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Micah Evans

Talking Out Your Glass podcast

Release Date: 01/15/2021

Between Us: John Littleton and Kate Vogel’s Contributions to Glass show art Between Us: John Littleton and Kate Vogel’s Contributions to Glass

Talking Out Your Glass podcast

Well-known early on for their signature blown glass Bags, the subsequent cast glass work of John Littleton and Kate Vogel provided a new outlet for complex contemplations, questions and reflections. In this dramatic departure from their lighthearted Bags, faces and hands are used in various poses and combinations to explore states of mind, relationships, and even spiritual themes.

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Robin Grebe show art Robin Grebe

Talking Out Your Glass podcast

Inspired by Cycladic fertility icons, early Byzantine paintings, and folk art, Robin Grebe’s figures serve as a canvas or setting for her narratives. Using birds and plants as metaphors for mythic flight, spirituality, the intangible, and nature’s uncontrollable forces, Grebe transforms her personal search into a shared exploration.

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Joshua Opdenaker aka JOP! show art Joshua Opdenaker aka JOP!

Talking Out Your Glass podcast

The first in Philly’s Fishtown area to make a name for himself in the field, today there are at least five glass studios and 18 glassblowers on Opdenaker’s street alone. From group builds such as those of the Molten Art Classic to individual skill-building works such as goblets, JOP! glass’ pioneering spirit continues evolving with the scene.

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Sylvia Nicolas show art Sylvia Nicolas

Talking Out Your Glass podcast

One of the leading ecclesiastical artists in the United States, Sylvia Nicolas is a member of an illustrious and prolific stained glass family. She is the fourth of five generations specializing in the liturgical arts and the daughter of Joep and Suzanne Nicolas, both famous artists who immigrated from the Netherlands to the U.S. in 1939 to escape the rising tide of Nazism. Joep Nicolas was sometimes referred to as “the Father of Modern Stained Glass.”

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Crista Van Slyck-Matteson show art Crista Van Slyck-Matteson

Talking Out Your Glass podcast

Crista Van Slyck-Matteson’s multi-media art speaks of her love for wild spaces and deep connection to the Pacific Northwest. An accomplished sculptor, she allows her finely-honed intuition to guide spontaneous sculpting of natural world observations. Matteson’s work also utilizes technical mold-making skills to create exact replicas of found botanical forms. She combines these skills to create magical-realist sculptures.

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Jason McDonald: Investigating Identity, Racism and Representation show art Jason McDonald: Investigating Identity, Racism and Representation

Talking Out Your Glass podcast

In his current work, glassblower Jason McDonald tells important stories about social inequality through his intentionally made, well-crafted objects. His successful interweaving of those two trajectories continues to evolve through life-changing experiences such as his participation on the popular Netflix competition series Blown Away 2 and his recent week-long Murano, Italy, study with Maestro Davide Fuin as the recipient of the Windgate-Lamar Fellowship.

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Scott Ouderkirk: From Autonomous Panels to Wooden Boats show art Scott Ouderkirk: From Autonomous Panels to Wooden Boats

Talking Out Your Glass podcast

In this ToYG interview, Captain Scott Ouderkirk discusses his successful combination of fusing and stained glass in autonomous panels, unique marketing ideas and suggestions for stained glass artists, thoughts on the creative process regardless of genre, and his love of wooden boats and boating.

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Susan Taylor Glasgow show art Susan Taylor Glasgow

Talking Out Your Glass podcast

Susan Taylor Glasgow’s work embraces feminine ideals of sensuality in a seductive but unforgiving material, offering conflicting messages of comfort and expectation. Some of her sculpture pays tribute to the era of June Cleaver and Betty Crocker via images appropriated from the world of ‘50s and ‘60s television and advertising.

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Remembering Benjamin Moore show art Remembering Benjamin Moore

Talking Out Your Glass podcast

Seattle glass art legend Benjamin Moore died on June 25, 2021. A seminal figure in establishing Seattle as a contemporary glass center, Moore provided his studio and top-notch glassblowing team to make the work of the world’s finest artists and designers.

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Mark Peiser show art Mark Peiser

Talking Out Your Glass podcast

Since 1967 when Mark Peiser became involved with the Studio Glass Movement, he has been recognized for his uniquely individualized approaches and accomplishments in glass. Continual investigation of the expressive implications of glass properties and processes has led to his distinctive bodies of work. Recently Peiser published the book, Thirty-Eight Pieces of Glass – with Related Thoughts, pairing his glass with brief writings of resonance.

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Micah Evans’ Paradigm Shift

Micah Evans blew people’s minds with his fuctional flameworked glass sewing machines that balanced clean traditional craft form and personal sculptural work. Referring to his glass obsession as “a disorder,” Evans was the first flameworker to receive the glass residency at Penland School of Craft, which he served from 2012 to 2015. 

He says: “Lately I seem to be describing my work falling into two categories, things I love to make and things I have to make. The first category is easy; I am in love with the material. Like many glass artists I am a slave to the substance, the way it behaves and looks, the way it demands and gets my full attention whenever I work with it. I love to work with the material, therefore whatever I am making brings with it a genuine feeling of accomplishment and satisfaction. The second category is harder to define but equally important. The work I can’t help but make are the ideas that won’t let me sleep, the ideas that have me drifting off in conversations to my own world of redesigning and problem solving. It’s the repeated execution of the simple shape that seems to inhabit every page of my sketchbook at the time. It’s exploring ideas over technique and the struggles that come with that process. These two worlds often interact, and I bounce back and forth constantly.”

Born in Cashmere, Washington, in the eastern foothills of the Cascade mountains, Evans moved to Seattle in 1996. He attended The Art Institute of Seattle, focusing on computer animation and illustration before he started flameworking at Stone Way Glass in 1999. After relocating to Jacksonville Beach, Florida, in 2000, the artist opened his first glassblowing studio two blocks from the beach. Five years of workshops and hustle in addition to the struggles of coping with the federal crackdown on pipe making inspired a transition to making more traditional craft objects and personal work.  

Upon resettling in Miami, Evans became a studio assistant to William Carlson, chair of the Art Department at the University of Miami. Shortly thereafter he began working with ceramic artist, Bonnie Seeman, combining glass and ceramics. Through working with both of these artists he was introduced to SOFA and Art Basel.

In 2008, Evans relocated to Austin, Texas, where his personal artwork and pipe designs began to mature and develop a symbiotic relationship. His friendship with pipe maker and sculptor SALT pushed both artists in new directions. A 2011 class at Penland with Carmen Lozar inspired a big shift in Evans’ career. He describes his subsequent Penland Residency as “the most wonderfully brutal four years” of his life, where he learned to balance the dynamic of pipes and fine art in more than one way. 

In 2016, Evans began designing full time for GRAV Labs, a product design company based in Austin, Texas. Working with glassblower, designer and engineer, Stephan Peirce, Evans has learned the language of industrial and product design. This opportunity presented him with a window into glass manufacturing that changed the way he thought about the material and how it can be used. He regularly visits glass studios and factories in China to research new ways of working and designing in borosilicate glass, with a current focus on engineering and adapting small-scale manufacturing processes observed in Asia to his studio practice. These events inspired a “paradigm shift” in Evans’ understanding about borosilicate glass and what can be done with the material.

Currently building out an expanded studio space at GRAV Labs focused on both R&D and his own work, Evans travels, teaches and lectures at schools and universities around the world about flameworking, design and glass subculture in the United States.