Team Deakins
SEASON 2 - EPISODE 196 Drew Kunin - Production Sound Mixer In this episode of the Team Deakins Podcast, we speak with production sound mixer Drew Kunin (DISCLOSURE DAY; HER; CROUCHING TIGER, HIDDEN DRAGON). Throughout the episode, Drew helps us understand how a production sound mixer might do his or her job in a number of different circumstances, drawing on experiences ranging from building a recording booth on wheels for HER to mixing CROUCHING TIGER phonetically using a pinyin script. Drew also describes the type of equipment he might use in certain situations, and he reflects on the changes...
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SEASON 2 - EPISODE 195 Jafar Panahi - Director In this episode of the Team Deakins Podcast, we speak with director Jafar Panahi (IT WAS JUST AN ACCIDENT, NO BEARS, THE WHITE BALLOON). Growing up amidst poverty in Tehran, Jafar’s love for cinema began in childhood and led him to enroll in the film program at university. Unsatisfied with his final student film, he destroyed it, but he reveals to us why and shares how his approach to directing every subsequent film changed for the better. Throughout the episode, we discuss how he actually makes his movies—both as a filmmaker and as a citizen...
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SEASON 2 - EPISODE 194 Buddy Squires - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer Buddy Squires (THE AMERICAN REVOLUTION, BEYOND THE BEACH: THE HELL AND THE HOPE, BASEBALL). Buddy has worked on countless documentaries, ranging from vérité to recreations, and we spend the episode discussing how he sees his work and what he tries to achieve while capturing images of events happening in real time. Buddy has also worked with director Ken Burns since they met in college, and he gives us insight into their lifelong collaboration and their approach to...
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SEASON 2 - EPISODE 193 Lydia Dean Pilcher - Producer / Director In this episode of the Team Deakins Podcast, we speak with producer and director Lydia Dean Pilcher (A CALL TO SPY, QUEEN OF KATWE, THE DARJEELING LIMITED). From producing plays in her parents’ garage to making feature films and documentaries seen around the world, Lydia has always been drawn to the power of stories. Throughout our conversation, we discuss the lifelong impact of growing up in the United States during the Vietnam War era, her varied work as a producer and director, and how she developed her skills working in the...
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SEASON 2 - EPISODE 192 Chris Carroll - Assistant Director In this episode of the Team Deakins Podcast, we speak with assistant director Chris Carroll (THE MASTERMIND, YELLOWSTONE, NIGHT MOVES). Throughout the episode, Chris shares how he juggles the many duties of the role, and we learn how an early-career run-in with assistant director Michael Lerman (Season 1, Episode 85) set him on the path to becoming one himself. Chris also frequently collaborates with director Kelly Reichardt and cinematographer Christopher Blauvelt (Season 2, Episode 179), and he reflects on making films such as...
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SEASON 2 - EPISODE 191 Diana Burton - Prop Master In this episode of the Team Deakins Podcast, we speak with prop master Diana Burton (WEST SIDE STORY, OKJA, THE SOPRANOS). We worked with Diana on PASSION FISH—directed by John Sayles (Season 2, Episode 55)—and it was great catching up with her. We learn what the prop department is and isn’t responsible for in this episode, and Diana shares how she works with the other departments to help make the best film possible. Diana shares some early career stories from her PA days in New York City, from delivering tuna sandwiches to Madonna to...
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SEASON 2 - EPISODE 188 - Nick Kazan - Writer In this episode of the Team Deakins Podcast, we speak with writer Nick Kazan (BICENTENNIAL MAN, MATILDA, DREAM LOVER). Nick has been writing professionally for decades, and we spend much of our conversation with him discussing what he finds to work and not work in a screenplay. Nick also shares his relationship to a script after it’s entered production, and we discuss how changes made during production can enhance a scene. We also learn how he’s balanced writing spec scripts with assignments, what his opinion of the three act structure is, what...
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SEASON 2 - EPISODE 189 - Titus Welliver - Actor In this extended episode of the Team Deakins Podcast, we speak with actor Titus Welliver (BOSCH, DEADWOOD, THE TOWN). If you listened to our conversations with cinematographer Michael McDonough (Season 2, Episode 159) or cinematographer and director Ernest Dickerson (Season 2, Episode 58), then you know we love BOSCH. We were thrilled to speak to Titus not only about his work on the show but also about his life, the unconventional road he took to becoming an actor, and his perspective on acting as a career. Titus also reflects on working with and...
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SEASON 2 - EPISODE 190 - Steve Ramsey - Gaffer In this episode of the Team Deakins Podcast, we speak with gaffer Steve Ramsey (THE BRIDE!, WEST SIDE STORY, JOKER). We worked with Steve on THE GOLDFINCH, and we had a great time catching up with him. During our conversation, we discuss what a gaffer actually does, what his or her responsibilities can be, and how Steve adjusts his process to work with cinematographers ranging from Janusz Kamiński to Vittorio Storaro—and us! Steve also grants us insight into working on the sets of several Steven Spielberg films, and he shares how he and the...
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SEASON 2 - EPISODE 187 - John Hillcoat - Director In this extended episode of the Team Deakins Podcast, we speak with director John Hillcoat (GEORGE & TAMMY, THE ROAD, THE PROPOSITION). Violence is often at the center of John’s films, and we spend much of our conversation with him discussing its portrayal in his work, its ubiquity in the real world, and his fascination with its aftermath and consequences. Later, during our discussion of THE PROPOSITION, John reveals the source of inspiration for the project, how the film lost and then found financing, and why they shot it in the...
info_outlineSEASON 2 - EPISODE 188 - Nick Kazan - Writer
In this episode of the Team Deakins Podcast, we speak with writer Nick Kazan (BICENTENNIAL MAN, MATILDA, DREAM LOVER). Nick has been writing professionally for decades, and we spend much of our conversation with him discussing what he finds to work and not work in a screenplay. Nick also shares his relationship to a script after it’s entered production, and we discuss how changes made during production can enhance a scene. We also learn how he’s balanced writing spec scripts with assignments, what his opinion of the three act structure is, what he needs to know before he begins writing, and when he recognizes his writing is working. Nick also shares how a Harold Pinter play inspired him to begin writing in the first place, and we learn how he’s been chasing the experience of writing for the very first time ever since. Plus, Nick reveals why he didn’t leverage his the reputation of his father (director Elia Kazan) to build his own career, and we ask Nick: “What makes a good writer?”
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Recommended Viewing: SHAMPOO
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This episode is sponsored by Aputure