Mathieu Grodet: Expressing Complex Modern Themes via Multi-Disciplinary Glass Works
Talking Out Your Glass podcast
Using over 17,500 letters of handmade murrine tiles, Mathieu Grodet composed La Déclaration des Droits de l’Homme et du Citoyen, which translated means the Declaration of Human Rights, which was written in 1789. Recreated in mosaic style, dark red was used to represent blood, with the ivory-colored background symbolizing the ivory tower that freedom must be taken from. Intense attention to detail combined with a contemporary message defines Grodet’s multi-disciplinary works in glass. A French-born artist living and working in Canada, Grodet also creates thin and elegant...
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Joshua Hershman: Combining Casting, Coldworking and Photography in Groundbreaking Sculpture
Talking Out Your Glass podcast
An American born artist dedicated to developing new techniques of glass working, Joshua Hershman combines optical physics with the fluidity of glass to make his contemporary sculpture. By harnessing light though hand-polished lenses, he employs unique methods of casting, coldworking, and photography in his boundary pushing work. Hershman states: “My work offers meditations on the complexities within the concept of photography and the repercussions of the camera’s impact on culture. The incredibly creative and destructive nature of photography is both inspiring and alarming to me. It...
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Kari Russell-Pool: Flameworking Glass Heirlooms
Talking Out Your Glass podcast
Primarily a flameworker, Kari Russell-Pool approaches her work in a painterly fashion. She is interested in the transformation of an object into an heirloom. Made from hand-pulled glass rods, her Safety Mom Series, for example, was inspired by post-September 11 ideas of keeping a family safe. That series, in incongruously cheerful colors, is dominated by images of guns and keys, and the delicate glasswork is patterned to look like traditional needlework, which kept women’s hands busy in the 18th and 19th centuries. For her Trophy Series, Russell-Pool flameworked a strikingly delicate and...
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Dylan Martinez: Glass Sculpture Confronting the Limits of Perception
Talking Out Your Glass podcast
At the heart of Dylan Martinez’s work lies the striking H2O/SiO2 series, inspired by the artistic tradition of Trompe L’œil—the technique that deceives the eye into perceiving three-dimensional objects on a flat surface. Each sculpture is meticulously hot-sculpted and hand-molded by Martinez, capturing the fluid movement of rising bubbles and the delicate form of what appears, at first glance, to be bags of water. These pieces transcend objecthood; they are immersive experiences that invite stillness, inspection, and recalibration of the senses. Martinez reflects, “Our vision has the...
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Melissa Janda: Sharing Willet Studios’ Gems at AGG Conference
Talking Out Your Glass podcast
As lead painter and art department manager for Willet Studios in Winona, Minnesota, Melissa Janda will speak about Willet’s large-scale projects at the upcoming American Glass Guild Conference, being held in Mesa, Arizona, from May 22 – 24, 2025. With 30 years of experience in the field of stained glass, Janda is adept at all aspects of stained glass production, specializing in glass painting, design and restoration work. From St. Agnes Catholic Church in Key Biscayne, Florida, to St. Jane de Chantal Catholic Church, Bethesda, Maryland, the results are stunning and speak...
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Meggy Wilm: Artist and Owner of Colorado Glass Works, D&L Art Glass Supply
Talking Out Your Glass podcast
One of the most followed stained glass artists on social media, Meggy Wilm of Colorado Glass Works, Boulder, Colorado, shares her creations with nearly 275K (and growing) followers on Instagram – attracting a new audience of young enthusiasts to the medieval craft. Wilm and her husband Dustin Mayfield also recently purchased Boulder-based D&L Art Glass Supply from Leslie Silverman, who dedicated 50 years to the company she founded. Experienced entrepreneurs, Wilm and Mayfield have a deep appreciation for the art glass industry and a forward-thinking vision for...
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Murano’s Ferro Brothers: Carved in Glass
Talking Out Your Glass podcast
Working with abrasive spinning wheels, the Ferro brothers cold work glass vessels in brilliant colors. Their dramatic cuts are sometimes five layers deep, and they cradle each piece for hours, days, and often weeks, painstakingly grinding away to reveal what lies underneath. There is always the danger that the piece will shatter, so it is a painstaking process. The finished vessel is a passionate work of art in vibrant translucent colors and energetic textures. Pietro and Riccardo Ferro were born in 1975 and 1980, respectively. Under the guidance of their father, cold-working Maestro Paolo...
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Stephanie Trenchard: Casting Womens’ Narratives in Glass
Talking Out Your Glass podcast
Stephanie Trenchard’s multi-disciplinary creative process includes painting and poetry along with cast glass. With a focus on biographical stories of how women artists have navigated careers and partnerships, motherhood and making a living while still focusing on their creative practice, the work also discusses the price the art has to pay in this grand juggling act. The artist prioritizes the actual experience of the work, making and seeing it, over the classification of genre or ownership of an idea. Says Trenchard: “I create my own visual vocabulary in storytelling. Using...
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Joyce J. Scott: Repositioning Craft as a Forceful Stage for Social Commentary and Activism
Talking Out Your Glass podcast
For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination,...
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Studio Glass Pioneer Joel Philip Myers
Talking Out Your Glass podcast
self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman’s Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an...
info_outlineRoss Richmond: Figurative Elements and Symbolic Objects
In sculpting realistic figures of humans and horses adorned with color and pattern, Ross Richmond demonstrates how an artist can push his medium beyond its normal boundaries. The artist creates beautiful and expressionistic sculpture using gesture to convey narrative. Communication has always been the main source of Richmond’s inspiration, whether it be with oneself or between others.
Richmond discovered glass in 1991 during his time at the Cleveland Institute of Art, where he received a BFA in glass, with a minor in metals. He is considered one of the top glass sculptors in the field today and has worked with (and for) some of the greatest glass and non-glass artists including William Morris, Jane Rosen, Preston Singletary, KeKe Cribbs, and Dale Chihuly. Richmond studied and taught at The Studio of the Corning Museum of Glass (CMoG), Penland School of Craft and the Pilchuck Glass School. The artist was awarded residencies at the Tacoma Museum of Glass, Toledo Glass Museum and CMoG. His work is represented by a number of galleries across the country.
Working as an apprentice in 1997, Richmond became a member of Morris’ glassblowing team in 1999 and worked alongside him until his retirement in 2007. Morris encouraged teamwork and working outside the box – lessons reflected in both the surface and shape of Richmond’s exquisite horse figures.
All of Richmond’s work is blown and hot sculpted, meaning that nothing is casted or mold blown – all pieces are made by hand while hot on the pipe in the glass shop. First, the main shape of the piece is established then allowed to cool. Working it in a colder state affords the artist a more “solid core” to work from. If the piece is too hot, the shape will distort as the details are brought out. A small oxygen-propane torch is used for all of the detail work, which allows for a greater variety of flame shapes and sizes to work with. Heads are typically blown, whereas all hands are solid. With a blown shape, Richmond is able to inflate areas or suck areas in as needed. Hands are made solid so that delicate fingers do not collapse or distort. All colors are applied in layers of glass powders, and the finished piece is coated with an acid to remove the shine for a matte finish.
The inspiration for Richmond’s figures made between 2015 and 2018, was derived from ancient Egyptian sculpture, Japanese prints and Art Nouveau graphics, which all use or are inspired by natural scenes and landscapes. All of these different time periods and genres produced works that were highly ornate, yet simplistic in form and composition. Richmond used color and pattern to decorate and adorn the robes his figures are wearing to create imagery and convey a setting or scenery, to place the figure in a natural environment. Imagery of blossoming flowers or trees convey growth or growing to create the feeling of springtime bliss, awakening after the winter slumber. Carved imagery or applied components provide a bas relief and texture to an otherwise flat and smooth surface.
Richmond says: “The figure has always been a major theme in my work, and in this series, I am breaking down the human form into a basic shape as if it were draped in fabric. This keeps the eye from focusing on the details of anatomy, and lets the viewer follow the sweeping gestural lines of the form. The basic shape of the body along with its quiet contemplative facial features, gives these figures a calm meditative feel.”
In 2016, Richmond and Randy Walker were awarded a collaborative residency at CMoG. Having worked together on the Morris glassblowing team, the two artists utilized well-learned teamwork combined with strengths in form, color, and the ability to push the bounds of the material. Walker created objects that seemed to grow out of and be part of the natural world, while Richmond sculpted realistic figures adorned with color and pattern. Marrying their aesthetic, objects were transformed from natural objects into figurative works.
Over the last few years, Richmond has been slowly building his own hot glass studio in Seattle. From March 4 through 27, Traver Gallery presents a unique exhibition of works by Jane Rosen and Richmond. Though their influence is always visible in one another’s artwork, this is the first time they have shown side by side. This exhibition celebrates and highlights the critical impact of artist friendships and highlights the vital influence each has on the other.