Brandon Scott on Being a YouTube OG, Murdering Out Your Video Production
Release Date: 01/16/2024
The 8020 Drummer Podcast
It’s fitting that two weeks after hearing from Chris Turner, a man with one of the most whimsical, intuitive approaches to drums I’ve ever encountered, we encounter one Stan Bicknell, who’s built a brand around a mindful, deliberate, disciplined approach to the drums, and to architecting a life around it. Stan wowed audiences with his appearance on Drumeo 5 years ago. Around this time, his touring career was taking off. But after the birth of his child, Stan made the decision to put his life front-and-center, move back to his native New Zealand, and design a role for drums, drum...
info_outlineThe 8020 Drummer Podcast
Chris Turner is kind of the undisputed modern “double kick king”. Which, if that was all he was, might be of less interest to my audience. Luckily he’s also one of the most musical and creative drummers, and one of the most interesting and inspiring humans I’ve met recently. One of the underrated benefits of getting to speak to great drummers is seeing the variety of different ways they’ve achieved, well, greatness. And you learn there are really very different archetypes, from the “acerbic everyman”, to the “systems and discipline person”, to the “rocket-fueled motivation...
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Ofri Nehemaya is barely in his ‘30s, but has already played and toured with Shai Maestro, Aaron Goldberg, Avishai (Bass) Cohen (the same drum chair where Mark Guiliana got his first big break), and Gilad Hekselman. He’s also no stranger to bandleading, releasing at age…I think it was 19;) Ofri has been on my radar since then, and I was excited to ask him about how he practices, how he channels flow, how he approaches moving to a new scene and “fitting in”, and more. You’ll see in the opening minutes I’m trying to pull some practice details out of him, and he just wants to...
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` Two years ago, I did a virtual drum shed with former podcast guest Raghav Mehrotra, the always-entertaining David Cola, and this week’s guest, Josh Crawford. Josh, who rose to fame doing reaction videos to jaw-dropping drummers, is himself an elite player, and in this conversation I wanted to hear his opinions on both sides: becoming the player he is, and also influencer lyfe. Josh is one of the most efficient players I’ve seen - he plays the most intricate stuff while expending a level of energy that looks more like he’s reading a newspaper. We get into some detail as I try to pick...
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When Gordy Knudtson was gigging in the late 70s, he was using almost exclusively traditional grip, and suffered an injury he says caused doctors to doubt he’d be able to continue playing. Desperate to “work around” his tension, Gordy switched to matched and did one of the great deep-dives on hand technique. You could say he “John Dahaner’ed” drumstick mechanics, but it’s more accurate to say John “Gordy’d” jiujitsu. One of the points I bring up with Gordy is that just as before and after Danaher, plenty of practitioners embodied solid mechanics, if you watch the hands of...
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I had a suspicion Benny Greb would be an interesting and thought-provoking conversation partner, and I wasn’t wrong. I was interested to compare notes with the master-clinician on a number of things that have been top-of-mind, like nature/nurture, the paradox of the subjectivity of - but requirement for skill in - art, gap-click, and overrated drum advice. Benny surprised me at turns, and confirmed my suspicions at others. One of his most-interesting insights, in my opinion, was that he wants to be an entertainer/craftsperson, not just an “artist”. We also managed to touch on Pablo...
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TaRon Lockett, who was Prince’ last drummer, who cut his teeth with Erykah Badu, and who was a key member of a scene that spawned Robert “Sput” Searight, Cleon Edwards and Mike Mitchell among others… …showed up to our interview in character as his own life coach. And from that point I knew this wasn’t going to be an “average” podcast episode. It’s perfectly in-keeping with TaRon’s entire approach to music and creativity, though. There’s the dedication to “the bit”, evidenced by TaRon’s philosophy to dedicate himself 100% to assuming the character necessary to...
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Today we have an interview I’m very excited about. One of the forefathers of jazz drum instruction - though as you’ll hear he doesn’t like the taxonomy, preferring to say he’s an “improvisation teacher”. The biggest surprise for me upon speaking to Ed is that he’s an iconoclast. His energy is pure punk-rock, and he has no time for the idea of “handedness” on the drums, nor the “walling off” of jazz from other forms of improvisation. Ed and I chat about hierarchies in music, how Denton, TX became a music powerhouse away from either of the coasts, teaching psychology, the...
info_outlineThe 8020 Drummer Podcast
Today’s podcast guest first caught my attention with his clean, slamming Instagram clips. Picture closing your eyes and hearing a mix of Clyde Stubblefield, Bonham, and Nate Smith, then opening them and seeing a skinny teenager with a big mop of black hair and an infectious smile, and thinking “this guy is playing this”? To the degree we use the word “prodigy”, Raghav Mehrotra is that. Someone who exhibits a degree of artistic maturity we usually don’t expect until many years later, even though he’s barely in college. (Studying economics at Harvard, btw.) Raghav played drums and...
info_outlineWhen I was first getting started on YouTube, there were only a few drummers doing the same thing. One, of course was podcast guest Mike Johnston. Another was Brandon Scott.
Brandon brought great playing, low-key humor, and humility to his videos, and immediately captured attention.
Over the years, as my production quality stagnated, Brandon kept leveling his up, becoming a student of great filmmaking in general, and youtube videography in particular. Recently his video chops caught the attention of Drumeo, who hired him to make a few one-off video ads. That gig turned into a full-time position as a Drumeo videographer, as part of which Brandon regularly commutes to Vancouver and shoots spots for artists like El Estepario Siberiano.
I knew I wanted to get Brandon on a call to help me with my video production, and he graciously agreed. We also rap about Brandon’s drum journey, and how/why he low-key sounds so good. (I say “low key” because his playing is never the focus of his videos; he just sounds great.)
If you have any interest in YouTube or video production, this episode is for you!
Chapters
1:20 - how Brandon got interested in video production
4:34 - Brandon's life story that's led him to be working with Drumeo
9:36 - why was Brandon *early* to killer video
13:43 - oh - Brandon is also a killer player - how did he get good
21:20 - hand speed isn't the limiting factor
22:51 - video production basics
27:48 - the number one advice Brandon would give ME
29:40 - the camera explained
35:20 - camera placement and lights - dos and don'ts
39:10 - getting the most out of a cheap camera