Team Deakins
SEASON 2 - EPISODE 180 - Nicholas Britell - Composer In this episode of the Team Deakins Podcast, we speak with composer Nicholas Britell (JAY KELLY, DON’T LOOK UP, MOONLIGHT). “How can a score function within a film?" is the question driving most of our conversation with Nicholas, and throughout the episode he generously provides insight into his process and recalls several examples from his own work to demonstrate how he and his directors arrived at specific pieces of music. We also reflect on the varying natures of scores across film history, and Nicholas shares the challenges of...
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SEASON 2 - EPISODE 179 - Kelly Reichardt & Christopher Blauvelt - Director & Cinematographer In this episode of the Team Deakins Podcast, we speak with director Kelly Reichardt and cinematographer Christopher Blauvelt. Kelly and Christopher started working together on MEEK’S CUTOFF, and they’ve continued their partnership through films such as FIRST COW, SHOWING UP, and THE MASTERMIND. During the conversation, Kelly (from Miami) shares how she made it out of Florida to join the film community in New York City, and Chris (from Los Angeles) reveals how he found himself following his...
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SEASON 2 - EPISODE 178 - Fatih Akin - Writer / Director In this extended episode of the Team Deakins Podcast, we speak with writer and director Fatih Akin (AMRUM, IN THE FADE, HEAD-ON). Born in Hamburg, Fatih wrote his first script at 18 during religion lessons, and after selling the screenplay a year later, he’s been writing, directing, and producing films ever since. In addition to discussing his process as a filmmaker, we also learn what it’s like to make movies within the German system. During our conversation about THE EDGE OF HEAVEN, Fatih reveals the extensive restructuring of the...
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SEASON 2 - EPISODE 177 - James Slattery - Colourist In this extended episode of the Team Deakins Podcast, we speak with colourist James Slattery (THE LOST BUS, EMPIRE OF LIGHT, 1917). How does someone become a colourist? What do they really do? What is a CDL? DI? QC? DIT? P3? HDR? James, with whom we’ve worked with several times, graciously explains what all these acronyms (and more) mean, how a colourist generally goes about their work nowadays on any given project, and what he’s able to do to help filmmakers solve problems and help realize their visions in the final stages of...
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SEASON 2 - EPISODE 176 - Chris Lowe - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Chris Lowe (BOB MARLEY: ONE LOVE, THE LAST JEDI, IN BRUGES). We worked with Chris on SKYFALL, and we had a great time catching up with him. In addition to production design, Chris has had a long career as an art director, and he helps us understand how the two positions work together on any given project and what each one’s responsibilities are. Throughout the episode, Chris also shares his strategies for communicating with directors and producers,...
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SEASON 2 - EPISODE 175 - Embeth Davidtz - Actor / Director In this episode, of the Team Deakins Podcast, we speak with actor and director Embeth Davidtz (DON’T LETS GO TO THE DOGS TONIGHT, MAD MEN, SCHINDLER’S LIST). Embeth’s directorial debut, DON’T LETS GO TO THE DOGS TONIGHT (an adaptation of the book of the same name written by Alexandra Fuller), is one of our favourite films from this past year, and we spend most of our conversation learning how Embeth pulled it off. The film is centered around the experiences of a young white child living in Zimbabwe at the end of the Rhodesian...
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SEASON 2 - EPISODE 174 - César Charlone - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer César Charlone (PARTIDO, BLINDNESS, CITY OF GOD). Born in Uruguay, César found filmmaking after interrupting his veterinarian studies to hitchhike across Brazil. Throughout our conversation, we discuss César’s general approach to cinematography, the degree of work he does in post, the amount of prep he performs before every film, and his long-time professional partnership with director Fernando Meirelles. César also reveals how he first met Fernando and...
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SEASON 2 - EPISODE 173 - Kate Winslet - Actor / Director Actor and director Kate Winslet (GOODBYE JUNE, MARE OF EASTTOWN, HEAVENLY CREATURES) joins us in this extended episode of the Team Deakins Podcast. During our conversation, we discuss Kate’s humble beginnings, inheriting an accent, good and bad direction, playing characters based on real people, and her experiences shooting her directorial debut, GOODBYE JUNE. In addition to her long career as an actress and newly begun one as a director, Kate has also recently stepped into the role of producing. We learn why Kate took on the extra...
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SEASON 2 - EPISODE 172 - Kleber Mendonça Filho - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Kleber Mendonça Filho (THE SECRET AGENT, BACURAU, NEIGHBORING SOUNDS). Kleber was born in the northeastern region of Brazil, in the city of Recife, and many of his films take place in the city and surrounding areas. We reflect on the influence of Brazilian history and politics in his work, and we learn how Kleber generally approaches creating his movies set in Brazilian society. We also discuss his latest film, THE SECRET AGENT, and the...
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SEASON 2 - EPISODE 171 - LEDs - with Jeffrey Lee, Ph.D. In this episode of the Team Deakins Podcast, we return to the world of LEDs. After speaking with Tim S. Kang (Season 2, Episode 165), we realized we had even more questions! To answer them, we invited Jeffrey Lee, Ph.D. who works at Fiilex Lighting as its Chief Product Officer to speak with us. We learn how Jeff’s background in biology and physics and interest in the physical properties of light led him to work at Fiilex, and he shares what the company is doing to address the bottlenecks inhibiting further innovation in LED fixture...
info_outlineSEASON 2 - EPISODE 172 - Kleber Mendonça Filho - Writer / Director
In this episode of the Team Deakins Podcast, we speak with writer and director Kleber Mendonça Filho (THE SECRET AGENT, BACURAU, NEIGHBORING SOUNDS). Kleber was born in the northeastern region of Brazil, in the city of Recife, and many of his films take place in the city and surrounding areas. We reflect on the influence of Brazilian history and politics in his work, and we learn how Kleber generally approaches creating his movies set in Brazilian society. We also discuss his latest film, THE SECRET AGENT, and the choices he made for telling a story set during Brazil’s military dictatorship in the 1970s. Kleber also breaks down the making of his feature debut, NEIGHBORING SOUNDS, revealing the influence of DO THE RIGHT THING and the real life history behind the events within the film. Additionally, we learn how a younger Kleber balanced his duties as a film critic with pursuing his own filmmaking career, and Kleber shares what his current day-job is.
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Recommended Viewing: THE SECRET AGENT, BACURAU, NEIGHBORING SOUNDS
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This episode is sponsored by Aputure