Why Are Comedy Albums Being Taken Down From Spotify and other streaming services
21khz: The Art of Money In Music
Right before Thanksgiving, 2021 Spotify took down a large number of comedy albums. The question is why.
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You Know What’s Not Funny- One Trillion Streams and One Billion Dollars In Unpaid Royalties For Comedians
21khz: The Art of Money In Music
Comedians' works are streamed and broadcast across Spotify, YouTube, Pandora, SiriusXM, and more. However, unlike music where royalties are paid for two copyrights (composition and master recording), Comedians have only ever been paid royalties on the recording of their performance, not on the underlying literary work (equivalent of a composition).
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The Full Brain Workout
21khz: The Art of Money In Music
Season 2/ Episode 7 Rachel Francine/ Co-Founder and CEO, SingFit Andy Tubman/ Co-Founder and Chief of Therapeutics and Music, SingFit If there is one that I have learned doing this podcast for the past two years, it’s that music contains value beyond the cost of a CD, an iTunes download or a Pandora stream. This show proves that music has a value beyond money. Rachel Francine and Andy Tubman are a brother and sister pair of entrepreneurs who have taken the best from each of their careers and combined them into a new company with a mission. Andy Spent years working as a music therapist,...
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A Black Rubber Juice Bar
21khz: The Art of Money In Music
Gregory Roach Season 2/ Episode 8 Sometimes, you just want to sit back, have a cup of coffee and listen to war stories from a bygone era. This is that kind of Podcast.. Gregory Roach has had an eclectic career. He worked at "Grendel's Lair", the storied nightclub in Philadelphia, worked as the lighting guy for a comedy club in New York City, went on the road with Billy Joel and Pat Benatar, he even designed a "Rubber Juice Bar" for Studio 54. It's a conversation that proves that sometimes it's the guys behind the scenes that have all the fun.
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A Whole Series of Music Events
21khz: The Art of Money In Music
Judith Finell - Judith Finell, Music Service Season 2/ Episode 8 You probably didn't watch, but on a Saturday night in April of 1983, "The Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair," aired on NBC. Trust me on this; it was a classic of 1980s television - paunchy middle-aged heroes, central casting villains, backlot sets, stock footage explosions - The 12-year-old me could not get enough. Our intrepid heroes even cross paths with a fellow spy - a suave Brit, wearing a dashing tux, driving an Aston Martin (complete with the license plate, "JB"). His car featured cool...
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Judith Has Perfect Pitch
21khz: The Art of Money In Music
Judith Finell, Musicologist, president of Judith Finell Music Services Season 2, Episode 6 Ever started explaining something to a friend, and you can tell, usually, immediately, this person has no idea what you're talking about (you can see it in the eyes). When that happens, I always make up a little story... “It’s like trying to describe the idea of fusion to a clueless platypus.” Or... “It’s like explaining the theory of general relativity to a stupid rabbit.” Or... “It’s like discussing the concepts of thermodynamics with a slow turtle. ” With that in mind, the best way...
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"Blurred Lines" was it Plagiarism?
21khz: The Art of Money In Music
Paul Resnikoff - Founder, Digital Music News Season 2/ Episode 5 The second season finale of the original Star Trek back in 1969 was an odd episode. You will see where I am going with this in a moment..... Yes, Kirk and Spock are in the top of the show, Kirk and Spock are at the close of the show, but the meat of the show, the entire episode, is taken up with the story of some guy named - "Gary Seven." Gary Seven is a human who, as it turns out, was kidnapped by aliens and sent back to earth to protect us from... whatever, that's not the point... The point is (and was), Gene Roddenberry was...
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Really Cool Uncorrelated assets
21khz: The Art of Money In Music
What a piece of the Merrie Melodies? How about Bette Midler? Etta James? Santana? Well, they have all been for sale. One of the goals of this podcast has been to figure out all the ways music can generate money. We know about album sales, we've talked endlessly about streaming rights, we've discussed those "big fat juicy contracts" (that don't exist anymore). But what about music futures? Ever wanted to be modern versions of Randolph and Mortimer Duke? (Go ahead look it up, I'll wait). What if you could buy the rights to a piece of music that already exists, and is already generating an...
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Monetizing a mood
21khz: The Art of Money In Music
Music, sight, sounds, smells. Everything you need to create the perfect mood for your shopping mall, high-end hotel or corporate lobby. Mood Media yanked the "The Girl from Ipanema," kicking and screaming away from the relaxing beaches of Rio de Janeiro and dropped her right into the middle of the edgy world of modern consumer culture.
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So ... What is Music Publishing Administration?
21khz: The Art of Money In Music
This is one of the episodes where we ask the questions you didn't know needed to ask. We talk with John about licensing your music, why it's crucial to do so, and what happens if you don't. John Barker knows these things, for nearly 20 years John has run his company, Clearbox Global out of Nashville to help artists deal with exactly these kinds of questions.
info_outlineJudith Finell - Judith Finell, Music Service
Season 2/ Episode 8
You probably didn't watch, but on a Saturday night in April of 1983, "The Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair," aired on NBC. Trust me on this; it was a classic of 1980s television - paunchy middle-aged heroes, central casting villains, backlot sets, stock footage explosions - The 12-year-old me could not get enough.
Our intrepid heroes even cross paths with a fellow spy - a suave Brit, wearing a dashing tux, driving an Aston Martin (complete with the license plate, "JB"). His car featured cool gadgets, he had a starlet on his arm, and there was that memorable James Bond theme.
"James Bond!!! They got James Bond - Cool" The 12 year old me was - again - thrilled out of his mind.
The thing is, "they" didn't, "get" James Bond. They got an actor (admittedly, the actor happened to be George Lazenby, reprising his role as James Bond, so there wasn't much question), they got an Aston Martin, they even got the James Bond theme (sort of). All the clues were there, I was supposed to think it was James Bond, but they never once uttered the words, "James" or "Bond."
The music was the giveaway, it sounded "Bondian," it was almost the famous Monty Norman theme from the 1960s, but it just wasn't. The ersatz, "NBC Saturday Night Movie" music came right up to the edge of being James Bond but was afraid to jump.
That's the subject of this podcast. A few weeks back we pushed our podcast with Judith Finell, Judith was the lead musicologist in the "Blurred Lines" case involving Robin Thicke, Pharrell Williams and the Marvin Gaye State Estate. This episode is part of 2 of that interview.
When we finished discussing the subtler points of copyright and plagiarism we ended delving into another area of Judith's expertise. "Sound-Alikes." Frankly, since that Saturday Night in 1983, I've always been fascinated by these, "almost" songs. TV throughout the 1980s and 1990s were full of them. Songs where it was clear the producers wanted a top 10 hit but also apparently didn't want to pay top ten prices.
So what does it take to come right up to the edge in music? How can you evoke the James Bond theme, without paying James Bond Prices?
We also discuss Stairway to Heaven, the sound the Transporter makes in Star Trek, the Mission Impossible theme, and a little 45 record McDonald's gave away in the 1990s.