S3E18 - A Bucket of Blood (1959) feat. Barry Linn of 96 Greers
Release Date: 11/18/2025
S3E30 - Gas-s-s-s (1970)
Tracks Of The Damned
"The film industry will always exist, but it will no longer be the film industry." - Roger Corman
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S3E29 - Bloody Mama (1970)
Tracks Of The Damned
@craigglennon4417 11 years ago SKIDDING THE CAR, DE NIRO SHOULD BE ASHAMED, OF HIMSELF
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S3E28 - The Trip (1967) feat. Barry Linn of 96 Greers
Tracks Of The Damned
“Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.” ― Aldous Huxley, The Doors of Perception “Let's get Wavy!” ― Wavy Gravy
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S3E27 - The Wild Angels (1966)
Tracks Of The Damned
"This was a story about a group of society's unskilled, even illiterate, high school dropouts in a technologically advanced society. Some were psychologically maladjusted. They don't answer want ads for Draftsman, Tool and Die Maker, or Aircraft Fabricator. What is the life of a man with an 80 IQ? Janitor? Street sweeper? Gas station attendant? So why work in a demeaning job? They say: 'Fuck it, I'll get a girl who'll work and she'll collect unemployment and we'll scam together and we'll end up living together almost as well as if I were working. But at least I'm free. It beats holding down...
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S3E26 - Tales of Terror (1962)
Tracks Of The Damned
"For what really occurred, however, it is quite impossible that any human being could have been prepared. As I rapidly made the mesmeric passes, amid ejaculations of "dead! dead!" absolutely bursting from the tongue and not from the lips of the sufferer, his whole frame at once -- within the space of a single minute, or even less, shrunk -- crumbled -- absolutely rotted away beneath my hands. Upon the bed, before that whole company, there lay a nearly liquid mass of loathsome -- of detestable putridity." - "The Facts in the Case of M. Valdemar", Edgar Allan Poe
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S3E25 - The Intruder (1962)
Tracks Of The Damned
“What seem to be vestiges of the Jim Crow world in a sense are just that. But passage of the old order's segregationist trappings throws into relief the deeper reality that what appeared and was experienced as racial hierarchy was also class hierarchy. Now blacks occupy positions in the socioeconomic order previously available only to whites, and whites occupy those previously identified with blacks. And the dynamics of superordination and subordination, patterns of appropriation and distribution, and dominant understandings of which material interests should drive policy remain much as they...
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S3E24 - Premature Burial (1962)
Tracks Of The Damned
"The tortures endured, however, were indubitably quite equal for the time, to those of actual sepulture. They were fearfully -- they were inconceivably hideous; but out of Evil proceeded Good; for their very excess wrought in my spirit an inevitable revulsion. My soul acquired tone -- acquired temper. I went abroad. I took vigorous exercise. I breathed the free air of Heaven. I thought upon other subjects than Death. I discarded my medical books. "Buchan" I burned. I read no "Night Thoughts" -- no fustian about churchyards -- no bugaboo tales -- such as this. In short, I became a new man, and...
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S3E23 - Creature from the Haunted Sea
Tracks Of The Damned
"@douglaswallace7680 1 month ago (edited) Roger Corman at his best ! Starring looks - like - stars : Humphrey Bogart and the Mickey Rooney brothers . I am guessing they were busy the weekend that this film was made ! Kept it on 2.5 playback until 1:02:45 to see a t.Urd with 2 eyes ." "Everything dies baby, that's a fact but maybe everything that dies some day comes back" - Bruce Springsteen
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S3E22 - The Fall of the House of Usher (1960)
Tracks Of The Damned
"During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was — but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives...
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S3E21 - Ski Troop Attack (1960)
Tracks Of The Damned
"As Kallis later recalled: “I told Roger, ‘I’m doing very classy stuff with Saul Bass for the best studios.’ Roger said, ‘What would it take to get you?’ I said, ‘If, after we had general conversations about the approach to the picture, you’d leave all the decisions to me, I might be interested–and I’ll give you a fixed price.’ That appealed to Roger greatly!” It was the break Kallis needed. He was free to do what he wanted, how he wanted. Over the next decade Kaliis produced a series of kick-ass posters which were bright, bold, dynamic and original. His work was so...
info_outline“The ambitious artist, the artist who wanted Success, now had to do a bit of psychological double-tracking. Consciously he had to dedicate himself to the antibourgeois values of the cenacles of whatever sort, to bohemia, to the Bloomsbury life, the Left Bank life, the Lower Broadway Loft life, to the sacred squalor of it all... Not only that, he had to dedicate himself to the quirky
god Avant-Garde. He had to keep one devout eye peeled for the new edge on the blade of the wedge of the head on the latest pick thrust of the newest exploratory probe of this fall's avant-garde Breakthrough of the Century ... all this in order to make it, to be noticed, to be counted, within the community of artists themselves. What is more, he had to be sincere about it.
At the same time he had to keep his other eye cocked to see if anyone in le monde was watching. Have they noticed me yet? Have they even noticed the new style (that me and my friends are working in) Don't they even know about Tensionism (or Slice Art or Niho or Innerism or Dimensional Creamo or whatever)? (Hello, out there!) ... because as every artist knew in his heart of hearts, no matter how many times he tried to close his eyes and pretend otherwise (History! History!-where is thy salve?), Success was real only when it was success within le monde.
He could close his eyes and try to believe that all that mattered was that he knew his work was great ... and that other artists respected it ... and that History would surely record his achievements ... but deep down he knew he was lying to himself. I want to be a Name, goddamn it!” - Thomas Wolfe, The Painted Word
" Sylvia, didn't you see me wave my zen stick?" - Walter Paisley