The Rough Cut

The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.

Avatar - The Last Airbender S2 07/13/2026

Avatar - The Last Airbender S2 Editor – Payton Koch For Avatar: The Last Airbender editor Payton Koch, this job offered a very different kind of editorial challenge from his Emmy-nominated work on Only Murders in the Building. The series has to move between large-scale action, visual effects, martial arts, comedy, mythology and coming-of-age drama, often within the same sequence. It also has to satisfy a fanbase that knows this world extremely well while still making the story accessible to viewers coming to it for the first time. Based on the Nickelodeon series created by Michael Dante DiMartino and Bryan Konietzko, Avatar: The Last Airbender is set in a world divided into four nations — Water, Earth, Fire and Air — where certain people can “bend,” or control, one of those elements. At the center of the story is Aang, the last surviving Air Nomad and the next Avatar, the one person capable of mastering all four elements and restoring balance to a world at war. Season Two takes Aang, Katara and Sokka deeper into the Earth Kingdom as they search for an earthbending teacher and make their way toward Ba Sing Se, the massive, heavily fortified capital of the Earth Kingdom. Along the way, the series expands its world with new allies, new enemies and a larger sense of the political and emotional cost of the Fire Nation’s war. PAYTON KOCH Payton Koch is an Emmy-nominated picture editor with a diverse range of post-production credits on popular television series, including American Horror Story, Ratched and Only Murders in the Building. His work on the Hulu comedy series Only Murders in the Building earned him multiple ACE Eddie Award nominations, as well as his first Primetime Emmy nomination in 2024. His additional credits include American Crime Story, The Politician, Home Before Dark, Just Beyond and The Boys in the Band. Visit for all your production audio needs. to The Rough Cut podcast and never miss an episode. Visit The Rough Cut on . /episode/index/show/theroughcut/id/42049335

Backrooms 06/22/2026

Backrooms Editor – Greg Ng BACKROOMS editor Greg Ng joins The Rough Cut to discuss cutting a film built around liminal spaces, analog horror, slow-burn tension and the challenge of turning an internet-born phenomenon into a feature-length cinematic experience. Directed by Kane Parsons, BACKROOMS expands on the world Parsons first created through his viral YouTube videos, where endless yellow corridors, fluorescent hums, distorted VHS textures and uncanny architecture became the foundation for a very specific kind of dread. The feature stars Chiwetel Ejiofor as Clark, a furniture store owner whose discovery of a strange passageway pulls him into the Backrooms. Co-starring with Ejiofor is Renate Reinsve as Mary, his therapist, whose role in the story grows increasingly central as the film moves deeper into questions of memory, perception and psychological uncertainty. One of the biggest challenges was finding the right editorial language for a film where the space itself often functions as a main character. Greg discusses how the film’s pacing intentionally allows characters to move through the Backrooms in near real time, preserving the hypnotic quality of Kane’s original work. Rather than cutting quickly from one dramatic beat to the next, the edit often lets the audience remain inside the space long enough for the atmosphere, sound and uncertainty to take hold. GREG NG Based out of Vancouver, British Columbia. Greg tries to maintain a balanced diet of both narrative and documentary editing, and periodically writes about himself in the third person. He is an alumnus of the Canadian Film Centre and a member of the Canadian Cinema Editors, ACFC, IATSE, the VPA, and other organizations with acronyms. When his nephew asked him what editing movies was like, he said it’s just like playing with Legos, but with videos and emotions instead. In addition to these biographical details, Greg has won several awards for editing, which have validated his professional insecurities and made him feel warm and fuzzy inside. Some recent credits include LONGLEGS, THE MONKEY, and KEEPER. Visit for all your production audio needs. to The Rough Cut podcast and never miss an episode. Visit The Rough Cut on . /episode/index/show/theroughcut/id/41706985

Tuner 06/15/2026

Tuner Editor – Greg O’Bryant Tuner editor Greg O’Bryant returns to the podcast to discuss cutting a film that is part crime thriller, part romance, part character study, part music movie and part very compelling argument for keeping your ears covered in New York City. Directed by Academy Award-winning documentary filmmaker Daniel Roher, Tuner stars Leo Woodall as Niki, a gifted piano tuner whose hypersensitive hearing makes every day sound almost unbearable. That same extraordinary hearing also gives Niki an unexpected talent for cracking safes, pulling him from a quiet life of tuning pianos into an increasingly dangerous criminal world. The film also stars Dustin Hoffman as Harry, Niki’s mentor, Havana Rose Liu as Ruthie, a young composer, along with Lior Raz, Jean Reno and Tovah Feldshuh. One of the biggest challenges on Tuner was the sheer amount of footage. Roher shot a large volume of material over a short production schedule, giving Greg and his assistant a mountain of performances, musical material, safe-cracking details and improvisation to shape into the final film. Greg discusses how he approached that process by focusing on subjectivity — using the edit to put the audience inside Niki’s experience rather than simply moving through the plot. Sound was another major topic of conversation. Because Niki experiences the world through hyper-sensitive hearing, the editorial and sound teams had to build a language for when the audience enters his point of view. Which meant figuring out how much of that experience to hear, and how to make the effect clear without making it punishing. O'Bryant also talks about working with sound designer Johnnie Burn, composer Will Bates and executive music producer Marius de Vries to balance the film’s sound design, live music and score. GREG O’BRYANT Greg O’Bryant is an editor whose credits include the feature film The Report, as well as the television series Mr. & Mrs. Smith, Extrapolations and Brand New Cherry Flavor. A frequent collaborator with filmmakers including Scott Z. Burns and Nick Antosca, Greg’s work often explores stories with complex tone, subjective experience and ambitious sound and visual design. Visit for all your production audio needs. Hear Greg discuss his work on . Listen to Greg detail his experience cutting the Apple TV+ series . Hear Greg talk about cutting the Amazon Prime Video series . to The Rough Cut podcast and never miss an episode. Visit The Rough Cut on . /episode/index/show/theroughcut/id/41627580

Widow's Bay 06/08/2026

Widow's Bay Widow’s Bay Editors – Isaac Hagy, ACE; Kyle Reiter, ACE and Jen Bryson The editors of Widow’s Bay may not live on a cursed New England island, but after years of working together across shows like Atlanta, Station Eleven and Mr. & Mrs. Smith, Isaac Hagy, Kyle Reiter and Jen Bryson have developed the kind of shared creative history that makes them feel right at home in one. Created by Katie Dippold for Apple TV, Widow’s Bay stars Matthew Rhys as Tom Loftis, the skeptical mayor of a strange little island town where the locals believe the place is cursed. Tom would very much like to turn Widow’s Bay into a thriving tourist destination. Unfortunately, the island has other ideas. The series also stars Kate O’Flynn, Stephen Root, Kingston Rumi Southwick, Kevin Carroll and Dale Dickey. For Isaac, Kyle and Jen, the show was another chance to reunite with longtime collaborator Hiro Murai and post producer Kaitlin Waldron. Isaac’s creative relationship with Hiro goes back nearly twenty years, starting with no-budget music videos before eventually leading to Atlanta. Kyle joined that extended creative family through Kaitlin Waldron and Atlanta, while Jen came up through the same post team, beginning as a post PA before eventually moving into the editor’s chair. In our interview, the editors talk about how the show was first described to them as something close to “ten episodes of Teddy Perkins,” with additional reference points including Jaws, John Carpenter films, Stephen King stories and the specific textures of rural coastal New England. The island itself was designed to feel contemporary, but also strangely out of time — a place without cell phones, without modern comforts, and possibly without a sensible tourism strategy. ISAAC HAGY, ACE Isaac Hagy, ACE is an editor whose work includes the feature films Waves and The Friend, as well as television series such as Atlanta, Mr. & Mrs. Smith, Station Eleven, American Vandal, Chef’s Table and Sirens. He has received multiple Emmy and ACE nominations for his work, including recognition for Atlanta and Mr. & Mrs. Smith. Across his work in television and film, Isaac has helped shape stories that blend tonal precision, visual invention and deeply character-driven editing. KYLE REITER, ACE Kyle Reiter, ACE is an editor whose credits include Atlanta, Barry, Mr. & Mrs. Smith, Station Eleven and Black Rabbit. A multiple Emmy nominee, Kyle won an ACE Eddie Award for his work on Atlanta. His editing work spans comedy, drama, surrealism and genre storytelling, often finding the rhythm between deadpan humor, emotional honesty and unexpected tonal shifts. JEN BRYSON Jen Bryson is an editor whose credits include Atlanta, Mr. & Mrs. Smith and Sirens. After years of working with the post team connected to Hiro Murai, Kaitlin Waldron, Isaac Hagy and Kyle Reiter, Jen moved from post production assistant work into assistant editing and then into the editor’s chair. Her work reflects a sharp eye for performance, character detail and the delicate balance between comedy, tension and emotional truth. Visit for all your production audio needs. Hear Isaac discuss his work on . Check out Kyle's interview for . to The Rough Cut podcast and never miss an episode. Visit The Rough Cut on . /episode/index/show/theroughcut/id/41560590

Spider-Noir 06/01/2026

Spider-Noir Spider-Noir Editors – Jennifer Barbot, ACE; Tirsa Hackshaw, ACE; Eric Kissack, ACE and Geraud Brisson, ACE Although the editors of Spider-Noir may have all arrived at the series through different paths, they quickly found themselves working toward the same goal: shaping a superhero story that functions first and foremost as a noir detective tale. For Jennifer Barbot, Tirsa Hackshaw, Eric Kissack, and Geraud Brisson, that meant balancing 1930s atmosphere, modern pacing, dry comedy, stylized action, and the very particular energy of a Nicolas Cage performance. Created by Oren Uziel for MGM+ and Prime Video, Spider-Noir stars Nicolas Cage as Ben Reilly, a down-on-his-luck private investigator in 1930s New York who is pulled back into his former life as the city’s only superhero, The Spider. The series also stars Lamorne Morris, Li Jun Li, Karen Rodriguez, Jack Huston and Brendan Gleeson, and is presented in both “Authentic Black and White” and “True-Hue Full Color” versions. For the editors, that dual-format release created one of the show’s most interesting creative and technical challenges. The editors primarily cut in black and white, leaning into the shadows, contrast and classic noir language of the series, while visual effects reviews often revealed the same scenes in color. The result was a show that could feel emotionally different depending on which version was being watched, even when the underlying performance, rhythm and story remained the same. JENNIFER BARBOT, ACE Jennifer Barbot is an editor whose credits include Your Honor, Raised by Wolves, The Man in the High Castle, Jessica Jones and Dope Thief. On Spider-Noir, Jennifer was drawn to the show’s mix of noir style, superhero mythology and emotional character work, as well as the opportunity to help establish the tone of a world that had to feel both period-inspired and contemporary. TIRSA HACKSHAW, ACE Tirsa Hackshaw, ACE has worked across a wide range of television and film projects, including One Piece, Kung Fu, Jupiter’s Legacy, Luke Cage, Jessica Jones and The Punisher. Having previously worked with Steve Lightfoot on Marvel’s The Punisher, Tirsa came to Spider-Noir with both a love of the noir genre and a deep appreciation for the Spider-Verse, making the show a natural fit for her interests as an editor. ERIC KISSACK, ACE Eric Kissack, ACE is an editor and director whose work includes The Good Place, Veep, Black Monday, Rutherford Falls, Pam & Tommy and The Studio. He has also edited feature comedies such as Role Models, Brüno, Cedar Rapids, The Dictator, Horrible Bosses 2, Daddy’s Home, Instant Family, Barb & Star Go to Vista Del Mar and Bottoms. On Spider-Noir, Eric was especially interested in the show’s dry, organic comedy and in finding a rhythm that allowed the humor to breathe without undercutting the detective story. GERAUD BRISSON, ACE Geraud Brisson, ACE is a French-American film and television editor whose credits include CODA, The OA, Counterpart, This Close, Shantaram and Lessons in Chemistry. Having previously worked with Steve Lightfoot on Shantaram, Geraud was excited by the chance to explore a superhero-oriented story through the lens of noir. His work on Spider-Noir included sequences that blended action, subjective sound, visual effects and classic film references into the show’s distinctive style. Visit for all your production audio needs Hear Eric discuss his work on Listen to Geraud discuss cutting Best Picture Oscar-winner to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/41482120

BEEF - Season 2 05/18/2026

BEEF - Season 2 Editors - Laura Zempel, ACE and Lauren Connelly, ACE Although BEEF - Season 2 editors Laura Zempel and Lauren Connelly are working together for the first time, this is Laura's second season working on the series. But despite being new to one another, Laura's and Lauren's talents seamlessly combined to tackle a complex, character-driven "slow burn" with multiple storylines that required a delicate balancing of tone, including both dark comedy and psychological drama. Created by Korean director Lee Sung Jin (Sonny Lee) for Netflix, Season 2 of BEEF stars Oscar Isaac and Carey Mulligan as Joshua Martin and Lindsay Crane-Martin, and Cailee Spaeny and Charles Melton as Ashley and Austin, two couples; the poor latter two blackmailing the rich former two, using footage Ashley shot of a heated argument which would threaten their image. Similar to Season 1, this incident escalates into a prolonged feud and a game of cat-and-mouse...minus one dog. LAURA ZEMPEL In addition to her Emmy®-winning work on BEEF - Season 1, Laura's skills as an editor can be seen in another Netflix series, SIRENS (2025). She has also worked on EUPHORIA (2019-22), DISPATCHES FROM ELSEWHERE (2020) and ROOM 104 (2017-19). Prior to that, she assisted on HOUSE OF CARDS (2014), DEXTER (2011-13) and IF I CAN DREAM (2010). LAUREN CONNELLY, ACE Originally from Chantilly, Virginia, Lauren graduated from The University of Southern California with a B.A. in Cinema-Television Production. Past credits include television shows such as MO on Netflix, GASLIT on Starz, MASTERS OF SEX on Showtime, THE STRAIN on FX, and THE SON on AMC. Recent feature films include SITTING IN BARS WITH CAKE for Amazon Studios, A TOURIST’S GUIDE TO LOVE on Netflix, and Rodrigo Garcia’s FOUR GOOD DAYS, which premiered at Sundance. Visit for all your production audio needs Hear Laura discuss her work on and . to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/41312105

Hokum 05/04/2026

Wonder Man 04/20/2026

Wonder Man Editor - Nena Erb ACE and Asst. Editor Gioia Caruso Wonder Man editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, Joy Ride. A film that could not be more different than the grounded, character driven tv series, Wonder Man. Making the dramatic jump in tone and style from Joy Ride to Wonder Man might have been a daunting task for other editorial duos, but Nena's skills as a "digital quilter" and Gioia's talents as "keeper of the footage" helped them rise to the challenge. In the Marvel Spotlight series Wonder Man, superpowered individuals are banned from working in Hollywood by something known as the Doorman Clause. This is a challenge faced by struggling actor Simon Williams, who secretly has such powers. While out on auditions, Simon forms an unlikely friendship with fellow actor, Trevor Slattery. Together the pair attempt to land roles in a remake of the in-universe superhero film "Wonder Man". NENA ERB ACE Nena Erb ACE is an Emmy-winning film and television editor whose career reflects a steady climb to some of today’s most high-profile projects. She began her journey in the industry as a production assistant in the art department on MADtv. From there, Nena transitioned into editorial, building a reputation through her work on acclaimed series such as Insecure, Crazy Ex-Girlfriend, and Little America. For each, her sharp comedic timing and character-driven sensibilities became defining strengths. Nena's work on Insecure earned her a Primetime Emmy Award in 2020, cementing her status as one of the most respected editors working in television today. Her transition into feature filmmaking further expanded her range, with credits including the 2023 film Joy Ride. GIOIA CARUSO In addition to her work with Nena on Joy Ride and Wonder Man, Gioia has assisted on such projects as Scream VI, Obi-Wan Kenobi, Chicago Fire and Mr. Mercedes. Visit for all your production audio needs Hear Nena talk about her work on and Check out what's new with Leave your on The Rough Cut website to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/40656960

Project Hail Mary 04/06/2026

Project Hail Mary Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he signs on to a new film is to his trusted colleagues in audio post, Erik and Ethan. And for more than fifteen years the trio has collaborated on a wide variety of films, including the Transformers franchise, Jungle Cruise and Cocaine Bear. But their latest film with directors Phil Lord and Christopher Miller would prove to be one of their greatest challenges, but also one of their biggest hits! Based on the bestselling novel by Andy Weir, Project Hail Mary is a high-stakes sci-fi thriller centered on Ryland Grace, a scientist who wakes up aboard a spacecraft with no memory of who he is or how he got there. He soon discovers he is humanity's sole hope for survival, tasked with solving a cosmic mystery to save Earth from an extinction-level threat. As his memories slowly return, Grace must utilize his scientific ingenuity and form an unlikely alliance in the vast loneliness of deep space to complete his desperate mission. JOEL NEGRON, ACE Joel Negron is a highly accomplished film editor known for his versatile work across high-octane action blockbusters and visually inventive features. He has a long-standing reputation for managing large-scale productions, with notable credits including Thor: Ragnarok, The Nice Guys, and Transformers: Dark of the Moon. Negron’s ability to balance complex visual effects with rhythmic storytelling has made him a frequent collaborator for top-tier directors, consistently delivering polished, high-energy cinematic experiences. ERIK AADAHL Erik Aadahl is a premier sound designer and supervising sound editor whose innovative approach to sonic world-building has earned him multiple Academy Award nominations. He is perhaps best known for creating the distinct mechanical "voices" of the Transformers franchise and for his evocative work on films like Argo, A Quiet Place, and Godzilla. Aadahl’s philosophy centers on using sound as a narrative tool to evoke emotion and tension, often blending organic and synthetic textures to create immersive, award-winning soundscapes. ETHAN VAN DER RYN Ethan Van der Ryn is a titan in the world of sound design, boasting two Academy Awards for his contributions to The Lord of the Rings: The Two Towers and King Kong. Throughout his prolific career, he has played a pivotal role in defining the auditory identity of major cinematic universes, frequently partnering with Erik Aadahl through their post-production house, E² Sound. From the roaring intensity of Godzilla to the intricate details of the Kung Fu Panda series, Van der Ryn is celebrated for his technical mastery and his ability to elevate storytelling through sophisticated sound editorial. Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/40736335

Mike & Nick & Nick & Alice 03/23/2026

Mike & Nick & Nick & Alice Editor - Tim Squyres, ACE Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Demme. But his latest film marks the first time collaborating with writer/director BenDavid Grabinski. Together the two navigated the tonal minefield of blending action, comedy, romance and a little time travel, to deliver a raucous romp that spans multiple years in one night. Set in a highly-stylized criminal underworld, Mike & Nick & Nick & Alice follows two (or three) gangsters and the woman they love trying to survive the most dangerous night of their lives, one in which a time machine is involved. TIM SQUYRES ACE Acclaimed film editor Tim Squyres is best known for his long-standing collaboration with director Ang Lee. A graduate of Cornell University, Squyres began his career in the late 1980s and quickly distinguished himself as a precise and emotionally intuitive storyteller. His early work with Lee on The Wedding Banquet (1993) marked the beginning of a creative partnership that would span decades and include films such as Sense and Sensibility, Crouching Tiger - Hidden Dragon, Hulk, and Life of Pi. Across these projects, Squyres developed a reputation for crafting nuanced performances and guiding complex narratives with clarity, rhythm, and restraint. In addition to his work with Lee, Squyres has also collaborated with a range of influential filmmakers, including Robert Altman on Gosford Park and Jonathan Demme on Rachel Getting Married. His versatility across genres—from ensemble dramas to intimate character studies—has earned him multiple Academy Award and American Cinema Editor nominations. Visit for the new Extreme Music extension for Avid Media Composer Hear Tim talk about Ang Lee's See which is right for you to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/40569890

Hoppers 03/16/2026

Hoppers Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than anyone, that in the world of animation, creating a captivating film involves more than just drawing and animating characters. It requires a deep understanding of storytelling, editing, and collaboration. Not to mention the occasional party in the cutting room. Hoppers follows a young woman named Mabel Tanaka, an animal lover whose mind is transferred into a lifelike robotic beaver, allowing her to communicate with animals and save their habitat from human destruction, while inadvertently starting an uprising in doing so. AXEL GEDDES, ACE Axel Geddes joined Pixar Animation Studios in February 1999 as an assistant editor on the Academy Award®-nominated feature “Toy Story 2.” Geddes went on to work as a second assistant editor on “Monsters, Inc.,” first assistant editor on Oscar®-winner “Finding Nemo” and second film editor on Oscar®-winning feature film “WALL•E.” He continued as a lead editor on two Toy Story Toons, the studio’s Halloween television special “Toy Story of TERROR!” and “Finding Dory.” He more recently served as Editor on the Academy AwardÆ-winning film “Toy Story 4,” in addition to working on Pixar’s “Lightyear.” Geddes recently completed cutting Pixar’s latest feature “Hoppers”. Geddes was born and raised in the San Francisco Bay Area. He studied filmmaking with an emphasis on editing at The Academy of Art University in San Francisco. He resides in the East Bay with his wife and their three children. TONY GREENBERG Anthony Greenberg (call him Tony) joined Pixar in 2002 as a Second Assistant Editor for The First Incredibles. His subsequent credits include serving as First Assistant Editor on WALL•E, and Second Editor on both The Good Dinosaur and Incredibles 2. Most recently, he served as the Lead Editor for Lightyear and as a Second Editor for Hoppers. Prior to his time at Pixar, Tony began his career as an Intern at Industrial Light & Magic, where he eventually rose to the position of Assistant VFX Editor. CHLOE KLOEZEMAN Chloé Kloezeman was hired as a temporary assistant editor in 2012 for the TV special, Toy Story of Terror. What was supposed to be 3 months turned into 14 years, and she’s hoping that no one has noticed. She has Second Assistant Editor credits on Finding Dory, Coco, Toy Story 4 (and said TV Special), and two credits as a Second Editor (Lightyear and the new Hoppers). Working on Hoppers has been a highlight of her career. Kloezeman was born and raised in the San Francisco Bay Area and is a UC Berkeley graduate. She lives in Oakland with her partner and two kids. GEOFF SLEDGE Geoffrey Sledge previously worked on live action features in New York, mainland China and Hong Kong. After returning to the States, he started at Pixar in 2013, first as an assistant on Coco. He transitioned into the Second Editor role while working on Hoppers. AYESHA JOHANNES Ayesha Johannes joined Pixar in the spring of 2016 as an Editorial Intern on Cars3. She then went on to become a second assistant editor on Luca and then Lightyear. She also worked as an assistant editor on two spark shorts at Pixar, PURL and LOOP. On Hoppers she was promoted to a first assistant editor and it has been her most favorite time at Pixar so far. Prior to her time at Pixar, Ayesha studied at the Academy of Art University and while there worked with a director on a Filipino short film called Christmas Bonus. She was born and raised in Mumbai, India and now lives in Oakland, California with her family. Visit for all your production audio needs Listen to past interviews with 2026 ACE Eddie Winners, Michael Shawver , Andy Jurgensen , Mark Strand , Nathan Schauf and Eric Kissack Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/40460510

How to Get to Heaven from Belfast 02/16/2026

How to Get to Heaven from Belfast Editor - Nigel Williams How to Get to Heaven From Belfast editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee. Having first worked with McGee on her hit series, Derry Girls, the two are back together for a show that features Lisa's well-known witty dialogue and quirky characters, but this time all wrapped up in a mystery. How to Get to Heaven From Belfast is an eight-part series that follows three longtime friends. Now in their late 30s, but still as close as ever, the girls are about to embark on the most thrilling adventure of their lives. When an email arrives, telling them about the death of the estranged fourth member of their childhood gang, a series of eerie events at her wake set them on a dark, dangerous and hilarious odyssey through Ireland and beyond. Together they try to piece together the truth of the past. It’s a show about friendship, memory and what happens when life doesn’t turn out quite like you’d expected. NIGEL WILLIAMS Nigel Williams is one of the most highly sought-after editors in comedy. He hit gold in 2000 when two strangers were looking to cut a pilot. Those strangers were Ricky Gervais and Stephen Merchant. Together they made one of the biggest comedies of all time, The Office. Nigel then went on to edit some of the most successful comedies on TV, including Extras, Outnumbered, Motherland, Horrible Histories and Tracey Ullman’s Show. Nigel also edited 5 seasons of Episodes, starring Matt Leblanc, in Los Angeles, working with Jeffrey Klarik and David Crane (creator of Friends). Williams was thrilled that his recent work on hit show Derry Girls was recognized with a coveted BFE award for Best Editor. He has also co-founded Wrap Party Agency, and is committed to promoting more diversity and inclusion within post-production. Visit for the new Extreme Music panel for Avid Media Composer See which is right for you to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/40109135

Heated Rivalry 02/02/2026

Heated Rivalry Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But bringing the “spicy” subject matter of Rachel Reid's book series to tv audiences would be no small feat. It required the editors to find the right balance of tension, chemistry and character within and around the steamy sexual encounters of the shows main characters. Heated Rivalry follows the lives of two budding hockey superstars, Canadian Shane Hollander and Russian Ilya Rozanov. Before becoming pro hockey players, the two meet as competitors at an international hockey competition. Six months later they would be drafted by two rival teams, the Montreal Metros and the Boston Raiders. Although their on-ice rivalry is amplified by media coverage and public perception, the two develop a private, initially casual sexual relationship that continues intermittently over several years as they pursue their hockey careers. Keeping this relationship hidden from the world is a challenge greater than either would ever have on the ice. ARTHUR TARNOWSKI ACE, CCE Arthur Tarnowski is an award-winning editor who grew up loving James Bond and Ingmar Bergman films (thank you PBS). Editor of over 40 features, in both English and French, his eclectic filmography encompasses everything from broad comedies like the Canadian box-office hits Father and Guns 2 and Compulsive Liar to auteur cinema like Drunken Birds (Canada’s Academy Awards submission, 2022), Kidnapping Inc.(Sundance 2024; Haiti’s Academy Awards submission, 2026), Irena’s Vow (TIFF 2023) and The Hummingbird Project(TIFF 2018). He also enjoys cutting action pictures such as Deadfall (Tribeca 2013), Brick Mansions and The Decline. His television work includes The Sticky, DMV, 19-2, Bad Blood, Being Human, The Art of More, and The Moody’s. He has also created trailers for over 150 films. His most recent project, Heated Rivalry—a Crave/HBO series created with frequent collaborator writer-director Jacob Tierney—has become a global television phenomenon. VÉRONIQUE BARBE CCE Aside from her work on Heated Rivalry, Vero’s credits include HBO’s Big Little Lies and Sharp Objects, both directed by Jean‑Marc Vallée — a cherished creative partner and mentor whose impact continues to guide her work. She has edited TV series and films across Canada, the U.S., Europe, and Japan, and has earned nominations from the Emmys, ACE, CCE, and CSA. Visit for all your production audio needs Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/39954025

Sinners 01/19/2026

Sinners Editor - Michael P. Shawver Sinners editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler. Together the two have collaborated on Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever and now Sinners. Their past experience on both VFX-heavy films like Black Panther, as well as socio-political dramas like Fruitvale Station, would prove invaluable as they worked to blend the real horror of racial injustice with the fantastical horror of a vampire onslaught. Taking place in 1932, Sinners follows identical twins, and World War I veterans, Elijah "Smoke" and Elias "Stack" Moore as they return to Clarksdale, Mississippi after spending seven years in Chicago. Using money stolen from criminal syndicates, they purchase a sawmill from a landowner to start a juke joint for the local Black community. Their younger cousin Sammie, a singer and guitarist, joins them despite his pastor father's warnings about the sins of blues music. His warnings would prove prophetic, as the twins and their friends face foes both familiar and supernatural. MICHAEL P. SHAWVER Originally from Rhode Island, Sinners editor Michael Shawver developed an early working relationship with director Ryan Coogler during their time together at the University of Southern California School of Cinematic Arts. Shawver initially edited Coogler's short film, Fig, and later went on to cut his feature debut, Fruitvale Station, starring Michael B. Jordan. The film garnered two of the Sundance Film Festival's top prizes, the Audience Award and the Grand Jury Prize, and went on to receive numerous awards and nominations at film festivals worldwide. Shawver also edited All Summers End, a debut feature film by director Kyle Wilamowski; Warren, by director Alex Beh; Tell, for director J.M.R. Luna; and Fourth Man Out, for Andrew Nackman. Shawver's next collaboration with Coogler and Jordan was Creed, for which he received a nomination for Best Editing in the Independent Critics Poll. Michael then reunited with Coogler and Jordan on Black Panther, a box office smash, which was nominated an outstanding 43 times, including for Best Picture at the Academy Awards and Best Motion Picture Drama at the Golden Globes. His work on this project also earned him a Saturn Award Nomination for Best Editing and an Alliance of Women Film Journalists Nomination for the Best Editing EDA Award. In addition, the film won Movie of the Year at the AFI Awards. Following Black Panther, Shawver edited A Quiet Place: Part II, directed by John Krasinski. He later returned to the Marvel universe for Black Panther: Wakanda Forever, again collaborating with Coogler and Jordan. Shawver's recent work includes Abigail, a genre-bending thriller directed by Matt Bettinelli-Olpin and Tyler Gillett. He is currently editing The Thomas Crown Affair directed by and starring Michael B. Jordan. The Credits Visit for the new Extreme Music panel for Avid Media Composer See which is right for you to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/39776635

PLUR1BUS 01/12/2026

PLUR1BUS Editors - Skip Macdonald ACE, Chris McCaleb ACE and Joey Liew The PLUR1BUS editing team of Skip, Chris and Joey have worked together for 15 years on Vince Gilligan's Breaking Bad, Better Call Saul and now his new sci-fi hit for Apple TV+. With that kind of shared experience the three have established a creative "hive mind" of their own, while still demonstrating their individual talents as storytellers. Despite PLUR1BUS being such a departure from the stories he has told up to this point, it's easy to see why one thing Vince wouldn't change is the post crew that has helped make his shows modern classics. PLUR1BUS follows Albuquerque author Carol Sturka, who is one of only 13 people in the world immune to the effects of the "Joining", an event in which an extraterrestrial virus transformed the rest of humanity into a peaceful and content hive mind known as the "Others". The hive mind happily accommodates the wishes of those who remain unaffected, but admits that it will ultimately seek to assimilate them when it learns how to do so. Carol is adamantly against their efforts as she searches for a way to reverse the Joining. SKIP MACDONALD, ACE Despite an inauspicioius beginning to his career, working as an assistant sound editor on legendary film flop, Heaven's Gate, today Skip's mantle features an Emmy® award for his work on Breaking Bad. Adding his work on Fargo to the shows he has done with Vince Gilligan, Skip has been nominated for 12 ACE Eddie awards and 11 prime-time Emmy® awards, including his win in 2014. CHRIS McCALEB, ACE In addition to being thrice nominated for an Emmy® award for his work on Breaking Bad (1x) and Better Call Saul (2x), Chris has been nominated for a total of four ACE Eddie awards between the two shows, winning in 2021 for his work on Better Call Saul. JOEY LIEW California native turned New Mexico transplant, Joey Liew has steadily risen up the ranks of Vince Gilligan's ABQ universe. Joey began on Breaking Bad in 2010 as a production assistant, before making his way as an assistant editor and then editor on Better Call Saul and now PLUR1BUS. In 2021 Liew would share an ACE Eddie award with Chris for their work on the Season 5 Better Call Saul episode, "Bad Choice Road". The Credits Visit for all your production audio needs Hear Chris discuss cutting and Listen to Skip talk about editing the Breaking Bad film, Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/39683510

Now You See Me - Now You Don't 12/22/2025

It - Welcome to Derry 12/15/2025

It - Welcome to Derry Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room. Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices. And you know what Jack Torrance says about "all work and no play"! Developed by Andy Muschietti, Barbara Muschietti and Jason Fuchs, It: Welcome to Derry is based on Stephen King's 1986 novel It and is a prequel to the films It (2017) and It: Chapter Two (2019). The series takes place in 1962, when a couple and their son move to Derry, Maine just as a young boy disappears. With their arrival, bad things begin to happen in the town. Again. ESTHER SOKOLOW Esther Sokolow is a Los Angeles-based editor who specializes in genre-rich storytelling, bold characters, and projects with cinematic scope. Esther's collaboration with IT: Welcome to Derry showrunner Andy Muschietti began on IT: Chapter Two, where she served as 1st Assistant Editor, and continued on The Flash, where she was promoted to Additional Editor. Her work bridges studio tentpoles and independent character dramas, with a focus on horror, psychological thrillers, and supernatural themes. Her early film diet of Hitchcock, classic mysteries, and silent comedies provided provided inspiration for an editor drawn to tension, timing, and the emotional weight of what’s unspoken. Later, the spectacle of The Lord of the Rings sparked a love for scale and the thrill of stories that move an audience. Originally from Atlanta, she moved to California to study Film Editing at Chapman University. In 2015, she was selected as an honorary intern for American Cinema Editors (ACE), an experience that shaped her early career and inspired a commitment to both craft and mentorship. Esther now speaks on an annual panel for the ACE Internship Program and serves on MPEG’s Apprenticeship and Growth Committee, supporting the next generation of editors and assistant editors. Before stepping into the editing chair, Esther worked as an assistant editor on feature films including Rampage, Bloodshot, The Guilty, Stronger, Fall, and Rememory. She also worked in-house as a VFX Editor at Method Studios, contributing to Guardians of the Galaxy and San Andreas. Her years supporting other editors honed more than technique; they taught her to listen to pacing, to performance, and to subtle story beats others might overlook. That same quiet attention now shapes her own work. GLENN GARLAND, ACE Glenn Garland is television and film editor with more than twenty years of experience in the entertainment industry. In addition to cutting IT: Welcome To Derry, other impressive TV credits include Poker Face, The Vampire Diaries, Preacher, Banshee, Stan Against Evil, and Altered Carbon. Glenn’s equally notable feature resume includes editing Rob Zombie’s Halloween and Halloween II, the critically acclaimed King of California, The Turning, Lords Of Salem, The Devil’s Rejects, Black Box and most recently Broke. In addition to editing, Glenn has produced the television series Paradise City as well as feature films 31, Jersey Bred, LX 2048, The Man Who Was Thursday and most recently, Life Is. He has also created and hosts the podcast series Editors on Editing, which can be heard on Art of the Frame. MATTHEW V. COLONNA, ACE Aside from his work on It: Welcome to Derry, Matt's work can be seen on another Stephen King-inspired series, Castle Rock, and the King-adjacent series, Locke & Key. Other notable tv shows cut by Matt include Dexter (2008-09), Narcos (2015-17) and Sugar (2024). Matt also happens to be one of the original drummers for Black Eyed Peas. How about that?! The Credits Visit for all your production audio needs Listen to Glenn talk about cutting Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/39395565

Wicked - For Good 11/24/2025

Frankenstein 11/17/2025

Frankenstein Editor - Evan Schiff ACE Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with. He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021). Evan would also drop by the MCU to cut The Marvels (2023). But to hear Evan tell it, it was hardly his skills as an action editor that would prompt Del Toro to hire his former assistant editor to cut Frankenstein. Produced, written and directed by Guillermo del Toro, and based on the 1818 novel by Mary Shelley, Frankenstein stars Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. The film follows the life of egotistical scientist Victor Frankenstein whose experiment in creating new life results in dangerous consequences when his monstrous creation comes to life. EVAN SCHIFF ACE (In Evan's own words...) Originally from Syracuse, NY, I started my career in the film industry at the age of 16, between my junior and senior years of high school, with an internship at Stan Winston Studio (now Legacy EFX). After graduating from high school and being accepted into USC's film production program, SWS hired me back to do tech support as their Systems Administrator and eventually their in-house VFX Editor. I worked there part-time for all four years of college and full-time for one year after. While at USC, I got bit by the editing bug. I found that, even more than creature or visual effects, I loved sitting in the editing bay for hours on end putting my student films together. So a year after graduation, and five years after starting my job at Stan Winston's, I started to pursue editing full-time. It was slow at first, but eventually I got my first few jobs as an assistant editor, and things took off from there. The Credits Visit for the new Extreme Music panel for Avid Media Composer Hear Evan's interview for See which is right for you to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/39037525

KPop Demon Hunters 10/27/2025

One Battle After Another 10/06/2025

Black Rabbit 09/29/2025

Black Rabbit Editors - Vikash Patel, Cedric Nairn-Smith and Kyle Reiter ACE Black Rabbit editors Viks, Ced and Kyle worked independently during post but still managed to collectively craft a complex narrative that stayed consistent in tone and style throughout the run of the series. And while new guy Reiter described feeling like a "bench player" on the team, Viks and Ced benefited from a long working relationship that began with Viks mentoring Ced as his former assistant. Regardless of any of their past experiences, star and producer Jason Bateman tasked the post team with creating a vibe that had tendencies drawn from Bateman's Netflix hit, Ozark but also from dark comedies like the Safdie brothers' Uncut Gems. Black Rabbit tells the tale of two brothers, Vince and Jake Friedken, former bandmates in a successful musical act whose lives went down different paths in the years that followed. Rising-star restaurateur Jake is forced into New York's criminal underworld when his chaotic brother returns to town with loan sharks on his trail, opens the door to escalating dangers that threaten to bring down everything he's built. VIKASH PATEL In addition to his work on Black Rabbit, Viks won an Emmy® in 2008 for his work on TOP CHEF and was nominated for an Emmy® in 2020 for his work on OZARK. Viks has also edited series that include THE SYMPATHIZER (2024), THE MORNING SHOW (2019), BATES MOTEL (2015-16) and LONGMIRE (2012-14). CEDRIC NAIRN-SMITH Prior to Black Rabbit, Cedric's editorial work could be seen on DAREDEVIL: BORN AGAIN (2025), MOON KNIGHT (2022), LISEY’S STORY (2021), THE BOYS (2019-2020) and BATES MOTEL (2015-2017). KYLE REITER, ACE 4x Emmy® nominee Reiter has edited such shows as MR. AND MRS. SMITH (2024), BARRY (2018) and ATLANTA (2016), a series for which Kyle would win an ACE Eddie award in 2019. The Credits Visit for all your production audio needs Hear Viks discuss cutting and Listen to Ced talk about and and Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/38382265

The Paper 09/22/2025

The Paper Editors - Julie Cohen ACE and David Rogers ACE The Paper editors Julie Cohen and David Rogers first began collaborating on another Greg Daniels series, Space Force. Although that series was not in the same "mock doc" format as The Paper, David's first show with Daniels was. And that series was The Office, where he served as both editor and director. Both Julie and David felt at home with The Paper's faux documentary format however, with David having worked on The Office and Julie receiving multiple Emmy nominations for her work on the unscripted series, Project Runway. The Paper follows up on the story from The Office, as the documentary crew that immortalized Dunder Mifflin's Scranton branch discovers a disappearing Midwestern newspaper and the publisher trying to revive it with volunteer reporters. This mockumentary follows the daily lives and struggles of dreamers in love with journalism, and their less-than-competent co-workers, trying to deliver accurate news without the resources or training to do a great job. JULIE COHEN ACE Julie Cohen "loves to edit!" and considers herself lucky to have done it a lot over the last twenty years. She's edited across genres: documentary, reality, comedy, drama, sometimes all at once. Highlights include Project Runway, On Becoming a God in Central Florida, and Space Force. Most recently, she edited a bunch of episodes of Hulu’s Tell Me Lies, starting with the pilot and including both season finales. DAVID ROGERS ACE David Rogers wanted to be a director since seeing Superman The Movie at the age of 8, and shot videos and films throughout high school and college. Following that he would move to L.A. and work as an Assistant Editor and then Editor on such shows as Seinfeld, NewsRadio, Andy Richter Controls The Universe, Entourage, The Comeback, and The Office. David started directing on The Office and directed shows like Parks and Recreation and The Mindy Project, where he also served as Co-Executive Producer. David is also the owner of a huge Superman collection and a Knight Rider replica which he's currently in the process of modifying. The Credits Visit for all your production audio needs Enter AGBO'S Competition Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/38298355

Weapons 09/08/2025

Film Geek 09/01/2025

Film Geek Director, Richard Shepard and Editor, Adam Lichtenstein FILM GEEK isn't just another notch on the IMDB belts of director, Richard Shepard and his friend and editor, Adam Lichtenstein. This is the story of Richard's cinematic "life" and the mysterious father who was his guide into that world. Deftly incoroporating clips from over 200 movies of the 70's and early 80's, FILM GEEK chronicles Richard's introduction and absorption into films both classic and forgotten, between the ages of 6 and 18. From there, Richard would make the transition from amateur 8MM auteur, to being an "all-in" film student at NYU, where he would begin his over thirty-year friendship and collaboration with Adam. And it is Adam whom Richard credits as drawing out the more personal aspects of his journey in FILM GEEK, most notably the story of his complicated but caring father. RICHARD SHEPARD Richard Shepard is an Emmy and DGA-winning director/writer whose feature films include the Golden Globe nominated The Matador starring Pierce Brosnan and Greg Kinnear, Dom Hemingway starring Jude Law and Richard E. Grant, and The Perfection starring Allison Williams and Logan Browning which was named one of the best horror films of the year by Rolling Stone, Vogue, Harper’s Bazaar and New York Magazine. In his career, Shepard has directed ten television pilots to pick-up including Criminal Minds, now entering its 17th season; Ugly Betty for which Shepard won the Director’s Guild award and Emmy award; the Golden Globe and Emmy nominated Zoey’s Extraordinary Playlist; and Acapulco for Apple, now in its third season. Through its six seasons, Shepard directed twelve episodes of the Golden Globe winning HBO series Girls, including the controversial “American Bitch” episode for which Matthew Rhys received an Emmy nomination, as well as several Emmy nominated episodes of The Handmaid’s Tale. He recently directed the final two episodes of the multiple Emmy nominated Welcome to Chippendales a Hulu limited series. Shepard’s short film Tokyo Project starring Elisabeth Moss and Ebon Moss-Bachrach premiered at the Tribeca Film Festival and was bought by HBO, and his HBO documentary I Knew It Was You: Rediscovering John Cazale was nominated for an Emmy award. ADAM LICHTENSTEIN Born with a natural love for time code, Adam showed an early preference for non-drop frame, then rose through the editorial ranks pretending to enjoy sports, overusing terms like "shots on goal", "swish", "in your face" and "that's what I'm talking about" without the slightest idea what he was talking about. The Credits Visit for all your production audio needs Listen to Adam's podcast about the post workflow for Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/38040030

Eenie Meanie 08/25/2025

The Naked Gun 08/11/2025

The Fantastic Four - First Steps 08/04/2025

The Fantastic Four - First Steps Editors - Nona Khodai ACE and Tim Roche The Fantastic Four: First Steps sees editors Nona Khodai and Tim Roche reunite for the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film also marks the first time the two have worked together since Marvel's live action series debut, WandaVision. Although each had worked with him separately before, WandaVision was the first time both Nona and Tim worked with director Matt Shakman on a Marvel project. The Fantastic Four: First Steps takes place in 1964, as the world celebrates the fourth anniversary of astronauts Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm becoming the superhero team known as the Fantastic Four (Mister Fantastic, Invisible Woman, Human Torch and the Thing). But the celebration doesn't last for long as the four face their most daunting challenge yet as they defend Earth from Galactus and Silver Surfer. NONA KHODAI ACE A Southern California native and graduate of USC's Cinematic Arts school, Nona started her career as an assistant on such films as the Bad Robot production, Super 8. Her first foray as an editor on a "superhero" project came courtesy of showrunner Eric Kripke who brought her aboard the The Boys, where she would work with director Matt Shakman for the first time. Nona was twice nominted for an Emmy award for her work on Marvel's WandaVision, and nominated for another Emmy for Marvel's Ms. Marvel. TIM ROCHE Known for his work on comedy series like Silicon Valley and It's Always Sunny in Philadelphia, as well as for his contributions to the Marvel Cinematic Universe, including WandaVision, Thor: Love and Thunder and She-Hulk: Attorney at Law, Tim has received five Emmy nominations for his work, including one this year for Welcom To Wrexham, a show that has already brought him an ACE Eddie Award. The Credits Visit for all your production audio needs Streamline your postproduction pipeline with Listen to Nona and Tim talk about cutting Hear Nona share her experiences editing Check out Tim's podcast about the post workflow for Check out what's new with to The Rough Cut podcast and never miss an episode Visit The Rough Cut on /episode/index/show/theroughcut/id/37655955

Andor 07/28/2025

Superman 07/21/2025

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