Ryan Thompson: From Blown Away 4 to Huron Street Studio
Talking Out Your Glass podcast
Release Date: 09/06/2024
Talking Out Your Glass podcast
Austin Stern’s Little Monsters series is a body of work where cartoon-like creatures interact with physical manifestations of their own anxieties. These worries which assail the monsters, gleefully weighing down their minds and bodies, are simultaneously sinister and comical representations of our daily setbacks and stumbling blocks. By approaching this subject matter from a playful perspective, the viewer is invited to find the humor in the small battles we fight daily to find positivity, peace, and happiness. States Stern: “I am inspired by the bright and highly saturated...
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An abandoned, dilapidated swimming pool in the forest. A pile of trash smoldering in a secluded backyard. A dark and deserted highway flanked by an unexplained light. Michael Endo’s kiln formed glass is about the potential of empty spaces and how people inhabit the subliminal area between the civilized world and wilderness. It begs the question: Is our world real or manufactured? Says Endo: “Locked in a loop of familiarity and strangeness, my gestural paintings, drawings, glasswork and sculptures exist in a moment of tension. By depicting the boundary between a wild space and the...
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Ethan Stern’s work is rooted in traditional craftsmanship, contemporary design, and a deep connection to the natural environment. As a glass artist, he draws inspiration from historic craft traditions such as cut crystal and classical ceramic design, while reinterpreting these forms through a modern lens. His practice seeks to explore the interplay between utility, beauty, and narrative, bridging the realms of functional objects and sculptural expression. Stern states: “Central to my approach is the concept of light as a dynamic medium. Glass, with its inherent ability to refract, reflect,...
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Chaiah (pronounced ‘Kaya’) Sullivan has been impressing the glass world and Instagram followers with his beautiful and intricate cactus-inspired functional glass to the tune of a 94K following and growing. He came upon the cactus after a friend mistakenly referred to another plant pipe he had created as a cactus and decided to give making a realistic cactus pipe a try. “I never really expected to be the cactus guy,” Sullivan says. Growing up in Paonia, a small town on the Western Slope of Colorado, Sullivan first discovered flameworking in 2005 at age 14. Two years later, he started...
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At the Glass Art Society’s (GAS) 2025 conference, Trailblazing New Traditions, held in May in Arlington and Fort Worth, Texas, Zachary Layhew and Hoseok Youn presented a unique collaborative glassblowing demonstration where Youn’s Venetian fantasy vessels intersected with the baroque, cubist influences of Layhew’s practice. The artists shared their unique approaches to traditional techniques and designs, both makers transforming the context of tradition through the lens of their original personalities. The result was a figurative sculpture constructed from historical goblets and...
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Author and architectural glass artist Robert Sowers wrote that lead should be considered a design element and not just a matrix to hold stained glass. That idea spoke to Richard Prigg, who has developed a body of work that celebrates lead and solder as much as it does breathtakingly beautiful glass. Though historically stained glass windows conveyed the teachings of the church, Prigg’s work intentionally tells no stories, but rather impacts the viewer by combining more expressive lead work with various light-modulating elements of and beyond the window itself. States Prigg: “I have an...
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Jason Christian’s work pushes the boundaries of his craft, combining the delicate complexity of reticello with intricate detailing inspired by Fabergé eggs. Through series such as his Bumbershoots and Yo-Yos that reflect classic Venetian technique to more sculptural works including Dragons and Volpe, Christian’s art is deeply influenced by his family, personal experiences, and the nostalgia of growing up in the Pacific Northwest. A renowned glass artist based in the Seattle area, Christian was born in 1976 on Whidbey Island, Washington, to a metal...
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Beth Lipman is an American artist whose sculptural practice generates from the Still Life genre, symbolically representing the splendor and excess of the Anthropocene and the stratigraphic layer humanity will leave on earth. Assemblages of inanimate objects and domestic interiors, inspired by private spaces and public collections, propose portraits of individuals, institutions, and societies. Through works in glass, wood, metal, photography, and video, Lipman presents a meditation on our relationship to Deep Time, a monumental time scale based on geologic events that minimizes human...
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Using over 17,500 letters of handmade murrine tiles, Mathieu Grodet composed La Déclaration des Droits de l’Homme et du Citoyen, which translated means the Declaration of Human Rights, which was written in 1789. Recreated in mosaic style, dark red was used to represent blood, with the ivory-colored background symbolizing the ivory tower that freedom must be taken from. Intense attention to detail combined with a contemporary message defines Grodet’s multi-disciplinary works in glass. A French-born artist living and working in Canada, Grodet also creates thin and elegant...
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An American born artist dedicated to developing new techniques of glass working, Joshua Hershman combines optical physics with the fluidity of glass to make his contemporary sculpture. By harnessing light though hand-polished lenses, he employs unique methods of casting, coldworking, and photography in his boundary pushing work. Hershman states: “My work offers meditations on the complexities within the concept of photography and the repercussions of the camera’s impact on culture. The incredibly creative and destructive nature of photography is both inspiring and alarming to me. It...
info_outlineThose who watched to completion the hit Netflix competition series Blown Away 4, will no doubt remember Ryan Thompson’s final gallery installation, Where You Are is Where You Need to Be. In all black glass, he created large vessel forms that served as sentinels to the recording of time. A blown glass pendulum in the center of the room recorded each moment in a footed reliquary of white sand below it. Its existential message spoke to the viewer silently. Permanently.
Thompson states: “This installation was created to satisfy a need to slow down, contemplate, and analyze my artistic path and my creative process. The unnatural pace at which Blown Away required its competitors to conceptualize and create caused a mental fatigue unlike anything I had ever felt. As difficult as this experience was, my journey as an artist has never been a straight line, and whether an experience has been positive or negative in the moment, in the end, it was exactly what it was supposed to be. Where You Are is Where You Need to Be is a space created to meditate and reflect on my trajectory both as a person and as an artist.”
Hailing from Sandusky, Ohio, near the shores of Lake Erie, Thompson and his sister Leah grew up with a love of the outdoors, sports, and all things creative. These interests were endlessly nurtured by their parents Jim and Kathy Thompson. Ryan’s passion for music began in the 5th grade when a group of friends with a band needed a drummer. His love for music and percussion remains today.
After completing high school, Thompson attended Bowling Green State University (BGSU), Bowling Green, Ohio, to study Visual Communication Technology, a degree program he found to be lacking in creative freedom and excitement. In his third year, he enrolled in an Intro to Glass Blowing course on the recommendation of a friend, and the trajectory of his life was altered forever.
For the next 3 years, Thompson poured every ounce of his energy into learning to control his molten material. The example of excellence in this craft demonstrated by his peers and instructors such as Scott Darlington set the bar of achievement high. He focused on fundamental skills in the form of vessel and goblet making, utilizing the Venetian processes and techniques he found most exciting and inspirational.
After graduation, Thompson began working at the Toledo Museum of Art Glass Pavilion as a studio artist and workshop instructor, as well as a production glassblower at many local glass shops in the birthplace of the Studio Glass Art movement. During his time in Toledo, the artist was fortunate to work with many world-renowned glass artists, honing his skills and expanding his network of colleagues in this community-orientated profession.
In 2018, Thompson accepted a production glassblowing position at Greenfield Village (The Henry Ford Museum) in Dearborn, Michigan. The job allowed Ryan to continue to broaden his skill set and expand on his experience as a production glassmaker. In 2021, he was promoted to shop lead and began coordinating the team’s production efforts, designing new product and maintaining the equipment that makes glass blowing possible.
After participating in Blown Away 4, on May 1, Thompson relocated back to Toledo, Ohio, and became the new owner and operator of Gathered Glass, a public glass studio that offers hand-made glass, glassblowing workshops, and public events in the heart of The Glass City. This opportunity is something he has dreamt about for the last decade and is hard at work making the business his own. Thompson’s partner, Kayla Kirk of Charmed Ceramics, is in the process of building a pottery studio on the second floor that will offer similar programming as well as hand crafted pottery for the home. The studio will be renamed Huron Street Studio and will celebrate its Grand Opening at 23 N. Huron St. in downtown Toledo, September 14, 2024.
Thompson will also participate in an Artist Residency at the Museum of Glass Tacoma from October 9 – 13, 2024.