Talking Out Your Glass podcast
At the Glass Art Society’s (GAS) 2025 conference, Trailblazing New Traditions, held in May in Arlington and Fort Worth, Texas, Zachary Layhew and Hoseok Youn presented a unique collaborative glassblowing demonstration where Youn’s Venetian fantasy vessels intersected with the baroque, cubist influences of Layhew’s practice. The artists shared their unique approaches to traditional techniques and designs, both makers transforming the context of tradition through the lens of their original personalities. The result was a figurative sculpture constructed from historical goblets and...
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Author and architectural glass artist Robert Sowers wrote that lead should be considered a design element and not just a matrix to hold stained glass. That idea spoke to Richard Prigg, who has developed a body of work that celebrates lead and solder as much as it does breathtakingly beautiful glass. Though historically stained glass windows conveyed the teachings of the church, Prigg’s work intentionally tells no stories, but rather impacts the viewer by combining more expressive lead work with various light-modulating elements of and beyond the window itself. States Prigg: “I have an...
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Jason Christian’s work pushes the boundaries of his craft, combining the delicate complexity of reticello with intricate detailing inspired by Fabergé eggs. Through series such as his Bumbershoots and Yo-Yos that reflect classic Venetian technique to more sculptural works including Dragons and Volpe, Christian’s art is deeply influenced by his family, personal experiences, and the nostalgia of growing up in the Pacific Northwest. A renowned glass artist based in the Seattle area, Christian was born in 1976 on Whidbey Island, Washington, to a metal...
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Beth Lipman is an American artist whose sculptural practice generates from the Still Life genre, symbolically representing the splendor and excess of the Anthropocene and the stratigraphic layer humanity will leave on earth. Assemblages of inanimate objects and domestic interiors, inspired by private spaces and public collections, propose portraits of individuals, institutions, and societies. Through works in glass, wood, metal, photography, and video, Lipman presents a meditation on our relationship to Deep Time, a monumental time scale based on geologic events that minimizes human...
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Using over 17,500 letters of handmade murrine tiles, Mathieu Grodet composed La Déclaration des Droits de l’Homme et du Citoyen, which translated means the Declaration of Human Rights, which was written in 1789. Recreated in mosaic style, dark red was used to represent blood, with the ivory-colored background symbolizing the ivory tower that freedom must be taken from. Intense attention to detail combined with a contemporary message defines Grodet’s multi-disciplinary works in glass. A French-born artist living and working in Canada, Grodet also creates thin and elegant...
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An American born artist dedicated to developing new techniques of glass working, Joshua Hershman combines optical physics with the fluidity of glass to make his contemporary sculpture. By harnessing light though hand-polished lenses, he employs unique methods of casting, coldworking, and photography in his boundary pushing work. Hershman states: “My work offers meditations on the complexities within the concept of photography and the repercussions of the camera’s impact on culture. The incredibly creative and destructive nature of photography is both inspiring and alarming to me. It...
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Primarily a flameworker, Kari Russell-Pool approaches her work in a painterly fashion. She is interested in the transformation of an object into an heirloom. Made from hand-pulled glass rods, her Safety Mom Series, for example, was inspired by post-September 11 ideas of keeping a family safe. That series, in incongruously cheerful colors, is dominated by images of guns and keys, and the delicate glasswork is patterned to look like traditional needlework, which kept women’s hands busy in the 18th and 19th centuries. For her Trophy Series, Russell-Pool flameworked a strikingly delicate and...
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At the heart of Dylan Martinez’s work lies the striking H2O/SiO2 series, inspired by the artistic tradition of Trompe L’œil—the technique that deceives the eye into perceiving three-dimensional objects on a flat surface. Each sculpture is meticulously hot-sculpted and hand-molded by Martinez, capturing the fluid movement of rising bubbles and the delicate form of what appears, at first glance, to be bags of water. These pieces transcend objecthood; they are immersive experiences that invite stillness, inspection, and recalibration of the senses. Martinez reflects, “Our vision has the...
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As lead painter and art department manager for Willet Studios in Winona, Minnesota, Melissa Janda will speak about Willet’s large-scale projects at the upcoming American Glass Guild Conference, being held in Mesa, Arizona, from May 22 – 24, 2025. With 30 years of experience in the field of stained glass, Janda is adept at all aspects of stained glass production, specializing in glass painting, design and restoration work. From St. Agnes Catholic Church in Key Biscayne, Florida, to St. Jane de Chantal Catholic Church, Bethesda, Maryland, the results are stunning and speak...
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One of the most followed stained glass artists on social media, Meggy Wilm of Colorado Glass Works, Boulder, Colorado, shares her creations with nearly 275K (and growing) followers on Instagram – attracting a new audience of young enthusiasts to the medieval craft. Wilm and her husband Dustin Mayfield also recently purchased Boulder-based D&L Art Glass Supply from Leslie Silverman, who dedicated 50 years to the company she founded. Experienced entrepreneurs, Wilm and Mayfield have a deep appreciation for the art glass industry and a forward-thinking vision for...
info_outlineMargaret Heenan: Circling the Square
Having grown up in the 1960s and ‘70s, Australian kilnforming artist Margaret Heenan was influenced by the highly stylized graphic designs and patterns of early childhood found on wallpapers, homewares and textiles. From her Perth studio, the artist consistently produces impeccably designed fused glass plates, bowls, wall pieces and sculpture using vibrantly nostalgic colors and patterns. Linear and highly structured and restrained, the final pieces begin as detailed drawings and paintings referenced for cutting the glass, which must be accurate to achieve a seamless fit. An artist with dual aesthetic sensibilities, Heenan is also known for her more painterly kilnformed glass, strongly influenced by the Australian landscape.
Heenan’s love of calligraphy and fine lettering led to her discovery and love of glass art. Earning a diploma in these subjects required the completion of a special study, which she carried out with a neighbor who was a stained glass artist. Lettering a couple of large liturgical windows sparked Heenan’s passion for glass and resulted in her appreciation for heraldry – how to interpret blazons (armorial bearings) and how to draw and paint coats of arms. She remains a Life Member of the Calligraphers’ Guild.
Earning a Bachelor of Fine Arts from the University of Western Australia, 2004, Heenan went on to study glass with well-known artist-instructors such as Richard Parrish, Lee Howes, Judi Elliot, Jeremy Lepisto, Mel George, and Ian Dixon. She worked with David Hay and Holly Grace at Edith Cowan University during the final term of her BFA as part of a cross-institutional enrollment to access hot glass at Hyaline Glass Studio.
With work in private collections in England, South Africa, Australia, America and China, Heenan is represented by Gallows Gallery, Mosman Park, Perth; Jah Roc Gallery, Margaret River, Western Australia; Aspects of Kings Park, West Perth; and Gallery Aura, Kojanup, Western Australia. The artist’s work was featured in the book, Best of World Wide Glass Artists, Vol 1, and three Heenan pieces were chosen by Spectrum Glass catalogue to promote System 96 Glass in the US.
After a career of perfecting both technique and design, Heenan’s goal of having her work recognized by its unique and stylized treatment of color, pattern and form has come to pass.