Deanna Clayton’s Figurative and Decorative Pate de Verre Vessels
Talking Out Your Glass podcast
Release Date: 12/01/2023
Talking Out Your Glass podcast
Using over 17,500 letters of handmade murrine tiles, Mathieu Grodet composed La Déclaration des Droits de l’Homme et du Citoyen, which translated means the Declaration of Human Rights, which was written in 1789. Recreated in mosaic style, dark red was used to represent blood, with the ivory-colored background symbolizing the ivory tower that freedom must be taken from. Intense attention to detail combined with a contemporary message defines Grodet’s multi-disciplinary works in glass. A French-born artist living and working in Canada, Grodet also creates thin and elegant...
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An American born artist dedicated to developing new techniques of glass working, Joshua Hershman combines optical physics with the fluidity of glass to make his contemporary sculpture. By harnessing light though hand-polished lenses, he employs unique methods of casting, coldworking, and photography in his boundary pushing work. Hershman states: “My work offers meditations on the complexities within the concept of photography and the repercussions of the camera’s impact on culture. The incredibly creative and destructive nature of photography is both inspiring and alarming to me. It...
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Primarily a flameworker, Kari Russell-Pool approaches her work in a painterly fashion. She is interested in the transformation of an object into an heirloom. Made from hand-pulled glass rods, her Safety Mom Series, for example, was inspired by post-September 11 ideas of keeping a family safe. That series, in incongruously cheerful colors, is dominated by images of guns and keys, and the delicate glasswork is patterned to look like traditional needlework, which kept women’s hands busy in the 18th and 19th centuries. For her Trophy Series, Russell-Pool flameworked a strikingly delicate and...
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At the heart of Dylan Martinez’s work lies the striking H2O/SiO2 series, inspired by the artistic tradition of Trompe L’œil—the technique that deceives the eye into perceiving three-dimensional objects on a flat surface. Each sculpture is meticulously hot-sculpted and hand-molded by Martinez, capturing the fluid movement of rising bubbles and the delicate form of what appears, at first glance, to be bags of water. These pieces transcend objecthood; they are immersive experiences that invite stillness, inspection, and recalibration of the senses. Martinez reflects, “Our vision has the...
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As lead painter and art department manager for Willet Studios in Winona, Minnesota, Melissa Janda will speak about Willet’s large-scale projects at the upcoming American Glass Guild Conference, being held in Mesa, Arizona, from May 22 – 24, 2025. With 30 years of experience in the field of stained glass, Janda is adept at all aspects of stained glass production, specializing in glass painting, design and restoration work. From St. Agnes Catholic Church in Key Biscayne, Florida, to St. Jane de Chantal Catholic Church, Bethesda, Maryland, the results are stunning and speak...
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One of the most followed stained glass artists on social media, Meggy Wilm of Colorado Glass Works, Boulder, Colorado, shares her creations with nearly 275K (and growing) followers on Instagram – attracting a new audience of young enthusiasts to the medieval craft. Wilm and her husband Dustin Mayfield also recently purchased Boulder-based D&L Art Glass Supply from Leslie Silverman, who dedicated 50 years to the company she founded. Experienced entrepreneurs, Wilm and Mayfield have a deep appreciation for the art glass industry and a forward-thinking vision for...
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Working with abrasive spinning wheels, the Ferro brothers cold work glass vessels in brilliant colors. Their dramatic cuts are sometimes five layers deep, and they cradle each piece for hours, days, and often weeks, painstakingly grinding away to reveal what lies underneath. There is always the danger that the piece will shatter, so it is a painstaking process. The finished vessel is a passionate work of art in vibrant translucent colors and energetic textures. Pietro and Riccardo Ferro were born in 1975 and 1980, respectively. Under the guidance of their father, cold-working Maestro Paolo...
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Stephanie Trenchard’s multi-disciplinary creative process includes painting and poetry along with cast glass. With a focus on biographical stories of how women artists have navigated careers and partnerships, motherhood and making a living while still focusing on their creative practice, the work also discusses the price the art has to pay in this grand juggling act. The artist prioritizes the actual experience of the work, making and seeing it, over the classification of genre or ownership of an idea. Says Trenchard: “I create my own visual vocabulary in storytelling. Using...
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For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination,...
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self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman’s Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an...
info_outlineFollowing her father’s passing 10 years ago, Deanna Clayton’s artwork took an unexpected turn when she found herself modeling clay into a figurative vessel rather than a decorative one. The translation of the clay form into glass symbolized glass’ inherent life-affirming qualities. Soft, flowing edges at the bases of these sculptures add to the sense of impermanence; electroplated copper helps to ground the figures, enhancing their presence.
Clayton states: “The inspiration for this new body of work is a true love of the life inherent in glass itself. To create a face in glass is a self-evident evocation of the material’s life quality. Creating abstracted forms in glass that become believable as life is what is truly inspiring. This is what continues my quest to experiment and explore glass and its capabilities as an art form.”
Clayton started working with glass 35 years ago as a student in Bucks County, Pennsylvania. She began as most glass artists do, by being introduced to a blow pipe and a furnace of molten glass. Her work prior to finding glass was primarily drawing and printmaking, with an emphasis on representing the human form. She earned her associates in fine arts degree at Bucks County Community College.
Wanting to continue her education in glass, Clayton chose Kent State University in Kent, Ohio, where the program taught by Henry Halem had produced some of the most successful glass artists working at the time. After two years, she moved to Champaign-Urbana, Illinois, where she graduated from the University of Illinois with a bachelor of fine arts degree in art history in 2002.
While attending the University of Illinois, Clayton started her own glass studio with her husband, Keith Clayton. After 10 years in Illinois, in 1995 the couple discovered beautiful Door County, Wisconsin, where they moved with their three children. The studio was known for its pate de verre technique and electroplated copper vessels – a successful source of inspiration to her for over 20 years.
Today, D.C. Studios LLC is designed to educate others in the ancient and rewarding process of pate de verre. Clayton has taught classes at the Corning Museum of Glass, New York; The Cleveland Institute of Art; and Duncan McClellan Glass Project, St. Petersburg, Florida. Her work can be seen in public and private collections around the world. This year’s exhibitions included a solo exhibition, Surging Forward, at Duncan McClellan Gallery, St. Petersburg, Florida; Glass Coast Weekend, Habatat Fine Art, Sarasota, Florida; and Art Palm Beach, Mattsen Fine Art, Palm Beach, Florida. Artist awards include the 2019 Collectors Choice, 47th Annual International Glass Invitational, Habatat Galleries, Royal Oak, Michigan; SAC Award, Professional Dimensions Group, Milwaukee, Wisconsin; and Most Unique Interpretation of a Vessel, Habatat Galleries, Boca Raton, Florida.
Says Clayton: “I love the versatility and freshness of glass as an artistic medium. The potential for expression in contemporary glass is limitless.”