Sexy Mother Russia - TWB90
Talking With Burritos
This is not about elections, steel dossiers, or FBI reports I will never read. This is all about how sexy, crazy, cool, and dangerous those Russians can be on screen and off.
info_outline
Road Trip Heroes - TWB89
Talking With Burritos
15:17 to Paris is a Clint Eastwood film made for Lifetime that somehow made it to the big screen. A better road trip movie with a less inspirational story is Eurotrip.
info_outline
Sharks Plus Ocean Equals Scary - TWB88
Talking With Burritos
Recently, Warner Bros. released The Meg as proof that sharks are not bankable unless you make them silly. As frightening a creature as sharks seem, they are never good subjects for a movie. There are very few plots involving sharks in which to script an original film. Depending on the idea, a thrilling shark movie should never be over-conceptualized. Just keep it simple: sharks plus ocean equals scary.
info_outline
Netflix at The Oscars With Steven Spielberg -TWB87
Talking With Burritos
Roma did not win Best Picture. Whether this was a slight jab at the streaming giant or a well-deserved win for the other movie, the Oscars are not the same and never will be. But fear not, our Spectacled Crusader is here to save Hollywood from going Hollywood.
info_outline
Bohemian Travesty - TWB86
Talking With Burritos
At face value, Bohemian Rhapsody is a paint-by-the-numbers biopic without the celebratory weight of a meaningful story.
info_outline
State of Fear 2018
Talking With Burritos
Halloween has a newfound popularity rooted in a remake that is a sequel (a remakequel) to the beginnings of a franchise relaunch. Not new material, but there’s a case for simplicity with horror movies that over time lost to the evolving use of special effects and jump scares. Halloween (2018) wasn’t a great movie; however, it is what this genre needs as a reflection back to when simple storying telling thrilled the masses.
info_outline
Hollywood, We Have a Problem with Movie Franchises
Talking With Burritos
Remakes and Franchises make movie watching boring these days. Same ol’ this and with a sprinkle of that thing already imagined. Jurassic World and Ocean’s 8 are two examples of films —this summer— whose failure to deviate from the plot and character development of it’s precursors to produced a final product that hit all the marks of fanfare but lacked originality.
info_outline
Subscribe Me to Movie Pass - TWB83
Talking With Burritos
The movie theatre is a venue; a luxury, to which only some of us can afford to indulge regularly. Subscription services, like, Movies Pass, Stubs, and Cinemark’s Movie Club make that indulgence a more considerable option than waiting for movies to premiere on Netflix. No matter who’s paying, it’s a great experience when we’re paying less.
info_outline
Black Panther is The Only Black James Bond We Need - TWB82
Talking With Burritos
Black Panther is the only black James Bond we need. He has the tech, a suave demeanor, and the well intent to undermine criminal minds who threaten his nations. It would be great to have a black James Bond character on the big screen but as long as he or she is not James Bond and more Bond-like.
info_outline
Solo is The Ultimate George Lucas Clapback - TWB81
Talking With Burritos
If you hated Solo, you brought this upon yourself!
info_outlineLet's stir up some ancient Egyptian dust with The Mummy circa 2017 starring Tom “The Maverick” Cruise aka the last of the action hero and answer the question this failure should not be the end all for Universal Dark Universe.
Comment on this episode, ask a question, or share what entertains you at http://www.talkingwithburritos.com/77
FOR STARTERS
What The Mummy does for Dark Universal is make it harder for the studio to establish some credibility with audiences. And as inconceivable as it may sound, this may not be at the end all stake in the heart for this franchise. There is hope and it has webbed feet. Also, The truth about the risk of watching movies: criticism in the age of easily accessed opinions. The heat is on as movies continue to not garner much excitement and fail at the box office. But who’s fault is it: the studio or the critics?
Talking Points
- Dark Universe Monsters are not creatures, right?
- One stark difference between The Mummy 1999 and The Mummy 2017 is that the Mummy 1999 was good.
- All work and no play makes Jack Reacher a dull boy
- The Underwhelming Success of The Mummy Doesn't Doom The Dark Universe; just makes it harder for us to care.
- Creature from the Lagoon would not fit into the current action narrative of this “Dark Universe.”
- Universal needs to think Disney before moving forward with the next Dark Universe Film.
The Scoop Dujour - Criticism and The Risk of Watching Movies
Criticism is not new. Before the internet: you picked up a newspaper, flipped to the entertainment section and read the latest review from your favorite entertainment columnist. However, now, in the age of accessibility, many of those single opinions operate as a collective voice within sites like Rotten Tomatoes and Metacritic.
We're always open for suggestions and/or a favorable comment
But Machete don't tweet. Okay, well leave us a voicemail or email:
WHERE TO SUBSCRIBE AND LISTEN:
- The full catalog, minus, shownotes
- Our podcast subscription page
- Listen in Apple Podcast:
- Or download to your Android device using these suggested apps: Subscribe on Android
- If you enjoyed this episode, leave a review in iTunes!