Jen Elek: Reflecting, Magnifying and Representing Bold Color in Hot Glass
Talking Out Your Glass podcast
Investigating interpersonal themes and the notion of community, Jen Elek is a studio artist and educator based in Seattle, Washington. She creates objects and installations of colorful glass and neon light employed as a form of non-verbal communication. Her most recent glass series titled Doliums is inspired by large Roman clay storage containers. Elek received her BFA from Alfred University in Metal and Hot Glass sculpture in 1994, after training as a welder in Allentown, Pennsylvania. She was a student of Michael Scheiner, Dante Marioni, and Ann Wahlstrom at Pilchuck...
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Ariana Makau and Nzilani Glass Conservation: At the Intersection of Equity, Preservation and Art
Talking Out Your Glass podcast
Ariana Makau, founder of Nzilani Glass Conservation, was the second person in the world – and the first woman – to receive a Master’s Degree in Stained Glass Conservation from the Royal College of Art in London. Equally comfortable on a job site, at a board meeting or in a museum, Makau has over 30 years of experience with art and architectural preservation. Her work is most fulfilling at the intersection of equity, preservation and art. Nzilani Glass Conservation is an award-winning firm and one of the few companies in the United States qualified to create new or preserve...
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Susan Stinsmuehlen-Amend: Stretching Concepts and Pushing Processes of Traditional Glass
Talking Out Your Glass podcast
Susan Stinsmuehlen-Amend is an artist for whom ideas have always been more important than media, and possibly more integral to her work. It’s interesting then that her art has been consistently viewed through the lens of glass. In the creation of her early X series to more recent Calendar Notations, she has pioneered techniques such as non-traditional, unfired painting on glass, mixing glass with other media, and presenting painted, decorated glass on the wall in reflected light. Throughout her career, the artist distilled her own life experiences in the creation of...
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Nadine Saylor: Telling Stories Behind the Objects, Places, and Lives They Touch
Talking Out Your Glass podcast
Recently, Nadine Saylor has been creating a series of gas and oil cans featuring imagery of her local surroundings. These more “masculine” objects remind her of the things her grandfather had in his shed. In thinking about gender and how it relates to the objects with which we surround ourselves, she investigates what role gender plays in our world writ large. Assistant Professor of Glass and Sculpture at University of Nebraska, Kearney, Saylor is originally from Hershey, Pennsylvania. She received her BFA in Photography from the University of the Arts in Philadelphia and her MFA in Glass...
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Rick Beck: Casting Large-Scale Industrial Objects and Figural Forms in Glass
Talking Out Your Glass podcast
Rick Beck’s modern cast and carved figurative glass sculptures are inspired by industrial and architectural works as well as the human form, with an emphasis on formal aspects. Interested in playing the volumes of mass against the rhythm of the lines, Beck enjoys the interplay of the visual versus the verbal, creating art that challenges the eye as well as the mind. Beck states: “My wife, Valerie, got me a book about the competitive relationship between Picasso and Matisse. Their artistic dialogue about the figure has fired my imagination, especially the way they shared and borrowed images...
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The Pain and Pleasure of Karisa Gregorio’s Stained Glass
Talking Out Your Glass podcast
Karisa Gregorio’s autonomous stained glass panels explore themes of sex, death, God, the Devil, pleasure, temptation, intimacy, love, lust, and indulgence. The relationship between glass and light in stained glass allows her to create works that feel alive. Using traditional processes as well as techniques developed by modern stained glass master Judith Schaechter, the depth and intimacy of Gregorio’s materials create a world in which the pleasures of the flesh and emotions of the heart are equally illuminated and illuminating. Having received her BFA in Craft + Material studies, with a...
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Stephen Dee Edwards: Studio Glass Pioneer, Glass Caster, Educator
Talking Out Your Glass podcast
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Derek Hunt: Inspiring the Next Generation of Stained Glass Artists
Talking Out Your Glass podcast
Derek Hunt is an award-winning glass artist and educator, a Fellow of the British Society of Master Glass Painters, a Fellow of the Royal Society of Arts and an accredited stained glass conservator. He designs and makes glass artworks for public spaces, private homes and churches using methods to include traditional stained glass as well as working with new techniques such as screen and digital printing to push the creative boundaries of the medium. In addition to creating and restoring stained glass works, Hunt hosts specialist Master Classes throughout the year at his studio in...
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Gemma Hollister: Narrative Structure and Divine Light
Talking Out Your Glass podcast
Upon graduation from the Tyler School of Art and Architecture with a BFA in glass, Gemma Hollister was awarded the Windgate-Lamar fellowship from the Center for Craft, which allowed her and her partner to start a small studio in Philadelphia, Antolini Glass Co. While balancing her personal artistic practice and work as a production glassblower, the artist recently appeared on Netflix’s Blown Away: Extreme Heat. The show inspired new work, which she made both in her own studio and during a residency at Monterey Glassworks. States Hollister: “Blown Away gave me a chance to...
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Hana Hastings, Sand and Fire Works: Using Social Networks to Successfully Market Stained Glass Patterns, Classes and Artwork
Talking Out Your Glass podcast
Using Etsy for pattern sales, Patreon for teaching classes and Instagram for promoting her artwork, Hana Hastings, Sand and Fire Works, Grimsby, Ontario, Canada, has acquired a substantial following for her offerings in stained glass. Wanting to differentiate herself from the more traditional glass designs and commonly seen pattern work, Hastings brought nature and natural subjects into the homes of her patrons by experimenting with 3D sculpture and unique textures and colors of glass. Mastering her marketing efforts on social media, the artist grew a following significant enough to dedicate...
info_outlineCombining technical skill with a strong aesthetic, flameworking pioneer Sally Prasch is known for her work that places other-worldly figures in glowing globes filled with rare gasses. She has also constructed portraits from broken shards of glass and is well known for her goblets made with coiled stems that allow them to bounce when handled. Her latest work incorporates cast bronze with glass.
But perhaps Prasch’s greatest fulfillment has come from teaching. She has taught flameworking workshops at UrbanGlass, Brooklyn; the famous Niijima Glass School, Japan; Pilchuck Glass School, Stanwood, WA; Penland School of Craft, Penland, NC; Pittsburgh Glass Center, Pittsburgh, PA; Grove Gas & Light Co, University of CA, San Diego, CA; Ingalena Klenell’s Studio, Sweden, and many more.
States Prasch: “Teaching has always been a part of my life. My parents were teachers, and both my brother and sister have also been teachers. Lloyd Moore, my first teacher, found it very important not to have any secrets but to share your knowledge with others – share your love of glass and making things. He taught thousands of people, and I continue in his tradition. Lloyd started me teaching at age 15. It was scary for me to teach adults, but made me practice things over and over again. We started people on soft glass tubing and then worked them up to borosilicate.”
Prasch began her career at age 13 with Moore working as a part-time apprentice at the University of Nebraska and then worked as a glassblowing instructor for the City of Lincoln Recreation Department. Later on, she took workshops from some of the best glassblowers of the time including William Bernstein, Ray Schultz, and Lino Tagliapietra. She attended the University of Kansas from 1977 to 1980 and received a Bachelor’s Degree in Fine Art in Glass and Ceramics.
After college, Prasch started her glass art business that is still active today. She soon began to receive recognition for her artistic work and was selected for the Corning Museum of Glass’ New Glass Review in 1993. The artist has been attending Glass Art Society (GAS) Conferences since 1978 and continues to participate by giving demonstrations and lec-moes, serving on the GAS Advisory Board and working with the organization’s History Committee. In 1985, Prasch received her Certificate in Scientific Glass Technology from Salem Community College (SCC), Carneys Point, New Jersey. Soon afterwards, she obtained a position with AT&T doing large quartz work for the semiconductor industry.
Continuing with her studies, Prasch earned her degree in Applied Science from SCC in 1986. Later that year she got a job as a scientific glassblower and glass instructor at the University of Massachusetts. She has worked as a scientific glassblower at the University of Massachusetts, Amherst (UMass Amherst), Syracuse University, and the University of Vermont, Burlington.
Currently, Prasch is the scientific glassblower and also teaches Scientific Glassblowing and the Properties of Glass to graduate students in Chemistry, Art and Physics at University of Massachusetts, Amherst. She is a member of the American Scientific Glassblowers Society (ASGS) and the director of the Northeast section. Her ASGS experience includes participating in seminars on such subjects like vacuum technology, quartz technology, and glass sealing. She has instructed a neon class with David Wilson, presented a paper on her work with the discovery of the gravitational wave, and co-chaired symposiums.
In 2025, Prasch will exhibit her work in Glass Lifeforms at the Pittsburgh Glass Center, opening February 7 and running through April 20. Her work will also be on view in Glasstastic at the Brattleboro Art Museum, Brattleboro, VT, March 22 through November 1. The artist will teach at the Pittsburgh Glass Center, Pittsburgh, PA, from July 28 – August 1. After curating the annual glass exhibit at Leverett Crafts and Arts in Leverett, MA for the month of November, Prasch will have a one-week fall residency with George Kennard at SCC, as well as a residency at the University of Massachusetts, Amherst.
In 2026, the Herter main gallery at UMass Amherst will host a solo exhibit of Prasch’s work from January 29 through May 8. The opening will take place Friday, April 24, 2026, from 5 to 7 p.m. with an artist talk from 6 to 6:30 p.m. Her work will also be on display at the Science Library and at the Durfee Conservatory at UMass during the show.
As Prasch develops new work, including pieces for Laura Donefer’s 2026 Glass Fashion Show to be held at GAS, she continues to teach and fabricate scientific glassware at UMass. She says: “I have taught on average 25 students a month for my entire career, only taking a break during the pandemic. Obviously, teaching is a part of me, and I gain so much. It is not about teaching, not about glass, not about notoriety, not about pay – it is about the energy between people. It is about trust.”
UPCOMING EVENT LINKS
Spring and Fall semester classes and weekend workshops at the University of Massachusetts – Amherst
https://www.umass.edu/natural-sciences/research/scientific-glassblowing-laboratory
February 7 – April 20, 2025 – Glass Lifeforms Exhibit, Pittsburgh Glass Center
https://www.pittsburghglasscenter.org/event/exhibition-lifeforms/
March 22 – November 1, 2025 – Glasstastic, Brattleboro Art Museum, Brattleboro VT
https://www.brattleboromuseum.org/2024/09/06/glasstastic-2025/
March 21 – 23, 2025 – International Flameworking Conference, Salem Community College, Carneys Point, NJ
https://www.salemcc.edu/glass/international-flameworking-conference
April 5, 2025 – Northeast American Scientific Glassblowers Section Meeting, Cornell University
https://northeast.asgs-glass.org/
May 14 – 17, 2025 –Glass Art Society Conference
https://www.glassart.org/conference/texas-2025/
July 28 – August 1, 2025 – Teaching at the Pittsburgh Glass Center, Pittsburgh PA
https://canvas.pittsburghglasscenter.org/classes/1632
Fall, 2025 – one week residency with George Kennard at Salem Community College, Carneys Point, NJ
https://www.salemcc.edu/glass
Fall, 2025 – one week residency at the University of Massachusetts
https://www.umass.edu/natural-sciences/research/scientific-glassblowing-laboratory
January 29 – May 8, 2026 – Exhibit at the Herter Gallery, University of Massachusetts, Amherst Opening April 24, 5 – 7 p.m. with artist talk 6:00 – 6:30pm
https://www.umass.edu/herterartgallery/herter-art-gallery
January 29 – May 8, 2026 Exhibit at the Science and Engineering Library and the Durfee Conservatory
https://www.library.umass.edu/sel/
https://www.umass.edu/natural-sciences/research/greenhouses/durfee-conservatory