The Subverse

The Subverse, presented by Dark ‘n’ Light is a podcast that uncovers the hidden and marginal in stories about nature, culture and social justice. From the cosmic to the quantum, from cells to cities and from colonial histories to reimagining futures. Join Susan Mathews every fortnight on a Thursday for weird and wonderful conversations, narrated essays and poems that dwell on the evolving contingencies of life.

Crooked Cats: The Truth Behind Beastly Encounters 05/28/2025

Crooked Cats: The Truth Behind Beastly Encounters In this episode of Stories from the Subverse, Nayanika Mathur, Professor of Anthropology and South Asian Studies at the University of Oxford, delves into the conflict between big cats and humans. Nayanika’s book, Crooked Cats: Beastly Encounters in the Anthropocene (2021), was a key source of inspiration for , which examines the intersections of capitalism through a feline lens. In this piece, Nayanika focuses on the governance of nonhuman animals, their entanglements with humans, and what the consequences are. Mathur talks about the two types of big cats—the seeda saada (straightforward) ones who are scared of humans and keep their distance, and the crooked cats – the adam khor (maneaters) who prey on people. The reasons why some cats become man-eaters, while others avoid humans, are widely debated. Hypotheses include that the cats have come from elsewhere, due to hunting and poaching, or that they’re children of other man-eaters. This uncertainty has consequences. For example, the tiger Ustad, who resided in Ranthambore, was moved out of the sprawling environment of the national park to be confined in a zoo on the suspicion of being a man-eater. This move stirred a national controversy, eliciting an emotional outpouring and contradictory viewpoints. Ustad’s life may have been restricted without cause. How does one govern the unknown? Given the precarious status of most big cat species, the fact that hunting crooked cats is the standard solution of the Indian state becomes even more fraught. Especially, as Mathur underlines, when it is difficult to identify which cat is the crooked one. Drastic measures are often taken posthumously to ostensibly abide with the laws of the land and justify a kill. Mathur emphasises the need to think more deeply about our entanglements with the non-human, revise our laws and institutional practices, and give up our crooked ways. This audio story is part of the Cataplisms project. You can learn more about it . This story was produced by Tushar Das. You can find him on and his work on the website. About Nayanika Mathur Nayanika Mathur is Professor of Anthropology and South Asian Studies as well as Fellow of Wolfson College at the University of Oxford, UK. Educated at the Universities of Delhi and Cambridge she is an anthropologist with an interest in studying the state, ethnographic methods, nonhumans, and the climate crisis. At Oxford Nayanika is co-director of a research network ‘’ which explores the ways through which climate change poses a profound challenge to how the academy – from forms of writing and modes of teaching to disciplinary divisions – operates. Nayanika is the author of two monographs – Paper Tiger: Law, Bureaucracy, and the Developmental State in Himalayan India (Cambridge University Press 2016) and Crooked Cats: Beastly Encounters in the Anthropocene (Chicago University Press, 2021). The first is centred upon the study of bureaucrats and the second on big cats, though they are often confused. In her argument on the governance of big cats this connection - between the paper tiger that is the Indian state and the crooked cats that are entangled with the planetary crisis – becomes, one hopes, clearer. /episode/index/show/thesubverse/id/36742180

Fragmented Forests: Raza Kazmi Talks Capitalism, Conservation, and Charismatic Wildlife 03/27/2025

Fragmented Forests: Raza Kazmi Talks Capitalism, Conservation, and Charismatic Wildlife In this episode of Stories from the Subverse, we present our first Cataplisms audio story. The Cataplisms project examines our multispecies entanglements, critiques capitalism, and acknowledges the cataclysms at our doorstep, all through a feline lens. In this episode, we hear from someone personally and professionally invested in the fate of big cats and the forests they live in. Raza Kazmi is a conservationist, writer and wildlife historian, who focuses on East Central India. His childhood in Jharkhand’s Palamu region, surrounded by the forest’s flora and fauna, including tigers and leopards, ignited his passion for protecting these cats, and his connection with forest landscapes. Kazmi illustrates how industrialization and capitalism have threatened India’s tigers and other wildlife. A web of mines, dams, and other infrastructure projects within forest areas and critical wildlife corridors pockmark the forests of East Central India. This has fragmented habitats and disrupted migration routes, disorienting animals like elephants and tigers and exacerbating human-wildlife conflict. Kazmi shares that the lack of charismatic wildlife makes it easier to divert forest areas for more mining projects. Both people and animals who depend on these forests are adversely affected. He delves into the drastic decline of animals, including tigers and leopards, in Palamu due to hunting coupled with the expansion of industries, which has pushed these animals to the brink, crossing an ecological Rubicon, and making urgent conservation intervention critical. Kazmi also talks about the lack of charismatic wildlife, or animals with mass appeal like tigers and elephants, in the area and how that can make it easier to divert forests for more mining or urbanisation projects. The destruction of these ecosystems thanks to expansion and hunting, has led to desperate circumstances. Raza shares the story of a male tiger’s five-year trek across multiple states in search of a mate. The tiger’s struggle underscores how capitalistic development has fragmented natural corridors, forcing wildlife to navigate human-dominated spaces rather than the jungles they belong in. But not all hope is lost. Kazmi emphasizes the pivotal role that local communities play in conservation. They are essential for saving tigers and other wildlife from the destructive forces of industrialization. He believes that, “if the forests are there, there will always be the hope of the wildlife returning.” About Raza Kazmi Raza Kazmi is a conservationist, writer, wildlife historian, storyteller and researcher. His fields of expertise include India’s wildlife and forest administration history, conservation policy and conservation issues afflicting the insurgency-ridden east-central Indian landscape. His writings appear in national newspapers (The Hindu, The Indian Express), online media houses (The Wire, FiftyTwodotin, RoundGlass Sustain) as well as various magazines and journals (Frontline, Seminar, The India Forum, Journal of Bombay Natural History Society, Sanctuary Asia, Cheetal, etc.). He has also contributed essays to edited anthologies. A recipient of the New India Foundation Fellowship for 2021, he is currently writing a book tentatively titled To Whom Does the Forest Belong? The Fate of Green in the Land of Red. He works as a Conservation Communicator with the Wildlife Conservation Trust, and also teaches as a Guest Faculty for Wildlife Management at the Forest Guard Training Schools in Chaibasa and Ranchi in Jharkhand. /episode/index/show/thesubverse/id/35884705

Botanical Reckonings: Reclaiming the Embrangled Vegetal from Colonial Bonds 12/11/2024

History, Naturally: Earth, Climate and Human Cycles 11/28/2024

Plastic Worlds: From Synthetic Universality to Queer Kin 11/14/2024

A Creature Called Earth: Movers, Shakers, and Rainmakers 11/04/2024

Earthly Matters: An Ecosophical Approach 10/17/2024

Earthly Matters: An Ecosophical Approach We're back with The Subverse. In this episode of the season, host Susan Mathews talks to writer and ecological thinker about the current crises in modern cosmology. Ecosophy, which acknowledges the living earth, is a way to address this arrythmia and our current alienation from the earth to which we belong. Aseem Shrivastava is a writer, teacher, and ecological thinker with a doctorate in Economics from the University of Massachusetts, Amherst. He has lectured across the world on ecological issues emanating from globalisation. Shrivastava speaks of the present moment as an existential crisis, not just an intellectual crisis or a crisis of culture. During this fundamental upheaval in human affairs, the first thing you need to do is look at where your feet are. We need to ask fundamental questions about how we got here, and also address the terminal crisis in modern cosmology itself. “Without Nature, we are not.”- This is the start of an article Shrivastava wrote in The Open Magazine in 2021. He quotes Rilke and writes, “it appears that in the process of arising within us, the earth has dreams for us!” This earth is our only home, so he asks, “Are we ready to abandon her for the greener pastures of another planet that the space fantasists never fail to promise us? In a gentle defiance of the European Enlightenment vision, let us seriously consider the possibility that Rilke is right, that perhaps the Earth does have dreams for us, in the manner that a mother has dreams for her children. And like a mother’s dreams, the earth’s hopes for us must have power.” Ecosophy, unlike environmentalism or ecology, fundamentally tackles things like earth alienation and looks at the content of our vanishing relationship to the natural world in its full physical and metaphysical depth. We need a new mythos, and we can learn from Rabindranath Tagore in this context. Through his poetry, music, stories, plays and letter, the mythos is all there and you don’t need to go to science to find the meaning of life. We have a world that is arrhythmic, out of sync, not to mention suffering from psychic, cognitive and spiritual arrhythmia too. We need to understand the real roots of the crises we face, the limits of our knowledge, question our need to dominate and control and, in the end, face some heart reckoning and atonement. Aseem Shrivastava has taught at prestigious universities in India and the West and offered courses on Global and Indian Ecosophy at Ashoka University. He has been guiding and mentoring a number of graduate students and young people working in the realms of Philosophy, Ecosophy, Ecology, and Economics. He is the author (with Ashish Kothari) of the books ‘Churning the Earth: The Making of Global India’ (2012), and ‘Prithvi Manthan (2016). He is currently at work on several books on Ecosophy:‘The Grammar of Greed: Reflections on a Fatal Ecology’, ‘The Alphabet of Ecosophy: A Grammar for Twilight Modernity’, and ‘For Love of the Earth: Modernity, Ecosophy, Rabindranath Tagore’. All these works dialogue with the ecological challenges of 21st century global modernity. The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes. /episode/index/show/thesubverse/id/33496022

Arcx - Vajra Chandrasekera 10/03/2024

Arcx - Vandana Singh 09/26/2024

Arcx - RR Virdi 09/11/2024

Arcx - Kritika H.Rao 08/30/2024

Arcx - Gourav Mohanty 08/22/2024

Arcx - Bina Shah 08/08/2024

Arcx - Manjula Padmanabhan 08/01/2024

Arcx - Prashanth Srivatsa 07/18/2024

Seeding Life on Earth: Cosmic Gifts, Ultimate Outsiders and Bringers of Light 06/06/2024

Seeding Life on Earth: Cosmic Gifts, Ultimate Outsiders and Bringers of Light In this episode, we are in conversation with , a planetary scientist based at ETH Zürich and the University of Cambridge. Craig’s work spans the origins, evolution, and distribution of life in the Universe. In this podcast, we chat about cosmic dust, the origins of life on Earth, and phosphorus—a key element for life, known as the ‘bringer of the light of day’, and its more fiendish nickname, “The Devil’s Element”. In a paper published in Nature Astronomy in February 2024, Craig and his colleagues note that life on Earth probably originated from “reservoirs of bio-essential elements” such as phosphorus, sulfur, nitrogen, and carbon. But our earth rocks are relatively poor in reactive and soluble forms of these elements. So where did they come from? Apart from meteorites and asteroids, they could have also found their way to earth through cosmic dust, mineral grain aggregates of less than 3 mm derived from asteroids and comets. And glaciers provide settings capable of both locally concentrating cosmic dust and initiating closed-system aqueous prebiotic chemistry in cryoconite holes, self-sustaining puddles or lakes. In a more poetic turn, we talked about meteorites, which has been termed by Elizabeth Grosz as the ultimate outsider, a cosmological imponderable that might burst through the perceived limits of the known. Craig noted that these materials speak at a deeper level about where we come from and how we should live. Potentially, all life derives from these cosmic gifts. We are really made of stardust. Everything about meteorites and their eviscerated metallurgic intensity speaks to their incredible durability. We then moved on to Craig’s PhD thesis on phosphorus, the backbone of DNA and our metabolism. It cycles through ecosystems in a mostly closed loop as organisms live, die and decay. This remarkable element, crucial for global food production, allows our civilization to flourish. However, with its overuse, we now face the dangers of fertilizer run-off such as algal blooms which can lead to ocean anoxic events which have been correlated with mass extinctions. For four and a half billion years, life has recycled minerals and resources, but we humans take them for granted. We churn through these resources, dump them in the oceans and move on. It can’t end well. Outside of research, Craig writes science fiction as well as science communication articles on a wide range of topics. If you want to hear more from Craig about all of the above, you can follow him on Twitter/X for updates. The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes. /episode/index/show/thesubverse/id/31629107

Broken Grounds: Geology, Race and Counter-Gravities 05/23/2024

Broken Grounds: Geology, Race and Counter-Gravities In this episode, host Susan Mathews is in conversation with , Professor of Inhuman Geography at Queen Mary University of London. Her transdisciplinary research addresses the colonial afterlives of geology and race as a site of planetary transformation and social change. Her research is published in A Billion Black Anthropocenes or None (University of Minnesota Press, 2019) and Geologic Life: Inhuman intimacies and the Geophysics of Race (Duke University Press, 2024). The conversation centres around the science of geology and its epistemic and field practices. In her book Geologic Life, Yusoff notes that geology, which emerged in the late fifteenth through nineteenth centuries as a Eurocentric field of scientific inquiry, was a form of earth writing riven by systemic racism, complicit in the building of colonial worlds and the destruction of existing earths. The origin stories of earth and scripts of race are natal twins. Both mineralogical material and the subjugated person, such as on racial lines, were categorized as ‘inhuman’. She approaches this work not through a linear historical geography but through undergounds (as footnote, mine, appendix, subtending strata, and stolen suns) that reveal subterranean currents. Part of the task is to bring this whiteness down to earth through counter-gravities such as insurgent geology, non-fossil histories and questioning stratification. Broadly, Black, Brown, and Indigenous subjects whose location is the rift have an intimacy with the earth that is unknown to the structural position of whiteness. This inhuman intimacy represents another kind of geo-power: the tactics of the earthbound. So, whether it be through growing food, or making music such as the Blues, or the earth as a revolutionary compatriot, there have always been persistent resistances against these racialized relations. Yusoff speaks of the paradigm of the mine, which encapsulates this presumption of extraction. She speaks of how material value is stabilized in the present from skyscrapers to palm plantations, but both inhuman mineral “resources” and subjugated labouring people are relegated to the underground. The mine has also inspired carceral forms such as the prison complex. For a more reparative geophysics, we need to embrace practices that don’t start from the division between bios and geos and actually understand the earth and minerals as part of a kin relationship with a more expansive understanding of how the human comes into being. The separation between biology and geology is purely a kind of historical effect of disciplines and disciplining practices. These changes are even more important in the Anthropocene, where we have what she terms as a “white man’s overburden” with tech bros or predominantly White Western men deciding the future of Earth. Geobiology is a relational affair, and we need to see geology as a praxis of struggle and earth as iterative and archiving of those struggles. The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes. /episode/index/show/thesubverse/id/31429572

Fractured Ecologies: Caste, Indigeneity and Nature in India 05/06/2024

Fractured Ecologies: Caste, Indigeneity and Nature in India In this episode, host Susan Mathews is in conversation with an anthropologist studying wildlife conservation with an interest in human-animal relations and community-based conservation. Her monograph Tigers are our Brothers: Anthropology of Wildlife Conservation in Northeast India was published in 2021. She has written extensively on issues of caste and indigeneity in the environmental sciences and academia in India. Ambika completed a PhD thesis in Anthropology from the National University of Singapore in 2016, and currently teaches at IIT, Gandhinagar in India. Susan and Ambika speak of how social hierarchies impact what ‘earth’ means to its various inhabitants. For some a safe haven, for others a dangerous, hostile place. In the Indian context, this is evidenced by the deliberate invisibility of caste in environmental studies and in Indian academia. The exploitation of nature and the perpetuation of caste hierarchies are inextricably linked, with purity and pollution playing significant roles in determining access and exclusion. The lives and livelihoods of people of marginalised communities are often entwined—in a daily connection or a daily struggle—with the fabric of nature itself. Caste and class determine access to land, water, forest, pasture land. The ‘environment’ is conceptualised as apolitical and asocial, like a kind of a local terra nullius. The social is absent from environmental studies and discourse. Nature is seen as separate from, and devoid of, humans. Indigenous worldviews, like that of the Mishmi in Arunachal Pradesh, where Ambika has worked, challenge this dichotomy, seeing instead a continuum of human, non-human, and spirit worlds. However, for a long time, wildlife conservation research and practice has ignored these communities and their knowledge. The conservation model of ‘protected areas’ is offshoot of the dominant ‘development’ practices. The state and scientists view the forest as a place to be measured and mapped, assigning it economic value. Both protected areas and infrastructure like dams and highways cut through geographies inhabited by indigenous peoples, making them ecological refugees. The same notions of purity and pollution lead to the idea that people need to be evicted in order to conserve, a dark history of our national parks in our country. In finding answers to how we can approach repair and reparation in these academic and other conflict zones, Ambika speaks about the need to shift power structures, change our classrooms, to push for diversity among students, teachers and practitioner, to revamp our syllabi and be active in frontline activism. Dr. Ambika Aiyadurai is trained in natural and social sciences with masters’ degrees in Wildlife Sciences from Wildlife Institute of India and Anthropology, Environment and Development from University College London funded by Ford Foundation. In 2017, she was awarded the Social Sciences Research Council (SSRC) Transregional Research Junior Scholar Fellowship. She has two co-edited volumes, Ecological Entanglements: Affect, Embodiment and Ethics of Care (2023) and More Than Just Footnotes: Field Assistants in Wildlife Research and Conservation (2023). She is currently Associate Professor in the Department of Humanities and Social Sciences at IITGN. The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes. /episode/index/show/thesubverse/id/31140588

Sonic Earth: Life, Loss and Listening 04/25/2024

Sonic Earth: Life, Loss and Listening We start Season 4 of The Subverse, which will focus on “Earth”, with a conversation with , a writer and biologist. We focus on his latest book, Sounds Wild and Broken, which explores the story of sound on Earth. It was a finalist for the 2023 Pulitzer Prize in Nonfiction and the PEN E. O Wilson Literary Science Writing Award. In it, David writes about how, three and a half billion years ago, sunlight found a new path to sound: life. The wonders of Earth’s living voices emerged after hundreds of millions of years of evolution that unfolded in communicative silence. From the ancient cricket Permostridulus which bears the earliest known sound-making structure, a ridge on its wing, this sonic creativity was spurred on by some amazing marvels, anatomical and otherwise. They range from insect wings and flowering plants to ciliary hair and even human milk. Now, both land and water are far from silent; fish drum and twang, whales sing, birds chirp and wings buzz. The sonic diversity of the world is rooted in the divergent physical worlds and social lives of animals and the happenstances of history. Every species has a logic, a grammar, to its sound making. And still, the process of hearing is one of unity at the cellular level. Sound also travels across oceans, creating a sort of global unity in sonic communication. Sound is ephemeral, instantly dissipating, and yet can be older than stone. So, in listening to animal voices around us, we are taken back into deep time and legacies of sonic geology. But it is also a ledger of loss. Our species is both an apogee of sonic creativity and the great destroyer of the world’s acoustic riches. As we get noisier, we diminish sonic soundscapes, bequeathing the future an impoverished sensory world. This sensory crisis is an important measure of the environmental crisis, and a powerful untapped tool for environmental justice. How do we create a poetics and politics of listening? We tend to think of experiences of beauty and of creativity as somehow separate from politics and ethics, but Haskell points out that they are deeply intertwined. We are embodied sensory beings. As a species, we need to gather and celebrate the voices of non-human beings. Technological advances have allowed us to record these soundscapes to check on the health of ecosystems. But when we get too reliant on technology, we ignore the wisdom of the people who have lived in the forest for centuries and don’t need gadgets to gauge the health of the forest, or to protect it. David spoke of the generative capacity of sound which comes from life and interconnection. He closed with an invitation to take a few minutes of each day and listen, without judgement or expectation, and let sound do its work. The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes. /episode/index/show/thesubverse/id/30982298

Movement, Mountains, Metamorphosis and Music 02/19/2024

Movement, Mountains, Metamorphosis and Music In today's episode, we bring you Stories from the Subverse. Siddharth Pandey, a writer, artist, and historian, extols the wonders of moving, and allowing oneself to be moved. The simple act of walking becomes radical, with the potential to shirk Nazi commands in Munich, to reclaim fresh air and majestic mountain views from imperial exclusivity in Shimla, to change, create and stir the imagination. As he moves through the mountains, Siddharth challenges their apparent immobility, not just in the liveliness that they host and nurture, but in their very genesis. Every step he takes literally shaping perceptions and perspectives, the scene constantly adjusting itself, illustrating another gift of movement: the affordance of variety, of diversity, and of perpetual newness. A transformative magic Siddharth explores in his book, Fossil. Attuned also to non-generative transformation, Siddharth tackles the ostensible contradiction in celebrating the glory of mountains as we hurtle forward into the maw of the Anthropocene. Drawing on the work of Harvard critic Elaine Scarry, he shows how beauty “decentres”, for we are no longer the focus. Our initial focus on the beautiful object is followed by a cultivation of care; an act of movement in a growing field of relations. Music is an important expression of the innate rhythms and cadences of these landscapes. From the Himachali folk songs that Siddharth’s mother sang to him in his early childhood, to the sense of vastness and longing so typical of the desert panoramas of Rajasthan, or the uplands of Celtic Europe. Earthy tunes that seemed to literally stem out of the landscape they sang of. Mountains far near and far inspired a need to compose. And Siddharth heeded that call, creating tunes that captured journeys through his beloved Himachali landscape and beyond. Some of these tunes are generously intertwined in this story. This story was produced by Tushar Das. You can find him on Instagram and his work on the Brown Monkey Studio website. We also thank Vaaka Media for their logistical support. Music in this story: The piano compositions in this story, A Ride to Annandale and a fragment of Flow, have been composed and performed by Siddharth Pandey. The Himachali folk song Udi Jaaya has been performed by the folk artist Anita Pandey (on the vocals) and Siddharth Pandey (on the piano). About Siddharth Pandey: Siddharth Pandey is a writer, cultural historian, visual practitioner and musician hailing from the Shimla Himalayas. Educated in India and the UK, he holds a PhD in Literary and Material Culture Studies from the University of Cambridge. His first book Fossil was published in 2021, and was a finalist for the 2022 Banff Mountain Literature Awards. /episode/index/show/thesubverse/id/30009923

Fire Changes Everything 12/08/2023

Fire Changes Everything In this episode, Susan Mathews narrates an eccentric story of fire, an intangible and odd element. She begins with lines from William Blake’s “The Tyger”, which invites us to partake of creation and the paradoxes of the divine, with an equal measure of wonder and terror evoked through fire. But fire is more than just combustion and volatility, a chemical reaction or an ecological stimulus. The history of fire and the history of life are twin flames. Lynn Margulis and Dorion Sagan write in their wonderful book What is Life? that one answer to the titular question is that life is the transmutation of sunlight. It is the sun become the green fire of photosynthesizing beings, the natural seductiveness of flowers and the warmth of the tiger stalking the jungle in the dead of night. The character of burning over deep time is one with twists and turns. It started with a spark of lightning but for fire to become a planetary force, it needed oxygen and fuel. Stephen Pyne, a prolific historian of fire and the first guest in this podcast season, outlines three fires. Plants set ablaze by lightning were the first, humans aiding and abetting fire the second and the third fire is where humans burn lithic landscapes. No longer bounded by season, sun or natural rhythms, this fire without limits made us geological agents. It is also a fire of empire and slavery, of loss and destruction. From a celestial and originary green fire we now see terrifying red plumes and a rising blue fire of the oceans. The world is out of pyric balance. So how do we rewrite this story? In the second half of this episode, Susan introduces some exciting ideas that help us think through fire differently, starting with the myth of Prometheus. In this tale, the role of Pandora is often ignored, downplayed, or forgotten. Elissa Marder, in an article entitled Pandora’s Fireworks describes Pandora, created out of clay and water, as a kind of counterfire (anti puros), a technological counterpart to divine fire. Pandora establishes the defining limits of the human and reminds us of our connection with the rest of the biosphere. From Pandora’s pyrotechnics, we move to the ‘pyrosexual’, a term she borrows from the work of Nigel Clark and Kathryn Yusoff in their article titled Queer Fire: Ecology, Combustion and Pyrosexual Desire. Clark and Yusuff peel back the metaphors of fire and sex and suggest instead a deep, conjoint history of sexual desire and fiery consummation. By contextualizing the ‘pyrosexual’ within the wider economy of earth and cosmos, they seek ways to escape industrial capitalism’s current hyperconsumptive cycles of accumulation. They remind us that plants are sexual beings and challenge more ‘orthodox’ environmentalisms that curb desire and renouncing of pleasure. Fire being a boundary between biologic life and inhuman materialities, it offers a track that restructures the asexual-sexual binary with lateral forms of agency and modes of desire. What else, they ask, can we do with a planet of fire? Susan ends with a tribute to Alexis Pauline Gumbs, a poet and writer who inspired much of Season 2 on water and this one on fire. In a powerful piece published in Harper’s Bazaar this year, she writes that menopause is a powerful lens through which to look at this hot planetary crisis. Apart from the similarities, such as planetary hot flashes caused by toxic environments, menopause is also a liminal space of possibility. She asks whether underneath all this heat, we are meant to learn something about change. Special thanks to Tushar Das and Brown Monkey Studio who added the wonderful effects and sound designed the episode. /episode/index/show/thesubverse/id/28986568

Good Wife, Bad Witch: Incendiary Crossings and Theatres of Violence 11/09/2023

Good Wife, Bad Witch: Incendiary Crossings and Theatres of Violence In this episode, host Susan Mathews has a revealing conversation with Professor Pompa Banerjee on fire and gendered and ritualised violence in historical and current practices. Prof. Banerjee teaches courses in early modern literature and culture at the University of Colorado, Denver. Her work focuses on the literary and cultural dimensions of Europe’s cross-cultural encounters in the global Renaissance, especially in the ways they shape identity in the age of discovery. She also studies the unexpected crossings between European witches and Indian widows, and has written extensively on these subjects as well as early modern literature and travel, Shakespeare, and modern Indian adaptations of Shakespeare. In this episode, we spoke of fire’s symbolism and its role in ritualised violence, embodying and enforcing socio-political ideologies that dictate gender roles for women. We refer specifically to her book Burning Women: Widows, Witches and Early Modern European Travellers in India (New York: Palgrave Macmillan, 2003), where she pores through European travel narratives from 1500 to 1723, where representations of Sati were conventional, even de rigeur, in travelogues of India, and which coincided with successive waves of witch-hunts in Europe. Despite these synchronous occurrences, the ritualised burning in both cases and the burning as public spectacle, these early travel narratives make no correlation between widow burning and witch burning, what Prof. Banerjee terms as a ‘literary haunting’. One reason for this erasure is that practices were coded very differently—the sati’s burning as a heroic sacrifice and the witch’s burning as legitimate retribution. While both women were considered insensible to pain, one was through ascension to literal divinity while the other was through the machinations of the devil. In these theatrical burnings, female bodies become sites of storytelling and ideological reformation. In both practices, the woman is placed centre stage, as it is the witnesses who provide validation and who receive the story being told. The Sati’s deathless love for her husband, itself a tool of economic control, became instrumental in recasting the ideal European wife. We also speak of how the British, in the later colonial period, used narratives of the barbaric practices of brown people to assert their moral right to rule. Finally, we delved into the possible origins of this connection between female subjectivity and deviance. We spoke of the exclusive power women held and hold over the hearth and life-sustaining domestic functions and how these were reconstructed through male fantasies as dangers. Fire has been used in contradictory motifs of resurrection, purity, cleansing, punishment, deification and transcendence, a running theme of course being the disciplining of female desire and sexuality. Women’s bodies become the sites of dispute every time society undergoes upheaval. And the only way to counter these narratives are understanding them and remembering how they’ve been used in the past. You can find more about Prof. Banerjee’s work at the University of Colorado at Denver website: The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at www.darknlight.com for episode details and show notes. /episode/index/show/thesubverse/id/28564082

Intersecting Heat: Visual Journeys into Caste, Gender and Labour in India 10/26/2023

Intersecting Heat: Visual Journeys into Caste, Gender and Labour in India Dear listeners, this week we return to The Subverse. In this episode, Susan Mathews is in conversation with Bhumika Saraswati, an independent photographer, journalist and filmmaker. We look at how extreme heat is embroiled in caste and labour in India. We speak about Bhumika’s present visual project which focuses on dalit women in agriculture in Uttar Pradesh, India and the impacts of heat, and an earlier short film she had done on workers in crematoriums during the covid-19 pandemic in New Delhi, India, an occupation which is surrounded by fire and heat hazards. The presence of both the women in the fields and the workers at cremation sites is a consequence of various historical, social and economic conditions and even government practices that reinforce caste-based labour practices. Whether it is discussions of those who are ‘most vulnerable’ to heat in air-conditioned rooms, or people visiting a crematorium only interacting with the priest, these are people made invisible or seen through a mainstream gaze, in life and in media. Bhumika navigates the restrictions placed on her as a single woman visiting places with high crime rates, to explore the intersections of caste, class and gender that dalit women in agriculture contend with. In the midst of life-threatening levels of heat, limited protective gear and restrictive clothing, they grow the food that sustains us all. Bhumika captures the sisterhood between these women and the ingenious ways they make their limited resources work. We also briefly touched on how the caste system has restricted access to water and how certain kinds of violence are tied to the lack of basic amenities provided to certain citizens. In 2022, Bhumika was awarded a UNFPA-Laadli Media Award for Gender Sensitive Work and in 2023, she was awarded a Human Rights Press Award by Human Rights Watch (HRW) and the Journalism School of Arizona State University, United States of America for her short documentary film, Lives of Sex Workers and Their Children. You can find her on Instagram and on X at , and for the project on women, heat, communities see The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes. /episode/index/show/thesubverse/id/28427957

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