Glassworks Ajeto and Ricardo Hoineff: IGS 2024
Talking Out Your Glass podcast
Release Date: 09/26/2024
Talking Out Your Glass podcast
Primarily a flameworker, Kari Russell-Pool approaches her work in a painterly fashion. She is interested in the transformation of an object into an heirloom. Made from hand-pulled glass rods, her Safety Mom Series, for example, was inspired by post-September 11 ideas of keeping a family safe. That series, in incongruously cheerful colors, is dominated by images of guns and keys, and the delicate glasswork is patterned to look like traditional needlework, which kept women’s hands busy in the 18th and 19th centuries. For her Trophy Series, Russell-Pool flameworked a strikingly delicate and...
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At the heart of Dylan Martinez’s work lies the striking H2O/SiO2 series, inspired by the artistic tradition of Trompe L’œil—the technique that deceives the eye into perceiving three-dimensional objects on a flat surface. Each sculpture is meticulously hot-sculpted and hand-molded by Martinez, capturing the fluid movement of rising bubbles and the delicate form of what appears, at first glance, to be bags of water. These pieces transcend objecthood; they are immersive experiences that invite stillness, inspection, and recalibration of the senses. Martinez reflects, “Our vision has the...
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As lead painter and art department manager for Willet Studios in Winona, Minnesota, Melissa Janda will speak about Willet’s large-scale projects at the upcoming American Glass Guild Conference, being held in Mesa, Arizona, from May 22 – 24, 2025. With 30 years of experience in the field of stained glass, Janda is adept at all aspects of stained glass production, specializing in glass painting, design and restoration work. From St. Agnes Catholic Church in Key Biscayne, Florida, to St. Jane de Chantal Catholic Church, Bethesda, Maryland, the results are stunning and speak...
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One of the most followed stained glass artists on social media, Meggy Wilm of Colorado Glass Works, Boulder, Colorado, shares her creations with nearly 275K (and growing) followers on Instagram – attracting a new audience of young enthusiasts to the medieval craft. Wilm and her husband Dustin Mayfield also recently purchased Boulder-based D&L Art Glass Supply from Leslie Silverman, who dedicated 50 years to the company she founded. Experienced entrepreneurs, Wilm and Mayfield have a deep appreciation for the art glass industry and a forward-thinking vision for...
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Working with abrasive spinning wheels, the Ferro brothers cold work glass vessels in brilliant colors. Their dramatic cuts are sometimes five layers deep, and they cradle each piece for hours, days, and often weeks, painstakingly grinding away to reveal what lies underneath. There is always the danger that the piece will shatter, so it is a painstaking process. The finished vessel is a passionate work of art in vibrant translucent colors and energetic textures. Pietro and Riccardo Ferro were born in 1975 and 1980, respectively. Under the guidance of their father, cold-working Maestro Paolo...
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Stephanie Trenchard’s multi-disciplinary creative process includes painting and poetry along with cast glass. With a focus on biographical stories of how women artists have navigated careers and partnerships, motherhood and making a living while still focusing on their creative practice, the work also discusses the price the art has to pay in this grand juggling act. The artist prioritizes the actual experience of the work, making and seeing it, over the classification of genre or ownership of an idea. Says Trenchard: “I create my own visual vocabulary in storytelling. Using...
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For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination,...
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self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman’s Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an...
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Perceiving her role as a record keeper, artist Jen Blazina captures the essence of lost memories and forgotten voices. Through her work, she holds onto fragments of personal history, transforming common objects into poignant relics of the past. Her visual narratives express universal concepts of memory, inviting audiences to connect with the stories she preserves. Blazina states: “Memory is embodied in everything around us: in our culture, beliefs, objects, and ourselves. Discarded objects and those passed down to me become personal keepsakes and icons of the past, rather than...
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Nothing short of inspirational, Martin Gerdin’s journey through crafting wild fish in hot glass is inextricably tangled with his evolution to mental health and sobriety. Beginning during the pandemic, the artist has hand-blown dozens of meticulously detailed trout, salmon, redfish, and other revered gamefish from his glassblowing studio, Gerdin Glass in Crawford, Colorado. The dangers, volatility, and physical labor of blowing glass are symbolic of the challenges he faced and conquered on his pathway to sober living. For some, fly fishing is a pastime, something fun to pursue...
info_outlineIn 2021, the town of Nový Bor became the main organizer of the International Glass Symposium (IGS), and once again this small glassmaking town in the north of Bohemia will turn into a true world glassmaking metropolis for a few days. Each of the previous symposia was unique, and this year’s jubilee will be no different. Place and material are the unchanging basis of the tradition, but glassmaking and art are a living, leading and original phenomenon reflecting the times.
This year’s IGS will take place on a much larger scale than previous years. The number of organizers and participants increased, and IGS strengthened its global prestige. Despite all the changes that glassmaking has gone through and that have also affected IGS, Nový Bor region remains an exceptional area with its range of glass processing technologies, from machine production, off-hand blown glass at glassworks to an extremely wide range of refining techniques.
The beginning of the IGS dates back to 1982 when Crystalex in Nový Bor managed something almost impossible. The idea of an international meeting of glassmakers in totalitarian Czechoslovakia became reality. Crystalex invited artists and designers from all over the world to its workshops. Nearly 50 artists from 13 countries came to realize their artistic ideas with the help of the local glassmakers. More than 300 exhibits were created.
Thirty-nine years later, the program structure and the basic idea of the symposium still follow the tradition founded by Crystalex. Many artists also return to Nový Bor regularly. However, the symposium has changed with the time as well. The visit of artists from the “West” is no longer considered exotic and thanks to IGS it’s possible to show the world that Czech glassmakers have not lost any of their famous craftsmanship.
IGS has become one of the most important international events in the art glass field and during its existence it has hosted about 600 artists from all over the world. To make the symposium attractive for the public, not only glass artists are invited to participate, but designers, painters, sculptors, architects, personalities from among fashion and jewelry designers, street art and pop culture, which turns every IGS into a four-day art experience marathon.
The world is being introduced to Nový Bor, Liberec Region and the Czech Republic as a significant glass destination. The event has an enormous significance for the local glass region, for promotion of Czech glass and Czech glassmaking craft in the world. It contributes to preserving intangible cultural inheritance, and finally, it serves an important function for collectors.
The 15th edition of the International Glass Symposium (IGS) will take place from October 3 to 6, 2024 in Nový Bor in North Bohemia and its surrounding area. Preparations have been underway since spring to ensure the participation of more than 40 selected artists or creative pairs from 15 countries around the world. They will create their works of art in collaboration with top glass craftsmen of various professions, whether they are master glass blowers, grinders, engravers, or glass painters, but also experts in the field of slumped or melt glass and other techniques. Several glass companies and specialized workshops and operations will be available to them, including Ajeto. Petr Novotný (1952-2024) enters the Hall of Fame of the International Glass Symposium next week,
https://www.igsymposium.cz/aktuality-en
In celebration of IGS 2024, ToYG speaks with David Ševčík, the director of Glassworks Ajeto as well as Ricardo Hoineff, who moved to Prague, Czechoslovakia, in 1991. In 2010 at the age of 41, Hoineff decided to take a two-week glass course that turned into three years of creation and production of art glass at the Higher Vocational School of Glassmaking Nový Bor. He is still kiln forming art glass in Slunečná, North Bohemia.