The Trek Files: A Roddenberry Star Trek Podcast
Your weekly deep-dive into the archives of Roddenberry Entertainment, from the personal files of Gene Roddenberry. Each week, “Dr. Trek” himself, Larry Nemecek, and his guest host will take a behind-the-scenes look at documents that haven’t been viewed in decades—many being revealed publicly for the very first time!
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15-23 Star Trek’s Blooper Reel Goes Overseas
10/20/2026
15-23 Star Trek’s Blooper Reel Goes Overseas
Before bonus features and streaming clips, seeing Star Trek’s bloopers could mean a trip to a convention, or a carefully negotiated loan from Gene Roddenberry himself. Dan Madsen returns to The Trek Files to join Larry Nemecek for a look at an August 9, 1974 letter to British fan organizer Jenny Elson. With preparations underway for what her committee billed as the first British Star Trek convention, Elson hoped to secure an essential attraction: the famous blooper reel. Gene was willing to help, but his instructions covered everything from insurance and screening fees to protecting the film and getting it safely home. That exchange opens a window onto a fandom growing across borders, one letter, newsletter, and gathering at a time. Dan remembers receiving his own Super 8 blooper reels for Christmas and turning the family garage into a screening room for fellow Denver fans. Together, he and Larry explore why these shared laughs became such a treasured part of early Star Trek fandom and why gathering in person still matters. Documents and Additional References (August 9, 1974), with Elson’s request and accompanying envelope. All episodes and documents: for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the ! Join today!
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15-22 From Script Pages to Action Figures: Garrett and Jellico
10/13/2026
15-22 From Script Pages to Action Figures: Garrett and Jellico
How much screen time does it take to leave a lasting impression? For Brian Volk-Weiss, two of Star Trek’s most memorable captains made their mark in just a handful of scenes. The Nacelle Company founder joins Larry Nemecek to revisit the script introductions of Rachel Garrett in “Yesterday’s Enterprise” and Edward Jellico in “Chain of Command, Part I.” Their conversation explores Garrett’s sacrifice, Jellico’s uneasy relationship with the Enterprise crew, and why both characters became essential choices for Nacelle’s Star Trekaction figures. Known for Star Trek documentaries including The Center Seat, Brian shares how his fandom became a personal code and a guiding principle for bringing overlooked characters to collectors’ shelves. Larry and Brian also celebrate the news that Nacelle has picked up Larry’s documentary The Con of Wrath for distribution. Documents and Additional References — final draft December 8, 1989; included scene revised December 11, 1989. — final draft October 6, 1992; included scene revised October 13, 1992. Reference: Reference: All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the ! Join today!
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15-21 When Star Trek Fandom Meets the Fine Print
10/06/2026
15-21 When Star Trek Fandom Meets the Fine Print
The Trek Files welcomes back Dan Madsen to revisit a revealing 1968 exchange between seventeen-year-old MaryLou “Mandi” Tamborello of the Nimoyan Fellowship and Gene Roddenberry’s attorney, Leonard Maizlish. After offering photographic prints reproduced from Star Trek film clips, Mandi found herself explaining her intentions to a lawyer and promising to stop selling the pictures. Maizlish’s reply offers an unexpected combination of reassurance, a firm refusal to authorize sales, and a possible arrangement to reimburse her costs. For Dan, the situation feels familiar. He recalls how his own teenage fan newsletter attracted Paramount Licensing’s attention, how Gene Roddenberry supported his path toward an official fan club, and how a conversation with Majel Barrett helped establish room for his merchandising efforts alongside Lincoln Enterprises. Dan and Larry explore the balance between fan passion and professionalism and why understanding the fans matters on both sides of the licensing conversation. Documents and Additional References — June 12, 1968 — July 15, 1968 Previous coverage: with Tim Gaskill — November 28, 2023 for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! !
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15-20 Sandy Gimpel: Inside Star Trek’s Salt Vampire
09/29/2026
15-20 Sandy Gimpel: Inside Star Trek’s Salt Vampire
As Star Trek celebrates its 60th anniversary, The Trek Files welcomes a performer who was there before the beginning and then came back for the episode that introduced the series to television audiences. Stunt performer Sandy Gimpel first entered the Star Trek universe as one of the Talosians in “The Cage.” When the series went into production, she returned to inhabit one of its most memorable creatures: the shape-shifting M-113 creature, better known to generations of fans as the Salt Vampire, in “The Man Trap.” This week’s document is an excerpt from George Clayton Johnson’s June 16, 1966 final draft of “The Man Trap.” Before the story even begins, a note to the director explains the creature’s ability to appear differently to different people and suggests giving “Nancy” an identifiable gesture to help the audience follow her transformations. The script’s cast list, meanwhile, simply identifies the creature as a silent role (“CREATURE (?)”) giving little indication of the character that would become one of the most recognizable images from early Star Trek. Sandy joins Larry to remember what bringing that creature to life actually required in 1966: a plaster cast of her head, a custom-made mask and costume, severely restricted vision, and an ingenious low-tech technique for matching her position to actress Jeanne Bal so the two could transform into one another on camera. When the costume made it nearly impossible for Sandy to hit her mark opposite William Shatner, she asked Gene Roddenberry to let her rehearse without it, counted her steps like the dancer she was, and then repeated the movement once she had been sewn back inside the creature. The conversation also reaches beyond Star Trek, tracing Sandy’s remarkable career from dancer and background performer to stuntwoman, stunt coordinator and director. Documents and Additional References by George Clayton Johnson (June 16, 1966) on IMDb by Sandy Gimpel Reference: “” Reference: “” All episodes and documents: for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the ! Join today!
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15-19 Background Check: Finding Star Trek’s Forgotten Performers
09/22/2026
15-19 Background Check: Finding Star Trek’s Forgotten Performers
Not everyone who appeared on Star Trek got a line, a screen credit, or even their name on the call sheet. Nearly sixty years later, that can turn a face clearly visible on screen into a genuine archival mystery. This week, The Trek Files welcomes veteran Deep Space Nine assistant director B.C. Cameron for a look at the working life of Hollywood’s background performers. The starting point is a mystery explored in the latest Inside the Roddenberry Archive: identifying Al Jones, an uncredited performer prominently seen as one of the thralls in “The Gamesters of Triskelion.” The episode’s production call sheets tell us which principal actors were required, which sets were in use, and simply how many “atmosphere” players and stand-ins were needed but not necessarily who those background performers were. Separate Extra Talent Call Sheets from Independent Casting provide the missing names, allowing the surviving paperwork to be pieced together and Jones finally identified. B.C. brings useful perspective to that paperwork. Before spending all seven seasons working as an assistant director on Deep Space Nine, she began her own career as a background performer and stand-in, including an early job standing in for Jane Fonda on Comes a Horseman. B.C. and Larry explore the hierarchy between credited actors, featured performers, union and non-union extras; why call sheets generally listed background by type or number rather than name; and what life was like when tomorrow’s paycheck could depend on a call from Central Casting. They also look at how Deep Space Nine developed its own reliable stable of recurring background players and how “Trials and Tribble-ations” required the production to cast performers who could actually match the extras seen in footage shot three decades earlier. Documents and additional resources t, October 24, 1967. I October 24, 1967. — investigation identifying uncredited “The Gamesters of Triskelion” background performer Al Jones. “” — Star Trek: The Original Series, production no. 60346. Star Trek: Deep Space Nine, “”
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15-18 The Standing Ovation That Launched Star Trek
09/15/2026
15-18 The Standing Ovation That Launched Star Trek
Last week, The Trek Files followed Gene Roddenberry to the 1966 World Science Fiction Convention in Cleveland, where he hoped to convince a skeptical audience of serious science-fiction fans that his new television series was worthy of their attention. This week, Glen E. Swanson, author of Inspired Enterprise, returns to examine what happened next. Our document is a December 1966 letter from science-fiction fan Mike Deckinger, who tells Desilu that he was among more than 1,000 people who watched Roddenberry preview Star Trek at Tricon and witnessed the audience give him a standing ovation. By then, Star Trek had been on the air for three months, and Deckinger was already urging the studio to protect a series he believed was offering television something different: mature stories, intelligent ideas, and contributions from established science-fiction writers. His brief letter gives us a valuable eyewitness account of a moment that Roddenberry himself would recount for years to come. Glen and Larry then trace the ripples from that weekend through Roddenberry's excited telegrams back to Hollywood, a special award from the convention that Gene kept on his office wall for decades, and the award's later appearance in a full-page trade advertisement promoting Star Trek for Emmy consideration. What began as an attempt to win over one of science fiction's toughest audiences became something more lasting: an early stamp of approval from the community Star Trek most wanted to take it seriously. Documents and additional resources . Glen E. Swanson, Inspired Enterprise: How NASA, the Smithsonian and the Aerospace Community Helped Launch Star Trek — Glen E. Swanson — Glen E. Swanson, “,” The Space Review, September 8, 2026 -
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15-17 Three Days Before Star Trek: Gene Roddenberry at Tricon
09/08/2026
15-17 Three Days Before Star Trek: Gene Roddenberry at Tricon
On September 8, 1966, Star Trek made its American television debut. But just days earlier, Gene Roddenberry was in Cleveland trying to convince some science fictionfans that his new television series deserved to be taken seriously. On this special 60th anniversary edition of The Trek Files, Glen E. Swanson, author of Inspired Enterprise, returns to examine Roddenberry’s appearance at Tricon, the 24th World Science Fiction Convention, over Labor Day weekend in 1966. Our document of the week is the March 8 invitation from Tricon chairman Ben Jason asking Roddenberry to attend the convention, speak to the fans, and bring along both Star Trek pilots. The original Tricon program provides another remarkable artifact: a “sneak preview” of two episodes of a new science-fiction television series called Star Trek. Television science fiction still had a credibility problem, particularly among fans and writers who had seen Hollywood turn sophisticated ideas into bug-eyed monsters and juvenile adventure. Roddenberry arrived with something to prove: that Star Trek intended to treat science fiction with respect. Glen and Larry explore the expectations surrounding the convention, Roddenberry’s deliberate courtship of the science-fiction community, and why taking time away from a frantic production schedule to spend Labor Day weekend in Cleveland may have been one of the smartest promotional decisions he could make. And that's only half the story. Next week, Glen returns for Part Two, as we examine what actually happened when the lights went down, the Star Trek pilots went up on the screen, and the legend of Tricon began. Related Documents — March 8, 1966 Additional References – official website at the “” — Glen E. Swanson,
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15-16 “Who Watches the Watchers”: Jeffrey Morris on the Prime Directive and Star Trek’s Future
09/01/2026
15-16 “Who Watches the Watchers”: Jeffrey Morris on the Prime Directive and Star Trek’s Future
Recorded live at STLV, filmmaker and author Jeffrey Morris returns to The Trek Files with a 1989 research report on the landmark Star Trek: The Next Generation episode “Who Watches the Watchers.” The production notes scrutinize everything from radiation exposure and memory modification to the logic of sending Riker and Troi undercover, and even question whether Picard telling a Mintakan to “shoot me” feels a little too much like a Kirk move. Morris calls “Who Watches the Watchers” not his favorite or even the best episode of Star Trek, but the most important: a story about a society struggling out of superstition and fear, and Picard’s determination not to push it backward. Drawing from his book "," Morris and Larry Nemecek consider whether our own civilization is approaching a similar crossroads, retreating from science, diplomacy and accumulated knowledge at precisely the moment we need them most. From the Prime Directive to fandom activism to the responsibilities of ordinary people, the discussion comes back to a simple idea: Star Trek was never really promising us better gadgets. It was imagining what might happen if humanity finally chose to grow up. Document of the week: Additional references: Jeffrey Morris — “"
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15-15 The Doomsday Machine and a Future Askew
08/18/2026
15-15 The Doomsday Machine and a Future Askew
Norman Spinrad’s original March 1967 story outline for “The Planet Eater” introduced Star Trek to an unstoppable machine roaming the galaxy, consuming planets for fuel and leaving destruction in its wake. By the time it reached television, the story had a new title, “The Doomsday Machine,” and became one of the most celebrated episodes of the original series. Author and filmmaker Jeffrey Morris joins Larry Nemecek at Star Trek Las Vegas to revisit that original outline and consider its warning through a distinctly 21st-century lens. Drawing from his new book, , Jeffrey explores artificial intelligence, social media, technological disruption, and the increasingly complicated distance between the optimistic future Star Trek imagined and the one we’re actually building. Could today’s rapidly developing technology become our own version of the Planet Eater: enormously powerful, increasingly autonomous, and ultimately beyond the understanding of its creators? Sixty years after Star Trek began imagining the future, an old-fashioned doomsday machine provides a surprisingly timely place to ask where we’re headed next. Document of the week: Additional references: Jeffrey Morris — “” l - by Eliezer Yudkowsky and Nate Soares
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15-14 Star Trek Fans, 1976
08/11/2026
15-14 Star Trek Fans, 1976
What did Star Trek fans have to say in 1976? John Champion returns to The Trek Files for a look through Gene Roddenberry’s fan correspondence. This season's selection captures a moment in Star Trek history, ten years after the original series debuted, but before the arrival of Star Trek: The Motion Picture. A Cincinnati attorney credits Spock’s logic for helping persuade a jury. An artist shares his hand-painted “Mr. Spock” portrait… on an egg. A teacher explains how she’s bringing Star Trek into the classroom, while another fan gently reminds Gene that he still owes her friend for a videotape. Documents and Additional References album
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15-13 The Day Star Trek Came to Monterey Bay
08/04/2026
15-13 The Day Star Trek Came to Monterey Bay
Authors John and Maria Jose Tenuto return to The Trek Files to share a seemingly ordinary filming notice distributed to guests at the Monterey Bay Aquarium during production of Star Trek IV: The Voyage Home. But for John, it’s much more than a production handout, it’s a family keepsake. In April 1986, John’s parents unknowingly visited the aquarium on a day when Leonard Nimoy, William Shatner, and the Star Trek IV cast were filming. They saved the notice, recorded the production on a home VHS camcorder, and brought home an extraordinary piece of behind-the-scenes history. Decades later, that footage and flyer helped document one of the franchise’s most beloved films. Larry, John, and Mary Jo explore the logistics of filming at a working public aquarium, Leonard Nimoy’s commitment to the film’s environmental message, and how a family vacation unexpectedly became part of Star Trek history. Documents and Additional References Document of the Week (April 1986) Additional References by John and Maria Jose Tenuto (Titan Books) discussing Star Trek II, Star Trek III, and Star Trek IV production history.
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15-12 Gene Roddenberry Rewrites The Next Generation
07/28/2026
15-12 Gene Roddenberry Rewrites The Next Generation
Following last week’s look at the earliest concepts for Star Trek: The Next Generation, Larry Nemecek welcomes back author and historian Ben Robinson to examine Gene Roddenberry’s handwritten response and the surprising conversation it sparked. Revisiting documents first explored in earlier seasons of The Trek Files, Larry and Ben trace the pivotal weeks of September 1986, when Gene challenged early ideas for a Starfleet Academy-centered series, questioned the show’s heavy emphasis on Klingons, and argued that Star Trek’s true strength had never been its characters alone but the stories it told. Some of Gene’s observations proved remarkably prescient. Others reveal how his own thinking had evolved since the 1960s. Together, they paint a portrait of a franchise at a crossroads, just weeks before The Next Generation officially became the series we know today. Documents and Additional References Document of the Week (September 19, 1986) Additional References (September 1986) (revisited from ) Related Trek Files episodes: Season 1, Episode 4 — Season 13, Episode 2 — Season 15, Episode 11 —
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15-11 The Next Generation Before Picard
07/21/2026
15-11 The Next Generation Before Picard
Before Captain Picard. Before the Enterprise-D. Before Gene Roddenberry stepped back into the captain’s chair of his own creation... This week on The Trek Files, Larry Nemecek is joined by author and Star Trek historian Ben Robinson to examine one of the earliest surviving documents in the development of Star Trek: The Next Generation: a September 1986 memo from writer Greg Strangis to producer Rick Berman outlining the first concepts for a new Star Trek television series. The document reveals some fascinating ideas: a Starfleet Academy setting, a young captain, a Klingon observer serving aboard a Federation starship, familiar themes of friendship, diplomacy, and the Prime Directive, but viewed through the lens of Cold War politics and 1980s television. Together, Larry and Ben explore why some of these ideas disappeared, why others evolved into the Next Generation we know today, and how the process of reinventing Star Trek began long before Gene Roddenberry ultimately reshaped the concept himself. Documents and Additional References Additional References Related Trek Files episodes: Season 1, Episode 4 — Season 13, Episode 2 —
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15-10 Star Trek II Retakes: The Scenes That Changed The Wrath of Khan
07/14/2026
15-10 Star Trek II Retakes: The Scenes That Changed The Wrath of Khan
Star Trek II: The Wrath of Khan is regarded as one of the finest entries in the franchise, but even classics continue to evolve right up until release. This week on The Trek Files, Larry Nemecek welcomes authors and historians John and Maria Jose Tenuto to examine a fascinating production document: a March 23, 1982 retake script created just weeks before the film premiered. The pages reveal subtle but important changes to some of the movie’s most memorable moments, from Kirk’s first encounter with David Marcus to the famous “Remember” scene between Spock and McCoy. How much did Kirk originally know about his son? Who actually performed the mind-meld hand seen in the reshoot? And how did a handful of pickup shots help shape what would become one of Star Trek’s greatest films? Along the way, John and Maria Jose pull back the curtain on Nicholas Meyer’s production, Harve Bennett’s stewardship of the franchise, and the extraordinary efficiency that turned a modestly-budgeted sequel into a science-fiction masterpiece. Documents and Additional References Document of the Week Additional References
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15-9 No Landing Gear Required - The Origin of Star Trek’s Transporter
07/07/2026
15-9 No Landing Gear Required - The Origin of Star Trek’s Transporter
What if Star Trek’s most iconic technology was really just a clever budget solution? This week on The Trek Files, Larry Nemecek welcomes back actor, writer, and co-host Tamara Krinsky to explore one of the foundational documents of Star Trek: an excerpt from Gene Roddenberry’s August 1966 Writer-Director Information guide. Among its many insights is an early explanation of the transporter, the device that would become one of the franchise’s most recognizable inventions. What began as a practical solution to avoid expensive weekly landing sequences quickly evolved into a storytelling engine unlike anything else in science fiction. Together, Larry and Tamara examine how the transporter shaped Star Trek’s pacing and opened the door to some of the franchise’s most memorable stories. Drawing on Tamara’s work analyzing science fiction concepts on , the conversation ventures into questions of physics and philosophy. Is transporting matter actually possible? What happens to consciousness during transport? And how did a production shortcut become one of the most enduring ideas in popular culture? From Gene Roddenberry’s original vision to modern discussions of science and storytelling, this episode beams directly into what makes Star Trek work. Documents and Additional References (Revised August 30, 1966) – transporter section and production notes podcast
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15-8 Rewriting Joan Crawford
06/30/2026
15-8 Rewriting Joan Crawford
Before Star Trek or The Lieutenant Gene Roddenberry explored his role as a television creator by developing a series for one of Hollywood’s biggest stars: Joan Crawford. This week, Larry welcomes Roddenberry Podcasts Technical Director and co-host Earl Green to examine a 1961 memo in which Gene proposes major revisions to The Joan Crawford Show, a legal drama pilot titled A Man’s World. The project never made it to series, but the document reveals a writer already demonstrating the storytelling instincts, character focus, and production savvy that would later define his career. Along the way, Earl and Larry explore Crawford’s complicated transition from film to television, the realities of early TV development, Gene’s final months at Screen Gems, and the behind-the-scenes negotiations that surrounded the project. They also discuss why the pilot script itself—examined in depth on —may rank among Gene Roddenberry’s strongest pre-Star Trek works. What begins as a rewrite memo becomes a look into Hollywood in transition and Gene Roddenberry honing his craft years before the Enterprise ever left spacedock. Documents and Additional References (April 28, 1961) on IMDb on IMDb episode
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15-7 Majel’s Vision - Lwaxana in the 24th Century, Revisited
06/23/2026
15-7 Majel’s Vision - Lwaxana in the 24th Century, Revisited
Earlier this season, we explored an unusual piece of Star Trek history: . Now, the story takes an unexpected turn. When listeners helped identify one of the creators behind the never-produced project, The Trek Files tracked down writer and media innovator Jack Myers, who hadn’t seen the pitch document in decades. Together, Larry and Jack revisit Lwaxana in the 24th Century, uncovering how the project came together, Majel Barrett Roddenberry’s personal investment in the series, and why Hollywood never gave it a chance. Jack shares memories of Majel’s determination, her frustrations with the industry’s limitations, and her belief that Lwaxana could carry a series of her own. Looking back today, many of the pitch’s ideas (from AI-powered homes and android assistants to questions of identity, family, and cultural division) feel surprisingly ahead of their time. It’s a rare opportunity to hear the history behind an unproduced Star Trek project directly from one of the people who helped create it, while reflecting on the changing world of television and the legacy of Majel Barrett Roddenberry. Documents and Additional References (circa 1992) official site
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15-6 How an Official Star Trek Stage Show Nearly Reached Broadway
06/16/2026
15-6 How an Official Star Trek Stage Show Nearly Reached Broadway
The story of Star Trek’s officially licensed 1994 stage production continues this week on The Trek Files as actor Adrian Cohen returns to share even more memories from Star Trek: The Lost Voyage of the Enterprise. Using a rare 1995 review from Total Theatre Magazine as the document of the week, Adrian and Larry Nemecek dig deeper into the ambitious London production that somehow brought transporters, Klingons, time travel, and a full-scale Enterprise bridge to the live stage — all during the height of 1990s Trek mania. This time, Adrian shares stories from the chaotic opening night when the lighting system catastrophically crashed just hours before curtain, forcing the audience to wait until 9:30 PM for a performance that somehow still became a hit with fans. He also reflects on the enormous pressure of portraying Mr. Spock, the audience reaction to seeing the crew materialize live on stage, and the bittersweet realization that the production’s planned Broadway future would never quite materialize. Along the way, the conversation uncovers surprising connections to Adrian’s later move to America, the early career of producer John Gore, and how one strange theatrical experiment became an almost-forgotten chapter of Star Trek history. Documents and Additional References (Spring 1995) Adrian Cohen on Reference: John Gore on John Gore on The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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15-5 Inside the 1994 UK Star Trek Stage Show
06/09/2026
15-5 Inside the 1994 UK Star Trek Stage Show
Before there was streaming Trek or “immersive experiences,” there was something almost unbelievable: an officially licensed Star Trek stage play in London in 1994. This week on The Trek Files, Larry Nemecek welcomes actor Adrian Cohen (credited at the time as Adrian Neil), who played Mr. Spock in the ambitious theatrical production mounted during the height of the Star Trek: The Next Generation era. Using a clipping from the London Evening Standard as the document of the week, Adrian recounts the surreal experience of stepping onto a full-scale Enterprise bridge in front of packed houses of passionate British Trek fans. What began as a skeptical audition (“I can’t play Spock!”) quickly evolved into a whirlwind production featuring transporter effects, Klingons, time travel, elaborate costume changes, and even an Enterprise flying out over the audience. Adrian and Larry explore how producer John Gore approached the material with both reverence and playful theatricality, creating something that celebrated Star Trek rather than parodying it. Along the way, Adrian shares memories of discovering just how intense Trek fandom could be, the pressure of channeling Leonard Nimoy’s iconic presence, and the unexpectedly emotional reaction from audiences seeing Star Trek brought to life on stage for the very first time. This week, The Trek Files points a spotlight at a little-known corner of improbable yet completely inevitable Trek history. Documents and Additional References clipping covering the 1994 Star Trek stage production Reference: Adrian Cohen on Reference: John Gore on John Gore on The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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15-4 The Face of First Contact
06/02/2026
15-4 The Face of First Contact
Thirty years ago, Star Trek: First Contact brought one of the franchise’s most important moments to life: humanity’s first meeting with the Vulcans. This week on The Trek Files, host Larry Nemecek welcomes actor, writer, and ? co-host Tamara Krinsky for a uniquely personal look behind the scenes of that iconic sequence. Using an original production call sheet from April 23, 1996, the conversation takes us to the nighttime shoot at Charlton Flats in the Angeles National Forest, where dozens of extras helped populate the post-war settlement that would witness history. Among them was a young aspiring actor named Tamara, hoping to gain experience and maybe earn a coveted SAG card. What happened next was something straight out of Hollywood legend. During filming, director Jonathan Frakes singled Tamara out from among the crowd, rebuilding part of the scene around her reaction shot. Her featured appearance in the finished film earned her a day-player contract, a SAG membership, and a memory that has stayed with her ever since. Along the way, Tamara shares stories of chilly overnight shoots, watching the legendary cast at work, and experiencing firsthand the creation of one of Star Trek‘s most beloved cinematic moments. Documents and Additional References Reference: Reference: Reference: Reference: Reference: podcast The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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15-3 Star Trek IV Call Sheets and B-Tank Memories with Effects Artist Stuart Ziff
05/26/2026
15-3 Star Trek IV Call Sheets and B-Tank Memories with Effects Artist Stuart Ziff
The Trek Files welcomes back visual effects veteran Stuart Ziff for a firsthand trip into the making of Star Trek IV: The Voyage Home. This time, the documents are original production call sheets from April 1986, detailing the now-legendary “B-Tank” shoot where the Klingon Bird-of-Prey splashed down into San Francisco Bay with George and Gracie the humpback whales. Stu recalls the practical filmmaking wizardry behind the scenes: giant wave machines, lightning rigs, whale effects, and an enormous outdoor water tank built on the Paramount lot. Along the way, he shares stories about building a mechanical whale eye (for the wrong side of the whale), experimenting with blue dye for the tank water, and watching old Hollywood effects crews create movie magic in real time. Larry and Stu also circle back to Star Trek: The Motion Picture and Stu’s experiences during the turbulent Robert Abel & Associates era, including a revealing memory involving a young Paramount executive named Jeffrey Katzenberg. It’s a fond look back at the kind of filmmaking that required wind machines, carbon-arc lightning effects, scuba divers, towels, and “wetsuits for cast and crew.” Plus: Stu discusses the being produced about his life and career, and how fans can help support it. Documents and additional references Stuart Ziff documentary campaign: Indiegogo – Reference: Reference: The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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15-2 Stuart Ziff on the Troubled Effects Production of Star Trek: The Motion Picture
05/22/2026
15-2 Stuart Ziff on the Troubled Effects Production of Star Trek: The Motion Picture
Before Star Trek: The Motion Picture reached theaters, its visual effects production was already becoming legendary… for all the wrong reasons. This week on The Trek Files, Larry Nemecek welcomes visual effects veteran Stuart Ziff for a firsthand account of the chaotic early days of TMP production under Robert Abel & Associates. Using internal memos and legal correspondence from 1977 and 1978, Larry and Stu trace the rapidly escalating budget, the mounting pressure from Paramount, and the growing realization that the ambitious effects work was spiraling out of control. But this isn’t just a story about production disaster. Stu shares what it was actually like inside Abel’s experimental effects operation during a revolutionary moment in Hollywood filmmaking, where engineers, artists, and filmmakers were inventing techniques on the fly in the years between Star Wars and the digital era. Along the way, Stu reveals how some of his work survived the production shakeup and made it into the finished film, including contributions to the unforgettable V’Ger probe sequence aboard the Enterprise bridge. It’s a candid look at one of the most turbulent creative periods in Star Trek history, and a reminder that sometimes cinematic magic emerges from absolute chaos. Documents and additional references: December 6, 1977 legal correspondence regarding Robert Abel & Associates’ agreement for Star Trek: The Motion Picture. May 17, 1978 Paramount memo objecting to Robert Abel & Associates’ revised visual effects budget. Guest: Stu Ziff Reference: Star Trek: The Motion Picture Additional reference: the upcoming Stu Ziff documentary crowdfunding campaign at Indiegogo – The Trek Files Season 15 on Memory Alpha All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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15-1 Tawny Newsome on the Lost Lwaxana Troi Sitcom Pitch
05/19/2026
15-1 Tawny Newsome on the Lost Lwaxana Troi Sitcom Pitch
What if Star Trek had spun off into a full-blown sitcom starring Lwaxana Troi? To kick off Season 15 of The Trek Files, Larry Nemecek welcomes actor, writer, comedian, and Star Trek: Lower Decks star Tawny Newsome for a deep dive into an early-1990s pitch centered on Majel Barrett Roddenberry’s Betazoid ambassador. The document up for discussion is a never-produced sitcom concept built around Lwaxana Troi; equal parts fish-out-of-water comedy, family chaos, and larger-than-life Trek energy. Together, Larry and Tawny unpack why the pitch feels both very of-its-time and strangely ahead of its time, especially now that Star Trek comedy has found new life through projects like Lower Decks. As someone who has not only starred in Trek comedy but also developed her own comedic Trek ideas, Tawny brings a unique perspective to the conversation: what makes sci-fi comedy work and how Gene Roddenberry’s world always had room for humor alongside the philosophy and adventure. It’s a fascinating look at a road not taken in Star Trek history and a reminder that sometimes the weirdest ideas in the archive are the most revealing. Documents and additional references Guest: Reference: Additional reference: The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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14-24 Denise Crosby on Auditioning for TNG: How Macha Hernandez Became Tasha Yar
02/17/2026
14-24 Denise Crosby on Auditioning for TNG: How Macha Hernandez Became Tasha Yar
Before she was Tasha Yar, she was Lieutenant Commander Macha Hernandez. For the Season 14 finale of The Trek Files, Denise Crosby joins Larry Nemecek to revisit her original 1987 audition sides for Star Trek: The Next Generation, including early character descriptions that reveal a very different version of the Enterprise’s security chief. Denise first read for Deanna Troi before Gene Roddenberry made a pivotal switch, reshaping the role of Macha Hernandez into Tasha Yar to fit Denise’s strengths. In this week's episode, Denise reflects on the audition process, her favorite scene between Troi and Yar that was never filmed, and what those early creative decisions revealed about the direction of TNG. She also shares memories of those uncertain early days of production, the risk of launching a syndicated sequel to an iconic series, and the emotional complexity of stepping into (and eventually stepping away from) such a historic role. Along the way, Denise speaks movingly about loss after the Palisades fire, resilience, fandom, and what it means to revisit Star Trek decades later. It’s a revealing look at how a character evolves, how casting can reshape canon, and how even discarded script pages tell the story of Star Trek’s creative DNA. Documents and additional references Original description of Lieutenant Commander Macha Hernandez and early security chief character concepts. Troi/Yar audition scene never filmed for TNG. The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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14-23 Star Trek IV’s Lost Saavik Scene with Robin Curtis
02/10/2026
14-23 Star Trek IV’s Lost Saavik Scene with Robin Curtis
In this very special episode of The Trek Files, actor Robin Curtis joins us to revisit a little-known chapter in Saavik’s story, one that never made it to screen. Drawing from a pair of early Star Trek IV: The Voyage Home script drafts, we explore a scene that implies Saavik is pregnant with Spock’s child, a narrative thread begun in Star Trek III but quietly dropped by the time the final film was released. Robin shares warm memories of working with Leonard Nimoy, the late Harve Bennett, and her fellow castmates, as well as a few eye-opening truths about the unpredictability of Hollywood. Plus, she discusses her return to the role of Saavik in OTOY’s Unification, and we recreate the pivotal, never-filmed scene between Kirk and Saavik. It’s an emotional, candid, and deeply human conversation about legacy, missed opportunities, and what it means to carry a character with you for decades. Documents and additional references: The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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14-22 How ‘The Chase’ Inspired Star Trek: Discovery’s Final Season
02/03/2026
14-22 How ‘The Chase’ Inspired Star Trek: Discovery’s Final Season
Before Star Trek: Discovery’s final season sent its crew in pursuit of ancient secrets, Carlos Cisco had already taken inspiration from one of the most profound episodes of The Next Generation, “The Chase.” In this week’s The Trek Files, Carlos returns to explore the thematic connections between the 1993 TNG episode and Discovery’s modern narrative arc. With Larry Nemecek, he discusses how “The Chase” influenced the creation of the alien species Progenitors and how its ideas about shared ancestry and unity resonated with the story of L’ak and the Breen in Discovery Season 5. Document and additional references: (revised Feb 4–10, 1993) Written by Ronald D. Moore & Joe Menosky, directed by Jonathan Frakes. The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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14-21 Questor Rebooted
01/27/2026
14-21 Questor Rebooted
This week, we’re joined once again by Cash Edwards, who shares an intimate look at his longtime friendship with Star Trek: The Next Generation producer Herbert J. Wright. Their relationship, and shared history with Gene and Majel Roddenberry, sparked a bold attempt to revive one of Gene’s most personal concepts: The Questor Tapes. In 2004, Herb, Cash, Rod Roddenberry, and a team that included Mike Okuda and Jules Urbach put together a new pitch for Questor—a project updated for the post-9/11 world but still driven by the timeless Roddenberry themes of evolution, ethics, and survival. From detailed series bibles to pilot treatments and fan outreach, Cash walks us through the chaotic early years of TNG, the roots of Questor, and the bittersweet story behind its final pitch. Document and additional references: The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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14-20 How Star Trek: The Next Generation Built a Believable Warp Drive
01/20/2026
14-20 How Star Trek: The Next Generation Built a Believable Warp Drive
This week on The Trek Files: warp coils, dilithium chambers, and a whole lot of gamma rays. Returning guest Rick Sternbach joins Larry Nemecek once again for a lively exploration of Star Trek: The Next Generation’s scientific backbone. Using early technical memos and a classic 1987 warp engine sketch, Rick walks us through how the team brought real-world physics into the heart of the Enterprise-D’s design and when they just had to make it up. From working with Los Alamos physicists to devising the ejection system for the warp core, Rick shares stories of how he and Mike Okuda grounded the show’s tech in reality while still serving the drama. Ever wonder why deuterium goes on top, antimatter on the bottom, or how a photon torpedo really works? This one’s for the technobabble lovers and science fans alike. Documents and additional references: “” by Rick Sternbach, February 18, 1987 , May 1, 1989 The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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14-19 The Book That Launched a Franchise Revival
01/13/2026
14-19 The Book That Launched a Franchise Revival
Long before The Next Generation brought LCARS to life or 3D printers made cosplay easier, Star Trek fans relied on one book to make the Enterprise feel real: The Starfleet Technical Manual by Franz Joseph. In this week’s episode, Larry Nemecek welcomes back Karen Schnaubelt, daughter of Franz Joseph, to mark the 50th anniversary of that seminal 1975 publication, just weeks after its surprise appearance atop the New York Times bestseller list. More than just a how-to guide for warp drives and turbo lifts, the Tech Manual became a cornerstone of Trek fandom and helped lay the foundation for the Star Trek revival that followed. Karen reflects on her father’s unique journey from retired engineer to pop culture icon, how the Technical Manual grew out of lunch-hour sketches and club meetings, and what it was like watching fandom embrace a book that treated Star Trek like a living universe. Plus, Larry and Karen discuss how that very success may have stirred some tension in Gene Roddenberry’s orbit. Documents and additional references: The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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14-18 Exploring Gene Roddenberry’s Star Trek: The Motion Picture Novel Preface
01/06/2026
14-18 Exploring Gene Roddenberry’s Star Trek: The Motion Picture Novel Preface
Writer/producer Mike Sussman returns to The Trek Files with a personal favorite: the creative and very meta preface to Gene Roddenberry’s novelization of Star Trek: The Motion Picture. In it, Gene (writing as himself and as Admiral Kirk) casts the original Star Trek series as a fictionalized dramatization of real events. Wait… what? Join Mike and Larry Nemecek as they unpack Roddenberry’s playful (and possibly defensive) retcon of Trek canon, written at a time when Gene was emerging as a sci-fi thought leader in the post-Star Wars, post-lecture-circuit era. It’s Roddenberry as revisionist historian, spinning group consciousness, mind control revolts, and alternate human evolution… all in the introduction to his own movie tie-in novel. You may never look at the “real” Kirk, or Trek canon, the same way again. Documents and additional references: Reference: The Trek Files All episodes and documents: Visit the for behind-the-scenes access and exclusive merchandise. The conversation continues on with live chats and the Roddenberry Podcasts community! !
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