TCBCast 367: Felton Jarvis & Elvis, Part 2: "My Boy"
TCBCast: An Unofficial Elvis Presley Fan Podcast
Release Date: 07/07/2025
TCBCast: An Unofficial Elvis Presley Fan Podcast
Part 2 of our "Spinout" Extravaganza continues! Ghosty Wills taps out at the top of the show, but the rest of the team powers through to explore "Spinout"'s musical sequences and the histories behind them, from the Elvis competitor who cut "Stop Look and Listen" first, to the beautiful 19th century melody behind "Am I Ready," and how the woman who wrote the title track, finally settled a long dispute over the title of the film. Then the team surprises Felix with the three bonus tracks featured on the soundtrack album: "Tomorrow is a Long Time," "Down in the Alley," and "I'll Remember You." The...
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MERRY CLAMBAKE! Featuring Justin Gausman, Olivia Murphy-Rogers, Rabia, Felix, John Michael Heath, David "Ghosty" Wills, Garrett Cash and Darin Evans. Part 1 opens with the revelation of how we tricked Felix into thinking he would have to watch Clambake again, then primarily covers our overall thoughts on the Norman Taurog-directed 1966 flick about a singing racecar driver, "Spinout." Sharing numerous overlaps with 1967's "Clambake", such as co-stars Shelley Fabares and Will Hutchins, "Spin-bake" puts the differences between the two Elvis films in sharp relief - and the earlier movie...
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Gurdip joins Justin for one last shorter pre-Christmas episode as we look back on 2025 and what 2026 may hold for Elvis fans, briefly discuss the EPiC teaser & poster, the news of Making of G.I. Blues FTD's release, and the passing of Raul Malo, lead singer of the Mavericks, who took influence from Elvis's work - discussed back on Episode 275 of TCBCast. Following up from Justin's previous Song of the Week, listener Rob sends in an email taking a crack at translating "Lilla klocka ring igen," the Swedish version of "On A Snowy Christmas Night" and Gurdip shakes off the rust for a...
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As we await the epic holiday two-parter for this year's Christmas episode, Santa may have just slipped a little something into your stocking a little early! Over at the TCBCast Jukebox, Gurdip and Justin settle in next to the tree to unwrap more Elvis-themed novelty songs that have come out both within Elvis's lifetime and beyond, this time with more of a holiday twist than usual. Tacky Elvis impressions, maudlin and overwrought post-1977 tearjerkers and - weirdly - a couple genuinely catchy ones; this list of Elvis novelty songs runs the gamut! Originally released as a bonus on the TCBCast...
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Ryan Droste & Bec Wyles took a brief aside from their upcoming main episode to bring their impressions of and insights on the first official teaser trailer for EPiC: Elvis Presley in Concert from Neon & Universal, which has been confirmed for a February 27,. 2026 release date with a one-week IMAX exclusive engagement prior starting Feb. 20. Link to the teaser:
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This week, Bec decided that it's been a while since she's gotten to talk about '70s concert material, so we're discussing the legendary August 19, 1974, show in which Elvis abandoned his usual setlist and completely changed directions. Opening with "Big Boss Man" instead of "See See Rider", filling out the show with tons of newer and more contemporary material like "Good Time Charlie's Got the Blues", "Promised Land" and "It's Midnight" and forgoing most of his iconic hits in favor of more unique and intimate performances just for his Vegas audiences. We sit down with the soundboard...
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In this episode's Song of the Week, Justin stumbled into the dark story involving Tommy Dilbeck, the country songwriter behind Eddy Arnold's signature hit "I'll Hold You In My Heart," which Elvis transformed into a bluesy jam at the American Sound 1969 sessions that worked so well it landed on the acclaimed "From Elvis in Memphis." But is the song merely one of romantic longing, or, given what we now know, a hint at a more subtly obsessive message that no one had previously picked up before? Content warning: potentially upsetting descriptions of domestic violence drawn from period news...
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They say Elvis was the King of Rock and Roll, so Gurdip and Justin are joined by John Heath (EAP Society, Atomic Wax) to put forth their picks for the most underrated rockers that Elvis Presley ever recorded: from overlooked singles to forgotten album cuts, 50s to the 70s, in the studio and live, there may just be one in here that you've underrated, too! Although Gurdip has to bow out after this meaty and outrageously fun episode, as a very special Thanksgiving/holiday kickoff treat, a slightly shorter Episode 386 featuring "I'll Hold You In My Heart," "Hide Thou Me" and "Shy Me Thy...
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John Michael Heath joins Justin this week as guest host as they discuss some of their favorite alternate versions of Elvis songs as they appeared in the original movies he starred in, frequently with added instrumentation, backing vocals, or often completely different performances altogether than what was commercially released on record. For Song of the Week, John looks back at "Pieces of My Life," the introspective Troy Seals-penned song off the "Today" album that landed as the B-side of "Bringin' It Back" as a single, and that Elvis only performed live once in Asheville, North...
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Released in 1978 on the Pickwick label, at first glance the budget album "Mahalo from Elvis" could have seemed like any number of other slapdash repackaging of old recordings in the wake of Elvis's death. However "Mahalo" not only represented the first official release of the five post-show songs from "Aloha from Hawaii" filmed for inclusion in the continental US broadcast, but had originally been compiled by RCA's Joan Deary for release in late 1973. As an album that could have potentially been part of the lifetime canon of Elvis's album releases, has "Mahalo" been overlooked?...
info_outlineAfter setting the stage by understanding producer Felton Jarvis's career leading up to his early collaborations with Elvis, we continue to investigate and interrogate the fan belief that he was singularly to blame for the "syrupy" overdubs that diminished the "pure" unfinished tracks.
Helped along by a 1980 interview done between Felton and Jerry Flowers of RCA in which the producer talks about his career retrospectively, Justin and Bec trace Felton's journey as Elvis hires and hand-picks him to be his exclusive producer, taking Felton away from RCA and other artists so that Elvis can, as a largely autonomous artist whose only studio commitments during this decade are to send periodic deliverables to RCA, work at his own pace and create the kind of recordings that he truly wants.
But was Felton truly to blame for the overindulgent strings and horns that were added to Elvis's music, or is there someone else that we've collectively overlooked? And has the narrative been all wrong and the way we even talk about "overdubs" been clouded by a widespread "rockist" misunderstanding of both Elvis and Felton, their respective jobs and tastes, and misunderstood expectations of the kind of music both fans & critics thought Elvis "should" be making?
The duo examine Elvis's live performances in relation to his studio work, touch on a few more non-Elvis records produced by Felton, and even revisit the 1981 "Guitar Man" project Felton spearheaded before his early death to see if it provides clearer insight into the producer's preferences and tastes.
For Song of the Week, Bec makes a promise that "It Won't Be Long," covering the recording cut from "Double Trouble," while Justin goes prospecting because he's pretty sure "There's Gold in the Mountains" still to be dug up from "Kissin' Cousins."
Some of the resources consulted for this and the last episode included, even if not quoted or mentioned in the final episode:
Felton Jarvis's 1980 Interview with Jerry Flowers of RCA
William Bozeman: "Felton Jarvis: The Man Behind the Music" from Elvis Express Magazine
Peter Guralnick: Careless Love: The Unmaking of Elvis Presley
Roben Jones: Memphis Boys: The Story of American Studios
Rick Hall: The Man from Muscle Shoals: My Journey from Shame to Fame
Norbert Putnam: Musical Memories, Volume 1
Ernst Jorgensen: Elvis Presley - A Life in Music
Ernst Jorgensen & Peter Guralnick: "Elvis Day By Day" and "The Complete Masters"
Ernst Jorgensen, Johnny Mikkelsen & Erik Rasmussen: Reconsider Baby: The Definitive Elvis Sessionography
Elvis Music FAQ by Mike Eder
Alanna Nash: "Revelations from the Memphis Mafia" & "The Colonel"
Luther Moore: "Felton Jarvis Re-Appraised" from Elvis: The Man & His Music magazine
Brian F. White's Interview with Norbert Putnam: https://www.brianfwright.com/interviews/norbert-putnam
Michael Nesmith: Infinite Tuesday - An Autobiographical Riff
TapeOP's Interview with Chip Young: https://tapeop.com/interviews/124/chip-young
Various reviews, articles, editorials, and interviews compiled from across Elvis Australia, Elvis Information Network, Elvis-History-Blog, Elvis Monthly, Strictly Elvis, Arjan Deelan as well as Discogs, KeithFlynn.uk, Elvisconcerts.com and other resources online.