Ariana Makau and Nzilani Glass Conservation: At the Intersection of Equity, Preservation and Art
Talking Out Your Glass podcast
Ariana Makau, founder of Nzilani Glass Conservation, was the second person in the world – and the first woman – to receive a Master’s Degree in Stained Glass Conservation from the Royal College of Art in London. Equally comfortable on a job site, at a board meeting or in a museum, Makau has over 30 years of experience with art and architectural preservation. Her work is most fulfilling at the intersection of equity, preservation and art. Nzilani Glass Conservation is an award-winning firm and one of the few companies in the United States qualified to create new or preserve...
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Susan Stinsmuehlen-Amend: Stretching Concepts and Pushing Processes of Traditional Glass
Talking Out Your Glass podcast
Susan Stinsmuehlen-Amend is an artist for whom ideas have always been more important than media, and possibly more integral to her work. It’s interesting then that her art has been consistently viewed through the lens of glass. In the creation of her early X series to more recent Calendar Notations, she has pioneered techniques such as non-traditional, unfired painting on glass, mixing glass with other media, and presenting painted, decorated glass on the wall in reflected light. Throughout her career, the artist distilled her own life experiences in the creation of...
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Nadine Saylor: Telling Stories Behind the Objects, Places, and Lives They Touch
Talking Out Your Glass podcast
Recently, Nadine Saylor has been creating a series of gas and oil cans featuring imagery of her local surroundings. These more “masculine” objects remind her of the things her grandfather had in his shed. In thinking about gender and how it relates to the objects with which we surround ourselves, she investigates what role gender plays in our world writ large. Assistant Professor of Glass and Sculpture at University of Nebraska, Kearney, Saylor is originally from Hershey, Pennsylvania. She received her BFA in Photography from the University of the Arts in Philadelphia and her MFA in Glass...
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Rick Beck: Casting Large-Scale Industrial Objects and Figural Forms in Glass
Talking Out Your Glass podcast
Rick Beck’s modern cast and carved figurative glass sculptures are inspired by industrial and architectural works as well as the human form, with an emphasis on formal aspects. Interested in playing the volumes of mass against the rhythm of the lines, Beck enjoys the interplay of the visual versus the verbal, creating art that challenges the eye as well as the mind. Beck states: “My wife, Valerie, got me a book about the competitive relationship between Picasso and Matisse. Their artistic dialogue about the figure has fired my imagination, especially the way they shared and borrowed images...
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The Pain and Pleasure of Karisa Gregorio’s Stained Glass
Talking Out Your Glass podcast
Karisa Gregorio’s autonomous stained glass panels explore themes of sex, death, God, the Devil, pleasure, temptation, intimacy, love, lust, and indulgence. The relationship between glass and light in stained glass allows her to create works that feel alive. Using traditional processes as well as techniques developed by modern stained glass master Judith Schaechter, the depth and intimacy of Gregorio’s materials create a world in which the pleasures of the flesh and emotions of the heart are equally illuminated and illuminating. Having received her BFA in Craft + Material studies, with a...
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Stephen Dee Edwards: Studio Glass Pioneer, Glass Caster, Educator
Talking Out Your Glass podcast
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Derek Hunt: Inspiring the Next Generation of Stained Glass Artists
Talking Out Your Glass podcast
Derek Hunt is an award-winning glass artist and educator, a Fellow of the British Society of Master Glass Painters, a Fellow of the Royal Society of Arts and an accredited stained glass conservator. He designs and makes glass artworks for public spaces, private homes and churches using methods to include traditional stained glass as well as working with new techniques such as screen and digital printing to push the creative boundaries of the medium. In addition to creating and restoring stained glass works, Hunt hosts specialist Master Classes throughout the year at his studio in...
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Gemma Hollister: Narrative Structure and Divine Light
Talking Out Your Glass podcast
Upon graduation from the Tyler School of Art and Architecture with a BFA in glass, Gemma Hollister was awarded the Windgate-Lamar fellowship from the Center for Craft, which allowed her and her partner to start a small studio in Philadelphia, Antolini Glass Co. While balancing her personal artistic practice and work as a production glassblower, the artist recently appeared on Netflix’s Blown Away: Extreme Heat. The show inspired new work, which she made both in her own studio and during a residency at Monterey Glassworks. States Hollister: “Blown Away gave me a chance to...
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Hana Hastings, Sand and Fire Works: Using Social Networks to Successfully Market Stained Glass Patterns, Classes and Artwork
Talking Out Your Glass podcast
Using Etsy for pattern sales, Patreon for teaching classes and Instagram for promoting her artwork, Hana Hastings, Sand and Fire Works, Grimsby, Ontario, Canada, has acquired a substantial following for her offerings in stained glass. Wanting to differentiate herself from the more traditional glass designs and commonly seen pattern work, Hastings brought nature and natural subjects into the homes of her patrons by experimenting with 3D sculpture and unique textures and colors of glass. Mastering her marketing efforts on social media, the artist grew a following significant enough to dedicate...
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Michael Meilahn: An Artist Farmer’s Focus on Corn and GMOs
Talking Out Your Glass podcast
Michael (Mick) Meilahn’s body of work, which includes glass sculpture and large glass and multi-media installations, intertwines the artist’s investigation into agriculture, crop production, genetic food modification, and the ancient history of corn. Primordial Shift, a quintessential example of Meilahn’s later installations, consisted of 32 hand-blown glass ears of corn averaging 4-feet high, suspended on stalks of cord with leaves of cast bronze on a backdrop of video projected to create an illusion of gentle swaying in the breeze and surround-sound audio that included the...
info_outlineKim Thomas: The Escape and Beyond
A prolific borosilicate flameworker producing highly recognizable works in functional and sculptural glass, Kim Thomas aka Zii is changing the face of flameworking. From detailed and realistic human teeth and severed finger pipes to her latest kinetic sculpture, the artist is redefining what is possible at the torch. From January – April, 2021, recent works The Cloud Capturing Apparatus and The Cloud Riding Contraption were exhibited in Glass in The Expanded Field at the Hunterdon Art Museum, Clinton, New Jersey.
Thomas also participated in Hunterdon’s companion symposium, Pipe Art: Understudied Glass, which considered the glass pipe as a fluid work of art fundamental to the art history of glass. Celebrated artists Dan Coyle and Luken Sheafe, whose artist name is SALT, presented their intensely wrought, figural, and in the case of Thomas, sometimes kinetic, pipes. Joined by Susie J. Silbert, Curator at the Corning Museum of Glass, these artists further contextualized their work within the burgeoning field of pipe-making.
Following graduation from the Rhode Island School of Design with a BFA in ceramics, Thomas attended The Make Up Designory and later worked as an assistant to award-winning special effects make-up artist Kevin Haney. In 2009, when she answered an advertisement for a studio apprentice in North Hollywood, California, Thomas discovered her passion for flameworking. With lessons from her studio mates and observation she quickly learned the medium and turned her practice into a career.
Now making work from the Urban Pheasant Glass Studio, Detroit, Michigan, Thomas is a former professor of glass at Salem Community College in New Jersey, and guest instructor at various schools and studios including Penland School of Craft, Snow Farm, and the Pilchuck School of Glass. She has demonstrated her techniques at The International Flameworking Conference and The Glass Art Society Conference, and exhibits her work in museums and galleries across the United States. Her attention to detail and regard for realism have resulted in a highly recognizable aesthetic signature. In a world where the inherent beauty of glass is regularly exploited, Thomas relies on a gritty realism to set her work apart. Few, if any, artists create similar work.
As Thomas continues to work on The Escape series – she prepares to teach classes at Penland School of Craft, July 18 – August 2 and Snow Farm from August 8 – 13. Both classes are full with waiting lists. She will also participate in an emerging artist residency at Pilchuck Glass School, October 6 – November 22, 2021.
Nicknamed after her classic 1978 Camaro Z28, Zii believes the most creative and engaging work is influenced by the things that find their way into your dreams. She says: “It’s easy with pipemaking to get pigeonholed into making one type of piece –- if you’re doing it as a living, you have to please your fans and make things they will buy. As an artist, if you want to grow and develop, and have some sort of message, you can’t just make one thing over and over.”