Second Breakfast with Cam & Maggie
The Conjuring: Last Rites is a long goodbye; it presents a medley of curtain calls, family drama, beautiful directing, and uninspired scares. In this episode we examine the final Ed & Lorraine Conjuring movie from three different perspectives: as a character study, as a horror movie, and as the ending of a beloved horror franchise. Our discussion concludes with a reflection on subjectivity, and its centrality to our discussions about art on the show. Plus, Maggie forgets the word “spin-off” about 17 times. LINKS: , , , Feedback & Theories:
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The Toxic Avenger is unrated, unhinged, and full of heart. In this episode, we’re exploring the explosive color work of unrated horror, Toxie’s fantastic creature design that harkens back to the body horror roots of the genre, the restlessness of successful on-screen comedy, and the film’s folkloric catharsis in the face of cartoonish corruption and cruelty. LINKS: , , , Feedback & Theories:
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Of all the horror franchises, Hell House LLC might have the boldest and most terrifying sequels. In this episode, we’re discussing them all, while tracking the unique ways in which they complicate and deepen the franchise’s ten-year Faustus meditation. LINKS: , , , Feedback & Theories:
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The fifth and ‘final’ Hell House LLC film is out now in theaters, and causing quite a stir. We both loved this movie, and in this episode we are responding to the four most prominent criticisms that have torn through the fandom. LINKS: , , , Feedback & Theories:
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Like most horror movies, The Poughkeepsie Tapes is a mixed bag — in this case, an uneven combination of mockumentary interviews and shaky found footage scares. But Cam’s got a wild theory that this movie is actually one of the most vicious and biting satires ever made of the true crime industrial complex and its relationship with the horror genre. LINKS: , , , Feedback & Theories:
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is what you get when you throw Evil Dead and Saw in a blender, open the top, splatter it all over a laser tag arena, and then shoot the whole thing into space. This is the most gonzo, full throttle, colorful, and splatter crunch crazy movie we have ever covered on the show. It's an absolutely stunning thrill ride, and a genuinely inspiring monument to indie filmmaking. LINKS: , , , Feedback & Theories:
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It’s time to do a little check-in about the future of the show. LINKS: , , , Feedback & Theories:
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In a true ‘bucket list’ moment, we got to see My Chemical Romance perform the entirety of their masterpiece “The Black Parade” album live on stage. For this marathon episode, we’re breaking down all new iconography of the band’s “Draag” era, unearthing some provocative connections to The Black Parade, discussing each and every song in the time-traveling setlist, and reflecting on this transcendent, life-affirming artistic experience. LINKS: , , , Feedback & Theories:
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Eddington is a bold, fascinating, ambitious satire, but it’s also the film that cements certain patterns within Ari Aster’s way of telling stories. In this episode, we’re creating a list of four ironclad ‘rules’ that appear in each of his movies by revisiting Hereditary, Midsommar, and Beau Is Afraid — before finally discussing Eddington. This is a celebration of recurring themes and conceptual escalation across one of the most exciting and restless filmographies of our time. LINKS: , , , Feedback & Theories:
info_outlineSecond Breakfast with Cam & Maggie
It’s a bird, it’s a plane, it’s — a sudden influx of life-affirming summer blockbusters? In this episode, we’re taking a look at both Superman and The Fantastic Four: First Steps, to find out why Cam was holding back tears throughout these movies. Topics include: a dozen pointed similarities between these films, our wildly different perspectives & expectations, a bit of backseat editing, comparisons to past inspiring superhero films, the endless importance of romance in storytelling, and a look towards the future of this new trend. LINKS: , , , Feedback...
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Like most horror movies, The Poughkeepsie Tapes is a mixed bag — in this case, an uneven combination of mockumentary interviews and shaky found footage scares. But Cam’s got a wild theory that this movie is actually one of the most vicious and biting satires ever made of the true crime industrial complex and its relationship with the horror genre.
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