Human Meme
I was seven years old, sitting on red shag carpeting in Nebraska, in front of a wood-grain television cabinet heavy enough that two adults would struggle to move it. It was a Saturday morning in October 1972. My mother was somewhere else in the house, or she was not home. Curtains were drawn. A rotary dial on the front of the cabinet clicked through thirteen VHF positions, though only three of them produced a signal. The rest produced static, a white hiss I associated with emptiness. I turned on the set myself. No one helped me. No one told me to. I did not know I was being trained.
info_outlineHuman Meme
In the fall of 1984, I was sitting in a darkened lecture hall at the University of Nebraska-Lincoln, watching slides click through a Kodak Carousel projector. Greek marble. Benin bronze. Mughal miniature. Japanese woodblock. The professor's argument was plain: these works endured because they were beautiful, and beauty was the thread that connected every person in that room to every person who had ever stood before the original object. Down the hall, in a different semester, a film professor made a different case. Beauty, he said, was larger than prettiness. The ugly, the reprehensible,...
info_outlineHuman Meme
Three seconds. That is all it takes. Three seconds of your voice, captured from a public meeting, a conference call, a video posted to social media, and a machine can learn to speak as you. It can produce your cadence, your rhythm, the way you pause before a name, the way your pitch drops when you are certain. It can say things you have never said, in rooms you have never entered, to people you have never met. And the people who hear it will believe it is you, because the only test the human ear can perform is recognition, and recognition is no longer proof of origin. This is the condition...
info_outlineHuman Meme
Twenty-one violinists walked into a hotel room in Indianapolis in 2010. They were experienced soloists, people who had spent decades training their ears. The room was dimly lit. They wore modified welding goggles so they could not see the instruments. And they were handed violins, some worth twelve million dollars, some worth a few thousand, and asked to play them, compare them, and choose the one they would take home. Two-thirds chose a modern violin. The most-selected instrument in the entire test was new. The least-selected was a Stradivarius. That experiment opens my new book, The...
info_outlineHuman Meme
There are forty-one Broadway theatres. That number has been effectively frozen for nearly a century. The oldest of them opened in 1903. The newest was assembled in 1998 from the demolished remains of two older houses. Between those dates, the city tore down theatres, condemned theatres, converted theatres into parking garages and television studios and conference venues. What remains is forty-one buildings, most of them constructed before 1930, clustered in a rectangle of midtown Manhattan roughly thirteen blocks long and three avenues wide. On a Wednesday evening, all of them are running....
info_outlineHuman Meme
I want to talk about a face. Specifically, I want to talk about the face you see when you look in the mirror and the face other people see when they look at you, and whether those two faces have ever been the same face, and what happens to a person who discovers, at the age of five, that the answer is no, and that the distance between the two can be closed by reaching out and copying someone else's bone structure onto your own skull. That is the premise of my new novel, The Borrowed Saint: A Horror in Five Skins. A boy named Asa Greer stands in a bathroom in Decker, Ohio, and watches his...
info_outlineHuman Meme
I want you to think about the last time you encountered an achievement that seemed too large for the person who produced it. Something that made you pause, narrow your eyes, and reach for the comfortable explanation. Maybe it was a historical figure whose story sounded exaggerated. Maybe it was a living person whose accomplishment struck you as implausible given what you thought you knew about their background, their body, their circumstances. You felt a flicker. A small, quiet impulse that said: that cannot be right.
info_outlineHuman Meme
There is a street in Jersey City called Baldwin Avenue. If you drove down it today you would see nothing unusual. Asphalt. Cars. A fire hydrant. The usual negotiation between infrastructure and weather. But if you had been standing on that street in late September 2013, you would have seen something that has stayed with me for thirteen years. A road crew was rolling fresh asphalt over granite cobblestones. The cobblestones were a hundred and fifty years old. The asphalt would last about twenty. I asked the man operating the road roller why they were burying them. He gave me a one-word answer....
info_outlineHuman Meme
I want to tell you about something I overheard in a cafe in Newark, New Jersey, about twenty-five years ago, and about the book that grew out of it, and about why it took me a quarter of a century to understand what I heard. I was teaching at the time. A colleague from my department was sitting near the window with her daughter, a young woman just starting her freshman year of college. I came in, we exchanged the usual pleasantries, and then I sat down at the next table and we performed that ritual of urban public life where you pretend you cannot hear the person three feet away from you. But...
info_outlineHuman Meme
The book is twenty-one letters. I use the word "letter" loosely. A surgical dictation is a letter. A cockpit voice recorder transcript is a letter. A recipe card annotated by three generations of the same family is a letter. A homestead deed from 1884 is a letter. A radio signal broadcasting Chopin and a list of forty-seven names into a dead frequency is a letter. A mathematical theorem inscribed into the DNA of a bacterium is a letter. Each one crosses a gap. The first gap is one second. A surgeon dictating an operative report while the patient is still on the table. The last gap is 4.24...
info_outlineYou have a number.
Not your phone number. Not your social security number, though that one matters more than most of us like to think about. I mean another number, one that follows you through databases you will never see, aggregated from purchases you barely remember making, from the length of time you hovered over a photograph before scrolling past, from the route you took to work last Tuesday and whether you lingered outside that coffee shop or walked directly to the train.
This number has a name in China. They call it a Social Credit Score. But the American version has no single name because it has no single keeper. It lives distributed across credit bureaus and insurance actuaries, across hiring algorithms and rental application systems, across the predictive models that decide whether you see an advertisement for a luxury watch or a payday loan.
You did not consent to being numbered. But you are numbered nonetheless.