and Alex Haley: "The Autobiography of Malcolm X"StoryWeb: Storytime for Grownups
This week on StoryWeb: Malcolm X and Alex Haley’s book, The Autobiography of Malcolm X. Malcolm X wrote his famed autobiography in collaboration with African American journalist Alex Haley (most famous for his epic book Roots: The Saga of an American Family). If you are one of the many Americans who believe Malcolm X espoused violence, even hate, I urge you to read this compelling book. It reveals Malcolm X as a much more nuanced thinker and leader than depicted in mainstream media. The Autobiography of Malcolm X resonates with so much other American literature before and after its...
info_outline 170: Dr. Martin Luther King, Jr.: "Letter from Birmingham Jail"StoryWeb: Storytime for Grownups
This week on StoryWeb: Dr. Martin Luther King, Jr.’s essay “Letter from Birmingham Jail.” In April 1963, Dr. Martin Luther King, Jr., was in Birmingham, Alabama, protesting racism and racial segregation in the city. He was arrested on Good Friday for demonstrating, which a circuit court judge had prohibited. While he was in solitary confinement, Dr. King wrote what is arguably the most important letter in American history. It was addressed to the white clergy of Birmingham, who had publicly criticized Dr. King for getting involved in a matter far from his home in Atlanta. Dr. King began...
info_outline 169: Susan Glaspell: "Trifles"StoryWeb: Storytime for Grownups
This week on StoryWeb, Susan Glaspell’s play Trifles. Born in 1876, Susan Glaspell was a prominent novelist, short story writer, journalist, biographer, actress, and, most notably, playwright, winning the 1931 Pulitzer Prize for Drama for her play Alison’s House. She and her husband, George Cram Cook, founded the ground-breaking Provincetown Players, widely known as the first modern American theater company. In fact, it was Glaspell who discovered dramatist Eugene O’Neill as she was searching for a new playwright to feature at the theater. Though she was a widely acclaimed author during...
info_outline 168: Elizabeth Strout: "Olive Kitteridge"StoryWeb: Storytime for Grownups
This week on StoryWeb: Elizabeth Strout’s book Olive Kitteridge. Has there ever been a grimmer, more taciturn main character in a book than Elizabeth Strout’s Olive Kitteridge? We’ve all known someone like Olive, someone who looks like she’s just bitten into a lemon, someone for whom a kind of self-righteous grumpiness rules the day. What’s so unlikely is to have such a Gloomy Gus serve as the focal point of a book. And it must be said: Olive Kitteridge is not a sympathetic character. As readers, we don’t like her. Those around her – most notably her son – don’t like her...
info_outline 167: Emily Dickinson: Poem 372, "After Great Pain, a Formal Feeling Comes"StoryWeb: Storytime for Grownups
This week on StoryWeb: Emily Dickinson’s Poem 372, “After great pain, a formal feeling comes –” For Patricia and our students Emily Dickinson’s Poem 372 is not – technically speaking – a story. And Dickinson is not a storyteller per se. But her nearly 1,800 poems speak deeply and powerfully to the human condition. They give a still unparalleled account of what it is to be human. Poem 372 does have some elements of storytelling. Instead of “once upon a time,” we get “after this, then this.” And then Dickinson describes the numbing, the freezing, the letting go – perhaps...
info_outline 166: James Joyce: "The Dead"StoryWeb: Storytime for Grownups
This week on StoryWeb: James Joyce’s short story “The Dead.” James Joyce’s “The Dead” is widely considered to be his best short story, called by the New York Times “just about the finest short story in the English language" and by T.S. Eliot as one of the greatest short stories ever written. The storyline is simple enough: a long-married Irish couple -- Gretta and Gabriel Conroy – attend a lavish dinner party thrown by his aunts in celebration of the Feast of the Epiphany (January 6). At the party, they each have a variety of conversations with assorted party guests, and...
info_outline 165: Richard Thompson: "1952 Vincent Black Lightning"StoryWeb: Storytime for Grownups
This week on StoryWeb: Richard Thompson’s song “1952 Vincent Black Lightning.” For Jim, in honor of his birthday My husband, Jim, and I love this song by Richard Thompson and its signature line, “red hair and black leather, my favorite color scheme.” In fact, the first concert we saw together was Thompson playing at the Boulder Theater, and of course, I sported a black leather motorcycle jacket. When Thompson sang the song, one of his most popular, and got to this particular line, Jim called out, “Me, too!” Thank goodness, Jim is not a heckler – and he didn’t disturb the...
info_outlineThis week on StoryWeb: Oscar Wilde’s play The Importance of Being Earnest.
Really, has there ever been a play funnier than Oscar Wilde’s The Importance of Being Earnest?
No matter how you experience it – by reading the play, seeing it performed live, or watching one of the film adaptations – you’re sure to be splitting your sides with laughter in no time. Even if you’ve seen the play or one of the films before, you’ll laugh just as hard – maybe even harder – than you did the first time you saw it. Knowing all the uproariously funny jokes to come, all the farcical plot twists and turns Wilde has up his sleeve just adds to the fun.
Who is your favorite character in the play? Like many viewers, I am partial to Lady Bracknell, the forerunner to Violet, the Dowager Countess of Grantham, played so consummately by Maggie Smith on Downton Abbey. Lady Bracknell’s arch observations – complete with eyebrows lifted and eyes peering down her aristocratic nose – are droll and on point every single time.
“To lose one parent, Mr. Worthing, may be regarded as a misfortune,” she says near the beginning of the play. “To lose both looks like carelessness.” The scene from which this line comes – in which Lady Bracknell interrogates Ernest (or is it Jack?) Worthing as he seeks her daughter Gwendolyn’s hand in marriage – is one of the funniest in the play. But the rest of the play is supremely satisfying comedy as well as we learn the importance of being Ernest.
Like Lady Bracknell, Oscar Wilde himself was a force to be reckoned with. No upholder of the aristocracy, Wilde instead flouted convention at every turn. One source says, “Known for his biting wit, flamboyant dress, and glittering conversation, Wilde became one of the best-known personalities of his day.” He reigned supreme as the British playwright of the 1890s.
Wilde’s lover was Lord Alfred “Bosie” Douglas, whose father, the Marquess of Queensberry, had planned to throw rotten vegetables at Wilde after the debut in early 1895 of The Importance of Being Earnest. Wilde and Bosie pre-empted the plan, and Wilde prosecuted the Marquess for criminal libel. Eventually, Wilde dropped the charges against the Marquess but was then himself arrested and tried for gross indecency with men. Ultimately, Wilde was convicted and received the maximum penalty for crimes of homosexuality: he was imprisoned for two years’ hard labor. In 2017 – more than 120 years after his conviction – Wilde was pardoned for his offense. When Britain passed the Policing and Crime Act of 2017, homosexuality was no longer a crime in the United Kingdom, and an estimated 50,000 men, including Wilde, were pardoned.
Unfortunately, the trial and imprisonment exacted a great toll upon Wilde. The Importance of Being Earnest was his last play, and he never fully recovered – creatively or otherwise – from his trial and imprisonment. Five years after The Importance of Being Earnest premiered in London and three years after being released from prison, Wilde died penniless in Paris at the age of 46. A great literary light was extinguished.
To learn more about the inimitable Wilde, visit the Oscar Wilde Website or the website of the Oscar Wilde Society. Richard Ellmann’s 1987 volume, Oscar Wilde, is the definitive biography. It was used as the basis for the outstanding 1997 film Wilde, with Stephen Fry playing Wilde and Jude Law playing Bosie.
Ready to revisit this wonderful play – or to discover it for the first time? You can read the play online at Project Gutenberg or buy a hard copy of the play. Two film adaptations – Anthony Asquith’s 1952 film or Oliver Parker’s 2002 version (starring Colin Firth and Judi Densch as Lady Bracknell) – bring the play to life in all its comedic glory.
Wilde’s literary executor, Robert Ross, said after his death:
Later on I think everyone will recognise his achievements; his plays and essays will endure. Of course you may think with others that his personality and conversation were far more wonderful than anything he wrote, so that his written works give only a pale reflection of his power. Perhaps that is so, and of course it will be impossible to reproduce what is gone forever.
Visit thestoryweb.com/wilde for links to all these resources and to watch a clip from the 1952 film adaptation of The Importance of Being Earnest. In this scene, Edith Evans (as Lady Bracknell) interrogates her daughter’s potential suitor, Ernest/Jack Worthing. Comedy doesn’t get any better than this!