Talking With Burritos
This is not about elections, steel dossiers, or FBI reports I will never read. This is all about how sexy, crazy, cool, and dangerous those Russians can be on screen and off.
info_outline Road Trip Heroes - TWB89Talking With Burritos
15:17 to Paris is a Clint Eastwood film made for Lifetime that somehow made it to the big screen. A better road trip movie with a less inspirational story is Eurotrip.
info_outline Sharks Plus Ocean Equals Scary - TWB88Talking With Burritos
Recently, Warner Bros. released The Meg as proof that sharks are not bankable unless you make them silly. As frightening a creature as sharks seem, they are never good subjects for a movie. There are very few plots involving sharks in which to script an original film. Depending on the idea, a thrilling shark movie should never be over-conceptualized. Just keep it simple: sharks plus ocean equals scary.
info_outline Netflix at The Oscars With Steven Spielberg -TWB87Talking With Burritos
Roma did not win Best Picture. Whether this was a slight jab at the streaming giant or a well-deserved win for the other movie, the Oscars are not the same and never will be. But fear not, our Spectacled Crusader is here to save Hollywood from going Hollywood.
info_outline Bohemian Travesty - TWB86Talking With Burritos
At face value, Bohemian Rhapsody is a paint-by-the-numbers biopic without the celebratory weight of a meaningful story.
info_outline State of Fear 2018Talking With Burritos
Halloween has a newfound popularity rooted in a remake that is a sequel (a remakequel) to the beginnings of a franchise relaunch. Not new material, but there’s a case for simplicity with horror movies that over time lost to the evolving use of special effects and jump scares. Halloween (2018) wasn’t a great movie; however, it is what this genre needs as a reflection back to when simple storying telling thrilled the masses.
info_outline Hollywood, We Have a Problem with Movie FranchisesTalking With Burritos
Remakes and Franchises make movie watching boring these days. Same ol’ this and with a sprinkle of that thing already imagined. Jurassic World and Ocean’s 8 are two examples of films —this summer— whose failure to deviate from the plot and character development of it’s precursors to produced a final product that hit all the marks of fanfare but lacked originality.
info_outline Subscribe Me to Movie Pass - TWB83Talking With Burritos
The movie theatre is a venue; a luxury, to which only some of us can afford to indulge regularly. Subscription services, like, Movies Pass, Stubs, and Cinemark’s Movie Club make that indulgence a more considerable option than waiting for movies to premiere on Netflix. No matter who’s paying, it’s a great experience when we’re paying less.
info_outline Black Panther is The Only Black James Bond We Need - TWB82Talking With Burritos
Black Panther is the only black James Bond we need. He has the tech, a suave demeanor, and the well intent to undermine criminal minds who threaten his nations. It would be great to have a black James Bond character on the big screen but as long as he or she is not James Bond and more Bond-like.
info_outline Solo is The Ultimate George Lucas Clapback - TWB81Talking With Burritos
If you hated Solo, you brought this upon yourself!
info_outlineBefore She Was Wonder Woman, She Was Diana - REVIEW
I found myself at odds with wanting to like this movie as much as everyone else LOVED this movie. I mean, it got a 94% percent on Rotten Tomatoes so I should like it right… right? That’s the odd nature of criticism and human behavior. It’s our nature to not want to be at odds with the masses-- to just accept whatever is popular instead of forming our own opinion or being truthful to our own opinion. A movie gets a horrible rating and automatically it's cemented in your mind that the aforementioned movie is a film you would rather not spend money to go and see. Access to such information has taken the risk out of watching movies. Whether you hate or love a movie, isn’t it more of the experience we seek to obtain? Or is it that we would rather save our money than take a chance on a film that may disappoint us? I was excited by the idea that Wonder Woman would be the best movie of the summer — even better than Guardians of the Galaxy Volume 2. That last scene in B vs V left me wanting more of the Amazonian warrior who faced off with Doomsday as Superman moped and Batman hid. However, it just didn’t rock my world as it apparently rocked for other people. All those positive reviews and movie was just okay. Sorry, status quo. When asked, “So what did you think?” I bit my tongue a little, I admit. Why? Because I believed my feelings towards this movie were maybe too subjective to really debate whether or not this iteration of Wonder Woman met my criteria as the Wonder Woman film I wanted to watch. Bre, a contributor to If three by space and friend, shared the same sentiment. Finally!, Someone else who thought the movie was meh. I’m usually very candid about my reactions towards a film, never really holding my tongue. I even waited to hear Bre's reaction before I could truthfully respond to her about whether I liked the movie. To my surprise, she too did not share in the hoopla that is Wonder Woman Praise Mania. Instead of disseminating my negative thoughts onto you. I wanted to understand why it is that I did not share the same sentiment about this take on the iconic 1/3 of the Superhero Trinity. Wonder Woman isn’t exactly an innovative film, especially within this overly saturated market of comic book inspired movies. Sure, it’s the first movie helmed by a female director featuring a female comic book character to gross over $100 million dollars. The accomplishment should be heralded as much as celebrated by every director and actor in the industry. However, we can’t focus on the success of this film as a solitary achievement that will change the nature of the film culture. The truth remains that this is just one film about a superhero that took many years to make primarily because studios didn’t want to take a risk. Only after her appearance in B vs S were they finally convinced that they could make money off of this character. Within the current narrative of the DC Universe movie, a stand-alone Wonder Woman film is just a life preserver floating atop an empty ocean. It doesn’t fit within the current narrative which began with Superman and continued into B vs S and should have just gone on with The Justice League. Opposite of Marvel, they would have to introduce the character after the debut of the ensemble team. However, WW was riding a wave of excitement and it was a smart business move to make a standalone film now instead of later when the fervor subsides. So, stop with the praise that this is a home run for female artists in the film industry. The numbers say it all and as of 2016, women comprised just 7 percent of all directors working on the top 250 domestic grossing films. Wonder Woman was poised to do well at the box office. Maybe not 100 million opening well but as with all the movies before it, Jenkins would have eventually obtained this title of a person who made a movie for a studio that grossed a lot of money. Consider the Fate of the Furious as a perfect example: There was this brief celebration of F. Gary Gray becoming the first black $1billion director. Kudos goes to the work he put in to make the film what it became but his efforts weren’t all that pushed this film to its incumbent success. The Furious franchise is eight films in and continues to perform no matter who is in the director's chair. Wonder Woman will eventually make a bazillion dollars but let’s not focus on solely on numbers, that’s studio mumbo jumbo, but rather the time and effort and vision of Patty Jenkins who never directed an action movie and her muse Gal Gadot who had some big red boots to fill; they deserve more respect for their efforts than an entrance into the all boys 100 million dollar club. Much of what other people liked about the movie or continue to blab on about, I did not particularly find impressive enough to consider an indifference to mainstream movie fandom. And as I tried to reason with myself about the supposed greatness of this film, I realized that it was all haberdashery; dressing up my opinion of the film to appeal to the overall consensus.Wonder Woman: The Good, The Bad, The Cheesy
Wonder Woman wasn’t that great of a movie, however, I was interested in why I do not hold the same opinions as others. So, I read a few reviews and talked with a few people who also watched the movie and pulled from those resources and conversations good and bad aspects of the film that might help me form a different opinion of Wonder Woman on a second viewing. I am a firm believer that it takes more than one viewing to fully appreciate a film and with that, I am willing to sway my own opinion based on further insight into why people like this movie so much. Here, I debate a view arguments and positives about the film that struck as the more important conversational starters. DC Enters the Light Yes, Wonder Woman had endearing flirtatiousness with her naiveté fish out of water story beat. The scene on the boat with her and Trevor talking about sex was kinda funny until you listen to the dialog and realize Trevor the gentleman is really just a horny man dog. I didn’t necessarily need them to showcase their sexual attraction so openly. Diana had a mission and her mission was to destroy Ares. This flirty school girl/ guy routine was only a way to exploit Diana’s innocence for a joke. There was this wardrobe changing scene that was funny and more along the joke spectrum I consider effective enough to represent Diana’s adverse emersion into regular society. Using common stereotypes and customs that defined women during the 1930’s and 1940’s (and today) was a fun way to show not only Diana’s ignorance but strongly rooted Amazonian female roots and female empowerment. Female Empowerment Gadot handled herself quite impressively in the scenes where the omnipresence of men conflicted with her beliefs, and it was those vulnerable moments that identified with Diana’s key character trait; empathy. Diana Meet Steve: The Cheesy Rom-Com Y’know what’s sexier than a sex scene? Not having a sex scene. I mean c’mon, Diana just met Trevor and sure, in the heat of battle things can get a little hot and heavy but why does it have to end with her beckoning Trevor with a longing gaze as he closes the bedroom door. I would think any woman involved with this script would be like: "What? No… eww/" But I guess when the director renounces cheesy as a word, you get a scene like that. It’s like when Kevin and Winnie’s first kiss, and yes this is a Wonder Years analogy but it applies to all romantic comedies where two people in love want to be together but extenuating circumstances keep them apart. Ex. Felicity and Scott Speedman, Diane and Sam, Buffy and Angel. With all those examples, those couples had to endure many setbacks before they became a couple. The kiss between Winnie and Kevin only happens after Winnie disses him over and over again. The longing builds up the tension for the final moment or season ending episode when Kevin finds Winnie in a clearing sitting on a rock gazing off into nowhere. He drapes his jacket over Winne’s shoulders and holds her close with one arm around her shoulders. Slowly she’s drawn to him and their lips meet for that first kiss as When a Man Loves a Woman plays over the soundtrack. Picture the final moment of Wonder Woman with such a longing looming over Diana and Steve. One kiss and boom that’s all the sex those two needed — their relationship would transcend into something more, and that’s love, that’s a great scene.Here’s looking at you kid.It’s not that the supposed sex scene in Wonder Woman was cheesy, it just wasn’t necessary. Empathy and strength in the presence of adversity. The Origin Story Mashup: What works best towards the Wonder Woman narrative is all about how much you know.
- Diana is a princess, check.
- She was molded from clay, check.
- Zeus is her father, check.
- Trevor crashes onto the island of Thermasyoiuoiu, check.
- Diana fights in disguise to win an opportunity to join Trevor on a mission to the US, not checked.
- Diana loves Trevor, check.
Scoop Du Jour
One of the better stories about Wonder Woman stems from the origins of the comic book character and her creator Dr. William H. Marston. Jill Lepore, the author of the book The Secret History of Wonder Woman wrote an article for The Smithsonian which describes the scandalous beginnings of Wonder Woman and DC Comics. Marston was a jack of all trades, a psychologist, scientist, and lawyer who started his work with DC Comics in 1941. As a move to help curtail the onslaught of criticism from the media and watchdog groups, Maxwell Charles Gaines creator of DC Comics, took to an idea from Marston to create a female character who among the likes of Superman and Batman would help to soften the violence and sexual nature of the current pulp comic narrative. Little did Gaines know that Wonder Woman would bring him more attention than he so desired. The debut of the Diana from the mystic Amazonian Paradise Island was immediately met with overall disdain. The number one complaint: They didn’t like the way she was dressed. Too much skin, they shouted as they burned images of Wonder Woman clothed in nothing but a tight red top, underwear, a lasso, and boots. Burn the witch! Okay, it’s wasn’t that dramatic but isn’t the same type of anger expressed whenever a woman come outs against the status quo? Past the cover and onto page one clothing just the tip of the anger-berg. Images of bondage and not-so-subtle feminist messaging throughout the comic caused for a plea that the comic be remove from the shelves and restricted from children! Such vile content would warp the minds of the adolescence and cause them to commit horrible acts of debauchery in the future. Luckily Gaines, a physiologist, could defend Wonder Woman in reality as she defended herself on the page, but it was not easy. In this article, Lepore touches upon Marston and his relationship with his wife Elizabeth Holloway, and live in love affair, Olive Byrne. Their love story had nothing to do with Wonder Woman per say. The trio would manage to keep their polyamorous living situation a secret going so far as to introduce Byrne as a widowed cousin who needed a place to stay. Labels and stereotypes are used to keep people shackled to an idea of conformity, so instead of wearing a ring, Olive Byrne wore two bracelets. Marston, Byrne, and Holloway all had ties to the feminist Suffrage movement and when you consider this history, Wonder Woman the character — her meaning— takes a different shape as she may have been a character birthed from idea but she molded into a model of female empowerment that exemplifies struggle, strength, and overall empathy towards mankind. If you watched the movie, and happen to see the trailer, Professor M; that is this story made into film starring Luke Evans. Check it out.This, That, and Other News
Teens rescued after spending three days in the catacombs beneath France. Sounds like a movie right? As Above, So Below is a found footage movie released back in 2014 about a couple of cataphiles who get lost in the maze that of the freaky underground tombs of Paris, France. http://www.cnn.com/2017/06/15/europe/paris-catacombs-rescue/?iid=ob_lockedrail_bottommediumWeekly Flavor Text: “Great girdle of Aphrodite!” she cries at one point. “Am I tired of being tied up!”
Links:
- The Secret History of Wonder Woman
- Smithsonian Magazine: Wonder Woman Origin Story
- Film School Rejects Wonder Woman Review
- Film Schoo Rejects "Wonder Woman Champion Empathy
- Wired: Wonder Woman Origin Story
- i09: Why Super Heroes Exist
- How Wonder Woman Tackles Superheroes Movie Greatest Foe: Sexism
- Wonder Woman Is A Milestone But Shouldn't Be