StoryWeb: Storytime for Grownups
This week on StoryWeb: Chad Everett’s TV show, Medical Center. If only I could start with the theme song to Medical Center! If I were telling you this story in person, I’d risk humming a few bars, complete with an ambulance-like scream of notes. But alas, I’m left with mere words to conjure up for you the magic that was Medical Center, an hour-long weekly hospital drama starring Chad Everett as the hip, young Dr. Joe Gannon. Chad Everett and Medical Center were literally my claims to fame when I was in college in the early 1980s at the University of Missouri-St. Louis, commonly known as...
info_outline 173: Cynthia Morris: "Chasing Sylvia Beach"StoryWeb: Storytime for Grownups
This week on StoryWeb: Cynthia Morris’s novel, Chasing Sylvia Beach. What do you get when you combine time travel, intriguing literary history, Paris, and romance? Why, Cynthia Morris’s novel, Chasing Sylvia Beach, of course! I know Cynthia from participating regularly in what she previously called Free Write Flings, month-long excursions that have “flingers” writing freely for fifteen minutes each day in response to various “prompts.” I’ve dipped into Cynthia’s Free Write Flings twice a year for the last several years – every October and February – to generate ideas for...
info_outline 172: James H. Cone: "Martin & Malcolm & America: A Dream or a Nightmare"StoryWeb: Storytime for Grownups
This week on StoryWeb: James H. Cone’s book Martin & Malcolm & America: A Dream or a Nightmare. It has been more than 25 years since I read Rev. James H. Cone’s book Martin & Malcolm & America: A Dream or a Nightmare. I was teaching an English 101 course focused on the writing of the Civil Rights Movement, and I wanted to learn more about Dr. Martin Luther King, Jr., and Malcolm X and to understand better the relationship between them, the intersection points, if any, between them. Of course, I’d already read Dr. King’s “I Have a Dream” speech and his landmark...
info_outline 171: Malcolm X and Alex Haley: "The Autobiography of Malcolm X"StoryWeb: Storytime for Grownups
This week on StoryWeb: Malcolm X and Alex Haley’s book, The Autobiography of Malcolm X. Malcolm X wrote his famed autobiography in collaboration with African American journalist Alex Haley (most famous for his epic book Roots: The Saga of an American Family). If you are one of the many Americans who believe Malcolm X espoused violence, even hate, I urge you to read this compelling book. It reveals Malcolm X as a much more nuanced thinker and leader than depicted in mainstream media. The Autobiography of Malcolm X resonates with so much other American literature before and after its...
info_outline 170: Dr. Martin Luther King, Jr.: "Letter from Birmingham Jail"StoryWeb: Storytime for Grownups
This week on StoryWeb: Dr. Martin Luther King, Jr.’s essay “Letter from Birmingham Jail.” In April 1963, Dr. Martin Luther King, Jr., was in Birmingham, Alabama, protesting racism and racial segregation in the city. He was arrested on Good Friday for demonstrating, which a circuit court judge had prohibited. While he was in solitary confinement, Dr. King wrote what is arguably the most important letter in American history. It was addressed to the white clergy of Birmingham, who had publicly criticized Dr. King for getting involved in a matter far from his home in Atlanta. Dr. King began...
info_outline 169: Susan Glaspell: "Trifles"StoryWeb: Storytime for Grownups
This week on StoryWeb, Susan Glaspell’s play Trifles. Born in 1876, Susan Glaspell was a prominent novelist, short story writer, journalist, biographer, actress, and, most notably, playwright, winning the 1931 Pulitzer Prize for Drama for her play Alison’s House. She and her husband, George Cram Cook, founded the ground-breaking Provincetown Players, widely known as the first modern American theater company. In fact, it was Glaspell who discovered dramatist Eugene O’Neill as she was searching for a new playwright to feature at the theater. Though she was a widely acclaimed author during...
info_outline 168: Elizabeth Strout: "Olive Kitteridge"StoryWeb: Storytime for Grownups
This week on StoryWeb: Elizabeth Strout’s book Olive Kitteridge. Has there ever been a grimmer, more taciturn main character in a book than Elizabeth Strout’s Olive Kitteridge? We’ve all known someone like Olive, someone who looks like she’s just bitten into a lemon, someone for whom a kind of self-righteous grumpiness rules the day. What’s so unlikely is to have such a Gloomy Gus serve as the focal point of a book. And it must be said: Olive Kitteridge is not a sympathetic character. As readers, we don’t like her. Those around her – most notably her son – don’t like her...
info_outline 167: Emily Dickinson: Poem 372, "After Great Pain, a Formal Feeling Comes"StoryWeb: Storytime for Grownups
This week on StoryWeb: Emily Dickinson’s Poem 372, “After great pain, a formal feeling comes –” For Patricia and our students Emily Dickinson’s Poem 372 is not – technically speaking – a story. And Dickinson is not a storyteller per se. But her nearly 1,800 poems speak deeply and powerfully to the human condition. They give a still unparalleled account of what it is to be human. Poem 372 does have some elements of storytelling. Instead of “once upon a time,” we get “after this, then this.” And then Dickinson describes the numbing, the freezing, the letting go – perhaps...
info_outline 166: James Joyce: "The Dead"StoryWeb: Storytime for Grownups
This week on StoryWeb: James Joyce’s short story “The Dead.” James Joyce’s “The Dead” is widely considered to be his best short story, called by the New York Times “just about the finest short story in the English language" and by T.S. Eliot as one of the greatest short stories ever written. The storyline is simple enough: a long-married Irish couple -- Gretta and Gabriel Conroy – attend a lavish dinner party thrown by his aunts in celebration of the Feast of the Epiphany (January 6). At the party, they each have a variety of conversations with assorted party guests, and...
info_outline 165: Richard Thompson: "1952 Vincent Black Lightning"StoryWeb: Storytime for Grownups
This week on StoryWeb: Richard Thompson’s song “1952 Vincent Black Lightning.” For Jim, in honor of his birthday My husband, Jim, and I love this song by Richard Thompson and its signature line, “red hair and black leather, my favorite color scheme.” In fact, the first concert we saw together was Thompson playing at the Boulder Theater, and of course, I sported a black leather motorcycle jacket. When Thompson sang the song, one of his most popular, and got to this particular line, Jim called out, “Me, too!” Thank goodness, Jim is not a heckler – and he didn’t disturb the...
info_outlineThis week on Story Web: the Coen Brothers’ film Fargo.
I suppose I must have a dark sense of humor indeed to think of the Coen Brothers’ film Fargo as a comedy – even if I do realize that it is a dark comedy. I mean, what can you say about someone who shrieks, then laughs uproariously, at the woodchipper scene?
Yes, Fargo is a weird and dark tale – from William H. Macy as Jerry Lundegaard, the pathetic car dealership manager who pays two sleazy criminals to kidnap his wife, to Steve Buscemi as the “funny-looking guy” in that criminal pair, from Frances McDormand as Marge Gunderson, a pregnant police detective, to Steve Park as Mike Yanagita, the high school classmate who visits her in one of the film’s many bizarre scenes. All of the actors in the movie are outstanding, but my favorite by far is McDormand, who also happens to be married to Joel Coen and who acts in a number of the Coen Brothers’ films. Apparently, I am not alone in my assessment of McDormand’s portrayal of Marge Gunderson, as she won a Best Oscar Actress for this role.
Part of what made Fargo fascinating and compelling to me when I first saw it was the film’s opening claim that it is based on a true story. The viewer sees the following text on screen:
This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred.
But as it turns out, the story may not actually be true – or then again, it may be. The Coen Brothers have both asserted that it is true and laughed off questions about its veracity. As Ethan Coen says, “You don’t have to have a true story to make a true story movie.” Learn more about the truth or fiction of Fargo by visiting Snopes, the Huffington Post, and Film School Rejects.
Now if you haven’t seen Fargo, I don’t want to give anything away. Suffice it to say, watching Fargo won’t be your average viewing experience. And as you watch events unfold, you may be thinking, “She finds this funny?!” As I said, it’s a dark sense of humor that draws me to this film.
Fans of the Coen Brothers’ other films will know what I mean. From one of their earliest films, Raising Arizona, Joel and Ethan Coen have shown themselves to find humor in the strangest of settings. I know people who are such ardent fans of Raising Arizona that they can recite virtually every line, and that is even more the case with their cult classic The Big Lebowski (anyone for a White Russian?). Probably their “biggest” film to date is O Brother, Where Art Thou? It stars George Clooney as a modern-day Ulysses on an odyssey through the Depression-era South. Of course, laughs are once again in big supply.
To dig deeper into Fargo, check out The Atlantic’s in-depth consideration of the film that “brought it all together” for the Coen Brothers. You can watch a television interview with the Coen Brothers and Frances McDormand about Fargo, and you’ll also enjoy a short video about the seven things you probably didn’t know about Fargo. A great deal of dialogue from the film can be found at Wikiquote. To go all scholarly on the film, check out The Coen Brothers’ Fargo, a Cambridge Film Handbook.
To think more fully about the Coen Brothers’ long career in filmmaking, read The New Yorker’s assessment of their work. A three-minute video tribute to their many films is also available. You might also find it interesting to read Ian Nathan’s new book, The Coen Brothers: The Iconic Filmmakers and Their Work, or Mark T. Conard’s book The Philosophy of the Coen Brothers. Also useful is a collection of interviews with the Coen Brothers.
Of course, Fargo was so successful that it spawned a TV spin-off twenty years later! There are mixed reports about whether the Coen Brothers like the television series, but for my money, the original film is all you need. If you want to add Fargo to your DVD collection, consider buying Coen Brothers Collection, which includes Blood Simple, Fargo, Miller’s Crossing, and Raising Arizona. Or you might just want to stick with the special edition DVD of Fargo.
Visit thestoryweb.com/fargo for links to all these resources and to watch the scene in which police detective Marge Gunderson (played by Frances McDormand) says, “’m not so sure I agree 100% with your policework there, Lou.”
However you watch Fargo, just be sure to laugh. It’s not all grim and macabre – at least not to me!