Rita Shimelfarb: Combining Traditional Stained Glass with Contemporary Painting and Forming Techniques
Talking Out Your Glass podcast
Release Date: 01/24/2025
Talking Out Your Glass podcast
Stephanie Trenchard’s multi-disciplinary creative process includes painting and poetry along with cast glass. With a focus on biographical stories of how women artists have navigated careers and partnerships, motherhood and making a living while still focusing on their creative practice, the work also discusses the price the art has to pay in this grand juggling act. The artist prioritizes the actual experience of the work, making and seeing it, over the classification of genre or ownership of an idea. Says Trenchard: “I create my own visual vocabulary in storytelling. Using...
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For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination,...
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self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman’s Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an...
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Perceiving her role as a record keeper, artist Jen Blazina captures the essence of lost memories and forgotten voices. Through her work, she holds onto fragments of personal history, transforming common objects into poignant relics of the past. Her visual narratives express universal concepts of memory, inviting audiences to connect with the stories she preserves. Blazina states: “Memory is embodied in everything around us: in our culture, beliefs, objects, and ourselves. Discarded objects and those passed down to me become personal keepsakes and icons of the past, rather than...
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Nothing short of inspirational, Martin Gerdin’s journey through crafting wild fish in hot glass is inextricably tangled with his evolution to mental health and sobriety. Beginning during the pandemic, the artist has hand-blown dozens of meticulously detailed trout, salmon, redfish, and other revered gamefish from his glassblowing studio, Gerdin Glass in Crawford, Colorado. The dangers, volatility, and physical labor of blowing glass are symbolic of the challenges he faced and conquered on his pathway to sober living. For some, fly fishing is a pastime, something fun to pursue...
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The raw brilliance and color of glass are primary inspirations in Rita Shimelfarb’s work. The deeper she explores the technical side of working with glass, the more it leaves her in awe at the range of possibilities for something new and beautiful to emerge. Building upon the millennia-long tradition of stained glass art, Shimelfarb pushes her material beyond traditional imagery and conventional construction methods by utilizing both time-proven as well as innovative contemporary glass forming and painting techniques. By combining modern and traditional, play and purpose, she makes the...
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Combining technical skill with a strong aesthetic, flameworking pioneer Sally Prasch is known for her work that places other-worldly figures in glowing globes filled with rare gasses. She has also constructed portraits from broken shards of glass and is well known for her goblets made with coiled stems that allow them to bounce when handled. Her latest work incorporates cast bronze with glass. But perhaps Prasch’s greatest fulfillment has come from teaching. She has taught flameworking workshops at UrbanGlass, Brooklyn; the famous Niijima Glass School, Japan; Pilchuck Glass School, Stanwood,...
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Childhood experiences of life on a sailboat in the Bahamas and Caribbean left a profound mark on Kait Rhoads. The experience of growing up on the water has provided great inspiration for her artwork. The artist’s Sea Stones series hints at its watery origins. Each sculpture is a small world in itself, an intimate object you can hold in your hand. A talisman, the work looks almost molecular, like plankton carapaces as observed under a microscope. Rhoads states: “My work is inspired by nature and informed by memory. And, three oceans—the Caribbean, the Indian and the...
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Weston Lambert transforms semi-precious stones and found rocks into profoundly beautiful, time-defying glass sculptures. By incorporating an original process for laminating the two materials and by cold-working the surfaces of the glass and rock, the artist is able to bring his skill to bear on these objects that seamlessly transform from stone to glass and back again. Lambert’s work is about dualities and the balancing of contrasting forces. He’s looking for the place where transparency/opacity, and ephemeral/eternal coexist, each taking part in creating equilibrium. This dynamic...
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Current work by Jeremy Sinkus includes his Contemporary Art Nodules, inspired by collecting and focusing on the top 10 attributes that the artist and viewers found intriguing about glass objects. Simultaneously ancient and from the future, his Nodules combine texture and form with transparent windows that allow the viewer to explore unknown inner worlds. A former mineral collector and digger, Sinkus put down his chisel and picked up a torch when he realized his fondness for minerals and natural history was all encompassed in glass. Sinkus says: “Glass is geological....
info_outlineThe raw brilliance and color of glass are primary inspirations in Rita Shimelfarb’s work. The deeper she explores the technical side of working with glass, the more it leaves her in awe at the range of possibilities for something new and beautiful to emerge. Building upon the millennia-long tradition of stained glass art, Shimelfarb pushes her material beyond traditional imagery and conventional construction methods by utilizing both time-proven as well as innovative contemporary glass forming and painting techniques. By combining modern and traditional, play and purpose, she makes the seemingly conflicting entities sing together in harmony.
Shimelfarb’s unforgettable series, The Sacred Feminine Grace Archetypes, recognizes the universal interconnectedness and divine essence of all living beings. Through moving portraits of strong, wise and soulful female subjects, the work embodies beauty in movement, thought and action, reflecting an inner harmony that transcends physical appearance. This state is not just external; it is a quality that emanates from within, allowing individuals to navigate life’s challenges with poise and dignity. It’s an acknowledgment that life’s challenges are opportunities for growth, and by flowing with these experiences, one can find wisdom and serenity.
States Shimelfarb: “The subjects I choose are meant to slow you down mentally for long enough to have the light start working its magic. To me, the purpose of my art is not about making you see something pretty, or having your brain analyze a specific story, or having your heart be overtaken by a specific emotion. It is more about the whole re-tunement. I feel that there is no end to the myriad ways glass allows me to do this. I prefer to mix the techniques, for instance, combining traditional glass painting and contemporary fused elements with dichroic glass. Engineering new ways to not just approximate, but zero in on evoking the exact frequency I am after is a never-ending quest, sometimes frustrating, sometimes surprising, but always hopeful and exciting.” Born in the USSR in 1972, Shimelfarb immigrated to US from Ukraine in 1989. A refugee, she eventually made Chicago her home. She completed a Bachelor’s degree in Math and Computer Science and finds her analytical background indispensable in solving various glass-construction challenges and in developing new processes for image and medium manipulation. She has worked extensively with her mentor Sylvia Laks, a celebrated stained glass painter, and has taken several glass forming and painting workshops with world renown glass artists. Shimelfarb has exhibited her work nationwide and is included in numerous public and private collections. Commission work by her Glass Can Dance Studio has been featured on the cover of Ed Hoy’s catalog, at the Ronald McDonald House near Central Du Page Hospital, IL, and at Chute Middle School in Evanston, IL. In 2025, Shimelfarb will teach a glass painting / mosaic workshop for Campanella Choir kids at the Children’s Educational Center Campanella in Northbrook, IL, March 15 – 16. The solo exhibition of her glass paintings there just closed January 18. She will also teach a glass painting workshop at Delphi Glass, Lansing, MI, April 19 – 20. Her work can be seen in a group show of Chicago area glass painters to take place in April and May at the Illumination Art and Design Gallery in Chicago as well as at EvanstonMade’s summer member exhibit. Meanwhile, there is a new series of glass paintings in progress on her bench with the working title Unintegrated. |