The Artistry and Craftsmanship of Dan Alexander

From his Micromorphisms to his Opticals and Pinwheels, Dan Alexander explores the mesmerizing world of optical illusions, where intricate designs and mind-bending patterns come to life in stunning glass artistry. From captivating sculptures to breathtaking installations, each piece in this collection is a testament to his artistry and craftsmanship.

Much of Alexander’s inspiration comes from photographs he has taken or his travels. Looking at one micro-aspect of an object, he envisions how that small segment could be used in repetition to create an overall pattern. An example would be looking at one single coral in the ocean and repeating its colors and shape over and over again to make a large glass tile. By rolling that glass tile up hot around a glass bubble or collar, he makes a large vessel. The artist uses the blown glass process to create a three-dimensional canvas on which his murrine and patterns can be displayed. 

Says Alexander: “The work I am currently exploring is inspired by nature, textiles, travel, and architecture – more specifically patterns therein. Being an artist and world traveler, I look at the world around me and try to determine how it could be translated to glass.”

Having grown up in a small farming town in northeast Ohio, Alexander has always been interested in art, history, nature, and creating. Upon seeing glass being made for the first time at Hale Farm and Village, Bath, Ohio, he knew this was a trade he had to master. He received his BFA in glass from Kent State University, where he was able to explore glass as an artistic medium while being introduced to working with other materials, history, color theory, and composition. 

Following graduation, Alexander studied with some of the top glass artists in the field today and worked in Murano, Italy, with Maestro Davide Salvadore creating large scale blown glass art. Later, he worked for the Corning Museum of Glass as lead gaffer, where he spent six years traveling the world and educating the public about the science and history of glass art. Eventually Alexander decided to take on a new role as the studio director of Third Degree glass factory, St. Louis, Missouri, producing higher volume work, site specific installations, and overseeing studio operations and glass production. 

In 2016, Alexander began to branch out and create a name for himself as an independent artist. In recent years he was awarded an emerging artist residency at Duncan McClellan’s Gallery in St. Petersburg Florida, the AACG professional artist residency at GoggleWorks Center for the Arts in Reading, Pennsylvania, and Empire of Glass exhibition/residency in Vienna, Austria. He was nominated for the Glass Art Society’s Saxe Emerging Artist Award and received an international exhibiting artist award from the Effect, Dream, Transform exhibition in Uskudar, Turkiye.

Alexander is currently building a private studio and 501C3 nonprofit in St. Petersburg, Florida, called Art, Education, Gathering Inc. or AEG. Its tagline is: From Glass to Growth – Building Communities Together. AEG will offer community outreach, using glass as a form of STEM education, residencies, mentorships, classes and an emergency program for artists affected by disaster.

Says Alexander: “Education is an extremely important aspect. If the public wasn’t interested in art, many mediums would suffer. The more knowledge we can share with the public, the more sales, donations, and funding will be put into the arts.”