Team Deakins
SEASON 2 - EPISODE 206 David Fortune - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director David Fortune, whose feature debut, COLOR BOOK, is now available to stream on Netflix. David grew up in East Atlanta, watching GOODFELLAS on repeat with his siblings, but it wasn’t until a screening of BICYCLE THIEVES while studying at Moorehouse that he decided to become a filmmaker. Throughout the episode, we discuss David’s winding path from film school to the making of his first feature, and we learn about the different types of fellowships and...
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SEASON 2 - EPISODE 205 Charley Gilleran - Rigging Key Grip In this episode of the Team Deakins Podcast, we speak with rigging key grip Charley Gilleran (A STAR IS BORN, BLADE RUNNER 2049, NO COUNTRY FOR OLD MEN). Charley shares why he got into rigging, what the job entails, and throughout the the episode he shares how he overcame several lighting challenges, ranging from Wallace’s office in BLADE RUNNER 2049 to the Pacific Coast Highway in INTOLERABLE CRUELTY. Charley also recalls his first meeting with key grip Mitch Lillian (Season 1, Episode 27) on the streets of New York, and we learn...
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SEASON 2 - EPISODE 204 Janice Blackie-Goodine - Set Decorator In this episode of the Team Deakins Podcast, we speak with set decorator Janice Blackie-Goodine (THE ASSASSINATION OF JESSE JAMES, LONESOME DOVE, UNFORGIVEN). Growing up on farmland in Calgary, Janice’s experiences with hard, physical labour and a supportive art teacher led to her specialize in set decoration. During our conversation, we learn how Janice navigated the male-dominated department, and she helps us understand what a set decorator does and how she approaches every job. Later, we reflect on surviving the production of...
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SEASON 2 - EPISODE 203 John Schwartzman - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer John Schwartzman (THE HOUSEMAID, THE HIGHWAYMEN, THE ROCK). John has worked on numerous high-budget, highly commercial films throughout his career, and we spend much of the episode discussing his approach to his work on those movies and his process overall. John’s father, an entertainment lawyer for the likes of Stanley Kubrick and Hal Ashby, married into the Coppola filmmaking family while John was just a teenager, and we learn how John leveraged this...
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SEASON 2 - EPISODE 202 Christina Alexandra Voros - Director / Cinematographer In this episode of the Team Deakins Podcast, we speak with director and cinematographer Christina Alexandra Voros (DUTTON RANCH, THE MADISON, YELLOWSTONE). A graduate of the NYU film program (Season 1, Episode 104), Christina discovered cinematography and directing while at school, and she walks us through her formative years there. After working her way through documentaries and features, Christina found steady work directing and shooting shows within the Taylor Sheridan universe, and we discuss the unique working...
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SEASON 2 - EPISODE 201 Dean Goodine - Prop Master In this episode of the Team Deakins Podcast, we speak with prop master Dean Goodine (THE ORDER, THE ASSASSINATION OF JESSE JAMES, UNFORGIVEN). From a small lumber town in Canada, Dean almost committed his life to the oil fields of Alberta before turning to film. Throughout the episode, Dean helps us understand what a prop master does for a movie, and, drawing on his extensive experience with firearms safety, we also discuss how he keeps sets safe. While learning what Dean’s responsibilities are as a prop master, he shares how he collaborates...
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SEASON 2 - EPISODE 200 Tana Dubbe - Key Grip In this episode of the Team Deakins Podcast, we speak with key grip Tana Dubbe (ONE BATTLE AFTER ANOTHER, A STAR IS BORN, IRON MAN). Throughout the episode, Tana illuminates the responsibilities of the lesser publicized position, and she shares how and why she became one herself. We also learn how a key grip might work with the cinematographer, such as Tana’s frequent collaborator Matty Libatique (Season 1, Episode 84), during prep and production, and we discuss her observations on the different working conditions of smaller and larger scaled...
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SEASON 2 - EPISODE 199 Scott Frank - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Scott Frank (DEPT. Q, THE QUEEN’S GAMBIT, LOGAN). Scott has worked across film and television over the course of his career, and as fans of his latest show, DEPT. Q, we were thrilled to have him on to talk about his work. Scott reveals how a college professor’s life advice and interest in his budding screenwriting abilities eventually led to an office on the Paramount lot at age 24, and throughout the episode we discuss Scott’s views on writing, directing,...
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SEASON 2 - EPISODE 198 Fernando Meirelles - Director In this episode of the Team Deakins Podcast, we speak with director Fernando Meirelles (THE TWO POPES, BLINDNESS, CITY OF GOD). Despite growing up with a filmmaking-loving father, it wasn’t until Fernando graduated from architecture school, smuggled film equipment into Brazil, produced television and commercials through a video production company, and met cinematographer César Charlone (Season 2, Episode 174) that he finally directed his first feature. During our discussion of CITY OF GOD, we learn how he, the crew, and a cast of...
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SEASON 2 - EPISODE 197 Michael Connelly - Author In this episode of the Team Deakins Podcast, we speak with author Michael Connelly. Michael is best known for the Harry Bosch, Lincoln Lawyer, and Renée Ballard series, and many of his novels have been adapted for film and television. During our conversation, we learn what inspired Michael to become a crime novelist, how the character of Harry Bosch came together, and why he gravitated to television for adapting the bulk of his work for screens. Michael discusses his involvement in his shows, and we discuss the creative and practical decisions...
info_outlineSEASON 2 - EPISODE 183 - Hlynur Pálmason - Writer / Director
In this episode of the Team Deakins Podcast, we speak with writer and director Hlynur Pálmason (THE LOVE THAT REMAINS, GODLAND, A WHITE, WHITE DAY). Throughout the episode, we get into the weeds of Hlynur’s unique filmmaking process, and we learn what his strategy has been to allow himself to fund and shoot the movies he wants to make. Hlynur describes his extensive writing process, and we learn about the importance of finding his locations while in the early development stages of his scripts. Later, we discuss Hlynur’s tactics for making the most out of his relatively small budgets, and he reveals how he finds the rhythm of any given film with the actors. While discussing GODLAND, we reflect on the historical relationship between Denmark and Iceland in which the film is set, and we learn what Hlynur’s motivation was for making the film to begin with. After studying still photography in Copenhagen and surviving a handful of odd jobs, Hlynur enrolled in the National Film School of Denmark, and we learn why he decided to take the film school route and what he ultimately gained from the experience.
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Recommended Viewing: GODLAND
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This episode is sponsored by Aputure & Picture Shop