TCBCast 359: Favorite Tracks with David Briggs & Elvis (feat. John Michael Heath)
TCBCast: An Unofficial Elvis Presley Fan Podcast
Release Date: 04/30/2025
TCBCast: An Unofficial Elvis Presley Fan Podcast
Bec and Justin discuss their favorites of the many songs Elvis recorded or performed titled after the women and girls they're about by name. From Caroline to Petunia, Marguerita to Marie and Annie to Kathleen, the tunes span the breadth of love, heartbreak and stories of unique musical characters. For Song of the Week, Justin takes the opportunity to jump from Elvis's messy but fun home recording of "San Antonio Rose" to explore a bit of the history behind Bob Wills' iconic western swing hit, examine contemporary perspectives that challenge our ideas of what the boundaries of oldies...
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This week, John Michael Heath from EAP Society joins Justin to reflect on the music of pianist, producer, and songwriter David Briggs, who first joined Elvis in the recording studio in 1966 and continued working through the rest of Elvis's career periodically in and out of sessions and live shows. David passed away this past week at the age of 82. The guys select some of their favorite tracks featuring David's work, and also remember Wink Martindale and Will Hutchins who both passed away as well. For Song of the Week, call it a belated Easter segment, with Justin selecting Elvis's...
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Rabia from "Suddenly: A Frank Sinatra Podcast" and "TCBCast After Dark" joins Justin for a main feed discussion all about the 1977 compilation "Welcome to My World," which brought together an intriguing collection of country recordings spanning from 1958-1973 with some loose thematic threads that we try to tease out. Plus, Rabia dug up a handful of original contemporary reviews that reveal how critics received this album at the time, both positively and negatively! For Song of the Week, as voted on by TCBCast Patreon backers, Justin rolls with the final track featured on the album, Don...
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David "Ghosty" Wills, host of "We Say Yeah: A Cliff Richard Podcast" and the Vintage Rock and Pop Shop joins Justin this week to explore how the "rockabilly revival" era, which technically spanned a near 20-year period between roughly 1970-1990 but culminated around 1981-83, led to the release of two compilations of Elvis material that RCA felt best captured his image as a rebellious rock and roll icon. From the 50s nostalgia of the 1970s to the success of acts like The Stray Cats, Robert Gordon, Dave Edmunds and Shakin' Stevens, Justin picks Ghosty's brain for his memories of becoming...
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For the first time since the third-ever episode of TCBCast, we're immersing ourselves fully in the music of the US Army's own Tulsa MacLean! Bec and Justin explore the three recording sessions in April & May 1960 that led to the iconic, bestselling #1 album. As it turns out, unusual for Elvis sessions, numerous songs had vastly different arrangements attempted as Elvis and the band struggled to find their footing with the material, as well as contend with external pressures that frustrated Elvis. With classic pop-tinged songs like "Wooden Heart," "Pocketful of Rainbows" and "Doin' the...
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Gurdip's back!!! ...kinda? April Fools! Originally released back in May 2022 on our Patreon, Gurdip demanded to have his say about Terry Stafford and his famous cover of "Suspicion," so Justin obliged and they sat down not just with the single, but Terry's full 1964 album. Released on the Crusader Records label to capitalize on Stafford's surprise Top 5 success with his hit recording of the same name, "Suspicion" featured an array of Elvis-likes from original Brill Building songwriters behind some of Elvis's early '60s material, including Doc Pomus, Ben Weisman, Fred Wise, and Sid Wayne....
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Intrigued by a concept thrown down by a listener, Bec and Justin decided to seriously just go for it and rank (ala the animal songs episode) Elvis's songs about modes of transportation - trains, cars, jet planes, the works. But they had to be substantially about the specific vehicle or use it heavily as a theme, not just a passing reference! As you'll hear, the team begins ranking them - and then to their horror realized after recording that they'd somehow forgotten the biggest and best of them all, so tagged on an ending to the main topic that rectified that little oversight!! Then, for Song...
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Justin and Bec forego a typical main topic this week, opting instead for effectively two main topics with absolutely massive, iconic Songs of the Week! Bec's Song of the Week is "You Don't Have to Say You Love Me" and she explores the roots of it from the 1965 Italian ballad "Io che non vive (senza te)" through to Dusty Springfield's hugely successful English adaptation and eventually to Elvis's famous performances of it in the 1970s, across his 1970 Nashville sessions, the concerts filmed for "That's The Way It Is," and even much later and deeper into the decade. Justin then traces the...
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This week, Bec and Justin explore the history behind the Extended Play format and how this record format played an important part in the consumption of Elvis's music by fans during his early career with RCA, and also briefly explore some of the more obscure and interesting international EPs that caught their eyes while digging into the topic. Then for Song of the Week, both hosts go for some serious weepers, tackling iconic 70s breakup songs, with Justin selecting Elvis's melancholy version of Tony Joe White's "For Ol' Times Sake" and Bec spotlighting the heartbreaking 1972 hit "Separate...
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Gurdip and Justin continue their discussion of 1967's "Double Trouble" as this infamous Elvis film finally introduces its more zany comedic elements with The Wiere Brothers, Helene Winston's grabby "Gerda" and a goofy Captain and First Mate intent on blowing up their own ship. The wacky side characters liven up the back half of the story - though the script remains equally as confusing and its attempts at absurdity flounder. But - what if there's a twist to the story of Double Trouble that no one's ever pondered before that may make revisiting the film a bit more tolerable in the future?...
info_outlineThis week, John Michael Heath from EAP Society joins Justin to reflect on the music of pianist, producer, and songwriter David Briggs, who first joined Elvis in the recording studio in 1966 and continued working through the rest of Elvis's career periodically in and out of sessions and live shows. David passed away this past week at the age of 82. The guys select some of their favorite tracks featuring David's work, and also remember Wink Martindale and Will Hutchins who both passed away as well.
For Song of the Week, call it a belated Easter segment, with Justin selecting Elvis's versions of the country standard "There Goes My Everything" and its gospel counterpart "He Is My Everything" from the early 1970s. John then gives us a quick primer on how to interpret Elvis's approach to the melding white and black gospel traditions for the How Great Thou Art sessions before spotlighting the more direct influence of Jimmy Jones & The Sensationals on "So High." Justin then takes the baton and together the duo explore the earlier (and Biblical) roots of the song and a couple neat secularized R&B versions of the same song.
You can hear more from John and Jamie Kelley at youtube.com/EAPSociety or visiting eapsociety.com.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.