Funny You Should Mention
Comedian Geoffrey Asmus explains how Catholic school, priests chasing laughs, and a Randy Moss analogy shaped his sense of what technically counts as a joke. We talk about layered comedy that lets different audiences hear different things and how losing fans can be a sign the bit is working. Plus: Lutherans, LinkedIn shame, Wikipedia ambition, country capitals, and why spacing is the real superpower. Produced by Corey Wara Video and Social Media by Geoff Craig Do you have questions or comments, or just want to say hello? Email us at For full Pesca content and updates, check out...
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Comedian Liza Treyger explains why she prefers the 1:30 a.m. Comedy Cellar crowd—the drunk, the horny, the post-Broadway undead—and why bombing early is harder than thriving late. Her Netflix special Night Owl doubles as a thesis on power, hypocrisy, and why men who “hate Taylor Swift” seem uniquely unable to stop talking about her. Treyger argues that worst moments often are the résumé, that comedy works better when it sounds unwritten, and that moral panic is usually just bad joke construction in disguise. Plus: owls, tattoos, true crime, and just a little but...
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Comedian Jay Jurden explains why nine years of theater training is his “superpower” on the stand-up stage—and why he treats every punchline like a line of dialogue rather than a personal diary entry. His new special, Yes Ma’am, argues that physical specificity (from "rolling a wheelchair into affordable housing" to Marjorie Taylor Greene’s hooves) is what separates a 300-level performer from a novice looking at their shoes. Along the way: memories of growing up in Canton, Mississippi, where movie sets for A Time to Kill. Plus, the greatest college football analogy ever...
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Mohanad Elshieky joins Funny You Should Mention with stories that make Benghazi feel less like a political Rorschach test and more like the small town where he learned comedy by roasting his siblings and dodging unlicensed militias. He walks us through the dictatorship-era silence around politics, the sudden rise of ISIS-adjacent checkpoints, and the knife-wielding “helper” who hijacked his car only to request a future hangout. We also dig into the Greyhound incident that vaulted him into national headlines, why clapter makes his skin crawl, and how Portland’s well-meaning...
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Comedian Myq Kaplan joins the show for a deep dive into joke logic, philosophy, and the very slippery business of defining who counts as a comedian. Using his new special Rini as a jumping-off point, he and Mike wander through Grecian maxims, the paradox of the heap, why some laughs are closer to enlightenment than punch lines, and how his relationship with Rini turned into a whole cosmology of love, language, and life on stage. Along the way they talk genre, jazz, governing boards of comedy, and what it means to do "Myq and Rini based" comedy instead of fitting into anyone's box. ...
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Dusty Slay drops by with “Wet Heat” fresh on Netflix to talk Opelika lore (a.k.a. Snopalika), becoming parade Grand Marshal, and how a onetime pesticide salesman turned country-music linguist builds jokes from tiny word quirks. We get into his love of language (Carlin vibes), song-lyric autopsies (“It’s Five O’Clock Somewhere,” Brooks & Dunn’s “Hard Workin’ Man”), the origin of “We’re having a good time,” Comedy Cellar war stories, Opry nights, accent drift, trailer-park childhood, and why he’s plotting an ASMR sleep-comedy album. Also: milk, hand-washing,...
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Kentucky-raised, New York-forged, and newly “A Jewish Star,” Ariel Elias breaks down how outsider status becomes comic superpower. We talk growing up Jewish in the Bluegrass, explaining Kentucky to New Yorkers, the “Earl” name bit, airline misery (farewell, Southwest), and writing cleaner for synagogue gigs without losing edge. She unpacks her viral beer-can moment and how it led to Kimmel, why “hack” is about angle not topic, the art of the long-simmer callback, and learning to say no (and yes) at the right times. Produced by Corey Wara Production Coordinator Ashley Khan Email...
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Season 3 of Funny You Should Mention begins with the “Filth Queen” herself Steph Tolev to explore why gross can be smart, how crowd work goes viral, Bill Burr’s boost to her career, and the Canadian comedy grind. Big laughs, sharp ideas, adult themes. We also get into slapstick dummies, family lore, and why Boston brings the best chaos. Come for the filthy stories, stay for the surprisingly thoughtful theories on why certain jokes land, and what that says about us. Produced by Corey Wara Production Coordinator Ashley Khan Email us at To advertise on the show, contact...
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The self-proclaimed “Trash Daddy” riffs on meat-in-a-can cuisine, possum PR, and how his accent disarms blue-state crowds, Plus: white supremacist losers, Fruit Loop vape rights, and how cheap heat works in comedy and pro wrestling. Trae takes us through his upbringing, in Celina Tennessee, and discusses his travails with child support bureaucracy , plus he discusses his interpersonal interactions with JD Vance who hit big about the same time Trae did. The two became friendly. For a while. Produced by Corey Wara Production Coordinator Ashley Khan Email us at To...
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Rosebud Baker joins Funny You Should Mention with the rare gift of making life’s toughest moments hilarious, and a point of view that’s inseparable from the punchline. Her Netflix special Motherlode delivers pregnancy, parenting, and political edge in one biting package. We talk about her SNL writing process and how to satirize breastfeeding pressure without becoming a parenting brand. Plus: how riding a dolphin convinced her husband to get a hair transplant. Produced by Corey Wara Production Coordinator Ashley Khan Email us at To advertise on the show, contact...
info_outlineComedian Jay Jurden explains why nine years of theater training is his “superpower” on the stand-up stage—and why he treats every punchline like a line of dialogue rather than a personal diary entry. His new special, Yes Ma’am, argues that physical specificity (from "rolling a wheelchair into affordable housing" to Marjorie Taylor Greene’s hooves) is what separates a 300-level performer from a novice looking at their shoes. Along the way: memories of growing up in Canton, Mississippi, where movie sets for A Time to Kill. Plus, the greatest college football analogy ever delivered by a gay comedian—a warning against "scrambling" for viral crowd work instead of sticking to the designed play.