Dances with Robots
We were taught that space belongs to astronauts, engineers, and billionaires. But if space is part of all our futures, then who gets to shape it should belong to all of us. So what, if anything, can dancers do about it? In Season Two of Dances with Robots, host Ariane Michaud follows that question through conversations with astronauts, scientists, engineers, architects, journalists, and artists, exploring what happens when dance and embodied knowledge enter the conversation about space, technology, and the future. Along the way, one thing becomes clear: space isn't only a technological challenge. It's a social, cultural, and deeply human one.
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Falling to Fly: Space Camp for Artists
09/30/2026
Falling to Fly: Space Camp for Artists
Before you can fly, you have to learn to fall. In March 2026, CRCI gathered dancers, artists, and embodied researchers for Space Camp, an experiment in what moving bodies might bring to humanity's future off Earth. Guest host Fynn Kugel takes us inside: tumbling onto crash mats and swinging from trapezes at STREB Extreme Action, asking whether space can be explored without repeating settler-colonial frameworks with Adeene Denton, floating in isolation tanks and a saltwater pool with physicist and microgravity researcher Adam Dipert, and dancing All Aboard the Mothership with Laila Franklin. Along the way, campers Kate Gow and Angel Poveda Yánez reflect on what it means to be disoriented, held, and supported. This episode of Dances with Robots is supported by at Brown University and is co-produced by . Visit for the show notes to this episode.
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How will we live in outer space? | Tourism, Sex, and Culture in Zero G
09/09/2026
How will we live in outer space? | Tourism, Sex, and Culture in Zero G
Getting to space is an engineering problem. Living there is a design problem. In Episode 4 of Dances with Robots, host Ariane Michaud sets the rocketry aside and asks what an ordinary day off Earth might look like. Her guides are space architect Brent Sherwood and space journalist Maria Varmazis, who chart an industry in transition: from astronauts on research missions to paying tourists, and eventually to people who intend to stay. The conversation ranges from space hotels and microgravity spas (and yes, sex in zero G) to cooking, movement, beauty, and art. Underneath all of it is a harder question: how will we move, gather, create, and find meaning in places unlike anything we've known? Sherwood and Varmazis make the case that answering it takes more than engineers, and that artists, designers, and other students of how people actually live need a seat at the table now. This episode of Dances with Robots is supported by at Brown University and is co-produced by . Visit for this episode's show notes.
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Which Way Is Down? | How The Body Adapts In Space
08/26/2026
Which Way Is Down? | How The Body Adapts In Space
How do our bodies adapt to an environment they were never designed for? In Episode 3 of Dances with Robots, host Ariane Michaud takes up one of the hardest problems of living beyond Earth: what microgravity does to the human body. She talks with Janna Kaplan and Vivek Pandey Vimal, researchers at the Ashton Graybiel Spatial Orientation Laboratory at Brandeis, while CRCI student associate Rishika Kartik speaks with aspiring aerospace physician Gitika Gorthi about how people relearn to move, balance, and care for their bodies without a reliable sense of down. The conversation runs from the lab's rotating room and its Multi-Axes Rotation and Tilt Device (MART), where subjects are spun and tilted until their sense of orientation gives out, through motion sickness, artificial gravity, and aerospace medicine, a field where research done for astronauts also reaches people on the ground who have lost their balance. This episode of Dances with Robots is supported by at Brown University and is co-produced by . Visit for this episode's show notes.
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Who Is Space For? | Conquest, Care, and the Future Off-Earth
08/12/2026
Who Is Space For? | Conquest, Care, and the Future Off-Earth
Who gets to imagine humanity's future beyond Earth, and who gets left out? In Episode 2 of Dances with Robots, host Ariane Michaud sits down with Nahum, artist and founder of the Kosmica Institute, and interdisciplinary artist Sage Ni'Ja Whitson to pose a question the space sector rarely asks of itself: not why we go, but who the going is for. Space has always had gatekeepers. From the agencies and billionaires who set the agenda to the cultural assumptions we pack along with the cargo, the story of leaving Earth has mostly been written by a very few. Engaging with Afrofuturism and speculative performance, Nahum and Whitson work in a longer lineage of artists who insist that story can be told otherwise: that a future off-planet could be built on care, imagination, and collective responsibility rather than conquest. This episode of Dances with Robots is supported by at Brown University and is co-produced by . Visit for the show notes to this episode.
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Brave New Worlds | Why Should Dancers Go to Space?
07/29/2026
Brave New Worlds | Why Should Dancers Go to Space?
What do dancers have to do with the future of space exploration? This season explores how movement research informs life in microgravity, how choreography structures astronaut training, and what happens when questions of access, capitalism, and imagination extend beyond Earth. If outer space is part of our shared future, who gets to shape it, who gets access, and what, if anything, can artists do about it? In the Season 2 premiere of Dances with Robots, host Ariane Michaud begins an eight-episode journey into the intersection of dance, embodiment, and outer space. Joined by Sydney Skybetter, founder of the Conference for Research on Choreographic Interfaces (CRCI); choreographer Kitsou Dubois; and planetary scientist Adeene Denton, she asks what artists, choreographers, and movers bring to these conversations. This episode of Dances with Robots is supported by at Brown University, and is co-produced by . Visit for the show notes to this episode.
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Season Two is About to Launch
07/23/2026
Season Two is About to Launch
We were taught that space belongs to astronauts, engineers, and billionaires. But if space is part of all our futures, then who gets to shape it should belong to all of us. So what, if anything, can dancers do about it? In Season Two of Dances with Robots, host Ariane Michaud follows that question through conversations with astronauts, scientists, engineers, architects, journalists, and artists, exploring what happens when dance and embodied knowledge enter the conversation about space, technology, and the future. Along the way, one thing becomes clear: space isn't only a technological challenge. It's a social, cultural, and deeply human one. Dances with Robots is supported by at Brown University and is co-produced by . xu56tWsg0HT4gb6F83E1
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A Conversation with Sarah Bay-Cheng
02/15/2024
A Conversation with Sarah Bay-Cheng
Sydney Skybetter sits down with Dr. Sarah Bay-Cheng, a performance studies professor, scholar, and Dean at York University in Toronto, Canada. They discuss their shared expertise in deaning, puppetry, and the COVID moment. Read the transcript, and more in our archives at Like, subscribe, and review here: Hear more from Sydney and Sarah via ON TAP: A Theatre and Performance Studies Podcast: The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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This One's for the Dancers
02/13/2024
This One's for the Dancers
Sydney and Ariane showcase two groups of artists leading the way in combining technology with the performing arts. Sydney talks with choreographer Bill T. Jones, while Ariane chats with dancers Alice Sheppard and Laurel Lawson. See featured guests, read the transcript, and more in our archives at Like, subscribe, and review here: The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Code Switch: A Conversation with Raja Feather Kelly
12/15/2023
Code Switch: A Conversation with Raja Feather Kelly
Sydney Skybetter sits down with artist Raja Feather Kelly to talk about his work in live performance. The two consider airport security and the end of the world, and Raja shares how his personal experiences and creative work shape one another. About Raja: Choreographer/Director Raja Feather Kelly is the artistic director of dance-theatre-media company the feath3r theory (founded in 2009). In 2018 the feath3r theory merged with New Brooklyn Theatre. Raja has been awarded a Creative Capital Award (2019), a National Dance Project Production Grant (2019), a Breakout Award from the Stage Directors and Choreographers Foundation (2018), Dance Magazine's inaugural Harkness Promise Award (2018), the Solange MacArthur Award for New Choreography (2016), and is a three-time Princess Grace Award winner (2017, 2018, 2019). He was born in Fort Hood, Texas and holds a B.A. in Dance and English from Connecticut College. Read the transcript, and find more resources in our archive: Like, subscribe, and review here: The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Turning The Tables
12/12/2023
Turning The Tables
Sydney Skybetter discusses some of the core theories that he teaches at Brown. Turns out, what works in the dance studio doesn’t always work in the real world. See featured guests, read the transcript, and more in our archives at Like, subscribe, and review here: Key Takeaways from Episode 9: 1.Artists can use their implication in institutions to effect change from within. 2.It is important to be conscious of the compromises and power dynamics involved in working with emerging technology. 3.Technology is not neutral and often reflects the biases and limitations of its creators. 4. The history of surveillance and racial discrimination is embedded in our technologies and institutions. The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Overclocking of The Human Computer
12/07/2023
Overclocking of The Human Computer
Sydney Skybetter sits down with performance historian Doug Eacho to discuss emergent technologies of the last century. They explore how sci-fi has influenced our expectations for the future of performance, and why these expectations almost never become reality. About Doug: Douglas Eacho is a performance historian and theater director. His current research project concerns artists and engineers who have sought to automate theatrical processes, from French surrealists, to lighting board designers, to contemporary makers of algorithmic dance. He explores the increasing integration between automaticity and theatricality on and off the stage, and the shifting ways technology performs amidst conditions of economic stagnation. Another research thread concerns the long history of statistical representation as it has intersected with naturalist and aleatory performance; this work informed his article “Serial Nostalgia: Rimini Protokoll’s 100% City and the Numbers We No Longer Are” (Theatre Research International, 2018). His reviews have been published in Theatre Survey, Theatre Journal, and Theatre and Performance Design. Before his doctoral studies, his found-text performances were presented around New York City, including at the Invisible Dog, Judson Memorial Church, and the Center for Performance Research. “His Fear of a Lonely Planet,” a piece about tourism, was devised with Stanford University students in 2018. Read the transcript, and find more resources in our archive: Like, subscribe, and review here: What We Discuss with Doug (Timestamps): 0:00:04: Intro to Doug Eacho and his expertise in performance history & technology 0:00:29: Discussion on the portrayal of AI in the media 0:01:52: Exploring the intersection of performance & technology throughout history 0:04:17: Defining performance and technology in relation to art 0:07:38: Analyzing the connection between acting and the portrayal of robots 0:09:15: Discussion on the sexist trope in Blade Runner 0:11:05: Mention of a deleted Salome dance scene in Blade Runner 0:13:08: Interpretation of science fiction as art about the present 0:14:12: Conclusion on the nature of science fiction as predictions of the future 0:16:33: Balancing the future and the present as a parent 0:18:05: The misconception of AI appearing out of nowhere 0:19:40: The history of technology and overestimating its capabilities 0:22:23: The impact of technology on labor and jobs 0:23:55: The narrative of creating better worlds through technology 0:25:23: The promises of digital technology in a capitalist society 0:26:12: Artists creating critical work on technology and inequality 0:27:39: Algorithmic dance and the work of Liz Santoro and Pierre Gaudar 0:30:53: Overclocking the human computer 0:33:37: Illusion of power in using AI systems 0:34:06: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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There Is Always A Cost
12/05/2023
There Is Always A Cost
Ariane Michaud, CRCI’s Executive Producer, steps in this week as host. She explores various forms of emerging tech, from the New York Police Department’s deployment of “Spot” robots to getting drones ready for dance performance. What are the challenges? The risks? The opportunities? See featured guests, read the transcript, and more in our archives at Like, subscribe, and review here: Key Takeaways from episode 7: 1. Safety measures and considerations for human well-being are crucial when working with emerging technologies. 2. The use of robots in law enforcement raises questions about privacy, surveillance, and public perception. 3. Design choices for robots should prioritize human interaction, care, and sensitivity. 4. The integration of robots into daily life requires careful consideration of their impact on human emotions and relationships. The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Dances with Robots IRL: A Conversation with Catie Cuan
11/30/2023
Dances with Robots IRL: A Conversation with Catie Cuan
Sydney Skybetter sits down with choreorobotics innovator, Dr. Catie Cuan. They discuss her personal and professional trajectory, and try to answer the question: why dance with a robot? About Catie: An engineer, researcher, and artist, Dr. Catie Cuan is a pioneer in the nascent field of ‘choreorobotics’ and works at the intersection of artificial intelligence, human-robot interaction, and art. She is currently a Postdoc in Computer Science at Stanford University. Catie recently defended her PhD in robotics via the Mechanical Engineering department at Stanford, where she also completed a Master’s of Science in Mechanical Engineering. The title of her PhD thesis is “Compelling Robot Behaviors through Supervised Learning and Choreorobotics”, which was funded by the National Institutes of Health, Google, and Stanford University. During her PhD, she led the first multi-robot machine learning project at Everyday Robots (Google X) and Robotics at Google (now a part of Google Deepmind). She has held artistic residencies at the Smithsonian, Everyday Robots (Google X), TED, and ThoughtWorks Arts. Catie is a prolific robot choreographer, having created works with nearly a dozen different robots, from a massive ABB IRB 6700 industrial robot to a tabletop IDEO + Moooi robot. Catie is also a 2023 International Strategy Forum (ISF) fellow at Schmidt Futures and the former co-founder of caali, an embodied media company. Read the transcript, and find more resources in our archive: Like, subscribe, and review here: What We Discuss with Catie (Timestamps): 0:00:15: Introduction to Dr. Catie Cuan 0:02:23: Catie's PhD thesis on supervised learning for compelling robot behaviors. 0:03:19: How Catie balanced her dance career with her work in tech. 0:05:35: The skepticism and terror of bringing dance into a STEM environment. 0:06:20: Navigating elite STEM environments as a woman of color. 0:07:41: The history of dance and robotics at Stanford University 0:11:56: Contrasts between STEM and embodied practices. 0:12:44: Catie's relationship with the CRCI community. 0:13:30: The importance of artists in contemplating the meaning of new technologies. 0:14:31: Challenges of creating a complex dance performance with robots. 0:16:24: Lack of templates for realizing installation, performance, and robotics research. 0:19:58: Safety considerations and rules for performing with robots. 0:20:51: Why Boston Dynamics Spot robots and their expressive capabilities. 0:23:32: Contemplating the ethical implications of robot applications. 0:25:27: The future of Choreo Robotics and the importance of imagination. 0:26:00: Dance's role in depicting a universe of creativity and joy. 0:27:35: Choreographers are essential for successful deployment of robots. 0:28:26: Robot dances becoming more prevalent in various contexts. 0:30:04: Dance is essential to culture and human identity. 0:31:20: Dancing with robots is not a novel concept. 0:32:00: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Choreorobotics 0101
11/28/2023
Choreorobotics 0101
Sydney Skybetter gives us an inside look into his research into chorerobotics; the overlap of choreography and robotic motion planning. He and the CRCI team ask questions about the risks and the implications of the work, and what it means to make a robot do the mashed potato. See featured guests, read the transcript, and more in our archives at Like, subscribe, and review here: Key Takeaways from Episode 5: Dance can be used to make robots appear more friendly and palatable, but it's important to remember that they can still be dangerous. Teaching roboticists choreography and choreographers robotics can help make more nuanced decisions about motion planning. The future of dance and robotics requires considering the cultural, political, and ethical implications of these technologies. Artists can play a crucial role in shaping the future by working with technology companies and influencing the development of emerging tech. The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Fierce on the Palm Pilot: A Conversation with Kamal Sinclair
11/17/2023
Fierce on the Palm Pilot: A Conversation with Kamal Sinclair
Sydney Skybetter and producer Kamal Sinclair chat about the intersection of the cultural sector, emerging technologies, and the vintage hardware that shaped their childhoods. Are we all complicit in these complex cultural systems? Oh, and also, can we please bring back the Filofax? About Kamal: Kamal Sinclair supports artists, institutions, and communities working at the convergence of art, media, culture, and technology. Currently, she serves as the Senior Director of Digital Innovation at The Music Center in Los Angeles, which is home to TMC Arts, Center Theatre Group, Los Angeles Master Chorale, LA Opera, and LA Phil. Additionally, she serves as an advisor or board member to Peabody Awards interactive Board, For Freedoms, NEW INC.’s ONX Studio, Civic Signals, For Freedoms, MIT’s Center for Advanced Virtuality, Starfish Accelerator, Juvenile Bipolar Research Foundation, and Eyebeam. Previously, she was the Director of Sundance Institute’s New Frontier Labs Program, External Advisor to Ford Foundation’s JustFilms and MacArthur Foundation's Journalism & Media Program, Adjunct Professor at USC’s Media Arts + Practice program, and Executive Director of the Guild of Future Architects. She is the co-author of Making a New Reality. Sinclair got her start in emerging media as an artist and producer on Question Bridge: Black Males, where she and her collaborators launched a project with an interactive website and curriculum; published a book; exhibited in over sixty museums/festivals. Read the transcript, and find more resources in our archive: Like, subscribe, and review here: What We Discuss with Kamal (Timestamps): 0:00:00: Introduction to Kamal Sinclair 0:01:32: Discussion on the influence of Minority Report on technology and body interfaces. 0:04:56: Personal experiences with early mobile devices and anticipation of smartphones. 0:07:10: Exploring the cyclical nature of technology and imagining the future. 0:08:10: The role of a curator in identifying and bridging new forms of art and technology. 0:09:18: The importance of following the artist and supporting their vision. 0:10:38: Balancing the promise and ethics of technology in art. 0:12:29: Exciting emerging art in storytelling, aesthetics, and movement. 0:15:18: The power of imagination and action in shaping the future. 0:17:43: The relationship between bodies and technologies. 0:18:53: The influence of disability and otherly abled experiences on technology. 0:19:41: Dance historical perspectives on the bodies of the future. 0:21:26: The need to consider nature and relationships in future designs. 0:23:25: The negative impact of militarized surveillance technologies on marginalized groups 0:25:39: Discussion on the immersive VR experience of Birdly 0:27:02: Healing and altered states through immersive experiences 0:28:30: Managing complicity and the future of work for artists 0:30:41: Closing with the acknowledgement of not knowing 0:31:19: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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The One With Tom Cruise
11/16/2023
The One With Tom Cruise
Sydney Skybetter interviews John Underkoffler, the Science and Technology Advisor for the 2002 movie Minority Report. We talk about how the infamous computer gesture scene that made John famous led to the founding of Oblong Industries, a company that tried to make Minority Report’s speculative interfaces a reality. See featured guests, read the transcript, and more in our archives at Like, subscribe, and review here: Key Takeaways from Episode 3: 1. John Underkoffler developed the gestural interface in “Minority Report” by studying various gestural systems, including sign language. 2. Underkoffler formed Oblong Industries to bring the technology from the movie into reality and make it available for commercial use. 3. While Underkoffler has worked with various industries, he has drawn a line at directly participating in the development of weapons systems. 4. The gestural interface in Minority Report has had a significant impact on the film industry, academia, and defense industry. The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI: The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Oh Great, The Nazis Were Into Modern Dance: A Conversation with Kate Gow
11/14/2023
Oh Great, The Nazis Were Into Modern Dance: A Conversation with Kate Gow
Kate Gow, CRCI’s archivist and web designer, sits down with host Sydney Skybetter to discuss historical intersections of dance and technology. Turns out that the weird history of dancers catching on fire, Degas, and the Nazis have a lot to do with the dance of the future. About Kate: Kate Gow is an archivist and designer of digital spaces. Her work revolves around memory, the body, and how we interact and perform with technology. She graduated as valedictorian from The Boston Conservatory, pioneering the Conservatory's first emphasis in Dance & Technology. In her sixth year with CRCI, she is moved to document the conference that unveiled to her the power and significance of artistic intelligence. You can find her in performance and behind the scenes as a Senior Professional Services Consultant at Quadient. Read the transcript, and find more resources in our archive: Like, subscribe, and review here: What We Discuss with Kate (Timestamps): 0:00:00: Introduction to guest Kate Gow 0:01:52: Kate's experience with fan blogging and writing fan fiction 0:05:17: Kate's multifaceted career in dance, choreography, teaching, and technology 0:06:16: The connection between movement, coding, and processing information 0:08:46: The importance of looking back at past mistakes in history 0:10:01: The evolution of dance technology and its impact on the art form 0:11:52: The focus on harm and the intersection of emerging technologies & the body 0:13:23: Being recorded and loss of control over what is seen 0:15:24: Who gets to make decisions about dance and technology 0:18:01: Choreographer Rudolph von Laban's collaboration with Nazis and dance history 0:21:09: Labanotation influence in robotics and other fields 0:23:29: Movement analysis of foreign leaders and body language consulting 0:26:10: Dancers seek stability in corporate collaborations for financial security 0:28:17: How Kate as a ballet teacher fosters agency in students. 0:30:26: Dance history provides lessons on the importance of bodies in technology. 0:32:07: Teaching consent and embodied interaction with technology through dance. 0:33:51: TikTok's algorithmic bias and the erasure of marginalized bodies. 0:35:00: Examining biases in technology through the lens of dance history. 0:37:47: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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The Nerd Gaggle
11/14/2023
The Nerd Gaggle
Welcome to Dances with Robots! In this introductory episode, Sydney Skybetter recounts the beginnings of the Conference for Research on Choreographic Interfaces, aka CRCI (pronounced Circe, like the Greek sorceress), and breaks down how, and why, we work in dance and emerging technologies. See featured guests, read the transcript, and more in our archives at Like, subscribe, and review: Key Takeaways from Episode 1: Dancers and choreographers can offer valuable insights into the design and development of emerging technologies by considering the meaning and intention behind human movement. The Conference for Research on Choreographic Interfaces (CRCI) provides a platform for artists, technologists, and academics to collaborate and explore the intersection of dance and technology. Dancers should be compensated and valued for their expertise in movement and choreography when working with emerging technologies. The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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Dances with Robots - Trailer
11/08/2023
Dances with Robots - Trailer
The Conference for Research on Choreographic Interfaces (CRCI) presents Dances with Robots: a podcast catalyzed by the corporeal risks and expressive opportunities of contemporary technologies. Join our host, choreographer and Dean at Brown University, Sydney Skybetter, alongside a series of guest hosts, as we explore the ways that artists, activists, and technologists navigate the world through interdisciplinary practice. https://danceswithrobots.org/ See the list of featured guests this season in our archive: https://www.are.na/choreographicinterfaces/dwr-featured-guests Our first episode comes out on November 14th. Subscribe to get a notification, or sign up for our newsletter: http://eepurl.com/iDw2to The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org Thank You Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.
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