Celtic Tomes
This chapter covers Temples, Altars, Images, Symbols, and the Cult of Weapons of the Ancient Celts.
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The Celtic year was not at first regulated by the solstices and equinoxes, but by some method connected with agriculture or with the seasons.
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The Irish geis, pl. geasa, which may be rendered by Tabu, had two senses. It meant something which must not be done for fear of disastrous consequences, and also an obligation to do something commanded by another.
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The Celts offered human victims on the principle of a life for a life, or to propitiate the gods, or in order to divine the future from the entrails of the victim. We shall examine the Celtic custom of human sacrifice from these points of view first.
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The Celts may have possessed the Heaven and Earth myth, but all trace of it has perished. There are, however, remnants of myths showing how the sky is supported by trees, a mountain, or by pillars.
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Animal worship pure and simple had declined among the Celts of historic times, and animals were now regarded mainly as symbols or attributes of divinities.
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The Celts had their own cult of trees, but they adopted local cults. This chapter also details how the Celts made their sacred places in dark groves, the trees being hung with offerings or with the heads of victims.
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Among the Celts the testimony of contemporary witnesses, inscriptions, votive offerings, and survivals, shows the importance of the cult of waters and of water divinities. This chapter also details the many fairies and folklore creatures associated with water.
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McCulloch talks about animism, where everything was a person and the greater objects of nature were worshiped for themselves alone.
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The custom of burying grave-goods with the dead and other grave customs is the subject of this chapter. McCulloch also talks about the role of fairies and the festival of Samhain.
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British Goblins: Welsh Folk Lore, Fairy Mythology, Legends and Traditions (1881)
Book 3 Chapter 4
by
Wirt Sikes
All about bell-ringing competitions between villages at Christmas time, the 'Pipes of the Watch' who wake the echoes in the early morning. We also hear about the games, music and Eisteddfodau of Christmas. Sikes tells us about the origins of Boxing Day and the Druid feast of Alban Arthur, celebrated at the Winter Solstice.
- Nadolig, the Welsh Christmas 1:35
- Bell-ringing 3:13
- Carols 4:20
- Dancing to the Music of the Waits 6:37
- An Evening in Carmarthenshire 8:44
- Shenkin Harry, the Preacher, and the Jig Tune 12:26
- Welsh Morality 13:03
- Eisteddfodau 14:26
- Decorating Houses and Churches 16:04
- The Plygain 17:40
- The Colliers Star 18:47
- he Christmas Thriftbox 19:24
- Pagan Origin of Christmas 21:52
Names Used in this Section
All proper names, and words in Welsh or other languages, are recorded here in the show-notes and we've done our best to get the pronunciations right for you.
Nadolig
Shenkin Harry
Eisteddfodau
Plygain
Arthur & Merlin
Waits (band of wandering musicians)
Bell-Ringing
Cowbridge
Aberdare
Penarth
St. Fagan's
Llantrisant
Llanblethian
ayont the twal
Bacchus
Glamorganshire
Rev. Evan Harris
Stendahl
Hellas
Pindar
Sophocles
Phidias
Praxiteles
Herodotus
Llandaff Cathedral
Gwynt traed y meirw (wind blowing over the feet of corpses)
Bethlehem
Belgium
Rhodd Nadolig - Christmas gift
The 'Thrift' Box
Viscount Palmerston
London
'jour de l'an'
Alban Arthur
Avagddu
Hea
Gorsedd
Cerridwen
Awen
Herefordshire
British Goblins can be found on Archive.org
You can find out more about Wirt Sikes on Wikipedia.
Try the Celtic Myth Podshow for the Tales and Stories of the Ancient Celts at http://celticmythpodshow.com or on Apple Podcasts.
Our theme music is "Gander at the Pratie Hole" by Sláinte. You can find their music on the Free Music Archive.