Episode 60: Sarah Blank
Animalators
Sarah Blank is a freelance animator, compositor, designer and sometimes-writer/director. In the episode, we chatted with her about CG and live action compositing, Travel Oregon and user interfaces in VR.
info_outline
Episode 59: Lisha Tan
Animalators
Lisha Tan is a Creative Director at The Mill in Los Angeles, CA. In the episode, we chatted about The Story of O.J., reading YouTube comments and managing creative limitations as a director.
info_outline
Episode 58: Wesley Louis
Animalators
Wesley Louis is a Director at The Line Animation out of London, UK. In this episode, we talked about The Line’s team structure, hiring freelancers and Super Turbo Atomic Ninja Rabbit.
info_outline
Episode 57: Manddy Wyckens
Animalators
Manddy Wyckens is a director and designer at Studio AKA. In episode 57, we talk with her about giving direction, doing things she loves and finding a voice.
info_outline
Episode 56: Handel Eugene
Animalators
Handel Eugene is a motion designer and instructor for Mograph Mentor and Otis College. In the episode, we talked about his journey to Full Sail University, failure motivating success, and his obsession with documenting life.
info_outline
Episode 55: Joe Russ
Animalators
Joe Russ is a director, illustrator, motion designer and one of the developers of indie game Jenny LeClue.
info_outline
Episode 54: Tuna Bora
Animalators
Tuna Bora is an illustrator, production designer, and content creator living in LA. On the episode, we talked about working with Nexus Studios, Hussein Chalayan, and getting out of your head.
info_outline
Episode 53: Alex Griendling
Animalators
Alex Griendling is the co-owner of Lunar Saloon with his wife Meg. On the episode, we talked about movie posters, creative freedom, and making what you want.
info_outline
Episode 52: Andrew Kramer
Animalators
Andrew Kramer of Video Copilot joined us for episode 52. We talked about rising to expectations, Intercept, Star Trek lens flares, and relying on the talents of a team. Links: Website: Twitter: Element 3D: Action Movie FX: SENTiNEL: Intercept: Notes: -Video Copilot -Deciding what to work on -Pushing yourself -After Effects -Star Trek -Concept vs. tools used -Element 3D -Bad Robot/Super 8 -JJ Abrams -Rising to expectations -Outside perspectives -Star Wars: The Force Awakens -Relying on the talents of a team -Tutorials -The After Effects community -Action Movie FX -Client work -Managing...
info_outline
Episode 51: Austin Mann
Animalators
Austin Mann is a travel photographer who is constantly on the move creating content for today’s best brands. He also founded Weld, a co-working space and community for creative pros. On the episode, we talk about fostering creative communities, how to face closed doors in your creative career and how to pitch yourself. Links: Website: Twitter: WELD: Good To Great: Notes: -Weld -Co-working had just begun -We work better together -Creating trust -Collaboration -Asking good questions -Relying on others -Define where we are going -Good To Great -Blind spots -Collective...
info_outlineWesley Louis is a Director at The Line Animation out of London, UK. In this episode, we talked about The Line’s team structure, hiring freelancers and Super Turbo Atomic Ninja Rabbit.
Links:
The Line: www.thelineanimation.com/
Instagram: https://www.instagram.com/librabear/?hl=en
Tumblr: https://librabear.tumblr.com/
Blogspot: https://librabear.blogspot.com/
Gorillaz - Humility: www.thelineanimation.com/work/gorillaz
Jamie Hewlett: http://jamiehewlett.com/
Aya Suzuki: http://ayasuzuki.blogspot.com/
Super Turbo Atomic Ninja Rabbit: https://bit.ly/2NHxro8
Electric Theatre Collective: http://electrictheatre.tv/
Partizan: https://www.partizan.com/
Notes:
-The Line
-The Line's team structure
-Founder meetings & complimentary strengths
-Hiring freelancers
-Gorillaz
-Jamie Hewlett
-Aya Suzuki
-Enforcing cinematic animation perspective
-The Line funding their personal projects
-Super Turbo Atomic Ninja Rabbit
-Celebrating personal projects in a big way
-Setting deadlines for personal projects
-The post-mortem process for commercial work
-Electric Theatre Collective
-The Line’s business structure
-Looking forward
-The Illusionist
-Partizan
-Wesley’s story of process and growth
-Becoming a director
-Dream Client: Nike or Capcom
-Favorite animated film: Kiki's Delivery Service and Akira
-What do the people you love think you do for a living: Draw and make things move.
-Animalator: Rabbit, because of Super Turbo Atomic Ninja Rabbit