Swimfans
This week on the show, we talk the fantasy of abundance and community, befriending crows, and the beauty and grace of flesh buses in 1988’s MY NEIGHBOR TOTORO! Theme by Padlock:
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This week on Unknown Pleasures, Jennifer and Craig prepare to drop flash drives of conversation about Spielberg, generational divides of attitudes about systems, and getting alien powers in 2026’s DISCLOSURE DAY! Theme by Padlock:
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This week on Unknown Pleasures, we talk about gay sex, clown-based liquor stores, and the switch from external sources of oblivion to internal ones in 1992’s THE LIVING END! Theme by Padlock:
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This week on the show, we welcome back video essayist and editor Delaney Jordan to discuss making appeals to the fungus god, things made in the immediate wake of a pandemic, and how much filmic shag is too much filmic shag in 2021's IN THE EARTH! Theme by Padlock:
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This week on Swimfans, we celebrate Jennifer’s birthday and look back on formative film experiences, the power of a drifting crane shot, and we think about death and get sad and stuff in 2009’s ENTER THE VOID! Theme by Padlock:
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This week on Unknown Pleasures, we submit to the power of cinematic distance, we beg at the altar of character perspective, and we worship the idea of just okay gay movies in 2025’s PILLION! Theme by Padlock:
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This week on Swimfans, we opine broadly about masculinity and its foibles, the raw material of human sexuality, and the proper disposal of seabirds in 2019’s THE LIGHTHOUSE! Theme by Padlock:
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This week on Unknown Pleasures, we talk the struggle of inhabiting a body around other bodies, various gay anxieties, and Josh missing the point entirely in 1991’s POISON! Theme by Padlock:
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This week on Unknown Pleasures, we get really into witchy jerkoff chambers, ponder the meaning of the dog cannibalism box, and consider movies that don’t commit to anything in 2018’s HIGH LIFE! swimfanspod.com @swimfanspod
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It all returns to nothing. It all comes tumbling down. This week on Swimfans, we talk the profane and the divine, the power of sigils and esoterica, and the horrors of being a discrete person in the world in 1997's THE END OF EVANGELION! Theme by Padlock:
info_outlineHappy 2026 doves!! This week, we discuss troubled film productions, aesthetics filling the gap between interest, and Craig’s tales of balling in 1995’s WILD SIDE!
Theme by Padlock: http://padlock.bandcamp.com/