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Hollywood Studios Year-by-Year – Fox Film Corporation – 1930: CITY GIRL and JUST IMAGINE

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

Release Date: 03/07/2025

Hollywood Studios Year-by-Year – Fox Film Corporation – 1931: A CONNECTICUT YANKEE and SURRENDER show art Hollywood Studios Year-by-Year – Fox Film Corporation – 1931: A CONNECTICUT YANKEE and SURRENDER

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

A curious pairing for this Fox 1931 Studios Year by Year episode: an unsung WWI drama, but as good as any, William K. Howard's Surrender, starring Warner Baxter, Leila Hyams, and an almost unrecognizable (both his appearance and his performance) Ralph Bellamy; and the Will Rogers version of A Connecticut Yankee in King Arthur's Court, which mainly seems to exist so that Rogers can lasso a lance from a knight in a joust. Spoiler: modernity proves to be more than either King Arthur's Court or Ralph Bellamy want to handle, and we dig into their discontents.  Time Codes: 0h 00m 25s:...

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Special Subject - Farrow vs. Allen – Part 4: ALICE (1990); SHADOWS AND FOG (1991) & HUSBANDS AND WIVES (1992) show art Special Subject - Farrow vs. Allen – Part 4: ALICE (1990); SHADOWS AND FOG (1991) & HUSBANDS AND WIVES (1992)

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

We say farewell to Farrow and Allen (for now, although we'll probably encounter them individually on the podcast again) with this final episode on their cinematic collaboration, covering Alice (1990), Shadows and Fog (1991), and one of their very best, the ill-fated Husbands and Wives (1992). In the first two, two more Allen characters struggle to live the good life in what couldn't be more different settings, and then we join Allen in meditating on all of the different ways that romantic relationships attempting to function at a high level can go wrong. Then,...

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There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

In this Gloria Grahame Acteurist Oeuvre-view episode we get to see more of what MGM was (not) doing with our acteur's career. Underused in Song of the Thin Man (1947), in which she brings the only real noir energy to the final Thin Man film, she gets a similarly brief but memorable role in the Red Skelton vehicle Merton of the Movies (1947), playing the most innocent nymphomaniac in cinematic history. We uncover the legacy of Harry Leon Wilson's 1922 Merton of the Movies novel and surprise ourselves with our appreciation of Red Skelton's acting.  Time Codes: 0h 00m...

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Hollywood Studios Year-by-Year – Warner Brothers - 1931: NIGHT NURSE & BLONDE CRAZY show art Hollywood Studios Year-by-Year – Warner Brothers - 1931: NIGHT NURSE & BLONDE CRAZY

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse, showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for another, even nastier 1931 turn. Dave makes the case for Blonde Crazy as a proto-screwball comedy (Warner Bros. does Trouble in Paradise?). And in another Fear and Moviegoing discussion of Now, Voyager, we discuss the...

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Acteurist Oeuvre-view – Gloria Grahame – Part 2: IT HAPPENED IN BROOKLYN (1947) and CROSSFIRE (1947) show art Acteurist Oeuvre-view – Gloria Grahame – Part 2: IT HAPPENED IN BROOKLYN (1947) and CROSSFIRE (1947)

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

Our second Gloria Grahame Acteur-Oeuvre-view episode includes a curious under-use of our acteur in the all-around baffling musical comedy It Happened in Brooklyn (nevertheless memorable for the chemistry between Frank Sinatra and Jimmy Durante), and a judicious use of her by RKO in Edward Dmytryk's anti-fascist noir Crossfire (also 1947). We try to work out just what Grahame's ongoing avant-garde skit with Paul Kelly (as "The Man") brings to Dmytryk's portrait of a dysfunctional post-war America. One thing's for sure: she sure hates him!  Time Codes: 0h 00m...

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Hollywood Studios Year-by-Year – MGM – 1931: THE EASIEST WAY & THE CHAMP show art Hollywood Studios Year-by-Year – MGM – 1931: THE EASIEST WAY & THE CHAMP

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

For this MGM 1931 episode we watched The Easiest Way, a feminist subversion of melodrama tropes by director Jack Conway and screenwriter Edith Ellis, starring Constance Bennett as the fallen woman and a young Clark Gable, verging on stardom, as her judgemental brother-in-law; and possibly the most sentimental movie ever made, King Vidor's The Champ, starring Wallace Beery as a ne'er-do-well ex-boxing champ dad and Jackie Cooper as his passionately devoted son. MGM delivers again in this new round of 1931! Time Codes: 0h 00m 25s: The Easiest Way (1931) [dir. Jack Conway] 0h 43m 55s:...

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Our Farrow v Allen series continues with four more collaborations: September (1987), Another Woman (1988), Oedipus Wrecks (1989, part of the anthology movie New York Stories), and Crimes and Misdemeanors (1989). We count the ways in which Allen mashes up his favourite playwrights, filmmakers, and Russian novelists, trace the development of Allen's "survivor" theme through these movies, and discuss the different flavours of invisible that Farrow brings to them. And in Fear and Moviegoing in Toronto, Charles Burnett, in town to present De...

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There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

Welcome to our inaugural Gloria Grahame episode, which is also our final Acteurist Oeuvre-view! In this episode we consider Gloria's first significant movie role, as the cause of Blonde Fever (1944), in which she and Philip Dorn confuse each other and provide occasion for Mary Astor's multiple levels of irony. We then turn to Gloria's breakthrough role in one of our very favourite movies, It's a Wonderful Life (1946), examining it through the lens of Gloria's iconic character, Violet Bick. We consider Violet's thematic link to George at a crucial moment, Capra's...

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There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

Our streak of finding gynocentric crime film gems continues with our second Paramount 1931 episode, featuring two movies directed by Sylvia Sidney specialist Marion Gering. 24 Hours pairs a despairing Clive Brook and Miriam Hopkins, haunted by marriages they can't escape in one way or another. And Ladies of the Big House, starring a radiant Sidney as a hapless shopgirl who (like Hopkins' nightclub singer) becomes the target of a gangster's obsession, depicts life in prison as a curious quasi-utopia of racial equality and solidarity among American's socioeconomically oppressed....

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Acteurist Oeuvre-view - Diana Wynyard – Part 7:AN IDEAL HUSBAND (1947) and THE FEMININE TOUCH (1956) show art Acteurist Oeuvre-view - Diana Wynyard – Part 7:AN IDEAL HUSBAND (1947) and THE FEMININE TOUCH (1956)

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Our final Diana Wynyard episode has arrived all too soon! We look at her two final key roles, in Alexander Korda's film of Oscar Wilde's An Ideal Husband (1947) and The Feminine Touch (1956), a nurse drama that's better than its silly title. And in Fear and Moviegoing in Toronto, we cover the 2025 Toronto Silent Film Festival, focusing on three films built around miraculous performances, Victor Sjostrom's The Wind (1928), starring Lillian Gish, Victor Fleming's Mantrap (1926), starring Clara Bow, and Josef von Sternberg's The Last Command (1928),...

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More Episodes

The first episode of our second Studios Year by Year round with Fox, the "Rube" according to Ethan Mordden, is a real ridiculous/sublime contrast: the sci-fi musical comedy Just Imagine (directed by David Butler), a vehicle for vaudevillian El Brendel, in whom Dave may have found his comedy bête noir; and the F. W. Murnau masterpiece City Girl, which reworks Sunrise with (we speculate) a Borzagean twist. Come for the idiotic, stay for the profound? 

Time Codes:

0h 00m 25s: Fox Recap

0h 12m 41s: CITY GIRL [dir. F.W. Murnau]

0h 48m 02: JUST IMAGINE [dir. David Butler]

 

Studio Film Capsules provided by The Fox Film Corporation, 1915-1935: A History and Filmography by Aubrey Solomon

Additional studio information from: The Hollywood Story by Joel W. Finler  

            

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* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

* Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

* Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! 

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