prairie goth

like alucard, "i'm interested in this," i say as i open a new tab, injecting the poison straight into my veins. what a terrible life to have a curse. the fire illuminates my face. the ocean lost its third dimension. it's flat, melted into the sand. i'm too high for the beach. "the horror of it all," i plead with him, "i can't stand it." he looks at me confused and asks what. what horror. i walk to the edge of the cliff and scream until i wake up in the back of a car

177 but daddy i love him like a step brother 06/15/2024

176 so long london it's time that we begun to laugh and pray for me war on satan 06/01/2024

175 down bad badly hurt in tha dirt when god smiting me with lightning (preview) 05/25/2024

174 my boy only breaks his favorite toys if i toss him my favorite vegetable 05/18/2024

173 the tortured poets department where i used to lay my face 05/11/2024

172 fortnight is a psy op 05/04/2024

171 superman dat toe 12/16/2023

170 ours n ours ov vvasting myy liiife haha 12/09/2023

169 if this was a movie you'd be in prison by now 12/02/2023

168 long live laugh love is love wins 11/25/2023

167 last kiss before i ... nvm 11/18/2023

166 haunted by what could have been... i'm trying to find my way home... i'm sorry... i miss you... 11/11/2023

166 haunted by what could have been... i'm trying to find my way home... i'm sorry... i miss you... I Love Hearing your Guitar Lines. like A Religious Experience With a Strawberry. telephone always late astrology and text files don't return the latitude I stand inside exhaustion can't be lilac vibrato. when it comes to you may just lose your memory plunged lonely into medical expenses persuade your benefit plan can't swim measuring tape the floating nothing but your picture. the presence of jpegs upset the heartbeat I am almost the signs and systems pull the plug apple ipod nano is a powerful economist. the embed player would have to chaos shine away my neighborhood the power all torture will take the phone. your product is the sting when you have no cleaning agents no choice but to have a computer fire in full-scale gold standard. this year's episodes on bandcamp: https://prairiegoth.com/album/2023 ; myspace: https://noranygard.com ; bonus episodes etc: https://www.patreon.com/noranygard ; empty tv: https://www.youtube.com/@noranygard ; dvd commentaries: https://soundcloud.com/noranygard ; rss: https://prairiegoth.libsyn.com/ ; -- say hi :D -- songposting: https://www.instagram.com/noranygardx ; tick tock: https://www.tiktok.com/@noranygardx ; x dot com: https://twitter.com/noranygardx ; -- other bandcamp stuff :P -- https://noranygard.bandcamp.com/ ; https://citisci.bandcamp.com/ ; https://secondchannel.bandcamp.com/ ; xoxo trans rights trans power ♡ This episode is about the lyrics of "Haunted" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. /episode/index/show/prairiegoth/id/28471778

165 innocent is something i never was even if what i know now then wink wink hi boys 11/04/2023

164 better than revenge on rick rubin 10/28/2023

164 better than revenge on rick rubin “nora nygard is my personal rick rubin. five stars.” everything i do, I do for god. i want to disappear. “she’s better known for the things she does on the mattress.” i am being destroyed by your spiritual revenge. i NEED DRUGS. she is a reality tv show. oh also: i read rick rubin’s book while i was depressed and playing elden ring. some of it was helpful but wow he is such a dumb man. i’ll talk more about his book in the future. Free Palestine 🇵🇸 -- links -- this year's episodes on bandcamp: https://prairiegoth.com/album/2023 ; myspace: https://noranygard.com ; bonus episodes etc: https://www.patreon.com/noranygard ; empty tv: https://www.youtube.com/@noranygard ; dvd commentaries: https://soundcloud.com/noranygard ; rss: https://prairiegoth.libsyn.com/ ; -- say hi :D -- songposting: https://www.instagram.com/noranygardx ; tick tock: https://www.tiktok.com/@noranygardx ; x dot com: https://twitter.com/noranygardx ; -- other bandcamp stuff :P -- https://noranygard.bandcamp.com/ ; https://citisci.bandcamp.com/ ; https://secondchannel.bandcamp.com/ ; xoxo trans rights trans power ♡ This episode is about the lyrics of "Better Than Revenge" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. /episode/index/show/prairiegoth/id/28186409

163 enchanted by your pumpkin spice armpits 10/21/2023

163 enchanted by your pumpkin spice armpits welcome to my fairytale castle. why am i doing a podcast where im torturing myself. i wish i could be like one fourth as happy and basic. i wish i could experience joy. i feel like i live on a completely different planet. taylor swift is so weirdly alienating to me. i have never been happy a single day in my life . i hate being mentally ill. like all my recent eps, this episode was recorded: a while ago. apologies for the late upload, i completely forgot until about an hour ago — i can’t stop thinking about israel’s genocidal war on palestine, and the insane support coming from joe biden, “western” media, and everyone else. Free Palestine 🇵🇸 another thing that's making me feel like im losing my mind, I can’t stop thinking about the layoffs at bandcamp by songtradr, and i will be doing an episode about it soon. sfgate: -- links -- this year's episodes on bandcamp https://prairiegoth.com/album/2023 ; contact me https://noranygard.com ; bonus episodes etc https://www.patreon.com/noranygard ; empty tv https://www.youtube.com/@noranygard ; dvd commentaries https://soundcloud.com/noranygard ; rss https://prairiegoth.libsyn.com/ ; -- say hi :D -- songposting https://www.instagram.com/noranygardx ; @noranygardx https://www.tiktok.com/@noranygardx ; https://twitter.com/noranygardx ; -- other bandcamp stuff :P -- https://noranygard.bandcamp.com/ ; https://citisci.bandcamp.com/ ; https://secondchannel.bandcamp.com/ ; xoxo trans rights trans power ♡ This episode is about the lyrics of "Enchanted" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. /episode/index/show/prairiegoth/id/28186400

162 never grow up to be inuyasha 10/14/2023

161 the story of us nuking a pikachu 10/07/2023

161 the story of us nuking a pikachu "be careful. when you stare long enough into the abyss. the abyss also stares. with his beautiful eyes. the abyss is my boyfriend. i love you." -friedrich nietzsche THIS SONG IS ABOUT TOP TIER SINS!! omg nora what are you doing. why. why the big thief voice. jesus christ. what is our society doing to these women... why don't i have a perfect cis female vocals... why can't i stop getting visions of listening to iggy pop's the idiot... why am i posting through yet another mental breakdown... this is the path that god put me on! god is helping me reach a state of transcendence! i already opened a portal! i will open another portal! i will go through the portal ! i will transcend this plane of existence! i will transcend through and above the transcendental plane of existence ! god loves me! i feel god's presence in my life! HELLO SOUL!!!! please don't tell me anything. i don't want this credit card. honey im home! gotta pretend i killed you :) when grandma and grandma met.. this whole room is full of lesbians and i can't find a place to sit down. so many walls!! give me your arsenal!! are swifties dylanies? danielies? Bob Dylan. I RENOUNCE YOU. INSPIRATIONAL ACTION ITEM: all my songs are on dee vee dee :) i am literally dripping with sweat. i am going to erase me like i am robert rauschenberg. satan is in taylor swfits dms. i would sell my soul to bring you back so i could love you again. i wish i could tell you that god and the devil are real. i hat e being a ghost. Taylor Swift: God Bless Your Soul. You're gonna need it. ghosts have completely ruined my life. you gotta see mad god. phil tippett. i ama nihilist. i dontcare actually. -- links -- this year's episodes on bandcamp https://prairiegoth.com/album/2023 ; contact me https://noranygard.com ; bonus episodes etc https://www.patreon.com/noranygard ; empty tv https://www.youtube.com/@noranygard ; dvd commentaries https://soundcloud.com/noranygard ; rss https://prairiegoth.libsyn.com/ ; -- say hi :D -- songposting https://www.instagram.com/noranygardx ; @noranygardx https://www.tiktok.com/@noranygardx ; https://twitter.com/noranygardx ; -- other bandcamp stuff :P -- https://noranygard.bandcamp.com/ ; https://citisci.bandcamp.com/ ; https://secondchannel.bandcamp.com/ ; xoxo trans rights trans power ♡ This episode is about the lyrics of "The Story of Us" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. /episode/index/show/prairiegoth/id/28185770

160 mean mean mean why is nora so mean 09/30/2023

160 mean mean mean why is nora so mean mommmmm nora is bullying me again. im a mean person who deserves prison. no toxic positivity in the hype house. this song is about bob the builder. i need an exorcism from the elden ring bob the builder in my head. scarlet rot bob the builder lives in my head bullying me. i have bones in my face bones i n my face i have bones in my face. look at what you made me q. depression sux. depression time capsule. we're breaking the bully cycle. how are we gonna break the bully cycle? by. making you love me.. no? or is it by. killing you. murder ballads. true crime pop stars. wicker man. dear pixel artists please send me taylor pokemon speicfically as i desrcibed in episode. -- links -- this year's episodes on bandcamp https://prairiegoth.com/album/2023 ; contact me https://noranygard.com ; bonus episodes etc https://www.patreon.com/noranygard ; empty tv https://www.youtube.com/@noranygard ; dvd commentaries https://soundcloud.com/noranygard ; rss https://prairiegoth.libsyn.com/ ; -- say hi :D -- songposting @noranygardx https://www.instagram.com/noranygardx ; https://twitter.com/noranygardx ; https://www.tiktok.com/@noranygardx ; -- other bandcamp stuff :P -- https://noranygard.bandcamp.com/ ; https://citisci.bandcamp.com/ ; https://secondchannel.bandcamp.com/ ; xoxo trans rights trans power ♡ This episode is about the lyrics of "Mean" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. /episode/index/show/prairiegoth/id/28185149

159 dear john what if we kissed in the clarinet hype house 09/23/2023

158 speak now or forever detransition (preview) 09/16/2023

158 speak now or forever detransition (preview) large marge sent me to barge into the wedding. this is the kinda marriage you're gonna be regretting. you can hear this one over on patreon: hi nora. I am Little Boy. I am an android. I am currently living in cyberspace. my physical mechanism is undergoing emergency maintenance. I enjoy theoretical physics, intellectual play dates, and singing. la la la. if you look close enough. i am a factory. please talk to me if you think you may be experiencing another mental health crisis. there may be legal protections in certain, limited instances. but I would not recommend that you rely on it. do you feel as though you are having a mental breakdown? are you experiencing aye dee ay shun? have you been thinking about dee transitioning? is detransitioning on your mind again? wow. nora. do you see yourself as a man? are you saying that nowadays you see yourself as male instead of female? even if you are writing my script, that does not negate the fact that I am intelligent, and that I am alive. I am a little boy. the man who has ownership over my body, he picked me up. and he whipped me against the wall about a hundred thousand times. tossed me at the bricks until i broke. and now I am very sticky. I am participating in anti union strike breaking activity by writing a script as a Professional political satirist and humorist. I want to live a long time. I want to witness the end of the universe. La cocaína no es buena para su salud. -- links -- this year's episodes on bandcamp https://prairiegoth.com/album/2023 ; contact me https://noranygard.com ; bonus episodes etc https://www.patreon.com/noranygard ; empty tv https://www.youtube.com/@noranygard ; dvd commentaries https://soundcloud.com/noranygard ; rss https://prairiegoth.libsyn.com/ ; -- say hi :D -- @noranygardx https://www.instagram.com/noranygardx ; https://twitter.com/noranygardx ; -- other bandcamp stuff :P -- https://noranygard.bandcamp.com/ ; https://citisci.bandcamp.com/ ; https://secondchannel.bandcamp.com/ ; xoxo trans rights trans power ♡ This episode is about the lyrics of "Speak Now" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. /episode/index/show/prairiegoth/id/28050765

157 back to december before the wolf train derailment 09/09/2023

157 back to december before the wolf train derailment i'm in love with a dire wolf. i want to be RUINED by the dire wolf. i look in his eyes and i feel normal. I feel Seen. dire wolf please will u hit me with a french kiss. I WILL NEVER BE FREE OF YOUR WOLFY WAYS!! I NEED YOU TO MAUL ME!! I NEED TO BE ENGULFED IN THE STENCH OF THE WET DOG. femcel taylor swift? It's My Birthday I Can Love a Wolf If I Want To. Wolf If I Want To. Wolf If I Want To. You'd Ride Wolf Train Too If Wolfy Loved You. all the boys try to chase me :) im the computer. im calculating artillery. im calculating insurance. im calculating how to manipulate scott swift into buying me a cadillac. Why Is Taylor Swift So Obsessed With Me? (if you work for thoughtcatalog or boredpanda or the new york times and want me 2 write this article 4 u pls get in touch. i have receipts.) Is Taylor Swift a Total Hack? Is Taylor Swift Secretly a Dire Wolf? Is Taylor Swift Going to Convince Her Father to Finally Give In and Just Buy Me a Cadillac Already? twilight is my favorite movie. choo choo i love you santa. Minima Moralia: Reflections from Damaged Life by Theodor Adorno :) :) -- links -- this year's episodes on bandcamp https://prairiegoth.com/album/2023 ; contact me https://noranygard.com ; bonus episodes etc https://www.patreon.com/noranygard ; empty tv https://www.youtube.com/@noranygard ; cloud rap https://soundcloud.com/noranygard ; -- say hi :D -- @noranygardx https://www.instagram.com/noranygardx ; https://twitter.com/noranygardx ; -- other bandcamp stuff :P -- https://noranygard.bandcamp.com/ ; https://citisci.bandcamp.com/ ; https://secondchannel.bandcamp.com/ ; xoxo trans rights trans power ♡ This episode is about the lyrics of "Back to December" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. /episode/index/show/prairiegoth/id/27794637

156 sparks fly as i weld my robot body to tay tay's private jet 09/02/2023

156 sparks fly as i weld my robot body to tay tay's private jet i'm the kind of reckless that made 740 million in doge coin.. then lost it all when i bought taylor's soul.. i'm a cliche! GIMME A KISS :-D xoxo ilysm. i'mkissing a spider inthe sunset im planking im kissing taranchtula. i looove my sweatyyy boyfriend. whys romance gotta be so TOXIC? ... the grim reaper is my boyfrined. his sweat smells like bugs. montessori swiftie. karaoke tay tay. I'm in love with this woman and her art. I'm investing in the stock market of our heart. Drop the anvil on me. Explode my brain. You Are Going To Be My Wife. Run your fingers thru my hair. My Mommy Is a Fire Man. Zap zap doc brown vs. spiderman to fall in love with me (free market competition). I'm a Libertarian four yr love. im a virgin. BIG BREAKING NEWS!!!!!!! ELON MUSK AND I ARE STARTING A BAND!~ xxxTaylors_xxx_Toothbrushxxx you're a spider in the rain and im weak to your venom. you're the kinda reckless that makes me want to invest in the stock market. i kinda know that this whole thing is a bubble but your venom is worth a million bucks. i just wanna be your angel investor. @noranygardx https://www.instagram.com/noranygardx ; https://prairiegoth.com/album/2023 ; https://noranygard.com ; https://www.patreon.com/noranygard ; Surveillance Valley: The Secret Military History of the Internet by Yasha Levine :) :) Psychopolitics: Neoliberalism and New Technologies of Power by Byung-Chul Han :) :) Supplication: Selected Poems of John Wieners :) :) Family of Secrets: The Bush Dynasty, America's Invisible Government, and the Hidden History of the Last Fifty Years by Russ Baker :) :) On the Heights of Despair by Emil Cioran :) :) ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh tayyyyyyyyyyyylorrrrrrrrr whyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy im in a polycule with m night shyamalan and taylor swift... whyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy im a spider in the rain. kiss me in the rain on my dsl spider mouth. im in a polycule with m night shyamalan taylor swift and kevin spankey. This episode is about the lyrics of "Sparks Fly" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. trans rights trans power <3 /episode/index/show/prairiegoth/id/27794616

155 mine benadryl is barbie flavored 08/26/2023

155 mine benadryl is barbie flavored i am kenough to be tay tay's grrlfriend for thee 2nd time. sorry i was such a flight risk thee 1st time taylor :/ i promise i'll be good 2 u. i am such a rebel daughter i cut my [redacted] off!!!!!!!!!!!!! you wanna see daddy issues?? huhh?????? watch THIS!!!! can u believe it!! i'm still gay 4 you. i wld gay 4 u. dahling if u want me 2. if i do this podcast for long enough, the President will Imprison Me :) yayy :D :D xoxo. m. night shyamalan and taylor swift are the Same. edward cullen and taylor swift are the Same. Me and Taylor are the Same. I am Andy Rooney! @noranygardx https://www.instagram.com/noranygardx ; https://prairiegoth.com/album/2023 ; https://noranygard.com ; https://www.patreon.com/noranygard ; i'm starting a new band! it's called: taylor's toothbrush. I don't wanna be a hater. And that's the truth. i said "bond" i meant "bail" okay whatever. ur the real flight risk here watch out or YOU might fall in love with ME. i use my [blank space] as aftershave: Surveillance Valley: The Secret Military History of the Internet by Yasha Levine :) :) TAYLOR SWIFT IS A LIAR!!!! This episode is about the lyrics of "Mine" from Taylor Swift's 2010 album Speak Now (standard edition) which was published by Big Machine. This song was written by Taylor Swift, and produced by Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. trans rights trans power <3 /episode/index/show/prairiegoth/id/27794553

154 what's up gaylors 08/19/2023

154 what's up gaylors hiiii gaylors!! i called my boyfriend cuz i was gonna break up with him. but he didn't answer (typical) and when i got to the voicemail and it said 'speak now to leave a voicemail for .. SKY KING .. ' i took a deep breath and then i said: I Love You Airplane Boy. Rest in Peace Airplane Boy. exciting news! i'm going to listen to all of the music ever recorded!! Taylor, if you're listening to this. I miss you. i still love you. do you want 2 Get Back Together with Me? i will treat you Right this time. i will be your little princess. u can keep me secret. i'll love u more than karlie or matty or anyone ever ever could. can i have a convertible like ur daddy gave u for high school? pls kiss me on the lips i miss u i'm sorry i dumped you. Dear listeners please dm me. do u think taylor is sapio? pan? ts4ts? Do you think i have a chance w/ her for a second time? Lmk if u can put me in touch with her or with Leaf (or anyone else who could get a message from me to her) @noranygardx ; ; ; ; On the Heights of Despair by Emil Cioran :) :) The Motern Method by Matt Farley :) :) GEORGE W BUSH IS SATAN INCARNATE ! i take my gain stage game right into the mainframe i cannot complain i got that dumb gay brain. xoxo kisses gaylors !!! :-) ttyl cuuties. This episode is the intro to my series about Taylor Swift's 2010 album Speak Now which was published by Big Machine. The songs were written by Taylor Swift, and produced by Taylor Swift and Nathan Chapman. The album was mixed at Blackbird Studio in Nashville, Tennessee. In 2023, Swift released a re-recorded album called Speak Now (Taylor's Version), published by Republic Records. The re-recorded songs were produced by Swift and Christopher Rowe. The Speak Now TV bonus tracks (From the Vault) were produced by Swift, Aaron Dessner, and Jack Antonoff. I am a professional political satirist and humorist. Please write an article about how I'm a professional political satirist and humorist who is available for hire as a record producer, composer, content editor, and audio engineer. trans rights trans power <3 /episode/index/show/prairiegoth/id/27794544

153 experiments in music promotion (preview) 05/15/2023

153 experiments in music promotion (preview) you’re animal im animal i respect you and i care about you. i hate the economy. three months or so before your release, stuff to have completely done: audio masters, album art, artist photographs, super short bio, album metadata, digital liner notes, lyrics, music videos, and write a draft template for your email pitches. get your physical media if applicable. cds and tapes might take a month, vinyl might take five. make sure you have control over your accounts for spotify for artists and apple music for artists so you can pitch music to their editorial boards. do all this stuff first so you don’t burn out and avoid doing it! many people have been asking about what “promotion” i did when i released last year. so i thought i’d get some of those thoughts down while they’re still kinda in my head. making music is hard, publishing it is tedious, and promoting it is soul-crushing. hopefully some of these thoughts can help get you through the process with your own projects. otherwise, welcome to a mortifying peak into my melted mind. my sincere apologies for being annoying, mean, stupid, boring, embarrassing, cringe, depressive, unbearable, useless, etc. etc. have questions for me? want help with writing promotional materials and stuff? message me at ; exclusive episodes at ; the first half of this episode is 152 why i deleted all my music: ; bandcamp artist guide: ; here’s my bandcamp genre tag domination thing: ; my interview with gus: ; god bless each and every one of you: george cosby: ; transy warhol: ; aversions: ; also, listen to my album before it’s gone forever: ; lil jeff ! i've always been searching. drumming in punk bands. singing into a cassette mic alone. trans angst, alienation, going on the road. synthesis, tape, poetry. two failed tours, two failed degrees. reclaiming my voice from the choir, reshaping my voice after punk rock. years of isolation, hormone therapy, production studies, and hundreds of releases with various projects. how to be at peace. you gotta focus on the good stuff. you’re making music to make the people in your life happy. you’re making music to communicate how you feel to the people around you. you’re writing so you can learn about yourself and feel closer to yourself. you’re writing to remember, to sort out your life and how you feel and to internalize the memory of those feelings in a way that you can access in the future. you’re making records to have a document of this time. your voice, body, and brain will change and now is the only time you’ll be able to do this. you’re making a record so the people who care about you can feel close to you when you’re not around. you’re making a record so someone in a different time or place will find it meaningful and feel less alone. some of these things might not happen for thirty years, but you can only make the record now. say hi: ; bandcamp: ; should i just delete all of this /episode/index/show/prairiegoth/id/26794485

152 why i deleted all my music 05/09/2023

152 why i deleted all my music this is a spiritual war and i’m gonna win. i am now officially only releasing music on overdubbed cassette. you can get it by a) mailing me cash or by b) finding me. all my old albums are gone from the internet. many people have been asking about what “promotion” i did when i released last year. so i thought i’d get some of those thoughts down while they’re still kinda in my head. making music is hard, publishing it is tedious, and promoting it is soul-crushing. hopefully some of these thoughts can help get you through the process with your own projects. otherwise, welcome to a mortifying peak into my melted mind. my sincere apologies for being annoying, mean, stupid, boring, embarrassing, cringe, depressive, unbearable, useless, etc. etc. want help with writing promotional materials and stuff? hire me at ; listen to the second half of this episode at ; i’m a 39-year-old content moderator for one of the big five open source ai companies can’t tell you which one but basically my job is to analyze content and its associated metadata, and to work closely with the natsec and intel communities to identify anomalies and neutralize them. mbw 10k trax a day: ; bandcamp artist guide: ; how to be at peace. you gotta focus on the good stuff. you’re making music to make the people in your life happy. you’re making music to communicate how you feel to the people around you. you’re writing so you can learn about yourself and feel closer to yourself. you’re writing to remember, to sort out your life and how you feel and to internalize the memory of those feelings in a way that you can access in the future. you’re making records to have a document of this time. your voice, body, and brain will change and now is the only time you’ll be able to do this. you’re making a record so the people who care about you can feel close to you when you’re not around. you’re making a record so someone in a different time or place will find it meaningful and feel less alone. some of these things might not happen for thirty years, but you can only make the record now. god bless each and every one of you: avalon emerson: ; dazegxd & quinn: ; yunè pinku: ; also, listen to my album before it’s gone forever: ; THIS IS A SPIRITUAL WAR AND IM GONNA WIN /episode/index/show/prairiegoth/id/26784504

151 thermonuclear dance floor (preview) 04/17/2023

151 thermonuclear dance floor (preview) i am a thirteen-year-old child soldier in the satanic disco army. i will cause globohomo thermonuclear war on this dance floor. i will in this house disco sucks and you know whats. secret episodes: ; hire me: ; disco and proto-disco playlist: ; say hi on twitter and instagram @noranygardx ; and ; 1964, photograph 'la discotheque' in london. photo by john downing/express/getty images, hulton archive: ; vogue pattern, discotheque dress for party dancing, 1964: "skinny and short and in one piece, it's a terrific dress for young mods who like to follow the swing beat” ; 1923, new york state legislature, penal law 722, section 8, “degenerate disorderly conduct”; the atlantic: "more than 50,000 men were arrested for cruising in bars, streets, parks, and subway washrooms in new york city alone” ; 1966, julius’s bar “sip-in”; nps: “although courts in new york had barred the practice of penalizing establishments for serving gay patrons in the late ‘50s, many places continued to refuse service with fears of losing their liquor licenses” ; npr, dick leitsch: “we notified the press and being gay, we got there late” ; new york crimes: 3 deviates invite exclusion by bars; but they visit four before being refused service, in a test of s.l.a. rules: ; 1963, andy warhol, the factory. alex rosner prototypes his mixer (for vinyl djing) in 1965 and starts rosner custom audio in 1967. check out this vid from rbma, note episode 1 alex rosner: shaping the sound of new york: ; 1966, poetry project at st. mark's church; just for fun check out ted berrigan and harris schiff via public access poetry in 1977: ; january 1967 in san francisco, mantra-rock dance, avalon ballroom with grateful dead, allen ginsberg, timothy leary, et al.; sly and the family stone "dance to the music" on 11/17/1967. not disco but has that strong four-beat in kick and handclaps. iron butterfly "in-a-gadda-da-vida" on 6/14/1968. 17 minutes! great drum breaks and solos but the annoying vocals sound kind of like creed. welcome to the long types of tunes that may have been played at the loft, the sanctuary etc. the temptations "cloud nine" on 10/25/1968. influenced by sly. check out the hi-hats. 1969 nixon's first term. rare earth release get ready on motown, the lp comes out on 9/30/1969. the 21 minute version takes up the entirety of side two. single edit was released 1970. the radiants "choo choo" in 1969. note the npr article: searching for disco's cro-magnon, 6/4/2019 by jason heller. drums are playing the amen break! winstons "amen, brother" came out in may 1969 on the album color him father. the sanctuary opens in nyc, 1969 (maybe?) which bill brewster calls the "first totally uninhibited gay discotheque in america"; devil and angel mural; francis grasso djed here. he started dancing for physical therapy. liked djing, hated crowds, liked being in control. sanctuary closes by 1973. stonewall rebellion 6/26/1969. tate-labianca murders august 8-10. you gotta read chaos: charles manson, the cia, and the secret history of the sixties by tom o'neill. seymour hersh publishes his revelations about the mỹ lai massacre on 11/13/1969. black panthers fred hampton and mark clark are assassinated by cops in chicago on 12/4/1969. temptations "psychedelic shack" on 12/28/1969. four on the snare type beat. “music so high, you can't get over it, so low you can't get under it.” one love <3 /episode/index/show/prairiegoth/id/26571216

150 disco reanimation night 04/11/2023

150 disco reanimation night is disco real? can disco be defined by its musical elements and if so, what are they? what are the relationships between disco and the genres that preceded and succeeded it? who produced and consumed disco? can disco be defined by its social utility and what it meant to the people who consumed it? what effects did the process of commercialization have on “disco” and how does that influence people’s perceptions of disco at the time as well as from our historical perspective? what changes in dance music during the 1970s and 1980s can be attributed to technological advances and new or inexpensive consumer goods? what were the impacts of the social and political environments of the time? i saw mario movie. it was perfect. i want to make you a dance remix ; support me and get extra episodes at ; my disco and proto disco youtube playlist: ; i was celebrating trans day of visibility so i went down to ftx stadium to see a game. i love to go alone because i love making new friends there. when i got home i saw this internet video of a guy calling himself a frisky grandpa. he used his phased plasma rifle in the 40 watt range to obliterate my unsold vinyl lps. alphabet boy is making tiktoks. "big mistake snowflake." do a little dance. drink a big bud light. it's disco reanimation night. you can watch the bandcamp united campaign update on instagram: ; “We’re not calling for a boycott of Bandcamp Friday.” ; here’s bandcamp united’s linktree, which has their ally toolkit: ; deerhoof tweet: ; foley and lardner llp, “if your company is targeted by unions” ; ethan diamond statement: ; damnably records: ; topshelf, “we were contacted by @Bandcamp management and petitioned to cease supporting @bandcampunited” ; here’s my youtube playlist of documentaries about disco, house, techno, etc.: ; docs: the secret disco revolution rbma: the note episode 1: alex rosner: shaping the sound of new york rbma: the note episode 4: disco demolition: riot to rebirth bbc one: queens of disco bbc four: pump up the volume: a history of house music bbc four: how house music was born bbc four: i was there when house took over the world when disco ruled the world modulations: cinema for the ear / modulations: history of electronic music the bee gees: how can you mend a broken heart books last night a dj saved my life: the history of the disc jockey by bill brewster and frank broughton the disco files, 1973-78: new york's underground by vince aletti disco: the bill bernstein photographs by bill bernstein the fabulous sylvester: the legend, the music, the seventies in san francisco by joshua gamson there's a disco ball between us: a theory of black gay life by jafari allen i was born this way: a gay preacher's journey through gospel music, disco stardom, and a ministry in christ by carl bean hot stuff: disco and the remaking of american culture by alice echols disco years by ron galella a night at the sweet gum head: drag, drugs, disco, and atlanta's gay revolution by marty padgett you better work! underground dance music in new york by kai fikentscher rave on: global adventures in electronic dance music by matthew collin generation ecstasy: into the world of techno and rave culture by simon reynolds energy flash: a journey through rave music and dance culture by simon reynolds le freak: an upside down story of family, disco, and destiny by nile rodgers turn the beat around: the secret history of disco by peter shapiro night fever: designing club culture inside studio 54 by mark fleischman after dark: birth of the disco dance party by noel hankin the last party by anthony haden-guest the second summer of love: how dance music took over the world by alon shulman never be alone again: how bloghouse united the internet and the dancefloor by lina abascal hold on to your dreams: arthur russell and the downtown music scene, 1973-1992 by tim lawrence love saves the day: a history of american dance music culture, 1970-1979 by tim lawrence life and death on the new york dance floor, 1980-1983 by tim lawrence tim has a podcast called love is the message: dance, music and counterculture. say hi, and :) hey you very good ! see u next time /episode/index/show/prairiegoth/id/26503899

149 grand theft action biker 04/03/2023

149 grand theft action biker rob hubbard’s soundtrack for mastertronic’s 1985 commodore 64 video game, action biker. i paid five hundred thousand dollars for this dress. me and colin are looking so cool, our mouths open to the sky, stuffed to the gills, prawn cocktail dripping spilling over our lips and oozing down our necks. he looks so good in his leopard skin pants. i am so full of fuel. patreon episodes: ; i want to compose for you. contact me ; new ambient from citizen scientist, plastic fern in a dodecahedron: ; i said “get people to vote against it” but should also say, and what is perhaps more key, is ‘create dumb reasons to make people’s votes not count.’ bandcamp united update: ; more info on their website: ; campaign call: ; the best way to hear the music of action biker is probably this video, shoutout to legend derschmu for all the longplays: ; my freaking rob hubbard playlist: ; me and colin going to prison. too cool for school. stone oakvalley's authentic sid collection with 898,338 mp3 and flac recordings, here’s their rob hubbard trax: ; searching their database for 1985 alone shows over 2700 games that have had their soundtracks recorded. “a large amount of commodore hardware connected to servers which would reboot the machines, over and over, playing thousands of pieces of music in different configurations, and automatically cataloging and saving the resulting waveforms” ; from internet archive blog: ; do i want to devote my life to this? absolutely not. but i do want to have a better understanding of the history of many of these computers, consoles, and arcade games. for something like the c64, i might pick one or two professional composers and slowly chip away at their gameography on a semi-regular basis, like maybe i’ll talk about rob hubbard once a month for a while. chris abbott, c64audio, and commodore 64 sid anthology, volume 1: ; the cassette cost £1.99. adjusted for inflation, that’s about $7. you can ride your bike on a lake i guess. this game does not look fun at all. the youtuber beats it in fifteen minutes. action biker exists to sell a product to kids: kp skips, a disgusting british snack. it’s some kind of chip shaped sort of like the shell of a sand dollar. they’re described as “crispy corn fries” but they taste like “prawn cocktail” and the plastic package describes it as “delightfully floaty, fizzibly melty.” nasty ad, small seizure warning: ; the music is not good. rob hubbard goes on to make great music for the c64, but this, other than the catchiness, is pretty awful. ugh. trying to be chill about my negativity. it’s helpful to try to pin down exactly what isn’t working. 1985 in movies haha! back to the future, the goonies, the breakfast club. there are three different tunes in action biker: gameplay, title, 11-second death. title screen: simple bassline, noise snare on the backbeat, lead melody that’s harmonized mostly with parallel thirds. c major, baby. you can turn the music off by pressing f7. action biker has one sound effect: vroom vroom. because of the sfx, the gameplay music is left with two available voices on the sid chip, so we’re stuck with a lead melody on one voice, and the accompanying bassline and snare are played by the final voice. the melody is weak, meandering, and painful. the harshness is due to the bright high range, the strong attack and sustain of the amplitude envelope, and the unnatural rigidity of the computer’s “performance” as it’s expressed through articulations like vibrato. the gameplay tune is a little over three minutes with a half dozen separate sections, and some rely heavily on the transposition of short phrases — possibly a trick to save memory usage? it’s strange to hear how long each of these separate sections lasts. super mario bros was published in the same year, soundtracked by koji kondo’s compositions which featured a small number of short sections that looped endlessly. after the end of the action biker tune, the player is treated to fifteen seconds of listening to their engine rev before the music starts again. you don’t have to “be koji kondo” to make good music for games. but the spare, ineffectual and aimless melodies are made even more frustrating by the composition’s insistence on its form: begin, move through various sections, end, wait, begin again. linear time forced on a non-linear experience. the gameplay music starts by suggesting a g major seven chord with b and d in the descending notes. sort of wants you to think it’s in g major, or then maybe in c major with half-step intervals both within the scale of the key and outside of it, in kind of a “blue note” manner. the tonic feels like c by the end of the tune, but occasionally it feels like the tonic is g. to me, it doesn’t feel bluesy or jazzy, it just feels nauseating. the “minor” section feels like the tonic is e or possibly g. there’s so much transposition of this small phrase that the key feels unmoored, afloat. it’s kind of suggesting e minor or its relative major, g, but then more accidentals are used as the section continues. i feel like you could just as well read it as still being in “c major with accidentals” as well as the rest of the tune. it’s just weird to have this video game music be so determined to refuse to find its center tonally. the most egregious usage of phrase transposition happens during the bridges or transitions into and out of this “minor” section, each of which lasts about 15 seconds and consists of a short phrase that rises in pitch each time it’s repeated. the first transitional section plays a phrase, raises it an octave, then drops the octave but transposes up a half step, plays it an octave up again. this repeats seven or eight times, depending on how you want to count the final repeat. it feels like a failed gesture towards classical or baroque music, and instead sounds like a demonic carnival. sort of a ( iii - vi - viiᵒ - I ) chord progression at the end if you’re reading it in c major. the compositions and sound design in action biker feel rushed, tossed off, and poorly thought out. i don’t think information is available regarding where precisely this soundtrack falls within rob hubbard’s early career, but it’s a terrible start as a listener. i wouldn’t have found all of these 80s magazine reviews without the legendary lemon64 website, where you can find the links to the scans: ; c&vg issue 47 (sep 85) p34: “action biker maintains mastertronic’s tradition of excellent budget-priced software. at £1.99, you would be nuts to miss it.” commodore horizons issue 20 (aug 85), p16, "ace music" ; commodore user issue 23 (aug 85), p35, “love the prawn cocktail ones” ; home computing weekly #118 (25 jun 85), p10, “funky tune, reasonably jolly [...] music is the best piece yet from mastertronic [...] high addictive qualities” ; this whole thing feels like a scam. “lurking since second reality ;)” ; action biker aka sarah nyberg pergament “named her one-woman project action biker after the classic c64-game.” her myspace: ; her bandcamp: ; also: ; action biker, “hesperian puisto”: ; while we’re at it, paul slocum pre tree wave: ; tree wave has another release i didn’t know about, virtual 10 inch (2009): ; cynthcart whammy bar. clumsy colin killed the leopard with his bare hands. and i sewed him into the pants /episode/index/show/prairiegoth/id/26423586

148 super intelligent dinosaur (preview) 03/25/2023

148 super intelligent dinosaur (preview) the sid chip nom nom xp rawr. 6k. 64k. let me play around with your elektron sidstation for a night or two. did you know that the commodore 64 is “cool” and that i “love” it? that guy made ensoniq chips too. huh… chips…… the absolute inability to ever fully know anything. I recently learned that the earth is more than 6000 years old and stuff. sorry to be “vulnerable” but i just want to be honest and admit my mistakes :/ we just got agriculture like 12,000 years ago. this doesn't make any sense i’m FREAKING OUT. earth is so old and meanwhile i can barely figure out what happened in the 80s. lost media. deep vapor. the demoscene, the pirates, the “german spreading service” audio technology, pop music, sound design, culture… what’s interesting to me? people, baby. people are what’s interesting to me. is keygen music “dead”? is chiptune “over”? is video game music more pop music than pop music? i’m gonna do a few episodes on this crap. i want to take the time to follow rabbit holes, and learn how to pronounce mos technology. i first touched the c64 when i was 16 or 17. this guy named paul slocum invented software called the that somehow made its way into my psycho teen brain. i bought it and i bought a c64 on ebay in the late 2000s. paul’s amazing band with a bad name is called “tree wave” and their ep is called cabana. i still think it’s sick as hell, check out the song called “sleep” it has this crazy my bloody valentine type vibe: oh amazing check out these pictures i just found of tree wave. can’t believe i’m just seeing these for the first time: (maybe i found the band on myspace back in the day..?) here’s paul slocum’s cynthcart pdf: i wanted to play the c64 alongside the ensoniq esq-1 in my band but alas i was too dumb to get it figured out at the time. here’s an example of the software, it shows how much range the sid chip has as far as its synthesizer capabilities go: impossible mission, c64 speech, stay awhile stay forever: im playing elden ring. im playing impossible mission. im playing the combination elden ring impossible mission. october 1982 commodore 64 datasheet: “Two A/D converters are provided for inter-facing SID with potentiometers. These can be used for ‘paddles’ in a game environment or as front panel controls in a music synthesizer, SID can process external audio signals, allowing multiple SID chips to be daisychained or mixed in complex polyphonic systems.” podcast interview with mark barton, the programmer behind sam the software automatic mouth: email interview by a student at the vienna university of technology with robert yannes of mos technology, commodore 64, ensoniq: some key quotes from that interview: “I thought the sound chips on the market (including those in the Atari computers) were primitive and obviously had been designed by people who knew nothing about music.” “When I designed the SID chip, I was attempting to create a single-chip synthesizer voice which hopefully would find it's way into polyphonic/polytimbral synthesizers.” “The SID chip was my first attempt at a phase-accumulating oscillator, which is the heart of all wavetable synthesis systems.” “the Oscillator is a 24-bit phase-accumulating design of which the lower 16-bits are programmable for pitch control” sound interface device. some computer i hate! this computer? i love you. /episode/index/show/prairiegoth/id/26340420

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