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A Pursuit of Perfection: Jack Storms’ Cold-Fusion Glass Sculptures

Talking Out Your Glass podcast

Release Date: 11/10/2023

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Talking Out Your Glass podcast

At the Glass Art Society’s (GAS) 2025 conference, Trailblazing New Traditions, held in May in Arlington and Fort Worth, Texas, Zachary Layhew and Hoseok Youn presented a unique collaborative glassblowing demonstration where Youn’s Venetian fantasy vessels intersected with the baroque, cubist influences of Layhew’s practice. The artists shared their unique approaches to traditional techniques and designs, both makers transforming the context of tradition through the lens of their original personalities. The result was a figurative sculpture constructed from historical goblets and...

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Talking Out Your Glass podcast

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Talking Out Your Glass podcast

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Talking Out Your Glass podcast

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Talking Out Your Glass podcast

Using over 17,500 letters of handmade murrine tiles, Mathieu Grodet composed La Déclaration des Droits de l’Homme et du Citoyen, which translated means the Declaration of Human Rights, which was written in 1789. Recreated in mosaic style, dark red was used to represent blood, with the ivory-colored background symbolizing the ivory tower that freedom must be taken from. Intense attention to detail combined with a contemporary message defines Grodet’s multi-disciplinary works in glass.  A French-born artist living and working in Canada, Grodet also creates thin and elegant...

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Talking Out Your Glass podcast

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Talking Out Your Glass podcast

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Talking Out Your Glass podcast

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Talking Out Your Glass podcast

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Talking Out Your Glass podcast

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Each piece in Jack Storms’ newest line of sculptures begins with the artist’s unique and meticulously hand-crafted Infinity Core, boasting 30 times more intricacy and a mesmerizing sparkle that outshines anything you’ve seen before. Every facet reflects a world of colors, and each sculpture captures a symphony of light. 

Growing up in New Hampshire as a talented athlete and motivated student, Storms didn’t discover his passion for art until his twenties, at the end of which he earned his BA in art with a focus on studio production from Plymouth State University. During his junior year, the young artist began apprenticing at the studio of coldworking artist Toland Sand, who was combining lead crystal and dichroic glass via a cold-glass process. Eventually Storms became a strong enough sculptor to branch out on his own and in 2004 opened StormWorks Studio.

Storms’ unique cold-glass process can take up to 10 weeks. He begins at the heart of the design by creating a core of lead crystal which is cut, polished and laminated creating reflective mirrors. When wrapped in optical glass, the refraction of light as it passes through the glass art creates rainbows of hypnotic color. The process requires repetitive cutting, grinding and polishing, and relies upon Fibonacci’s theory of natural mathematics found in nature. 

States Storms: “Natural beauty is created, not manufactured. From the repetition of florets in a flower to the scales of a pineapple’s skin, Fibonacci numbers are found in the pattern of growth of every living thing in nature.” 

Both challenged and inspired by the notion that his artistic goals were impossible, early on Storms invented a cold-working lathe uniquely suited to his process. His invention offered the artist the ability to turn glass and sculpt shapes with curves and details like one would produce from a wooden medium. Early memories of studying his father’s craftsmanship on a wood lathe provided him with the blueprint for his vision. Pioneering new trails in the world of fine art has always motivated Storms. 

Seen by the world in multiple viral videos featuring his kaleidoscopic and prismatic cold-fusion glass sculptures, Storms’ pieces have also been featured in Marvel’s film, Guardians of the Galaxy Vol 1, and the artist created a life-sized bat to commemorate Derek Jeter’s 3000th Hit. Storms’ laborious process of repetitive cutting, grinding and polishing requires intense passion and rigid self-discipline, resulting in his signature works of contemporary glass art.

Currently, Storms is developing new designs for wearable art. These wearable sculpture designs follow the same creative process and spirit as the artist’s larger, more dynamic sculptures. He says: “My design philosophy revolves around creating something that fosters a closer connection with people. I want people to have a personal item they can take with them and truly fall in love with.  I believe the future holds great promise for wearable art, and I anticipate seeing its prevalence grow in the coming years.”

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