Team Deakins
SEASON 2 - EPISODE 190 - Steve Ramsey - Gaffer In this episode of the Team Deakins Podcast, we speak with gaffer Steve Ramsey (THE BRIDE!, WEST SIDE STORY, JOKER). We worked with Steve on THE GOLDFINCH, and we had a great time catching up with him. During our conversation, we discuss what a gaffer actually does, what his or her responsibilities can be, and how Steve adjusts his process to work with cinematographers ranging from Janusz Kamiński to Vittorio Storaro—and us! Steve also grants us insight into working on the sets of several Steven Spielberg films, and he shares how he and the...
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SEASON 2 - EPISODE 187 - John Hillcoat - Director In this extended episode of the Team Deakins Podcast, we speak with director John Hillcoat (GEORGE & TAMMY, THE ROAD, THE PROPOSITION). Violence is often at the center of John’s films, and we spend much of our conversation with him discussing its portrayal in his work, its ubiquity in the real world, and his fascination with its aftermath and consequences. Later, during our discussion of THE PROPOSITION, John reveals the source of inspiration for the project, how the film lost and then found financing, and why they shot it in the...
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SEASON 2 - EPISODE 186 - Peter Bradshaw - Film Critic In this episode of the Team Deakins Podcast, we speak with Peter Bradshaw, the film critic at The Guardian. We normally talk about making movies with our guests, but with Peter, we talk about watching and reviewing them instead. We learn how Peter became a film critic after being successfully sued by conservative MP Alan Clark for satire, and he shares how he thinks about criticism in general. Peter reflects on the learning curve of becoming a film critic, and we discuss how his job has changed with the proliferation of social media. Later,...
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SEASON 2 - EPISODE 185 - Malgosia Turzanska - Costume Designer In this episode of the Team Deakins Podcast, we speak with costume designer Malgosia Turzanska (HAMNET, PEARL, AIN’T THEM BODIES SAINTS). Malgosia’s life in film began after seeking refuge from a chemistry exam in a movie theater, and, with an assist from her friend, she soon found herself helping director Agnieszka Holland (Season 1, Episode 144) on JANOSIK. Throughout the episode, Malgosia uses specific experiences from the films she’s worked on to discuss her design process. During our discussion of HAMNET, Malgoisa...
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SEASON 2 - EPISODE 184 - Fiona Crombie - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Fiona Crombie (HAMNET, THE FAVOURITE, SNOWTOWN). Despite being raised on her father’s film sets in Australia, Fiona didn’t enter the family business until she dropped out of law school. Throughout our conversation, we discuss Fiona’s general design process, her strategies for making the most of the given resources on a film, her typical day-to-day schedule during production, and how she communicates with her fellow filmmakers. Having worked on many...
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SEASON 2 - EPISODE 183 - Hlynur Pálmason - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Hlynur Pálmason (THE LOVE THAT REMAINS, GODLAND, A WHITE, WHITE DAY). Throughout the episode, we get into the weeds of Hlynur’s unique filmmaking process, and we learn what his strategy has been to allow himself to fund and shoot the movies he wants to make. Hlynur describes his extensive writing process, and we learn about the importance of finding his locations while in the early development stages of his scripts. Later, we discuss Hlynur’s tactics...
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SEASON 2 - EPISODE 182 - Martin Campbell - Director In this episode of the Team Deakins Podcast, we speak with director Martin Campbell (CASINO ROYALE, GOLDENEYE, EDGE OF DARKNESS). Faced with limited options for a career as a cameraman in New Zealand, Martin sailed to England, and five years in TV and 51 Tom Jones shows later, Martin transitioned into directing full time. As big fans of Martin’s EDGE OF DARKNESS (1985), we didn’t miss the opportunity to ask him about the making of the six-part BBC limited series, and we extensively discuss his choices and the challenges he faced. Martin...
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SEASON 2 - EPISODE 181 - Jack Fisk - Production Designer In this extended episode of the Team Deakins Podcast, we speak with production designer Jack Fisk (MARTY SUPREME, THERE WILL BE BLOOD, MULHOLLAND DRIVE). Spanning the worlds’ jungles, mountains, and open plains, Jack’s work as a designer brings the real world to the audience on the big screen. Throughout our conversation, Jack discusses his views on designing, and he recalls numerous stories detailing the exhaustive work behind his contributions to films such as DAYS OF HEAVEN, THE THIN RED LINE, and THE REVENANT. Later, Jack reveals...
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SEASON 2 - EPISODE 180 - Nicholas Britell - Composer In this episode of the Team Deakins Podcast, we speak with composer Nicholas Britell (JAY KELLY, DON’T LOOK UP, MOONLIGHT). “How can a score function within a film?" is the question driving most of our conversation with Nicholas, and throughout the episode he generously provides insight into his process and recalls several examples from his own work to demonstrate how he and his directors arrived at specific pieces of music. We also reflect on the varying natures of scores across film history, and Nicholas shares the challenges of...
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SEASON 2 - EPISODE 179 - Kelly Reichardt & Christopher Blauvelt - Director & Cinematographer In this episode of the Team Deakins Podcast, we speak with director Kelly Reichardt and cinematographer Christopher Blauvelt. Kelly and Christopher started working together on MEEK’S CUTOFF, and they’ve continued their partnership through films such as FIRST COW, SHOWING UP, and THE MASTERMIND. During the conversation, Kelly (from Miami) shares how she made it out of Florida to join the film community in New York City, and Chris (from Los Angeles) reveals how he found himself following his...
info_outlineSEASON 2 - EPISODE 133 - Lisy Christl - Costume Designer
In this episode of the Team Deakins Podcast, we speak with costume designer Lisy Christl (CONCLAVE, ALL QUIET ON THE WESTERN FRONT, FUNNY GAMES). Originally from Bavaria, Lisy did just about everything she could do to avoid the film industry, and she shares several moments from her career when other filmmakers would not take her “no” as an answer. Lisy later reflects on her 10-year-long collaboration with director Michael Haneke, and she reveals the inspiration for the all-white outfits of the two men in FUNNY GAMES. We also discuss Lisy’s work on CONCLAVE, and she reveals what inspired her to adjust the typical garb worn by the cardinals. During our discussion of her work in TIME OF THE WOLF, Lisy shares the costuming decision she made to bring the audience to the present in a scene that recalled a scenario out of the Middle Ages, and she reveals the lengths she and her team went to design silent puffy jackets out of consideration for the sound department. We also discuss Lisy’s work in ALL QUIET ON THE WESTERN FRONT, and she describes how and why she empowered herself to make choices that may not have been exactly period appropriate.
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This episode is sponsored by Aputure