Practical Criticism No. 72: Brian Wilson (God Only Knows What We'll do Without You...)
Release Date: 07/04/2025
Practical Criticism No. 72: Brian Wilson (God Only Knows What We'll do Without You...)
Practical Criticism
In episode 72 of Practical Criticism, Ajay takes the somber occasion of Brian Wilson's recent death to play, for Rebecca, the Beach Boys's immortal track "God Only Knows"—a song Paul McCartney called the "greatest ever written." Is Sir Paul, for once, correct? Ajay and Rebecca ask after the song's technical perfection, noting its intermix of pop, jazz, and even Bach-esque baroque, while dwelling as well on its emotional ambiguity, barbershop polyphony, and inimitable quality of being at once light and airy yet incredibly substantial. Is "God Only Knows" the platonic ideal of pop? How can we...
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Practical Criticism No. 71: Neko Case
Practical Criticism
In episode 71 of the Podcast for Social Research's Practical Criticism series, Rebecca Ariel Porte plays Neko Case's "Curse of the I-5 Corridor" (off the 2018 album Hell-On) for Ajay Singh Chaudhary. Their conversation ranges from convention to the sound of disillusionment to lyrical density, meta-musical gesture, vocal quality, and how you can tell if and when something is beyond saving.
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Practical Criticism, No. 70: Roy Hargrove and the RH Factor
Practical Criticism
In episode no. 70 of Practical Criticism, Ajay surprises Rebecca with Roy Hargrove and the RH Factor’s "Out of Town," off the 2003 record Hard Groove. The discussion includes a dive deep into jazz-hip-hop experiments, varieties and suspicions of musical fusion, caesuras and polyharmonies, the dissonant and the antiphonal, "open-eared moonlighting," and hybridity without history. Practical Criticism is produced by Ryan Lentini. Learn more about upcoming courses on . Follow Brooklyn Institute for Social Research on / / /
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Practical Criticism No. 69 — 2024 Algorithmically "Wrapped"
Practical Criticism
In this episode we discussed our end of year Spotify Wrapped lists and what algorithmic listening means for us as subjects and social beings, mass culture's current expression in shared forms of circulation rather than in objects of attention held in common, the limits of poptimism, the sound of melancholy, experimental hip-hop, jazz, vocaloid(ish) bands, music as cinematic form, Sampa the Great, Ahmed Abdul-Malik, HoneyWorks, Weyes Blood, The Yeah Yeah Yeahs, and Arooj Aftab.
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Practical Criticism No. 68—Beyoncé's Cowboy Carter
Practical Criticism
Practical Criticism is back with its first episode of 2024—on Beyoncé’s Cowboy Carter. In it, Rebecca Ariel Porte plays the opening track of the album, “American Requiem,” for Ajay Singh Chaudhary, who, as usual, doesn’t know what the object will be. Their conversation then commences with a question: Beyoncé is far from the first to undertake the ambitious task of deconstructing country music’s many musical debts—but does she actually succeed in doing so? Along the way, they discuss the history of Black country music (and listen to Linda Martell), the convergence of aesthetic...
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Practical Criticism, No. 67: 2023 Algorithmically "Wrapped"
Practical Criticism
In episode 67 of Practical Criticism, Rebecca and Ajay surprise each other with songs and compositions drawn exclusively from their respective algorithmically-generated Spotify "Wrapped" playlists! Pieces include Erza Furman's "Can I Sleep in Your Brain"; Linked Horizon's "Guren No Yumiya" (from theAttack on Titan soundtrack); Lucy Dacus's "Night Shift"; The Smashing Pumpkins's "Mayonaise"; Monteverdi's "Il ritorno d'Ulisse in patria"; Phish's "Cavern" (from Atlantic City, 10/30/2010); CeeLo Green's cover of "No One's Gonna Love You" by Band of Horses; and Nirvana's "All...
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Practical Criticism No. 61—2021 Year in Review
Practical Criticism
In Episode 61 of the Podcast for Social Research's Practical Criticism Series, Ajay Singh Chauhary and Rebecca Ariel Porte consider the music that, for them, best speaks to the zeitgeist of the year past, including a final song to play out 2021. Selections include everything from Baroque lute to compositions newly minted. Discussed: Japanese Breakfast, Herbie Hancock, Ennio Morricone, Pink Floyd, L'Rain, Grouper, Moor Mother, and much else.
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Practical Criticism No. 62: Art-Pop
Practical Criticism
In episode 62 of the Podcast for Social Research's "Practical Criticism" series, Rebecca Ariel Porte plays Roxy Music, Kate Bush, and Kanye West as examples of "art-pop" for Ajay Singh Chaudhary, who, as usual, doesn't know what the object of the week will be. Their conversation ranges over what exactly "art-pop" is, rhythmic and historical time, blurred genres, ascending complexity, Marcel Duchamp and avant-gardes, cold (and cool) modernisms, philosophical vs. musical naturalism, Mark Fisher's speculative definitions, the rare encounters of pop music and New Music,...
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Practical Criticism No. 63: Waltzing to War
Practical Criticism
In Episode 63 of the Podcast for Social Research's "Practical Criticism Series," Ajay Singh Chaudhary plays "The Band Played Waltzing Matilda," as covered by The Pogues, for Rebecca Ariel Porte, who, as usual, doesn't know what the sonic object of the week will be. Their conversations covers resonances between World War I and our own historical moment, uses and abuses of nationalism, internationalism, periphery and metropole, proxy wars, balladry, pastiche, trauma, missed opportunities, disillusionment, and propaganda. Originally pubilshed on March 4, 2022.
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Practical Criticism No. 64: What is Afrofuturism?
Practical Criticism
In episode 64 of the Podcast for Social Research's Practical Criticism series, live-recorded at Montez Press Radio's Canal street studio, Rebecca Ariel Porte and Ajay Singh Chaudhary play Sun Ra, Deltron 3030, Janaelle Monae, and Solange for guest Kazembe Balagun—all prompts to the question, what is Afrofuturism? A special co-production with Montez Press and Carnegie Hall, episode 64 explores the Afro diaspora, self-naming as self-determination, revolutionary aesthetics, Afrofuturism's "total" artistry, Afrofuturism vs. Italian Futurism and "Jeff Bezos" futurism, Blackness as a mass...
info_outlineIn episode 72 of Practical Criticism, Ajay takes the somber occasion of Brian Wilson's recent death to play, for Rebecca, the Beach Boys's immortal track "God Only Knows"—a song Paul McCartney called the "greatest ever written." Is Sir Paul, for once, correct? Ajay and Rebecca ask after the song's technical perfection, noting its intermix of pop, jazz, and even Bach-esque baroque, while dwelling as well on its emotional ambiguity, barbershop polyphony, and inimitable quality of being at once light and airy yet incredibly substantial. Is "God Only Knows" the platonic ideal of pop? How can we think about "genius"—and its complicated avatar, Brian Wilson?