Podcast for Social Research, Episode 81.5: Romeo + Juliet — a Brief Film Guide
The Podcast for Social Research
Release Date: 09/26/2024
The Podcast for Social Research
In episode 18 of (Pop) Cultural Marxism, Isi and Ajay spend some time with a handful of big news items at the intersection of politics and media—from the Skydance-Paramount merger (and other instances of media market concentration) and its implications for American newsmedia (and its potential new gatekeepers); to Charlie Kirk’s assassination, its aftermath, its mediations with mass cultural objects (like alleged HellDivers II bullet etchings or Nepalese protestors with One Piece flags); the culture industry’s failure to perform even its therapeutic function; and the growing exclusivity...
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Episode 92 of the Podcast for Social Research features fusion folk trio in concert at BISR Central, playing songs old and new, including selections from their newly released EP Red. After the performance (44:00), the three Ghost Peppers — tabla player Ritam Bhowmil, guitarist Kevin Meehan, and vocalist (and BISR faculty) Amrita Ghosh — sat down with BISR’s Hannah Leffingwell and scholar Sara Kazmi for a wide-ranging conversation about cultural and musical fusion, and the histories, both personal and political, that surround it. What happens when classical South Asian rhythms are...
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In this episode of Faculty Spotlight, hosts Mark and Lauren sit down with faculty Alfred Lee and Xafsa Ciise, colleagues whose shared concerns—with race, bias, politics, human consciousness, and the history of science—have cultivated a fascinating and fruitful cross-disciplinary conversation. Xafsa, a social psychologist by training, kicks off the conversation with description of how she found her way into a historical investigation of trauma and its discourses, after which Alfred, a physicist by training and data scientist in practice, details the social and political questions that...
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Episode 91 of the Podcast for Social Research is a live recording of an event marking the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with BISR faculty Jude Webre, Suzanne Schneider, Hannah Leffingwell, and Alfred Lee each offering thoughts on the manifold legacies—literary, scientific, political (and geopolitical)—of August 6th and 9th, 1945. How, specifically, did the atomic bombs work, and what, specifically, did they do to the target cities and peoples? How did U.S. anti-war and feminist movements work to recover repressed domestic memories of the atomic...
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Episode 90 of the Podcast for Social Research—TRANSgressions: Rights Wrongs, and Liberal Pieties—was recorded (mostly) live at BISR Central, as we celebrated Pride Month by asking: What happens when trans people in the public eye commit real or perceived wrongs? By what criteria—or liberal pieties or social justice aims—are these so-called wrongs evaluated? And what kind of trans experience even gets a public airing at all—why and in service of what? We submitted these questions to BISR faculty Sophie Lewis, Hannah Leffingwell, and Ruth Averbach, each of whom approached it in a way...
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In episode 72 of Practical Criticism, Ajay takes the somber occasion of Brian Wilson's recent death to play, for Rebecca, the Beach Boys's immortal track "God Only Knows"—a song Paul McCartney called the "greatest ever written." Is Sir Paul, for once, correct? Ajay and Rebecca ask after the song's technical perfection, noting its intermix of pop, jazz, and even Bach-esque baroque, while dwelling as well on its emotional ambiguity, barbershop polyphony, and inimitable quality of being at once light and airy yet incredibly substantial. Is "God Only Knows" the platonic ideal of pop? How can we...
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In episode 17 of (Pop) Cultural Marxism, Ajay and Isi once again find themselves in the regrettable position of praising the Walt Disney Company. After chatting about recent cultural highlights (Clair Obscur: Expedition 33, a 40th anniversary screening of Kurosawa’s Ran, and a Criterion retrospective on Johnnie To), they consider the popular and critical success of Andor’s second season, and ask what it means to describe a pop cultural text as “politically timely.” Their conversation turns to extratextual ecosystems (press junkets, interviews), Gilroy’s deep engagement with cinematic...
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In episode 89 of the Podcast for Social Research, recorded live at BISR Central, BISR faculty Danielle Drori, Jude Webre, and Lauren K. Wolfe sat down following a screening of Stanley Kubrick’s controversial final film, Eyes Wide Shut, to discuss its long thirty years in the making, its source material in fin-de-siècle Vienna, and its vision of bourgeois marriage and sexual morality in turn-of-the-millennium New York. Kicking off with behind-the-scenes Hollywood details, Jude adumbrates an argument for the film as an auteur’s personal reverie, tracing resonances between it and the...
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In episode 16 of (Pop) Cultural Marxism, Isi and Ajay discuss the return of Tony Gilroy’s Andor. Before departing for a galaxy far, far away, they stop by the world of gaming to chat about Hazelight Studio’s latest co-op title, Split Fiction, and the impact of Trump’s tariffs on the rollout of Nintendo’s Switch 2. Turning to the first three episodes of Andor’s second season, Isi and Ajay discuss the show’s improbable presence in the Disney universe, the promises and perils of thinking with all-too-timely cultural objects, and formal and technical differences...
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For episode 88 of the Podcast for Social Research, BISR’s Rebecca Ariel Porte welcomed special guests—translator Katrina Dodson and songwriter and vocalist Lacy Rose—for an evening of reading, musical performance, and conversation honoring the enduring legacy of Brazilian writer Clarice Lispector. Occasioned by the release of Rose’s concept album Lispector, featuring the Starling Quartet, and Dodson’s Covert Joy, a selection of her translations of Lispector’s short stories, the three intersperse between reading and performance a discussion of Lispector’s work and the passionate...
info_outlineIn this shortcast edition of the Podcast for Social Research, recorded live at BISR Central, BISR’s Rebecca Ariel Porte, Isi Litke, and Ajay Singh Chaudhary discuss Baz Luhrmann’s sensational 1996 film adaptation of Shakespeare’s Romeo and Juliet (or, in this case, Romeo + Juliet). Beginning with a brief literary and theatrical history of the play, Rebecca provides the conversation’s opening gambit: Shakespeare has never not been pop. The trio then, with a keen eye for detail, observes the many ways in which Luhrmann translates Shakespeare’s own pop-cultural tendencies into a medium and a style apropos of Venice Beach at the close of the millennium. Topics touched on include passions that threaten the social order, textual instability as adaptive possibility, intertextuality as production design strategy, teen drama as genre, teen-age as a time of emotional freedom, My So-Called Life, The O.C., Euphoria, spaghetti Westerns, police procedurals, Fredric Jameson on blank parody and endless pastiche, and much else besides.
The Podcast for Social Research is produced by Ryan Lentini.