The Rough Cut

The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.

Weapons 09/08/2025

Film Geek 09/01/2025

Film Geek Director, Richard Shepard and Editor, Adam Lichtenstein FILM GEEK isn't just another notch on the IMDB belts of director, Richard Shepard and his friend and editor, Adam Lichtenstein. This is the story of Richard's cinematic "life" and the mysterious father who was his guide into that world. Deftly incoroporating clips from over 200 movies of the 70's and early 80's, FILM GEEK chronicles Richard's introduction and absorption into films both classic and forgotten, between the ages of 6 and 18. From there, Richard would make the transition from amateur 8MM auteur, to being an "all-in" film student at NYU, where he would begin his over thirty-year friendship and collaboration with Adam. And it is Adam whom Richard credits as drawing out the more personal aspects of his journey in FILM GEEK, most notably the story of his complicated but caring father. RICHARD SHEPARD Richard Shepard is an Emmy and DGA-winning director/writer whose feature films include the Golden Globe nominated The Matador starring Pierce Brosnan and Greg Kinnear, Dom Hemingway starring Jude Law and Richard E. Grant, and The Perfection starring Allison Williams and Logan Browning which was named one of the best horror films of the year by Rolling Stone, Vogue, Harper’s Bazaar and New York Magazine. In his career, Shepard has directed ten television pilots to pick-up including Criminal Minds, now entering its 17th season; Ugly Betty for which Shepard won the Director’s Guild award and Emmy award; the Golden Globe and Emmy nominated Zoey’s Extraordinary Playlist; and Acapulco for Apple, now in its third season. Through its six seasons, Shepard directed twelve episodes of the Golden Globe winning HBO series Girls, including the controversial “American Bitch” episode for which Matthew Rhys received an Emmy nomination, as well as several Emmy nominated episodes of The Handmaid’s Tale. He recently directed the final two episodes of the multiple Emmy nominated Welcome to Chippendales a Hulu limited series. Shepard’s short film Tokyo Project starring Elisabeth Moss and Ebon Moss-Bachrach premiered at the Tribeca Film Festival and was bought by HBO, and his HBO documentary I Knew It Was You: Rediscovering John Cazale was nominated for an Emmy award. ADAM LICHTENSTEIN Born with a natural love for time code, Adam showed an early preference for non-drop frame, then rose through the editorial ranks pretending to enjoy sports, overusing terms like "shots on goal", "swish", "in your face" and "that's what I'm talking about" without the slightest idea what he was talking about. The Credits Visit for all your production audio needs Listen to Adam's podcast about the post workflow for Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/38040030

Eenie Meanie 08/25/2025

The Naked Gun 08/11/2025

The Fantastic Four - First Steps 08/04/2025

The Fantastic Four - First Steps Editors - Nona Khodai ACE and Tim Roche The Fantastic Four: First Steps sees editors Nona Khodai and Tim Roche reunite for the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film also marks the first time the two have worked together since Marvel's live action series debut, WandaVision. Although each had worked with him separately before, WandaVision was the first time both Nona and Tim worked with director Matt Shakman on a Marvel project. The Fantastic Four: First Steps takes place in 1964, as the world celebrates the fourth anniversary of astronauts Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm becoming the superhero team known as the Fantastic Four (Mister Fantastic, Invisible Woman, Human Torch and the Thing). But the celebration doesn't last for long as the four face their most daunting challenge yet as they defend Earth from Galactus and Silver Surfer. NONA KHODAI ACE A Southern California native and graduate of USC's Cinematic Arts school, Nona started her career as an assistant on such films as the Bad Robot production, Super 8. Her first foray as an editor on a "superhero" project came courtesy of showrunner Eric Kripke who brought her aboard the The Boys, where she would work with director Matt Shakman for the first time. Nona was twice nominted for an Emmy award for her work on Marvel's WandaVision, and nominated for another Emmy for Marvel's Ms. Marvel. TIM ROCHE Known for his work on comedy series like Silicon Valley and It's Always Sunny in Philadelphia, as well as for his contributions to the Marvel Cinematic Universe, including WandaVision, Thor: Love and Thunder and She-Hulk: Attorney at Law, Tim has received five Emmy nominations for his work, including one this year for Welcom To Wrexham, a show that has already brought him an ACE Eddie Award. The Credits Visit for all your production audio needs Streamline your postproduction pipeline with Listen to Nona and Tim talk about cutting Hear Nona share her experiences editing Check out Tim's podcast about the post workflow for Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/37655955

Andor 07/28/2025

Superman 07/21/2025

Shakespearean Sound Design - Hamlet 07/14/2025

Shakespearean Sound Design - Hamlet Producer/Director - Jeremy McCarter, Sound Designer - Misha Fiksel Making its World Premiere at the venerable Tribeca Festival and featured on Apple Podcasts, MakeBelieve's revelatory new take on Shakespeare’s iconic tragedy drops you inside the fractured mind of the prince. Produced and directed by Jeremy McCarter and with breathtaking binaural sound design by Tony-Award winner Mikhail "Misha" Fiksel, this is Hamlet as you’ve never heard it before. JEREMY McCARTER Jeremy is the founder and executive producer of Make-Believe Association, a nonprofit audio production company. Prior to Hamlet, he co-created, co-wrote, and executive produced Lake Song, the acclaimed audio-drama series that was an Official Selection of the Tribeca Festival, a Webby Award nominee, and the winner of three Signal Awards. He also co-wrote (with Natalie Moore) and executive-produced City on Fire: Chicago Race Riot 1919, an audio docudrama about the summer that ravaged and remade the city. It was co-produced by Make-Believe Association and WBEZ, and won the Headliner Award for Best in Show for radio broadcasts in 2019. Prior to founding Make-Believe, he spent five years on the artistic staff of the Public Theater in New York, where he created and ran the Public Forum series. These performances and conversations featured many of America's leading actors, writers, activists, and community leaders, exploring the intersection of arts and society. MISHA FIKSEL Initially a theatrical artist, Fiksel pursued his curiosity and appreciation of the screen, both as a composer and a sound designer. He has scored several independent feature films, including “Glitch” and “The Wise Kids” as well several shorts such as “Alien Queens”, “Both/And” and “The Learning Curve” (a short film inspired by an acclaimed immersive theatrical production exploring the high school experience). Misha has worked on several trailers and promotional videos for various corporate and non-for-profit clients and expanding on his collaboration with Albany Park Theatre Project, he worked with documentary director Dan Andries, scoring several film adaptions of APTP’s stage plays, including “Feast” which received the 2018 Emmy (Midwest) for Direction. The Credits Listen to MakeBelieve's Hamlet to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/37379960

F1 07/07/2025

F1 Editor - Stephen Mirrione, ACE F1 editor Stephen Mirrione ACE, known for his exceptional work in films like Traffic and The Revenant, took on a whole new challenge with F1, an adrenaline-fueled project that demanded innovation and intricacy at every turn. One of the many tasks for Mirrione was ensuring the emotional weight and authenticity within F1's racing scenes. Every cut, every transition was made with the intention of drawing the audience deeper into the world of racing. The commitment to authenticity was evident in using Formula One track cameras and high-speed car mounts, which provided unparalleled realism. F1 stars Brad Pitt as race car driver, Sonny Hayes. In the 1990s, Hayes was Formula 1's most promising driver until an accident on the track nearly ended his career. Thirty years later, the owner of a struggling Formula 1 team convinces Sonny to return to racing and become the best in the world. Driving alongside the team's hotshot rookie, Sonny soon learns that the road to redemption is not something you can travel alone. Stephen Mirrione, ACE Stephen has spent the past thirty years building an impressive body of work. Unlike many editors who begin their journey into postproduction as assistants, Stephen made a name for himself right away as an editor in the indie film world. His work with directors Doug Liman (Getting in, Swingers, Go) and Jill Sprecher (Clockwatchers, Thirteen Conversations About One Thing) quickly established Stephen as a creative force to be reckoned with in the cutting room. Soon after Stephen would meet a director who would have a significant impact on his career...Steven Soderbergh. Their time together would begin with the film Traffic. This would not only be the first of Stephen's three Oscar nominations, but also his first Oscar win. Following Traffic, Stephen would take on the duties of editing Soderbergh's "Ocean's" films, starring an actor that would eventually become a prominent director in his own right, George Clooney. When Clooney began looking for an editor for his first project, Confessions of a Dangerous Mind, Soderbergh recommended Mirrione. The creative partnership between Clooney and Mirrione would result in seven feature films. Not one to rest on his laurels too long, over that same time period Mirrione would also edit five of Alejandro G. Iñárritu's films (21 Grams, Babel, Biutiful, Birdman or (The Unexpected Virtue of Ignorance) and The Revenant). The Credits Visit for all your production audio needs Streamline your postproduction pipeline with Hear Stephen talk about his work with George Clooney on See which model of is right for you to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/37300225

TRC Book Club - Every Frame Counts (An Assistant Editor's Reference Book) 06/30/2025

TRC Book Club - Every Frame Counts (An Assistant Editor's Reference Book) Assistant Editor - Jared Simon Assistant Editor Jared Simon's new book, Every Frame Counts - An Assistant Editor's Reference Book, covers everything an assistant editor needs to know, and then some. Topics covered in Jared's book include: Setting Up The Show - Everything you need to know to get up and running for the first day on the job—from setting up the printer to setting up the NEXIS. Media Composer and FileMaker - A deep technical dive into the tools assistants use in the context of a cutting room. Dailies Workflow - Soup to nuts coverage of the dailies process in excruciating detail, including a nifty downloadable checklist! You’ll love it. Audio - ADR, full 5.1 workflow tips, how to address complex music sync notes, and an overview of the mix stage. VFX - Tips for creating temp VFX and managing the workload of a VFX editor. Yeah, we’re gonna talk about FileMaker. Digital Intermediate - What to expect when you’re expecting to spend time in the DI. Color pipelines, Titles, Review sessions… you name it. Screenings - How to prepare for screenings—internal, external, and preview screenings. Turnovers - Let’s make sure our naming conventions are consistent, and our encoding is efficient. Best Practices - What do we do when the editor is, well, editing? Manage versions, communicate using markers, make sure the project is backed up… and more! JARED SIMON Jared Simon is an editor and assistant editor with selected credits including Ad Astra, The Piano Lesson, Chevalier, and Come From Away. He frequently works with editors John Axelrad, ACE and Leslie Jones, ACE. Jared earned a BFA in Film Editing from the School of Visual Arts. In addition to his professional pursuits, he's tried every flavor of La Croix and enjoys collecting physical media. The Credits Visit for all your production audio needs Get your copy of Jared's book in or ! Hear Jared and editor John Axelrad ACE discuss their work together on Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/37164095

Sirens 06/23/2025

Sirens Editors - Catherine Haight ACE, Laura Zempel ACE and Isaac Hagy ACE SIRENS editors Cate, Laura and Isaac have crafted a television experience that intrigues and entertains the audience, while also challenging them on conventional gender biases. Their work on SIRENS was not just professionally unifying but creatively fulfilling as well. The team established a ritual of analyzing scenes together each week, discussing tone, performance, and overarching storyline elements. This collaborative approach allowed them to align their unique editing styles into a cohesive representation of the series' narrative. One of the remarkable aspects of SIRENS is its tonal balance—oscillating between humor, mystery, and drama. The show’s collaborative ethos even extended beyond the main editing trio. They leaned on the talents of assistant editors like Jen Bryson, who ultimately co-edited Episode 5 with Laura. Based on her play, Elemeno Pea, Molly Smith Metzler's Sirens tells the story of two estranged sisters from Buffalo, Devon and Simon. While Devon is back in Buffalo, caring for their father who suffers from early on-set dementia, Simone is living in the idyllic seaside town Port Haven, working as a personal assistant for a wealthy socialite named Michaela. When Devon travels to Port Haven to bring Simone back to Buffalo to help care for their father, she finds a resistant sister who seems to be under some kind of mind control from her employer. When Devon refuses to leave without Simone, the mystery of Michaela unravels in a blend of drama and dark comedy. CATHERINE HAIGHT, ACE Catherine Haight, ACE is a film editor who has helped bring many award-winning television shows and films to the screen. Cate has had a long collaboration with Joey Soloway including the film Afternoon Delight, starring Kathryn Hahn, the award winning series Transparent, and I Love Dick. She also cut both The Polka King, starring Jack Black, and The Good House, led by Sigourney Weaver and Kevin Kline, with the directing team of Maya Forbes & Wally Wolodarsky. Cate also has edited the films Troop Zero, starring Viola Davis and Allison Janney, and Puzzle, with Kelly Macdonald and Irrfan Khan. She also cut the television series High Desert, Mozart in the Jungle, Girls, and New Girl. Her work on the pilot episode of Transparent earned her a nomination for both an Emmy and ACE Eddie Award, and she also received an ACE Eddie nomination for the pilot of Girls. Cate is a member of The American Cinema Editors and the Academy of Motion Picture Arts and Sciences. Originally from New Hampshire, she now resides in Los Angeles with her husband. LAURA ZEMPEL, ACE Laura Zempel, ACE is a two-time Emmy Award winning editor based in Los Angeles. Originally from Sacramento, she received a BFA in Film Production from Chapman University. She began her career in as an assistant editor, and has gone on to edit features and television such as HBO’s Euphoria, Apple TV’s Lessons In Chemistry, Netflix’s Beef. ISAAC HAGY, ACE Isaac Hagy, ACE graduated from USC film school in 2006 and continues to live and work in Los Angeles. His editing credits include feature films Waves and The Friend, as well as television programs Atlanta, Mr & Mrs Smith, Station Eleven, American Vandal, and Chef's Table. He has been honored with two Emmy and four ACE nominations. But to be fair, his Assistant Editor - a pit mix named Blue - does most of the hard work. The Credits Visit for all your production audio needs Listen to Laura talk about cutting Hear Cate discuss cutting Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/37093885

Mission Impossible - The Final Reckoning 06/16/2025

Mission Impossible - The Final Reckoning Editor - Eddie Hamilton ACE MISSION: IMPOSSIBLE - THE FINAL RECKONING editor Eddie Hamilton ACE has edited the last four of the franchise's eight films. While there are a combined five other editors responsible for the first four movies, the challenge of tying up any loose ends and bringing the franchise to a close (seemingly) fell solely to Eddie. In addition to his work on the Mission Impossible films, Eddie has also taken part in two other action franchises. Eddie cut TOP GUN: MAVERICK as well as two of director Matthew Vaughn's "Kingsman" films. Both within, and beyond, these three franchises, Eddie has clearly set himself apart as one of the top action movie editors working today. Picking up two months after the events of MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE, Ethan Hunt and the IMF team must stop a malevolent AI known as "The Entity" from either forcing the world powers into a nuclear war or launching the missiles on its own. Adding to the challenge, they must do this before Ethan's nemesis Gabriel gains control of The Entity and its power to dominate the world. Eddie Hamilton, ACE Prior to finishing the seventh and eighth films in the Mission Impossible franchise, Eddie cut Top Gun: Maverick, directed by Joseph Kosinski, for which he was nominated for the Oscar and BAFTA Film Editing awards, and won the ACE Eddie and Hamilton Behind The Camera Award. He also cut Mission: Impossible - Fallout and Mission: Impossible - Rogue Nation for director Christopher McQuarrie. Other credits include Kingsman: The Secret Service, Kingsman: The Golden Circle, X-Men: First Class and Kick-Ass for director Matthew Vaughn. After 30 years in the industry Eddie has cut over 20 feature films (both indies and studio movies) in a wide variety of genres as well as TV dramas, documentaries and award-winning short films. His enthusiasm for big screen storytelling is matched only by his total dedication to the craft of film editing, his nerdy technical expertise and his undisputed love of chocolate. He has given presentations on Avid Media Composer editing at NAB and IBC. Eddie is a member of the Academy Of Motion Picture Arts & Sciences, American Cinema Editors, British Film Editors and BAFTA, was on the feature film panel at EditFest London in 2013 and 2018, and was the keynote speaker at EditFest Los Angeles in 2022. The Credits Visit for all your production audio needs Hear Eddie talk about his work on , and Take a guided tour with Eddie of his Avid timelines from , and See which model of is right for you to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/37015635

Overcompensating 06/09/2025

Overcompensating Editors - Todd Downing ACE and Amelia Allwarden ACE OVERCOMPENSATING editors Todd and Amelia often leaned on each other for perspective throughout the post process. As Todd recounted, "You lose perspective, but there are other jokes that you always, always laugh at, and then you know it’s a gem." Editing comedy, as Amelia noted, involves understanding the micro-timing of jokes — knowing precisely when to cut away or linger, to maximize comedic impact. Todd echoes this sentiment, explaining that edits can drastically influence the pacing and timing essential for landing a joke. Ultimately, the collaborative dynamic between the two allowed them to strike a balance between comedy and the series' more serious undertones. OVERCOMPENSATING tells the story of Benny, a former high school football star and valedictorian from Idaho, as he begins his freshman year of college at the fictional Yates University, where his sister Grace is a junior. He is closeted and masks his true identity by aping the machismo of his male peers, particularly that of Peter, Grace's jock boyfriend. On his first day on campus, Benny befriends Carmen, a freshman from New Jersey who was an outsider in high school. Together, Benny and Carmen navigate their first year of college, which includes new relationships, pledging the college's secret society, and figuring out their true selves. TODD DOWNING, ACE Todd Downing, ACE edits television series, films, and documentaries across a wide range of genres, from arthouse animation to slapstick comedy to documentaries about the Syrian civil war. His credits include Russian Doll, Difficult People, Frontline, and Mrs. America. He’s worked in both the U.K. and the U.S.A., and has been nominated for three BAFTAS, an ACE Eddie, and won two Royal Television Society awards. AMELIA ALLWARDEN, ACE Amelia Allwarden, ACE is a Los Angeles-based film and television editor. Originally from New Hampshire, she earned a highly coveted spot in the American Cinema Editors (ACE) internship program in 2015. She then spent a season and a half as an assistant editor on TNT’s Good Behavior, before being promoted to editor in season 2. Amelia worked as an assistant editor on season 2 of HBO’s Westworld under showrunners Jonathan Nolan & Lisa Joy. During this time, Amelia edited Evan Rachel Wood’s debut short film Queen. In 2021, she reunited with Nolan & Joy as an editor on Westworld season 4. She most recently edited Dune: Prophecy for HBO, and the Marvel Studios series Echo. Amelia edited six episodes across all seasons of the Emmy nominated Hulu series Pen15. She collaborated with writer/director Aubrey Plaza on Cinema Toast, a Duplass Brothers anthology series on Showtime. The Credits Visit for all your production audio needs Listen to Todd talk about editing , and Hear Amelia discuss cutting , and Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/36908085

Daredevil - Born Again 06/02/2025

Daredevil - Born Again Editors - Cedric Nairn-Smith, Melissa Lawson Cheung and Stephanie Filo ACE DAREDEVIL BORN AGAIN editors Cedric, Melissa and Stephanie open up about their experiences and the unique challenges they faced while working to bring back Matt Murdock and his crime fighting alter ego under the Marvel Television banner. Assembling this team of super editors happened through various means. Stephanie credits her introduction to Marvel through a mentor, while Melissa explains how her work in Marvel's SECRET INVASION showcased her skills in creating grounded action sequences, helping to streamline both budgets and timelines. MOON KNIGHT veteran Cedric, on the other hand, found his way to the series through fortuitous timing during a project lull. DAREDEVIL BORN AGAIN begins several years after the events of the Netflix-hosted DAREDEVIL (2015–2018) and a year after blind lawyer Matt Murdock stopped his activities as the masked vigilante Daredevil. In the new series, Murdock continues his fight for justice as a lawyer while former crime boss Wilson Fisk is elected mayor of New York City, putting the pair on a collision course. CEDRIC NAIRN-SMITH In addition to his work on DAREDEVIL: BORN AGAIN, Cedric is known for his work as an editor on; MOON KNIGHT (2022), LISEY’S STORY (2021), THE BOYS (2019-2020) and BATES MOTEL (2015-2017). STEPHANIE FILO, ACE Stephanie Filo, ACE is a four-time Emmy, as well as Peabody and ACE Eddie Award-winning Film/TV Editor and activist based in Los Angeles, CA and Sierra Leone, West Africa. She serves on the board for Girls Empowerment Sierra Leone, a social impact and feminist-based organization for Sierra Leonean girls aged 11-16. She is one of the co-founders of End Ebola Now, and organization created in 2014 to spread accurate information and awareness about the Ebola Virus and its impact through artistic community activism. MELISSA LAWSON CHEUNG Prior to her work on DAREDEVIL: BORN AGAIN, Melissa's work could be seen in shows such as MR. ROBOT (2015) and OUTLANDER (2016-2017), as well as features like MILE 22 (2018). The Credits Visit for all your production audio needs Listen to Ced talk about and Hear Stephanie discuss cutting Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/36807865

The Studio 05/26/2025

The Studio Editor - Eric Kissack, ACE THE STUDIO editor Eric Kissack began journey his journey with series co-creator and star, Seth Rogen, on the Sasha Baron Cohen film, Bruno. From there their partnership would continue, spanning projects like Sausage Party, Black Monday and others. For their current project, they would be working closer than ever before, as Seth's vision for THE STUDIO necessitated Eric's presence on set, fostering a tighter creative process that brought editorial not only on location, but into aspects of prouction. THE STUDIO tells the story of Matt Remick, the newly appointed head of the floundering film production company Continental Studios. A self-described cinephile, Matt struggles to balance Continental's corporate aims in an increasingly IP-driven entertainment landscape with his own ambition to produce quality films. ERIC KISSACK, ACE Born and raised in New York City, Eric Kissack fell in love with movies when he went to see The Empire Strikes Back at the tender age of 4, a questionable parenting decision but a pivotal career moment. He spent every free moment after that watching films and went on to study film at Brown University. After school, Eric bumbled about for a bit but then got an early break as a film editor and spent 20 years cutting funny films in New York and Los Angeles. He had the pleasure of working on Role Models, Brüno, Cedar Rapids, The Dictator, Horrible Bosses 2, Daddy’s Home, Instant Family, Barb & Star Go to Vista Del Mar and Bottoms. In 2012, he directed his first feature, Love, Sex & Missed Connections, an independent comedy that won several festival awards including Best Narrative Feature at the Cleveland International Film Festival and the Special Jury Award for First Time Filmmaker at the Traverse City Film Festival. In 2014, he directed a short film called The Gunfighter that won over two dozen awards including the Audience Award for Best Short at the 2014 Los Angeles Film Festival and was included in the 2015 Saatchi & Saatchi’s New Director’s Showcase at the Cannes Lions. In 2016, Eric decided to spend more time in television. He edited Black Monday, Rutherford Falls and Pam & Tommy among other shows. He was nominated for an Emmy for his work editing Veep and an ACE Award for his work editing The Good Place. Eric directed his first episode of television for the show Rutherford Falls on Peacock which premiered in June 2022. He is currently working on a new television show for Amazon based on the Spider-Noir character starring Nicolas Cage. It premieres in 2026. The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/36704950

Monsters - The Lyle and Erik Menendez Story 05/19/2025

Monsters - The Lyle and Erik Menendez Story Editor - Peggy Tachdjian, ACE MONSTERS editor Peggy Tachdjian will tell you that, in the world of television, few things are more daunting than delivering a true crime story that is both gripping and respectful. Her work on the second season of the Netflix series delves deep into the infamous tale of the Menendez brothers, weaving in elements of humor, trauma, and the complexities of the human condition. Peggy gives us an insider's perspective on this challenging editing journey, her working relationship with co-creator Ryan Murphy, and the emotional landscape navigated throughout the project. Monsters: The Lyle and Erik Menendez Story is the second season of the American biographical crime drama anthology television series Monster, created by Ryan Murphy and Ian Brennan for Netflix. The season centers on the 1989 parricides of José (Javier Bardem) and Kitty Menendez (Chloë Sevigny), who were killed by their sons, Lyle (Nicholas Alexander Chavez) and Erik (Cooper Koch). It incorporates the Rashomon effect by presenting the story from multiple perspectives, with the brothers' viewpoint serving as the central narrative. PEGGY TACHDJIAN, ACE An Emmy Award-winning Lebanese-American film and television editor, most recently Peggy was nominated for an Emmy for her work on the Hulu comedy series Only Murders in the Building. With over 20 years’ experience editing across multiple formats and genres, Peggy began her career in documentary and unscripted before transitioning to scripted television and film. Some of her recent credits include Shrinking on Apple TV+, FX's American Horror Story, the Netflix hit Ratched, and the musical feature The Prom, starring Meryl Streep. She has also worked on many beloved reality shows like Project Runway, RuPaul’s Drag Race, Keeping Up With the Kardashians, and Born This Way, for which she earned four Primetime Emmy nominations for editing. In 2006 she won a Daytime Emmy for her work on NBC’s Starting Over. The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/36615675

Thunderbolts 05/12/2025

Thunderbolts Editors - Harry Yoon, ACE and Angela M. Catanzaro, ACE THUNDERBOLTS editors Harry Yoon and Angela M. Catanzaro each gained a whole new appreciation for production crews, having spent considerable time themselves cutting on-set and as a integral part of the process. Harry reflects on his previous working relationship with director Jake Schreier on Beef and how he came on board for THUNDERBOLTS. Angela also shares her excitement about joining the MCU after working on the feature film Prey. The editors delve into the collaborative process and the importance of depicting mental health themes, and also touch on the critical balancing act of creating a film that feels both intimate and action-packed. The discussion includes the unique musical approach of involving the composers early in the production and the nuances of fine-tuning comedic timing in the edit. Directed by Jake Schreier from a screenplay by Eric Pearson and Joanna Calo, THUNDERBOLTS* is the 36th film in the Marvel Cinematic Universe. The story follows former black widow Yelena Belova (Florence Pugh) as she carries out deadly operations for CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus). De Fontaine faces imminent impeachment for her work with O.X.E. Group, so she dispatches Yelena, John Walker, Ava Starr, and Taskmaster to a covert O.X.E. facility under the pretense of a special assignment. Once there, they find themselves ensnared in a death trap, uniting the unconventional team of antiheroes as they take on a dangerous mission that will force them to confront the darkest corners of their pasts. HARRY YOON, ACE THUNDERBOLTS* marks Harry's second stint in the MCU with the first being Shang-Chi and the Legend of the Ten Rings (2021). Immediately prior to his work on that film, Harry was being lauded for his work with director Lee Isaac Chung on the Oscar®-nominated film, Minari (2020). Harry’s other work includes the films The Last Black Man in San Francisco (2019), First Man (2018) and Detroit (2017). ANGELA M. CATANZARO, ACE Angela Catanzaro is a Los Angeles-based Emmy and Eddie Award-nominated editor who works in both television and feature films. Angela is a member of The Academy of Television Arts & Sciences, the Motion Picture Editors Guild, American Cinema Editors, and serves on the editing faculty at the American Film Institute. Prior to THUNDERBOLTS*, Angela worked on the film Prey (2022) and such TV shows as Suits and The Man in the High Castle. The Credits Visit for all your production audio needs Listen to Harry talk about and Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/36520725

The Pitt 04/14/2025

The Pitt Editors - Mark Strand ACE, Joey Reinisch, Lauren Pendergrass and Annie Eifrig In this episode, we explore how THE PITT editing team of Mark, Annie, Joey, and Lauren navigated the unique challenges of cutting this intense medical drama. From their experiences working with producer John Wells to dealing with emotionally charged scenes, they reveal their techniques for maintaining authenticity and managing the show's fast-paced environment. They also share their personal connections to the material and how they balance relentless action with powerful storytelling. Created by R. Scott Gemmill and executive produced by John Wells and Noah Wyle, THE PITT follows an emergency department staff as they attempt to overcome the hardships of a single 15-hour work shift at the fictional Pittsburgh Trauma Medical Hospital. They do this while having to navigate staff shortages, underfunding, insufficient resources and a handful of rats run amok in the ER. Each episode of the season covers approximately one hour of the work shift. MARK STRAND, ACE Mark Strand is a Los Angeles-based editor with 25 years of experience in scripted drama, comedy, and procedurals, as well as long format documentaries, reality television, clip shows, news programs, television commercials, and everything in between. Past projects include ANIMAL KINGDOM, RIZZOLI & ISLES and SHAMELESS. JOEY REINISCH Joey Reinisch is a seasoned editor known for his work on "Better Call Saul," with extensive experience in editing various genres including one-hour films, features, drama, dramedy, and horror. LAUREN PENDERGRASS Editor and director Lauren Pendergrass is known for her work on NEW AMSTERDAM, MAYANS MC and THE SONS OF ANARCHY. ANNIE EIFRIG Annie fell in love with editing at the Minneapolis College of Art & Design where she received a Bachelor of Fine Arts degree. Since then she’s worked with a wide variety of directorial talents, always striving to bring an internal vision to the screen. Past projects include MAID, BETTER THINGS and TOO OLD TO DIE YOUNG. The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/36117290

Severance 03/31/2025

Severance Editors - Geoff Richman ACE, Joe Landauer, Keith Fraase ACE The Severance editing team of Geoff Richman, Joe Landauer and Keith Fraase discuss their experiences and creative processes for the hit show's second season. They talk about their initial impressions of the project, preparation to join the show, and specific challenges in editing various episodes. Highlights include creating complex montages, handling visual effects, maintaining geographic and narrative coherence, and managing ambitious scenes like Mark's dual-dialogue via a DV camera. They also discuss the excitement of uncovering scripts and scenes as the series progresses. Created by Dan Erickson and exec produced (and often directed) by Ben Stiller, SEVERANCE follows employees at the biotechnology corporation Lumon Industries who have undergone "severance"—a medical procedure that ensures they retain no memories of the outside world while at work and have no recollection of their job once they leave. This results in two distinct personalities for each employee: the "innie", who exists solely within Lumon, and the "outie", who lives their personal life outside of work. GEOFF RICHMAN, ACE Geoffrey Richman, ACE, is a picture editor known for his work on both scripted and unscripted film and TV. Earlier credits include work on documentaries such as Murderball and Sicko, as well as documentary series such as Anthony Bourdain’s A Cook’s Tour. Geoffrey is also known for his work on the documentary The Cove, in addition to his editing work for Mike Birbiglia’s comedy specials Thank God For Jokes and The New One. Additional credits include work on scripted mini series such as Escape at Dannemora. Most recently Geoffrey has worked on 2020’s Tiger King, Til Kingdom Come, as well as Palmer for Apple TV+. JOE LANDAUER Joe Landauer is an editor known for Signs (2002), Time Cut (2024) and Hello, Goodbye and Everything in Between (2022) KEITH FRAASE, ACE Originally intending to be an actor, Keith Fraase fell in love with behind-the-camera work while at the University of Texas at Austin. Then he thought he wanted to be a cinematographer, but eventually fell into an apprentice editor job with Sandra Adair, ACE, to replace a friend who was leaving that position on Elvis and Annabelle (2007). Since then, he has worked on projects such as This the Night, Naomi Osaka, and Past Lives, for which he was nominated for an ACE Eddie Award. The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/35929160

Suits LA 03/10/2025

Suits LA Editor - Dan Rovetto, ACE SUITS LA editor Dan Rovetto's career path was far from straightforward. Reflecting on his early days, he shares how intern experiences at MTV laid the foundation for his editing career. Our conversation covers his transition from reality TV editing to scripted television, plus the impact of streaming, social media and Meghan Markle on the resurgence of the original 'Suits' series. We also talk about the influence of music choices and the role of assistants in the editing process. Dan further discusses the unique pressure of editing a pilot episode, especially for a series as anticipated as "Suits LA", including the high stakes involved and the need to set up a new world. Created by SUITS showrunner Aaron Korsh, SUITS LA centers on how Ted Black, a former federal prosecutor from New York, has reinvented himself representing the most powerful clients in Los Angeles. But his firm is at a crisis point, and in order to survive, he must embrace a role he held in contempt his entire career. Ted is surrounded by a stellar group of attorneys who test their loyalties to both Ted and each other while they can't help but mix their personal and professional lives. On top of it all, Ted must come to terms with the events that years ago led him to leave behind everything and everyone he loved. DAN ROVETTO, ACE SUITS LA editor Dan Rovetto, ACE is known for editing Suits, Pearson and Grey's Anatomy. He grew up on the east coast of the United States getting his start in entertainment at MTV in Times Square. Following his passion for editing and sense of adventure he moved to Los Angeles, CA in 2010. After a short time he made the transition into scripted and got his start editing on the hit USA Network series Suits where he quickly made a name for himself. In 2022 Dan Rovetto became a proud member of American Cinema Editors. The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/35596530

Senna 02/24/2025

Senna Editors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right. And that is just what Federico, Diana, Gui and Vicente have to say about their experience on the series - that they were part of highly tuned, highly collaborative team of professionals, all working diligently to honor the life of a racing legend and national hero of their home country of Brazil. Created by Vicente Amorim and directed by Amorim and Júlia Rezende, the series is based on the life of legendary race car driver Ayrton Senna. Starring Gabriel Leone as Senna, the series follows his life from the beginning of his racing career in karting to his untimely death at the 1994 San Marino Grand Prix. FEDERICO BRIONI Federico Brioni is film editor with experience across various formats, and genres. Originally from Argentina, Federico has built his entire career in Brazil, where he continues to live and work. His contributions include "Senna," Netflix's series about the legendary Formula 1 driver Ayrton Senna, "Jules and Dolores," which garnered acclaim and awards. "O Doutrinador: A Série" a Brazilian action-thriller adapted from the eponymous comic book, as well as "Anderson Spider Silva," Paramount's series chronicling the life and career of Brazil's MMA champion. Senna is his first collaboration with Vicente Amorim. DIANA VASCONCELLOS Diana Vasconcellos is a Brazilian film editor whose career began in the 1980s. Over the years, she garnered more than 60 credits across feature films, documentaries, and TV series. Her contributions to the craft have earned her 16 nominations and 2 prestigious industry awards. She previously collaborated with Vicente Amorim on the film "Dirty Hearts" and the TV series "Romance Policial Espinosa". VICENTE KUBRUSLY Vicente Kubrusly is a Brazilian film editor and director with over two decades of experience in the audiovisual industry. His career spans feature films, documentaries, and TV series, reflecting a profound understanding of the entire production process. Vicente's notable works include the series Dom (Amazon Prime Video), the film Dois Filhos de Francisco (dir. Breno Silveira), and Eu Tu Eles (dir. Andrucha Waddington). A former executive producer and partner at Conspiração Filmes, Vicente has contributed to a range of acclaimed projects, such as Assédio (Globoplay), Magnífica 70 (HBO), and the documentary Universo ao Meu Redor featuring Marisa Monte. His diverse body of work demonstrates a dedication to storytelling across formats and platforms. Vicente previously colaborated with director Vicente Amorim on the anthology film Rio, I Love You. GUILHERME PORTO Guilherme Porto is a Brazilian editor with experience in over 20 feature films and TV series, taking on various post-production roles. He served as the editor of the feature film Raquel 1,1, directed by Mariana Bastos, and worked on episodes for Brazilian TV series like Senna, Desperate Lies, Criminal Code, Brotherhood, and Lady Voyeur for Netflix, as well as other projects for Globoplay, HBO, and Disney+. Senna marks his first collaboration with Vicente Amorim The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/35395395

Companion 02/10/2025

Companion Editors - Brett W. Bachman, ACE and Josh Ethier, ACE Long time friends, but first time co-editors, Brett and Josh are no strangers to working in the horror/thriller genre. The same can't be said for COMPANION director Drew Hancock. Not only was this film Hancock's first feature as a director, but it was also his first real foray into genre filmmaking. But that didn't stop either Brett or Josh from seeing how good this film was going to be right from the script. What they couldn't predict, was how great a working experience the whole thing would be. Written and directed by Drew Hancock, COMPANION stars Sophie Thatcher and Jack Quaid as a couple on a weekend getaway with friends at a remote cabin that unravels into violence amid revelations that one of the guests is what’s known as a companion robot. BRETT W. BACHMAN, ACE Brett W. Bachman, ACE, is an editor of film & television with acclaimed titles such as Mandy, Pig, & The Fall of the House of Usher. He has worked with leading voices in genre film, such as Panos Cosmatos, Mike Flanagan, Josh Ruben, and Elijah Wood. Several of his feature films have premiered at renowned international festivals, including Sundance, TIFF, SXSW, and Cannes. He's also brought his talents to the small screen with numerous television and commercial projects. Recent & upcoming titles include: Companion, a thriller from writer/director Drew Hancock and New Line Cinema, Rabbit Trap starring Dev Patel, and Heart Eyes, a romcom-slasher hybrid from director Josh Ruben. Additional titles include Werewolves Within, Color Out of Space, The Toxic Avenger, The Vigil, Cooties, and many more. Bachman found his love of editing in his formative years, developing a passion for storytelling through three self-produced documentaries when he was just 19. At 22 years old, he was one of the youngest members of his AFI Conservatory editing program. Since then, he's nurtured his love of filmmaking with an array of eclectic projects as an Editor, Associate Producer, and Executive Producer JOSH ETHIER, ACE Josh Ethier is a renowned Los Angeles based film editor who has left a lasting mark on the horror, thriller and action genres; he literally wears his passion for the genres on his sleeve. His works have premiered at esteemed film festivals such as the Toronto International Film Festival, Sundance Film Festival, SXSW, Tribeca Film Festival, Beyond Fest and Fantastic Fest. Ethier is most well known for his frequent collaborations with director Joe Begos, with whom he has crafted a unique, LOUD and impactful cinematic style. Their partnership has resulted in several acclaimed films, including "Bliss," a psychedelic horror film that explores the descent of an artist into madness; "VFW," a gritty, action-packed thriller about war veterans defending their local VFW post from a drug-addled gang; and most recently, "Christmas Bloody Christmas," a festive yet terrifying holiday horror film that's streaming on Shudder. These collaborations have resonated with audiences and critics alike, showcasing Ethier's ability to enhance Begos' visionary storytelling through his editing. Ethier's impressive filmography includes notable titles such as Oz Perkins' "Gretel & Hansel" for Orion Pictures and MGM, a dark reimagining of the classic fairy tale; William Brent Bell's "Orphan: First Kill," the prequel to the cult horror favorite for Paramount Pictures; Henry Dunham's "The Standoff at Sparrow Creek," a tense, dialogue-driven thriller about a mass shooting at a police funeral; and "Mayhem," a high-octane action horror film starring Steven Yeun that highlights his versatility as an editor of action and comedy. In 2021, Ethier's contributions to film editing were formally recognized when he was invited to join American Cinema Editors (ACE), an honor that signifies his standing in the industry amongst his peers. His career is marked by a commitment to excellence and a passion for storytelling, making him one of the most respected and sought-after editors in independent genre cinema. The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/35216840

Skeleton Crew 01/27/2025

Skeleton Crew Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her mark through her work on STRANGER THINGS which resonated with the show's tone of adventure. Meanwhile, Terrell's experience with Marvel projects like HAWKEYE proved that he would be up to the demands and rigors of a VFX heavy tv series. Finally, Andrew's extensive Star Wars history positioned him as invaluable in guiding the new team. Capturing the right tone was crucial for the editors, as the show combined elements of adventure and comedy with darker themes. Andrew, Kat and Terel discussed the significance of striking a balance, especially when the storyline demanded a shift from lightheartedness to seriousness. Jude Law’s transformation from a seemingly rogue character to a complex anti-hero was a key point of focus, with the team ensuring his evolution was believable and engaging. SKELETON CREW, created by Christopher Ford and Jon Watts, takes place in the same time frame as THE MANDALORIAN, post RETURN OF THE JEDI, pre-THE FORCE AWAKENS. It’s a coming-of-age story about four kids who make a discovery on their home planet that leads them to getting lost in the galaxy and the adventure to find their way back home. ANDREW S. EISEN, ACE Considering the cinematic approach that Andrew applies to THE MANDALORIAN, THE BOOK OF BOBA FETT and SKELETON CREW, it’s no surprise to see his name in the credits of big sci-fi / action films like TRANSFORMERS: AGE OF EXTINCTION and THE GUARDIANS OF THE GALAXY VOL 2. TEREL GIBSON, ACE Prior to joining the Star Wars universe for SKELETON CREW, Terel dropped by the MCU to cut HAWKEYE. He's also known for his feature work on movies such as CUCKOO (2024), SORRY TO BOTHER YOU (2018), READY OR NOT (2019) and THE FIGHTER (2010). KAT NARANJO Kat started her journey on Season 1 of STRANGER THINGS as an assistant, but over the following seasons started picking up full time editorial duties as well. She also assisted editor Dean Zimmerman ACE on the features, THE ADAM PROJECT and FREE GUY. Earlier in her career, Kat assisted on HALT AND CATCH FIRE and served as post coordinator on ONE TREE HILL. The Credits Visit for all your production audio needs Listen to Andrew talk about his work on THE MANDALORIAN Season One ( and ) and , as well as Hear Terel discuss cutting the Marvel series, Check out Kat's interview for Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/35021370

Bad Sisters 01/13/2025

Bad Sisters Editor - Derek Holland In the ever-evolving landscape of television, few series manage to capture the complexities of human emotions while maintaining an appealing balance between humor and gravity. "Bad Sisters," an Irish dramedy, is one such show. Its unique ability to engage audiences with its attention to detail and complex character narratives is a testament to the creative minds behind it. In this episode of The Rough Cut, editor Derek Holland delves into the creative process behind the show. He discusses the unique elements that made the first season a hit, such as the character of JP and the audience's unified hatred towards him. Derek shares insights about the talented team of writers, directors, and cast that brought the show to life. He also talks about the challenges of working remotely in Season One during COVID-19, and the evolution of his role from a latecomer in the first season to leading the editing team in Season Two. The discussion touches on the balancing act between comedy and drama, the intricate storytelling, and the importance of authenticity and cultural nuances in the series. Additionally, Derek highlights the pivotal moments and significant scenes that shape the narrative, offering a glimpse into the meticulous work that goes into creating a compelling TV show. DEREK HOLLAND Derek Holland is an Irish film/tv editor and a member of BAFTA, Irish Screen Editors and British Film Editors. His latest projects include Sharon Horgan's Bad Sisters Season 1 and 2 for Apple TV+, The Chemistry of Death for Paramount+ and Academy Award long-listed short film Room Taken, for director TJ O'Grady Peyton. Less recent work includes award winning feature films The Drummer and the Keeper and A Brixton Tale and the documentary A Fanatic Heart, which premiered at the Telluride Film Festival. Derek loves working with bold, collaborative people, both at home and abroad. The Credits Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/34823465

Disclaimer 01/06/2025

Disclaimer DISCLAIMER editor, Adam Gough ACE, BFE began his journey with director Alfonso Cuarón over eighteen years ago as an editorial trainee on Cuarón's CHILDREN OF MEN (2006). In 2018, Adam would co-edit Cuarón's ROMA, alongside the writer/director. This long-standing collaboration has evolved over time, reflecting the trust and synergy they've built together, leading to Adam working as the sole editor on Cuaron's first TV series, DISCLAIMER. For a project that would end up spanning two years, assembling a reliable and passionate editorial team was crucial to Gough. Aiming to bring on individuals who were eager to step up in their roles and commit to the project's duration, his team's unwavering dedication was pivotal in navigating the intense workload they would endure. From the onset, Adam was aware of DISCLAIMER's magnitude—boasting 670 script pages that were ultimately condensed into seven episodes. The complexity wasn't just in the volume but in its narrative structure as well. Using color-coded scripts and scene cards, the editorial team was effectively able to navigate the shifting perspectives and multiple narrators that took place throughout the series. The Credits Visit for all your production audio needs See what's new with Hear Adam talk about cutting Spike Lee's for more great interviews with the heroes of the editing room Explore The Rough Cut on The Chapters 00:00 The Journey Begins: From Trainee to Sole Editor 00:46 Diving into the Script: First Impressions and Challenges 02:35 Synopsis: What is Disclaimer About? 05:18 Editing Process: Building the Team and Workflow 08:03 Challenges and Lessons: The Marathon of Editing 15:37 Narrative Techniques: Voiceovers and Perspectives 20:42 Organizing the Complex Narratives 23:21 Stylistic Choices: Adapting to Different Timelines 25:26 Balancing Visual Techniques and Audience Perception 26:24 Easter Eggs and Rewatch Value 27:02 Character Development and Narrative Techniques 30:38 The Impact of Music and Sound Design 38:36 Visual Effects 40:41 Audience Reactions and Screening Insights 47:51 Final Thoughts and Future Plans /episode/index/show/theroughcut/id/34726650

Dune - Prophecy 12/30/2024

Dune - Prophecy Editors - Anna Hauger ACE, Mark Hartzell ACE, Amelia Allwarden ACE, Sarah C. Reeves ACE DUNE: PROPHECY editors Anna Hauger ACE, Mark Hartzell ACE, Amelia Allwarden ACE and Sarah C. Reeves ACE joined the new HBO Original Series having plenty of experience with big "IP" shows like WESTWORLD and LOST IN SPACE, but with the recent success of Denis Villeneueve's films, the expectations for their DUNE prequel series would be bigger than anything they've experienced before. DUNE: PROPHECY is a six-part series that just wrapped its first season on MAX and is a prequel to the Dune films. Taking place 10,000 years prior to the Paul Atreides story line of the movies, it focuses on the origins of the Bene Gesserit, a powerful social, religious, and political force whose members possess superhuman powers and abilities after undergoing years of intense physical and mental conditioning. ANNA HAUGER, ACE Anna Hauger is known for Station Eleven (2021), Westworld (2016) and Watchmen (2019). MARK HARTZELL, ACE Mark Hartzell is known for The Last of Us (2023), Lost in Space (2018-21) and True Blood (2008). AMELIA ALLWARDEN, ACE Amelia Allwarden is known for Westworld (2022), PEN15 (2021) and Little Fires Everywhere (2020). SARAH C. REEVES, ACE Sarah C, Reeves is known for Westworld (2022), Invasion (2021), and Gotham (2018) Editing Dune: Prophecy In our discussion with DUNE: PROPHECY editors Amelia, Anna, Sarah and Mark, we talk about: Giving a "voice" to the sisterhood Keeping in ScriptSync The "agony" of building visuals Settling a score with Hans Zimmer Editorial resolutions The Credits Visit for all your production audio needs See what's new with Watch editor Joe Walker ACE and composer Hans Zimmer discuss their Oscar-winning work on . See Joe Walker ACE show you the secrets of how he builds scenes from the "sand" up in . Listen to Amelia Allwarden talk about her work on and . for more great interviews with the heroes of the editing room Explore The Rough Cut on /episode/index/show/theroughcut/id/34647950

Nosferatu 12/23/2024

Unstoppable 12/16/2024

Unstoppable UNSTOPPABLE director Billy Goldenberg and editor Brett Reed have had a working relationship for over twenty years, going back to their time together on COYOTE UGLY (2000). Since that film, they've logged a lot of hours as "editor and assistant" or "editor and additional editor", but their new film brings about a whole new dynamic, "director and editor". UNSTOPPABLE is the inspiring true story of Anthony Robles (Jharrel Jerome) who was born with one leg but whose indomitable spirit and unbreakable resolve empowered him to defy the odds and pursue his dreams. With the unwavering love and support of his devoted mother Judy (Jennifer Lopez) and the encouragement of his coaches, Anthony fights through adversity to earn a spot on the Arizona State Wrestling team. But it will demand everything he has, physically and mentally, to achieve his ultimate quest to become an NCAA Champion. WILLIAM GOLDENBERG, ACE While UNSTOPPABLE is Billy's first shot at directing, he is one of the most well-respected and sought-after film editors working today. He won an Academy Award, BAFTA Award, and the American Cinema Editors’ (ACE) Eddie Award for his outstanding work on the 2013 Best Picture winner, Argo, directed by Ben Affleck. His recent editing credits include Air, 22 July, Unbroken, and Concussion. Goldenberg received dual Oscar nominations in 2013, also being nominated, along with editor Dylan Tichenor, for his work on Kathryn Bigelow’s Zero Dark Thirty. In 2015, Billy was again nominated for an Oscar, a BAFTA Award, and an Eddie Award for the historical thriller The Imitation Game, starring Benedict Cumberbatch and Keira Knightley. He was previously Oscar-nominated for his editing work on Seabiscuit, and on Michael Mann’s controversial film The Insider (with Paul Rubell and David Rosenbloom). Goldenberg was also part of the editing team on Mann’s Heat, Ali, and Miami Vice BRETT M. REED Prior to cutting UNSTOPPABLE for Billy, Brett also collaborated with Artists Equity on Doug Liman’s film THE INSTIGATORS, starring Matt Damon, Casey Affleck and Hong Chau. Additionally, he edited OLD, directed by M. Night Shyamalan for Universal Pictures, as well as several episodes of Shyamalan’s television show THE SERVANT for Apple TV+. Previously Reed cut CLOUDS directed by Justin Baldoni for Disney+; Christoph Waltz’ GEORGETOWN; Automatik's DREAMLAND directed by Miles Joris-Peyrafitte and starring Margot Robbie; and Nick Hamm's bio-thriller DRIVEN, starring Erin Moriarty and Lee Pace. Brett's earlier work with Billy Goldenberg included supporting him as an Additional Editor on TRANSFORMERS: RISE OF THE BEASTS, LIVE BY NIGHT, CONCUSSION, UNBROKEN and ARGO. Reed was also a First Assistant Editor on THE AMAZING SPIDER-MAN 2, ZERO DARK THIRTY, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES, NATIONAL TREASURE, amongst others. Directing and editing UNSTOPPABLE In our discussion with Billy and Brett, we talk about: Editors as first-time directors Cutting for a director who's an Oscar-winning editor Seeing double on the wrestling mat Obsessing and finessing an L-cut Making the most of a montage The Credits Visit for all your production audio needs Listen to Billy talk about cutting and Check out the latest features in to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/34441420

A Complete Unknown 12/04/2024

A Complete Unknown Editors - Andrew Buckland ACE and Scott Morris A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris came into James Mangold's latest film being almost completely unknown to one another. Aside from mutual acquaintances, the two had never worked together or even met prior to this film. In spite of this, their combined talents tackled a big film that featured forty live performances and an aggressive post schedule. Co-written and directed by James Mangold, A COMPLETE UNKNOWN takes place in the early 1960s, when 19-year-old Bob Dylan arrives in New York with his guitar and revolutionary talent, destined to change the course of American music. Forming his most intimate relationships during his rise to fame, he grows restless with the folk movement, making a controversial choice that reverberates worldwide. ANDREW BUCKLAND, ACE Andrew Buckland ACE is an Academy Award winning film editor who won the Oscar for his work on FORD v FERRARI alongside Michael McCusker ACE. He received his B.F.A. in Film from Purchase College before transitioning into editing. Landing his first job on Alan Pakula’s THE DEVIL’S OWN, Andrew has been a part of the editorial teams on many high-profile films including Mike Nichol’s CLOSER and CHARLIE WILSON’S WAR. Andrew subsequently directed two documentary films THE LONG WALL HOME and SOMOS WICHI, which won the 2012 Documentary Expose Award at The Peace On Earth Film Festival, Chicago USA. Andrew began his collaboration with James Mangold on KNIGHT AND DAY and THE WOLVERINE, and later edited FORD v FERRARI, and INDIANA JONES AND THE DIAL OF DESTINY. Other credits include Co-Editing Tate Taylor’s THE GIRL ON THE TRAIN and Additional Editing GET ON UP. SCOTT MORRIS Scott Morris is a film editor with over 10 years' experience. He has collaborated with directors James Mangold, James Gray, Adam McKay and Gareth Edwards. In 2022 he was named one of Variety’s top 10 Artisans To Watch. His last film, THE CREATOR was nominated for two Oscars. His previous collaborations with James Gray on ARMAGEDDON TIME and AD ASTRA were selected for competition in the Cannes and Venice film festivals respectively. Ad Astra went on to be nominated for an Oscar. He worked as an additional editor on Adam McKay’s film, DON'T LOOK UP. It was nominated for 4 Oscars, including Best Film Editing for Hank Corwin. Scott is a graduate of Emerson College and represented by CAA. Editing A COMPLETE UNKNOWN In our discussion with A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris, we talk about: The sounds of the city, the sounds of the sixties Nuance, nuance and more nuance Finding humanity in the cutting room Making the film "sing" Editors as voice extras The Credits Visit for all your production audio needs Listen to Andrew talk about his Oscar-winning work on with Mike McCusker Check out Scott Morris' podcast for Hear Andrew talk about what it was like cutting to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/34278070

Gladiator 2 12/02/2024

Gladiator 2 Editors - Claire Simpson and Sam Restivo GLADIATOR 2 editors Claire Simpson and Sam Restivo first teamed up when Sam worked as her assistant editor on the tv series RAISED BY WOLVES (2020). From there, Claire brought Sam as her assistant to his first Ridley Scott feature, THE LAST DUEL (2021). He would assist Claire one more time for Scott's HOUSE OF GUCCI (2021) before getting the promotion to co-editor for NAPOLEON (NAPOLEON). Released twenty-four years after the original GLADIATOR (2000) film, GLADITAOR 2 takes place sixteen years after young Lucius witnesses the death of Maximus at the hands of his uncle. In the long-awaited sequel, Lucius must enter the Colosseum after the powerful emperors of Rome conquer his home. With rage in his heart and the future of the empire at stake, he looks to the past to find the strength and honor needed to return the glory of Rome to its people. CLAIRE SIMPSON Claire first worked for Ridley Scott on his 1987 film SOMEONE TO WATCH OVER ME. Even though that was only her fifth film credit, she was already an Oscar-winning editor having won the big prize for cutting PLATOON (1986) the year prior. She also cut director Oliver Stone’s film SALVADOR (1986) during that time. Claire would go on to do other films with both Oliver Stone and obviously Ridley Scott, and she would also receive an Oscar nomination for her work on the 2006 film, THE CONSTANT GARDENER. SAM RESTIVO Aside from his work with Claire Simpson and Ridley Scott, Sam has worked as an assistant editor on TV series like THE WALKING DEAD (2014) and BETTER CALL SAUL (2015) as well as being an additional editor for features such as THE GREATEST SHOWMAN (2017) and ROBIN HOOD (2018). Editing GLADIATOR 2 In our discussion with GLADIATOR 2 editors Claire Simpson and Sam Restivo, we talk about: Alternating big and small projects with Ridley Scott Working with baboons in suits How Ridley edits with a brick The built-in logic of action editing If all else fails, get a reaction from the royal box The Credits Visit for all your production audio needs Learn all about what's new with Hear Sam talk about cutting to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/34210675

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