Jeremy Sinkus’ Geologicalized Glass
Talking Out Your Glass podcast
Current work by Jeremy Sinkus includes his Contemporary Art Nodules, inspired by collecting and focusing on the top 10 attributes that the artist and viewers found intriguing about glass objects. Simultaneously ancient and from the future, his Nodules combine texture and form with transparent windows that allow the viewer to explore unknown inner worlds. A former mineral collector and digger, Sinkus put down his chisel and picked up a torch when he realized his fondness for minerals and natural history was all encompassed in glass. Sinkus says: “Glass is geological....
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The Artistry and Craftsmanship of Dan Alexander
Talking Out Your Glass podcast
From his Micromorphisms to his Opticals and Pinwheels, Dan Alexander explores the mesmerizing world of optical illusions, where intricate designs and mind-bending patterns come to life in stunning glass artistry. From captivating sculptures to breathtaking installations, each piece in this collection is a testament to his artistry and craftsmanship. Much of Alexander’s inspiration comes from photographs he has taken or his travels. Looking at one micro-aspect of an object, he envisions how that small segment could be used in repetition to create an overall...
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Maria Sheets: Stained Glass, Conservation and Vitreonics
Talking Out Your Glass podcast
In her summer 2024 exhibition Trial By Fire at Core Art Space, Lakewood, Colorado, Maria Sheets exhibited a series of colorful, sculpturally dense, illuminated glass panels of portraits and landscapes created in a unique process that combines the mediums of traditional stained glass grisaille/enameling with fused glass “painting” known as Vitreonics. The technique was documented in Justin Monroe’s award-winning documentary Holy Frit. The movie traces artist/designer Tim Carey’s journey through making the world’s largest stained and fused glass window with the...
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Glassworks Ajeto and Ricardo Hoineff: IGS 2024
Talking Out Your Glass podcast
In 2021, the town of Nový Bor became the main organizer of the International Glass Symposium (IGS), and once again this small glassmaking town in the north of Bohemia will turn into a true world glassmaking metropolis for a few days. Each of the previous symposia was unique, and this year’s jubilee will be no different. Place and material are the unchanging basis of the tradition, but glassmaking and art are a living, leading and original phenomenon reflecting the times. This year’s IGS will take place on a much larger scale than previous years. The number of organizers and...
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Gene Koss: From Farm to Flame
Talking Out Your Glass podcast
Gene Koss uses glass as a medium of pure sculptural expression resulting in monumental sculptures of cast glass, steel and light. He developed innovative techniques to transform his memories of the mechanized Wisconsin farm of his youth into foundry-based glass sculptures. He combines glass and steel found objects to create small-scale sculptures that often also serve as studies for his larger-scale works. Opening on September 20, 2024 and running through February 9, 2025, The Bergstrom Mahler Museum of Glass (BMM), Neenah, Wisconsin, presents a major solo exhibition of Koss’ work: From...
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Ryan Thompson: From Blown Away 4 to Huron Street Studio
Talking Out Your Glass podcast
Those who watched to completion the hit Netflix competition series Blown Away 4, will no doubt remember Ryan Thompson’s final gallery installation, Where You Are is Where You Need to Be. In all black glass, he created large vessel forms that served as sentinels to the recording of time. A blown glass pendulum in the center of the room recorded each moment in a footed reliquary of white sand below it. Its existential message spoke to the viewer silently. Permanently. Thompson states: “This installation was created to satisfy a need to slow down, contemplate, and analyze...
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Peter Layton and the Legacy of London Glassblowing
Talking Out Your Glass podcast
Artist, pioneer, and mentor, Peter Layton is one of the founding fathers of British Studio Glass. He discovered the art form while teaching ceramics in the US in the mid-1960s and has played a major part in elevating glass from an industrial medium to a highly collectable art form. Most importantly, he gave it a home in the UK. This month, London Glassblowing presents Glass Heaven, an exhibition uniting two exceptional glass artists: Layton and Tim Rawlinson. The show opened August 2 and will run through September 1, 2024. Representing the next generation of glass talent, Rawlinson...
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Glass Bead Artist, Kristina Logan: The Dot Queen
Talking Out Your Glass podcast
Kristina Logan makes unique and complex beads in intricate patterns whose sometimes knobby forms recall the remarkable eye beads made in ancient China. Yet Logan’s style is purely contemporary, reflected in work that stands out for its originality, sophistication, and innovation. She is not only interested in beads as body adornment but also as decorative elements for boxes, candlesticks, goblets and teapots. Logan states: “Beads are part of my lifelong fascination with art and ornamentation. Glass beads form a historical thread, connecting people and cultures throughout our history.” In...
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Henry Halem: Inspiring and Educating a Generation of Glass Artists
Talking Out Your Glass podcast
More than 50 years after Henry Halem designed a series of cast glass sculptures inspired by the Kent State shootings, he decided to bring the imagery back to life. At a time when the Vietnam War empowered social activism and fueled political debates, the May 4, 1970, Kent State shootings seemed to take center stage, influencing several genres of music and art. Among these works was Halem’s glass sculptures. “The imagery was based on the shootings at Kent State and the blindness that the political system had in relationship to what young people were about in protesting the war....
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Pinkie Maclure: Telling Stories of Our Time Through Traditional Stained Glass
Talking Out Your Glass podcast
An artist using the allegorical power of medieval stained glass as a vehicle for contemporary expression, Pinkie Maclure marries traditional craft techniques with a radically different aesthetic. Stained glass was invented in the 12th century to communicate to a largely illiterate population, its vivid colors having a seductive quality that’s hard to resist. However, its narrative role has been largely abandoned in recent years, which is something Maclure hopes to change through her architectural installations and highly-detailed stained glass light...
info_outlineEnjoy this stained glass panel discussion with top industry professionals and educators Judith Schaechter, Stephen Hartley, Megan McElfresh, and Amy Valuck. Topics addressed include: what is needed in stained glass education; how the massive number of Instagrammers making suncatchers and trinkets affect stained glass; how to promote stained glass in a gallery setting; and how to stay relevant as stained glass artists.
The panelists:
By single-handedly revolutionizing the craft of stained glass through her unique aesthetic and inventive approach to materials, Judith Schaechter championed her medium into the world of fine art. The content of her work – some of which gives voice to those who experience pain, grief, despair, and hopelessness – resonates with viewers, leaving a profound and lasting impression.
Schaechter has lived and worked in Philadelphia since graduating in 1983 with a BFA from the Rhode Island School of Design Glass Program. She has exhibited her glass art widely, including in New York, Los Angeles and Philadelphia, The Hague and Vaxjo, Sweden. She is the recipient of many grants, including the Guggenheim Fellowship, two National Endowment for the Arts Fellowships in Crafts, The Louis Comfort Tiffany Award, The Joan Mitchell Award, two Pennsylvania Council on the Arts awards, The Pew Fellowship in the Arts and a Leeway Foundation grant. Her work is in the collection of the Metropolitan Museum in New York, the Victoria and Albert Museum in London, the Hermitage in Russia, the Philadelphia Museum of Art, The Corning Museum of Glass, The Renwick Gallery of the Smithsonian Institution and numerous other public and private collections. Schaechter’s work was included in the 2002 Whitney Biennial, a collateral exhibition of the Venice Biennale in 2012, and she is a 2008 USA Artists Rockefeller Fellow. In 2013 the artist was inducted to the American Craft Council College of Fellows. The Glass Art Society presented Schaechter with a Lifetime Achievement award in 2023, and this year she will receive the Smithsonian Visionary Award.
Schaechter has taught workshops at numerous venues, including the Pilchuck Glass School in Seattle, the Penland School of Crafts, Toyama Institute of Glass (Toyama, Japan), Australia National University in Canberra, Australia. She has taught courses at Rhode Island School of Design, the Pennsylvania Academy, and the New York Academy of Art. She is ranked as an Adjunct Professor at The University of the Arts and Tyler School of Art Glass Program, both in Philly .
Born in Philadelphia, Stephen Hartley began his craft career working on a variety of historic buildings and monuments throughout the region. In 1999, he moved to South Carolina to attend Coastal Carolina University, where he earned his undergraduate degree in History. He then relocated to Savannah, Georgia, and continued to work in the traditional crafts and conservation fields while attending graduate school. After completing his MFA in Historic Preservation at the Savannah College of Art and Design, Hartley was employed as an instructor at various colleges within the Savannah area. He earned his PhD from the University of York in 2018 where his dissertation thesis studied the historical and modern frameworks of trades training in the US and the UK.
Hartley eventually returned to the Philadelphia area and accepted the position of Head of Building Arts at Bryn Athyn College, where he formulated the first Bachelor’s of Fine Arts (BFA) in traditional building within the United States. Hartley, currently an associate professor in Notre Dame’s School of Architecture, wants his students to have a deeper appreciation for the work craftspeople do to fulfill an architect’s vision—by learning the vocabulary of the trades, understanding their history, and, when possible, trying out the tools.
Executive Director of the Stained Glass Association of America (SGAA), Megan McElfresh has dedicated her professional life to community service and the art and science of stained glass. With a background in fine arts and operations management, she joined the Association as a professional member in 2015 and became the Executive Director in the fall of 2017. Growing up in small stained glass studios, McElfresh continued to build on her technical skills in the medium by seeking mentorship opportunities throughout college. Some of the highlights of her glass studies were traveling to Pilchuck Glass School and time spent at the nationally recognized kiln forming resource center, Vitrum Studio.
Prior to working with the SGAA, McElfresh worked in a variety of roles from operations management at a life sciences firm in Washington, D.C. to IT and web support for small non-profit art organizations. In 2011, McElfresh moved from Northern Virginia to Buffalo, New York, and founded her studio, McElf GlassWorks. With a passion for her professional career as well as her new community, she never turned down an opportunity to collaborate with neighborhood teens and local programs to provide enthusiastic and creative educational enrichment. In her personal work, McElfresh uses her artwork in the advocacy of issues she became passionate about during her time working at a forensics laboratory concerning subjects like domestic violence and rape, and DNA backlogs. Her studio work has been featured in the Stained Glass Quarterly, Design NY, The Buffalo News, and Buffalo Rising.
Find out more about the SGAA’s 2024 conference here:
Conference 2024: Sand to Sash | The Stained Glass Association of America
Amy Valuck is a stained glass artist and conservator based in Southeastern Pennsylvania, and the current president of the American Glass Guild. She began her apprenticeship in 1998 at The Art of Glass in Media, PA, and in 2014 went on to establish her own studio, Amy Valuck Glass Art, now located in West Chester, PA. Her studio’s primary work is the restoration and conservation of historical windows from churches, universities, and private residences. As a conservator she specializes in complex lead work, plated windows, and replication painting. Valuck also maintains a personal art practice, producing autonomous stained glass panels for private commissions and public exhibition, including the AGG’s American Glass Now annual exhibit. Her personal work is heavily influenced by the fabrication and painting techniques of historical windows but frequently includes experimental fused glass elements.
Valuck is a graduate of the Rhode Island School of Design, who earned her BFA degree in jewelry and light metals. Her work in jewelry earned awards including the first annual Cartier Prize, and the MJSA (Manufacturing Jewelers and Silversmiths’ Association) Award. She has served on the board of directors of the American Glass Guild since 2017 and has participated as a lecturer and instructor at several of the AGG’s annual conferences. Registration is now open for the 2024 Grand Rapids conference, July 9 – 14.
Find out more about the AGG’s 2024 conference here:
https://www.americanglassguild.org/events/agg-2024-conference-grand-rapids-mi
For further exploration of panel discussion topics: