Bad at Sports Episode 923:Jerry Gagosian aka Hilde Lynn Helphenstein Part 1
Release Date: 12/06/2025
Bad at Sports
In Part 2 of the Hilde Lynn Helphenstein (Jerry Gogosian) conversation, the discussion turns raw, vulnerable, and deeply structural. Hilde speaks candidly about burnout, public vilification, online pile-ons, and the emotional cost of living as a persona inside an unforgiving attention economy. She describes losing followers overnight, being labeled with extreme political accusations, and watching the art world take visible pleasure in her public failures while remaining silent during her successes. She recounts the personal toll of constant media exposure, professional pressure, and economic...
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At NADA Miami 2025, Bad at Sports’ Duncan MacKenzie and Ryan Peter Miller sit down with Hilde Lynn Helphenstein, better known to most of the art world as meme-lord and art-world agent provocateur Jerry Gogosian. In a conversation that swings between dead serious and totally unhinged, Hilde traces the unlikely origin story of Jerry: a near-fatal tick bite in Hudson, NY; weeks in the ICU where she went blind, deaf, and lost the use of her hands and feet; and the eight-month bedridden period that led her to start making art-world memes “six or seven a day” just to stay sane. She...
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Recorded at the Stony Island Arts Bank / Chicago Architecture Biennial tailgate In this wild, funny, and unexpectedly heartfelt tailgate episode, the Bad at Sports crew — Duncan MacKenzie, Brian Andrews, Ryan Peter Miller, and Jesse Malmed — sit down with sculptor and arts worker Andi Crist in front of the Stony Island Arts Bank during the Chicago Architecture Biennial. The conversation moves fluidly between jokes about heated bamboo floors, fake Uber snacks, soggy bottoms, and bees swarming the microphones — but at its core, the episode is an unusually generous portrait of an artist...
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Recorded live at the Museum of Contemporary Art Chicago / CAB Tailgate In this live MCA tailgate episode, the Bad at Sports crew — Duncan MacKenzie, Ryan Peter Miller, Brian Andrews, and Jesse Malmed — sit down with Chicago Tribune and Hyperallergic critic Lori Waxman to dig into the past, present, and uncertain future of art criticism. Lori Waxman speaks candidly about being one of the last remaining “paper critics” in the Midwest, the strange privilege and responsibility of writing for a general audience, and the realities of practicing criticism in a media ecosystem that has...
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Recorded live at the CAB6 × MCA Tailgate This episode was recorded as part of the Chicago Architecture Biennial (CAB6) activation on the plaza of the Museum of Contemporary Art Chicago, where Bad at Sports staged a series of open-air interviews, community dialogues, and tailgate-style broadcasts. Artists, architects, students, and the public intersected in a shared social space designed for porous conversation. Episode 920 features Tony Lewis, whose practice has shaped Chicago’s contemporary drawing discourse for more than a decade. In this conversation, Tony...
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This week, Bad at Sports hits the road and heads north to Sheboygan and Kohler, Wisconsin — where art, industry, and community collide. We drop into the John Michael Kohler Arts Center (JMKAC) and the Kohler Arts/Industry Residency program to see how a small Midwestern town sustains one of the most ambitious intersections of art and manufacturing in the country. Michelle Grabner and Jodi Throckmorton. From toilets to terracotta, brass casting to bathroom design, Kohler has been quietly incubating radical artistic practice for decades, embedding artists in its factories while JMKAC builds a...
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This week we sit down with Amanda Ross-Ho, whose large-scale sculptures, staged environments, and uncanny translations of domestic and studio life have made her a vital presence in contemporary art. Recorded in Chicago around her latest exhibition, the conversation spans everything from monumental t-shirts to the politics of labor, and from the intimacy of the studio to the spectacle of the art fair. Ross-Ho reflects on how she mines personal and collective archives, the humor and seriousness in her work, and the ways she uses scale to destabilize the familiar. We also talk about teaching,...
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This week, we print big or go home. Bad at Sports cast their eyes to New York from the safe confines of the Chicago Architectural Biennial booth at EXPO 2025 to talk with the legendary Two Palms studio in the guise of Alex Slattery. If you’ve ever stood slack-jawed in front of a monoprint the size of a small car or a woodblock cut so large it needed its own logistics plan, chances are Two Palms was behind it. Since the 1990s, David Lasry and company have been redefining what printmaking can be—working with artists like Carroll Dunham, Elizabeth Peyton, Mel Bochner, Cecily Brown,...
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Duncan MacKenzie and Ryan Peter Miller drive up to the Dunn Museum in Libertyville, IL to talk with legendary comics painter Alex Ross. Known for Marvels, Kingdom Come, and decades of redefining superhero realism, Ross reflects on his career trajectory, his education at the American Academy of Art, his influences (from Neal Adams to Dave McKean), his early breaks with Now Comics and Leo Burnett storyboarding, and his transition into large-scale mural projects for Marvel and DC. The conversation ranges from comics history, realism in superhero depictions, variant cover...
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In Part Two of our late-night conversation, Bad at Sports digs deeper into the remarkable trajectory of Kenny Schachter. From law school dropout to autodidact philosopher, from Sotheby’s bidder to artist and teacher, Schachter traces the unlikely path that brought him into the heart of the art world — a place he insists remains strangely conservative despite all its pretenses of progress. The discussion moves between personal history and systemic critique. Schachter recounts the role of art in surviving trauma, loss, and addiction, and why surrounding himself with works by others has been...
info_outlineAt NADA Miami 2025, Bad at Sports’ Duncan MacKenzie and Ryan Peter Miller sit down with Hilde Lynn Helphenstein, better known to most of the art world as meme-lord and art-world agent provocateur Jerry Gogosian. In a conversation that swings between dead serious and totally unhinged, Hilde traces the unlikely origin story of Jerry: a near-fatal tick bite in Hudson, NY; weeks in the ICU where she went blind, deaf, and lost the use of her hands and feet; and the eight-month bedridden period that led her to start making art-world memes “six or seven a day” just to stay sane.
She explains how Jerry Gagosian—a name cheekily mashed up from Jerry Saltz and Larry Gagosian—became an anonymous voice for the insiders, registrars, assistants, and “world’s oldest interns” of the art world. Positioned “at the cutting edge of stating the obvious,” Jerry’s memes mined the absurdities of art fairs, galleries, power, and self-seriousness, often circulating so widely that even Arne Glimcher at Pace blasted one to the entire staff. For Hilde, the memes were “fast food,” while the deeper writing and podcasting they spawned became the real work.
The episode also dives into Hilde’s hatred of artspeak, her love of Pixar movies as real art, and the gulf between what artists claim their work does in press releases and what’s actually visible in the work. She riffs on turning incomprehensible exhibition texts into literal film scripts, skewers academic pretense, and praises the raw “holy” feeling of walking into a gallery without any language or theory at all.
In the second half of the conversation, Hilde talks about going to business school at NYU Stern after years inside galleries and the market. Learning macro- and microeconomics, statistics, and reading things like Enron’s 10-K filings gave her a new lens on the art world as a distorted, unsustainable luxury market in a broader service-and-finance-based U.S. economy. From there, she and the hosts push into the hard questions: oversupply and under-demand for art, MFA pipelines, self-censorship, the moral theater of “perfect” artists, and why she believes most art schools should probably be consolidated or shut down.
Hilde Lynn Helphenstein / Jerry Gogosian
https://www.instagram.com/jerrygogosian/
Jerry Saltz
https://www.vulture.com/author/jerry-saltz/
Larry Gagosian
https://gagosian.com/
Arne Glimcher
https://www.pacegallery.com/artists/arne-glimcher/
Ben Davis
https://news.artnet.com/author/ben-davis
Kenny Schachter
https://www.artnet.com/artists/kenny-schachter/
Magnus Resch
https://www.magnusresch.com/
Barbara Kingsley
https://www.linkedin.com/in/barbara-kingsley-5b6b2411/
Delvin Duarte
https://www.instagram.com/delvinduarte/
Keith Boadwee
https://www.keithboadwee.com/
NADA Miami
https://www.newartdealersalliance.org/
Art Basel Miami Beach
https://www.artbasel.com/miami-beach
Pace Gallery
https://www.pacegallery.com/
Los Angeles Museum of Contemporary Art (MOCA)
https://www.moca.org/
NYU Stern School of Business
https://www.stern.nyu.edu/
San Francisco Art Institute (SFAI)
https://sfai.edu/
SEC (U.S. Securities and Exchange Commission)
https://www.sec.gov/
Enron (corporate reference)
https://en.wikipedia.org/wiki/Enron
Vancouver Art Gallery
https://www.vanartgallery.bc.ca/
Pixar
https://www.pixar.com/
Up (Pixar Film)
https://www.imdb.com/title/tt1049413/
Inside Out (Pixar Film)
https://www.imdb.com/title/tt2096673/
Soul (Pixar Film)
https://www.imdb.com/title/tt2948372/
The Diving Bell and the Butterfly
https://www.imdb.com/title/tt0401383/
John Wick
https://www.imdb.com/title/tt2911666/