The Virtual Memories Show
No conversation this week, unless you count me talking to myself. This episode, I share some thoughts and memories about my father, following his death last week at the age of 88 — or 87, depending on who he was lying to — along with the eulogy I gave at his funeral. • More info • Support The Virtual Memories Show via , , or , and subscribe to
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How did Russian Jews wind up migrating to Galveston, Texas in the early 1900s? How did the image of America as melting pot come into existence? How did a family memoir evolve into a forgotten history of Zionism? Find out during my conversation with about her amazing new book, (FSG)! We talk about the tightrope walk of composing a history solely out of primary sources and why she eschewed the author's voice for this book, her grudging acceptance of Robert Caro's maxim to , and how her perspective on Jewishness changed over the course of writing the book. We get into the once-titanic literary...
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Thirty-plus years in the making, the graphic adaptation of (Pantheon) is here at last! rejoins the show from to talk about the process of adapting Auster's postmodern crime novels into comics, how he collaborated with David Mazzucchelli (CITY OF GLASS) and (GHOSTS) on the first two and how he wound up drawing the third book, THE LOCKED ROOM, how these novels possessed him for decades, and the moment when he understood what each novel was really about. We get into how he met Auster at a parent-teacher conference shortly after the New York Trilogy came out, the moment of truth when Auster...
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One of my fave guest/friends, , rejoins the show to celebrate her wonderful new novel, (Running Wild Press)! We talk about the book's long gestation/publishing history, Kate's love of old Hollywood & costume design, closeted movie stars and how she told the story of a gay relationship in the '30s & '40s, and how it felt to write a non-horror horror story. We get into her own Hollywood experience in the '90s, how it informs Alterations, and how it felt to repeatedly smash into the glass ceiling, as well as how ghosts creep into everything she writes, how older people become invisible...
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With his fantastic new book, (Holt), writer and critic explores the impact on American culture of Jews Unbound through profiles of Leonard Bernstein, Mel Brooks, Betty Friedan, and Norman Mailer. We talk about how he selected his four subjects, how each of them came of age in an environment that Jews hadn't experienced in millennia, the ways each handled the responsibilities of family against their careers, the difference between "Jew" and "Jewish," and which one unfolded the most to him over the course of writing the book. We get into why Bernstein's greatest role may have been as a...
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Can we find the poet in their poems? With (Yale University Press), explores how the life of the great Roman poet unfolds though his art and the histories. We talk about why he wrote this biography through a critical study of Horace's poems (and why that's been a controversial approach), how Horace embodied the artist-as-madman long before the Romantic era, and why it was important to show the alienness of Horace's verse and how nervous Peter was about translating him into English to show how the Latin works. We get into Horace's place in Rome's history, how he bridged Greek poetic modes into...
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With her bewitching and beautiful novel (Seagull Books, translated from French by , who joins our conversation), takes us on a tour of Chenobyl's Forbidden Zone, the High Line in NYC, Dresden, Paris, under the shadow of the Time Passes section of Virginia Woolf's . We talk about the challenges of writing a first-person novel about translation, the strange ways Woolf has followed Cecile throughout her careers as author & translator, and how it felt to see her novel about translating Virginia Woolf into French get translated into English. We get into her literary career, how Time...
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She may be able to quit cartooning (for a while), but can't quit The Virtual Memories Show! With her wonderful new book, (Drawn & Quarterly), Keiler returns to comics with a collection of (mostly) hilarious vignettes about domestic life, middle-age, the impact of multiple sclerosis, and having too many pets. We talk about why she walked away from comics and how she came back, how she avoids memoir in favor of memory (and humor), how she still has anxiety over drawing but is way too tired to have social anxiety anymore, and why she branched into kitschy craft-modes that no one would...
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With his new graphic novel, (WWNorton), brings us the 400-million-year history of insects in their own words as they take a post-human tour of the New York Public Library. We talk about how Insectopolis began when he was around 4 years old and saw the 17-year cicada brood, how Peter needed a new mode of comics-making for this book, and how he made the NYPL a key character in the project. We get into mankind's dependence on insects, the stories of forgotten entomologists (and why they were forgotten), his experience getting a at the NYPL during COVID and how he found all the great &...
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With (Pantheon), tech writer explores how our sense of self has been co-opted, quantified, and exploited by big tech as a way of selling us more stuff or selling us to third parties. We talk about what we talk about when we talk about our Google searches (& Amazon purchases, Twitter subject preferences, etc.), the interface of exploitation and self-expression, what selfhood means to tech companies vs. what it means to us, and what she learned when she fed chapters of her book into ChatGPT. We get into agency vs. coercion, how the promise of tech so often gets inverted, how ChatGPT tried...
info_outlineWith The Picture Not Taken: On Life and Photography (NYRB), Benjamin Swett brings us a subtly beautiful series of essays that explore memory and identity and what we really see in the viewfinder. We talk about the role of photography in his life, how Musil, Sebald, and Knausgaard and taught him to trust digressions, the freedom to be found in the essay, how working in the NYC Parks Dept. led him into some strange career choices, and the challenge (& reward) of photographing trees. We get into our respective rebellions against our fathers and linearity, the loss of his daughter and how her shadow looms over the book, his idea for a negative-autobiography and my own photo-text project, how his family felt about being included in the essays, and the moment he felt comfortable moving from film to digital. We also discuss his 9/11 and what it revealed to him about himself, how the constraint of Instagram captions can lead to good storytelling, the ~30-year gap he took to finish his MFA, the benefits of leaning in to awkwardness and self-revelation, and a lot more. Follow Benjamin on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter