Team Deakins
SEASON 2 - EPISODE 116 - Melinda Sue Gordon - Still Photographer On this episode of the Team Deakins Podcast, still photographer Melinda Sue Gordon (OPPENHEIMER, KILLERS OF THE FLOWER MOON, LICORICE PIZZA) joins us to discuss the ins and outs of on-set still photography. We learn how Melinda Sue fulfills studio requests while navigating the many personalities of a cast and crew just trying to make the day, and she shares her approach to capturing images that faithfully represent the characters and tone of a film’s story. We later learn why Melinda Sue pivoted to still photography after...
info_outline DOMINIC TUOHY - Special Effects SupervisorTeam Deakins
SEASON 2 - EPISODE 115 - Dominic Tuohy - Special Effects Supervisor Special effects supervisor Dominic Tuohy (THE BATMAN, 1917, EDGE OF TOMORROW) joins us in this episode of the Team Deakins Podcast to discuss the craft of special effects. With a father active in the film industry, Dom was taken in by the special effects team at Pinewood Studios at an early age, and he's been working in the department for the past 40 years. Throughout the episode, we discuss the invaluable verisimilitude of special effects, and Dom muses over the magic inherent to filmmaking’s smoke and mirrors. He later...
info_outline PEDRO PÁRAMO - Directed by Rodrigo PrietoTeam Deakins
SEASON 2 - EPISODE 114 - PEDRO PÁRAMO - with Rodrigo Prieto On this special episode of the Team Deakins Podcast, our friend and former guest Rodrigo Prieto (Season 1, Episode 112) joins us to discuss his directorial debut, PEDRO PÁRAMO, an adaptation of the eponymous and iconic Mexican novel written by venerated author Juan Rulfo. The focus of our conversation centers around Rodrigo’s experiences as a first-time director, and we cover the lifetime of the film’s journey from prep to release. Rodrigo starts by sharing how he came to direct the project in the first place, and he reveals why...
info_outline TECHNICAL KNOWLEDGE - For CinematographersTeam Deakins
SEASON 2 - EPISODE 113 - Technical Knowledge for Cinematographers - with David Mullen In this special episode of the Team Deakins Podcast, we’re joined by our friend and cinematographer David Mullen (Season 1, Episode 83) to discuss what and how much technical knowledge a cinematographer ought to know these days. The conversation includes specific explanations of technical details (such as the difference between film grain and digital noise) and more general subjects (such as the importance of telling a story and eliciting an emotional response from the audience). We also share a number of...
info_outline DAN LEMMON - VFX SupervisorTeam Deakins
SEASON 2 - EPISODE 112 - DAN LEMMON - VFX Supervisor VFX Supervisor Dan Lemmon (THE BATMAN, DAWN OF THE PLANET OF THE APES, AVATAR) joins us on this episode of the Team Deakins Podcast. Expanding upon our collection of conversations with filmmakers who worked on THE BATMAN, Dan is more than eager to discuss his work on the film, and he breaks down his team’s contributions to the Batmobile chase sequence and the look of the film as a whole. We also discuss the value of shooting references for the VFX department, and Dan reveals his reasoning for advocating to shoot as much as possible...
info_outline JESSE JAMES Live Q&ATeam Deakins
SEASON 2 - EPISODE 111 - JESSE JAMES Live Q&A - with Wendy Roderweiss This special episode of the Team Deakins Podcast features a recording of what was a live conversation between Team Deakins and filmmaker and DePaul University professor Wendy Roderweiss following a screening of THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD at the Music Box Theatre in Chicago. During the conversation, we discuss our experiences shooting the movie and working together as creative and life partners, and James reveals how her involvement allowed Roger to simultaneously shoot JESSE JAMES while...
info_outline JON SANDERS & ANNA MOTTRAM - Writer/Director & Actor/WriterTeam Deakins
SEASON 2 - EPISODE 110 - JON SANDERS & ANNA MOTTRAM - WRITER / DIRECTOR & WRITER / ACTOR On the episode of the Team Deakins Podcast, we speak with writer/director Jon Sanders & actor/writer Anna Mottram (PAINTED ANGELS, A CHANGE IN THE WEATHER, A CLEVER WOMAN). As old friends and a fellow filmmaking couple, we had a lot to talk about! Roger and Jon reminisce on coming up together amidst the fallout television left hanging over England’s film scene, and we all compare our experiences working with our partners over a lifetime. Anna muses on the act of improvisation as an actor, and...
info_outline KEVIN BAILLIE - VFX SupervisorTeam Deakins
SEASON 2 - EPISODE 109 - KEVIN BAILLIE - VFX SUPERVISOR On this episode of the Team Deakins Podcast, we speak with visual effects supervisor Kevin Baillie (HERE, PINOCCHIO, FLIGHT) in an engaging conversation about the evolving use of VFX in film. We learn what types of discussions Kevin has with filmmakers to determine how to incorporate VFX effectively into their projects, and we discuss his belief in using the right tool for the right job. While looking back in history, we marvel in the immersive quality of Ray Harryhausen’s pioneering work on JASON AND THE ARGONAUTS and discuss the...
info_outline TIM BLAKE NELSON - Actor / Writer / DirectorTeam Deakins
SEASON 2 - EPISODE 108 - TIM BLAKE NELSON - ACTOR / WRITER / DIRECTOR On this episode of the Team Deakins Podcast, we speak with actor, writer, and director Tim Blake Nelson (LEAVES OF GRASS, THE BALLAD OF BUSTER SCRUGGS, LINCOLN) about a wide range of topics. We had the pleasure of working with him on O BROTHER WHERE ART THOU?, and we had a wonderful time catching up with him. We learn all about his journey from Oklahoma to his first breaks as an actor, and we discuss the artistic and academic foundation that informs his choices as a filmmaker. James and Tim both studied the classics in...
info_outline PETER JAMES - CinematographerTeam Deakins
SEASON 2 - EPISODE 107 - PETER JAMES - CINEMATOGRAPHER On this episode of the Team Deakins Podcast, cinematographer Peter James (MAO’S LAST DANCER, BLACK ROBE, DRIVING MISS DAISY) joins us to talk about his career. Growing up in Sydney, Australia, Peter spent five years in his youth working at a small studio working on commercials and local television programs before finding his to working on features. Peter shares his process for overcoming his dyslexia to break down scripts, and at one point in the conversation, he even teaches us a new lighting trick. Peter later discusses how he and the...
info_outlineSEASON 2 - EPISODE 100 - Colour - with Donald Mowat & Greig Fraser
In this special entry of the Team Deakins Podcast, we’re celebrating the 100th episode of our second season by sharing our conversation about colour in film with former guests (and good friends) cinematographer Greig Fraser and makeup artist Donald Mowat. Greig discusses his endless search for the right lighting and camera combination to achieve a complexity and depth in skin tones he sees in 1970s-era American cinema, and we reminisce about the consistency in results born from the compatibility between tungsten lights and film stock designed for tungsten lighting. Donald also recalls the “Magenta Scare” when the red-adjacent colour became a point of fixation for filmmakers, and we consider the value of relying on the experts with whom we work. Throughout our winding discussion, some of the topics we cover include: actors’ skin tones changing under stress, the evolving politics of the makeup department, the diverse (and distressing) settings and screens in which dailies are viewed, the trouble with painting a set grey, the varying qualities of LED lights, the varying qualities of coloured gels, how Greig tests for skin tones, how Donald sneaks reference photos for his department, and watching really bad films while on a shoot. Also included: Technicolor-era trivia from Roger.
A huge thank you to everyone still listening to the podcast!
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This episode is sponsored by Aputure