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MOHAMMAD RASOULOF - Director

Team Deakins

Release Date: 12/25/2024

JAMES SLATTERY - Colourist show art JAMES SLATTERY - Colourist

Team Deakins

SEASON 2 - EPISODE 177 - James Slattery - Colourist In this extended episode of the Team Deakins Podcast, we speak with colourist James Slattery (THE LOST BUS, EMPIRE OF LIGHT, 1917). How does someone become a colourist? What do they really do? What is a CDL? DI? QC? DIT? P3? HDR? James, with whom we’ve worked with several times, graciously explains what all these acronyms (and more) mean, how a colourist generally goes about their work nowadays on any given project, and what he’s able to do to help filmmakers solve problems and help realize their visions in the final stages of...

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CHRIS LOWE - Production Designer show art CHRIS LOWE - Production Designer

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EMBETH DAVIDTZ - Actor / Director show art EMBETH DAVIDTZ - Actor / Director

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CÉSAR CHARLONE - Cinematographer show art CÉSAR CHARLONE - Cinematographer

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SEASON 2 - EPISODE 174 - César Charlone - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer César Charlone (PARTIDO, BLINDNESS, CITY OF GOD). Born in Uruguay, César found filmmaking after interrupting his veterinarian studies to hitchhike across Brazil. Throughout our conversation, we discuss César’s general approach to cinematography, the degree of work he does in post, the amount of prep he performs before every film, and his long-time professional partnership with director Fernando Meirelles. César also reveals how he first met Fernando and...

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KATE WINSLET - Actor / Director show art KATE WINSLET - Actor / Director

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KLEBER MENDONÇA FILHO - Writer / Director show art KLEBER MENDONÇA FILHO - Writer / Director

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SEASON 2 - EPISODE 172 - Kleber Mendonça Filho - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Kleber Mendonça Filho (THE SECRET AGENT, BACURAU, NEIGHBORING SOUNDS). Kleber was born in the northeastern region of Brazil, in the city of Recife, and many of his films take place in the city and surrounding areas. We reflect on the influence of Brazilian history and politics in his work, and we learn how Kleber generally approaches creating his movies set in Brazilian society. We  also discuss his latest film, THE SECRET AGENT, and the...

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LEDs - with Jeffrey Lee, Ph.D. show art LEDs - with Jeffrey Lee, Ph.D.

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SEASON 2 - EPISODE 171 - LEDs - with Jeffrey Lee, Ph.D. In this episode of the Team Deakins Podcast, we return to the world of LEDs. After speaking with Tim S. Kang (Season 2, Episode 165), we realized we had even more questions! To answer them, we invited Jeffrey Lee, Ph.D. who works at Fiilex Lighting as its Chief Product Officer to speak with us. We learn how Jeff’s background in biology and physics and interest in the physical properties of light led him to work at Fiilex, and he shares what the company is doing to address the bottlenecks inhibiting further innovation in LED fixture...

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CRISTIAN MUNGIU - Director show art CRISTIAN MUNGIU - Director

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SEASON 2 - EPISODE 170 - Cristian Mungiu - Director In this extended episode of the Team Deakins Podcast, we speak with director Cristian Mungiu (R.M.N., GRADUATION, BEYOND THE HILLS). Cristian’s films—which we deeply admire—largely focus on social issues in his native country of Romania, and though they are told in his own unique voice, his films explore problems many in the world face today. We learn how the fall of communism and Ceaușescu’s regime in Cristian’s youth enabled him to become a filmmaker, and he reflects on the lingering effects of the country’s cinematic culture...

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EDGAR WRIGHT - Director show art EDGAR WRIGHT - Director

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SEASON 2 - EPISODE 169 - Edgar Wright - Director Director Edgar Wright (THE RUNNING MAN, SCOTT PILGRIM VS THE WORLD, SHAUN OF THE DEAD) joins us in this episode of the Team Deakins Podcast. Edgar is responsible for one of our favourite films, SHAUN OF THE DEAD, and we didn’t miss the opportunity to ask as many questions about it as we could. He shares the film’s connection to director Mike Leigh’s (Season 1, Episode 76) work, and we learn how the film was developed during Edgar’s free time while directing television at the BBC. We also learn how he got his first directing gig at the...

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TED SCHILOWITZ - Futurist show art TED SCHILOWITZ - Futurist

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SEASON 2 - EPISODE 168 - Ted Schilowitz - Futurist In this episode of the Team Deakins Podcast, we speak with futurist Ted Schilowitz. Ted has spent his life working in entertainment, from producing commercials in Florida to exploring virtual reality at Fox and Paramount, and we thought his perspective on the relationship between technology and entertainment could help us better understand where we might be headed. Over the course of our conversation, we discover that to think of the future, we need to remember the past, and Ted connects recent developments in technology to a number of...

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SEASON 2 - EPISODE 121 - Mohammad Rasoulof - Director

On this episode of the Team Deakins Podcast, we’re joined by director Mohammad Rasoulof (THE SEED OF THE SACRED FIG, THERE IS NO EVIL, A MAN OF INTEGRITY). Mohammad’s films have come at great personal cost, both to himself and his fellow filmmakers, and as deep admirers of his work, we were thrilled to speak with him. After learning how Mohammad found his way into filmmaking, we discuss how he outmaneuvered the Iranian regime’s censorship apparatus to covertly make many of his films, and Mohammad reflects on his pivot from using metaphorical cinematic language to using a far more direct language to create images of modern Iranian society. Frequently imprisoned for his films’ clear-sightedness of his country, Mohammad shares how he was forced to repeatedly watch his 2020 feature, THERE IS NO EVIL, with his prison guards, and we discuss the pedestrian origins of the four-part film about the country’s death penalty. We also learn that Mohammad’s films have never been screened publicly in Iran, and he reflects on his films acting as “cinematic boomerangs” that play internationally and find their way back to his Iranian audience through the country’s black market. We later discuss the symbolic imagery present in the beginning and end of THE SEED OF THE SACRED FIG, and we learn his reasoning as to why he finally fled from Iran for good after the film’s completion.

Translation conducted by Iante Roach.

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Recommended Viewing: Every Mohammad Rasoulof film

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This episode is sponsored by Aputure