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Bold Types – Is It Still A Man’s Man’s World?
06/06/2023
Bold Types – Is It Still A Man’s Man’s World?
There are some powerful examples in Bold Types of women who were thrown under the bus by male colleagues and higher ups after a scandal. Others were micro-managed, scrutinised and bullied. Host: Amy Remeikis. Historian: Dr Patricia Clarke. Guest: Ita Buttrose. Further Reading/References Articles by Jessie Couvreur: trove.nla.gov.au/collection/bold-types/newspapers/explore?l-pubtag=Jessie%20Couvreur Articles by Flora Shaw: trove.nla.gov.au/collection/bold-types/newspapers/explore?l-pubtag=Flora%20Shaw Flora Shaw, Letters from Queensland, London: Macmillan and Co, 1893, Flora Shaw, The Story of Australia, London: Horace Marshall, 1897, Flora Shaw, A Tropical Dependency: An Outline of the Ancient History of the Western Soudan with an Account of the Modern Settlement of Northern Nigeria, London: J. Nisbet & Company, Limited, 1905, Portrait of Mrs. Jessie Catherine Couvreur, née Hybers (‘Tasma’), 1889, nla.gov.au/nla.obj-148362079 Tasma, Diaries of Jessie Couvreur (Tasma), manuscript, 1873, Tasma, Biographical Notes, manuscript, 1800s, Tasma, Uncle Piper of Piper's Hill: An Australian Novel, London: Trubner, 1889, nla.gov.au/nla.cat-vn811844 Tasma, A Sydney Sovereign and Other Tales, London: Trubner & Co, 1890, nla.gov.au/nla.cat-vn342662 Tasma, In Her Earliest Youth, London: Kegan Paul, Trench, Trubner & Co, 1890, nla.gov.au/nla.cat-vn1131200 Tasma, The Penance of Portia James, [New York, N.Y.]: United States Book Co, 1891, nla.gov.au/nla.cat-vn936611 Tasma, A Knight of the White Feather, Leipzig: Heinemann and Balestier Limited, 1893, nla.gov.au/nla.cat-vn7294633 Tasma, Not Counting the Cost, London: Richard Bentley and Son, 1895, nla.gov.au/nla.cat-vn7294205 Papers of Patricia Clarke, 1887–2015, Craig Mackenzie, Patricia Clarke at the National Library of Australia, 21 September 2012, Patricia Clarke Interviewed by David Walker in the Australia-Asia Studies Oral History Project, 2012, Patricia Clarke Interviewed by Ann Moyal, 2005,
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