We Know Jack Show
Director Henry Selick and animator Anthony Scott interviewed in front of a live audience at the Disney Family Museum in San Francisco.
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He was responsible for the overall look of the film through the lens of a half dozen different camera crews on 20 different sets. Not to mention he basically invented motion control.
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The man who put it all together.
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Bonita was in charge of getting every single puppet completed and ready for animation - a mind boggling amount of work. She tells us all about it.
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Ghosts, smoke, fire, stars, snowflakes, and some obsolete techniques.
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Sewing, painting, dressing, and bringing every single puppet to life.
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Henry Selick, Art Clokey, Peter Jackson, Marilyn Manson, motorcycles, breast feeding, Excederin, Gumby, cotton ball clouds, and of the course the beauty of stop motion animation.
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Carl takes us on a Skellington journey through the lens of a possibly irradiated camera. Collaboration, multiple camera crews, multiple set ups, in-camera effects, and the 'faces in the fire'.
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Twenty four stages all running at the same time. Who kept all that in order? Kirk for one.
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Allison kept the entire Art Department on track - an enormous job. She tells us all about it.
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