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Forging New Paths: The Stained Glass Association of America’s 2023 Conference

Talking Out Your Glass podcast

Release Date: 09/22/2023

Zachary Layhew and Hoseok Youn: Rise of the Tradition show art Zachary Layhew and Hoseok Youn: Rise of the Tradition

Talking Out Your Glass podcast

At the Glass Art Society’s (GAS) 2025 conference, Trailblazing New Traditions, held in May in Arlington and Fort Worth, Texas, Zachary Layhew and Hoseok Youn presented a unique collaborative glassblowing demonstration where Youn’s Venetian fantasy vessels intersected with the baroque, cubist influences of Layhew’s practice. The artists shared their unique approaches to traditional techniques and designs, both makers transforming the context of tradition through the lens of their original personalities. The result was a figurative sculpture constructed from historical goblets and...

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Richard Prigg: Celebrating the Textures, Colors, Voices of his Materials show art Richard Prigg: Celebrating the Textures, Colors, Voices of his Materials

Talking Out Your Glass podcast

Author and architectural glass artist Robert Sowers wrote that lead should be considered a design element and not just a matrix to hold stained glass. That idea spoke to Richard Prigg, who has developed a body of work that celebrates lead and solder as much as it does breathtakingly beautiful glass. Though historically stained glass windows conveyed the teachings of the church, Prigg’s work intentionally tells no stories, but rather impacts the viewer by combining more expressive lead work with various light-modulating elements of and beyond the window itself. States Prigg: “I have an...

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Jason Christian: Modern Simplicity Meets Classical Venetian  show art Jason Christian: Modern Simplicity Meets Classical Venetian

Talking Out Your Glass podcast

Jason Christian’s work pushes the boundaries of his craft, combining the delicate complexity of reticello with intricate detailing inspired by Fabergé eggs. Through series such as his Bumbershoots and Yo-Yos that reflect classic Venetian technique to more sculptural works including Dragons and Volpe, Christian’s art is deeply influenced by his family, personal experiences, and the nostalgia of growing up in the Pacific Northwest. A renowned glass artist based in the Seattle area, Christian was born in 1976 on Whidbey Island, Washington, to a metal...

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Beth Lipman: Tracking Deep Time and the Anthropocene through Still Life Assemblage show art Beth Lipman: Tracking Deep Time and the Anthropocene through Still Life Assemblage

Talking Out Your Glass podcast

Beth Lipman is an American artist whose sculptural practice generates from the Still Life genre, symbolically representing the splendor and excess of the Anthropocene and the stratigraphic layer humanity will leave on earth. Assemblages of inanimate objects and domestic interiors, inspired by private spaces and public collections, propose portraits of individuals, institutions, and societies.  Through works in glass, wood, metal, photography, and video, Lipman presents a meditation on our relationship to Deep Time, a monumental time scale based on geologic events that minimizes human...

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Mathieu Grodet:  Expressing Complex Modern Themes via Multi-Disciplinary Glass Works show art Mathieu Grodet: Expressing Complex Modern Themes via Multi-Disciplinary Glass Works

Talking Out Your Glass podcast

Using over 17,500 letters of handmade murrine tiles, Mathieu Grodet composed La Déclaration des Droits de l’Homme et du Citoyen, which translated means the Declaration of Human Rights, which was written in 1789. Recreated in mosaic style, dark red was used to represent blood, with the ivory-colored background symbolizing the ivory tower that freedom must be taken from. Intense attention to detail combined with a contemporary message defines Grodet’s multi-disciplinary works in glass.  A French-born artist living and working in Canada, Grodet also creates thin and elegant...

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Joshua Hershman: Combining Casting, Coldworking and Photography in Groundbreaking Sculpture show art Joshua Hershman: Combining Casting, Coldworking and Photography in Groundbreaking Sculpture

Talking Out Your Glass podcast

An American born artist dedicated to developing new techniques of glass working, Joshua Hershman combines optical physics with the fluidity of glass to make his contemporary sculpture. By harnessing light though hand-polished lenses, he employs unique methods of casting, coldworking, and photography in his boundary pushing work.  Hershman states: “My work offers meditations on the complexities within the concept of photography and the repercussions of the camera’s impact on culture. The incredibly creative and destructive nature of photography is both inspiring and alarming to me. It...

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Kari Russell-Pool: Flameworking Glass Heirlooms show art Kari Russell-Pool: Flameworking Glass Heirlooms

Talking Out Your Glass podcast

Primarily a flameworker, Kari Russell-Pool approaches her work in a painterly fashion. She is interested in the transformation of an object into an heirloom. Made from hand-pulled glass rods, her Safety Mom Series, for example, was inspired by post-September 11 ideas of keeping a family safe. That series, in incongruously cheerful colors, is dominated by images of guns and keys, and the delicate glasswork is patterned to look like traditional needlework, which kept women’s hands busy in the 18th and 19th centuries. For her Trophy Series, Russell-Pool flameworked a strikingly delicate and...

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Dylan Martinez: Glass Sculpture Confronting the Limits of Perception show art Dylan Martinez: Glass Sculpture Confronting the Limits of Perception

Talking Out Your Glass podcast

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Melissa Janda: Sharing Willet Studios’ Gems at AGG Conference show art Melissa Janda: Sharing Willet Studios’ Gems at AGG Conference

Talking Out Your Glass podcast

As lead painter and art department manager for Willet Studios in Winona, Minnesota, Melissa Janda will speak about Willet’s large-scale projects at the upcoming American Glass Guild Conference, being held in Mesa, Arizona, from May 22 – 24, 2025.  With 30 years of experience in the field of stained glass, Janda is adept at all aspects of stained glass production, specializing in glass painting, design and restoration work. From St. Agnes Catholic Church in Key Biscayne, Florida, to St. Jane de Chantal Catholic Church, Bethesda, Maryland, the results are stunning and speak...

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Meggy Wilm: Artist and Owner of Colorado Glass Works, D&L Art Glass Supply show art Meggy Wilm: Artist and Owner of Colorado Glass Works, D&L Art Glass Supply

Talking Out Your Glass podcast

One of the most followed stained glass artists on social media, Meggy Wilm of Colorado Glass Works, Boulder, Colorado, shares her creations with nearly 275K (and growing) followers on Instagram – attracting a new audience of young enthusiasts to the medieval craft. Wilm and her husband Dustin Mayfield also recently purchased Boulder-based D&L Art Glass Supply from Leslie Silverman, who dedicated 50 years to the company she founded. Experienced entrepreneurs, Wilm and Mayfield have a deep appreciation for the art glass industry and a forward-thinking vision for...

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The stained glass community will gather in a confluence of energy, inspiration and excitement for Forging New Paths: The Stained Glass Association of America’s 2023 Conference, held at The Hyatt Regency in downtown Buffalo, New York, from Thursday, September 28 through Sunday, October 1, 2023. In addition to 25 workshops, five tours, auctions, art salons, art openings, the Vendor Showcase, the Mosaic Marathon, and major networking events – SGAA will hold its General Session.

For more information, check out SGAA’s website for speakersa full schedule of events, and more about individual facets of every part of the event on the organization’s conference homepage

General Session

Each year during General Session, SGAA brings together speakers from around the world to speak about restoration, conservation, public art, history, and technology in the field. It is not uncommon to have roundtables to tackle emerging issues or panels of experts to provide clarity on how industry elements are being tackled across the country. Speakers and lecturers are chosen by a panel of peers for both their content and enthusiasm. The expertise of historians, conservators, and contemporary practitioners come together in a unique way to celebrate the enormous diversity of the entire industry.

In recent years, additional efforts have been made to bring notable guests and speakers to the conferences that can speak to the partnerships glass work often requires, e.g. those in adaptive reuse, metalsmithing, masonry conservation, sacred places, fundraising, and public art. There has also been a great many collaborations within the larger glass arts community as it applies to architectural art glass – kilnforming, flameworking, lamination, etc – and it is always exciting to see how connections made at the annual conference push the boundaries of new work.

Classes & Workshops

Conferences offer a unique opportunity to learn both beginning and advanced techniques and are often geared toward the unique strengths of that year’s conference host. SGAA tailored its workshops to nearby facilities and studio resources that are unique to this year’s conference location. Says McElfresh: “We have been very fortunate to work with incredible teachers from all over the globe – leaders in the field who have generously donated time to share their knowledge with our members and attendees.”

Mosaic Marathon

The Society of American Mosaic Artists (SAMA) is the largest nonprofit mosaic art organization in the world—a vibrant and ever-expanding group of more than 1,200 members, including mosaic artists at all levels, mosaic aficionados, collectors, materials suppliers, and art educators. SAMA has placed renewed emphasis on strengthening ties with other mosaic organizations around the globe to pursue common goals.

The Mosaic Marathon brings together members for a unique opportunity to create a mosaic in a cooperative, continuous, networking experience. The Mosaic Marathon creates a lasting piece of art that is donated to a local charity in SGAA’s host conference city. As a not-for-profit organization, this is an opportunity for SAMA to give back to the arts community and create a lasting reminder of its legacy and mission.

Tours & Field Sessions

The history and appreciation of stained glass is inseparable from both its setting as an architectural element and the very nature of the material itself. For craftsmen and artists in the field to gain exposure to the vast living museums of stained glass, they must visit stained glass all over the world whenever they can. “Installations all over the world are our museums, our laboratories, and our classrooms,” says McElfresh.

“Thus, when we come together as a group, we must take advantage of our travel and our companions to go and experience installations, to discuss them with our peers, and to investigate ongoing care and restoration concerns that affect us all. This is one of the most useful ways we can learn as a group.” 

Nearly every SGAA conference includes at least one full day of site visits and installation tours. In addition, the organization has been known to schedule and participate in special travel opportunities both in the United States and abroad to experience as much stained glass as possible. The tours are almost always stand-alone events, which can be attended outside of General Session participation and are often open to the public.

Auction & Scholarships

At each conference, members have the opportunity to browse through tables laden with books, sample sets, vendor products, tools, and artwork from members. SGAA’s annual silent and live auction at the summer conference is a major source of funding for scholarship assistance. Donations directly fund scholarships for professional stained glass instruction all over the country and beyond. 

On exhibition years, work is donated to SGAA’s live auction, which is an opportunity to collect autonomous work by any number of the group’s talented members.

On the Shoulders of Giants: Innovation in Stained Glass at The Buffalo History Museum, Portico Gallery, September 15, 2023 – January 14, 2024

This anniversary exhibition pays homage to skills honed over generations that have facilitated innovation in past and present-day Buffalo. Just as LaFarge and Tiffany pushed the boundaries of the medium in the 1880s, today’s community continues to move forward, fostering innovation and creativity.

This trifecta of exhibits brings together Buffalo’s unique history and legacy with future architectural endeavors. Conference attendees have the opportunity to experience how glass is a part of the city’s built environment, building momentum for the art of the future. Viewing opportunities include: The new Gundlach building at Buffalo AKG Art Museum and multiple new glass-related commissions being unveiled there this summer; Brilliance: The Stanford Lipsey Art Glass Collection at the Burchfield Penney Art Center; and On the Shoulders of Giants at the Buffalo History Museum.

States David Judson, Judson Studios: “The world of stained glass is constantly evolving with the advancements in technology. Despite being an ancient craft, new and innovative methods are being discovered every day. These advancements present exciting opportunities for the future of this beautiful medium. We are thrilled to witness the endless possibilities that lie ahead.” 

Camaraderie, Networking & Celebration

Says McElfresh: “Year after year, SGAA builds on the shoulders of giants, sharing cumulative knowledge with one another. This magic is the result of providing space for the unplanned to occur: the intermingling of artist, craftsmen, business people and suppliers. They exchange ideas, have impromptu demonstrations, and socialize. It is the chemistry created by our shared passion for the glass material that keeps bringing us back together.”

She continues: “At our business meetings, we not only attend to the business of the day, we recognize those who have achieved professional recognition in the field. We seek to learn what challenges may face us next. We are just as eager to hear from emerging professionals as we are to hear from the recognized experts.” Each annual conference ends with an award banquet where SGAA celebrates Lifetime Achievements as well as up-and-coming voices. 

The Stained Glass Association of America is one of our nation’s oldest trade associations. Now 120 years old, the organization is proud to produce one of the oldest continuously published art journals in the United States, in addition to providing over 1,500 professionals across the country including manufacturers, suppliers, and educators with programs, scholarships, accreditation, public education and services for stewards. 

Says McElfresh: “SGAA is the advocate and ambassador for monumental stained glass art in the United States.”