New Angle: Voice
Hello, this is New Angle: Voice, the podcast about Pioneering Women in American Architecture brought to you by the Beverly Willis Architecture Foundation. I’m your new host, Alexandra Lange. Our latest episode describes the creation and experience of the Women’s School of Planning and Architecture, popularly known as WSPA, which ran for four summers from 1974 to 1979. It completes a trilogy of episodes, including previous ones on the fantasy environments of architect Phyllis Birkby and the first exhibition on Women in American Architecture at the Brooklyn Museum, that ask and answer...
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Welcome to New Angle Voice: I’m your bi-coastal architect and host, Cynthia Phifer Kracauer. Catherine Bauer’s life divided into two names and two geographies: her urban east coast youth, and her Bay Area soft landing. She hobnobbed with the bohemian elite of the interwar years….brilliantly charming the pants off of the big architect names of the Weimar Republic, Paris cafe society, and the International Style: Gropius, Mies, Corb, Oud, May…with her lover, Lewis Mumford—culminating in the publication of her 1934 classic : Modern Housing. Her...
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We continue our throw-back to the seventies, and take a deeper dive into the many facets of the women’s movement that impacted the practice of architecture. Pushed to the side and rarely credited for her architectural work at Davis Brody, Phyllis Birkby became a significant figure in extending the lesbian women's movement to architecture during the 1970s. Her environmental fantasy workshops played a crucial role in galvanizing the community, providing a creative and empowering space within a male-dominated profession. Growing out of other consciousness raising techniques,...
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That was some party. Even though I didn’t make it to the splashy opening, I did attend the transformational exhibition at the Brooklyn Museum, our subject in this episode. A rarely used sculpture gallery was filled with ranks and files of cheap drafting tables, their tops tilted to display what seemed to be pages out of the book, one spread to a table. It overwhelmed with information—but seemed void of the chatter of us working women. Welcome to New Angle Voice, I’m your host, Cynthia Kracauer. In this episode, we revisit the first significant effort to publicly tell the...
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Sarah Pillsbury, or Sally as she was better known by her peers, and Jean Bodman were both architects who married architects. As an architect who also married an architect, my perspective may be more inside baseball on the professional side, but utter awe and fascination on the family end. I’m Cynthia Phifer Kracauer, architect, Executive Director of the Beverly Willis Architecture Foundation, mother of only two, and your host. Welcome to our last episode of New Angle Voice 2023. It’s hard to look at the early days of TAC—the Architects Collaborative—for a time a...
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1913 was the year of the grand march for suffrage in Washington DC, the 250,000 marchers and attendees eclipsed the coverage the following day of the inauguration of Woodrow Wilson. Bellefonte, Pennsylvania, population 4216, had its own march, on the fourth of July. Costumes were di rigeur, with a goodly number of stately toga clad ladies and a few wild harridans on horseback, along with our intrepid girl in her Cornell cap and gown: Anna Wagner Keichline… a native Bellefutian. We had to see this for ourselves. So I saddled up my 2002 Honda Minivan, and made the five...
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I picked up a free glossy real estate magazine with an enticing photograph of summer leisure pursuits under the title Sag Harbor: A Whale of a Good Time. We traveled out there in early spring, collecting voices of preservation, community, celebrity, and long tenured summer families as we searched for Amaza Lee Meredith’s modern architecture. A short bike ride away from the summer haunts of Melville, Steinbeck, Betty Friedan, Spaulding Gray, lived the creator of Azurest North, the Black summer real estate enclave syndicated by Amaza Lee Meredith with her sister Maude Terry. But on the...
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Anyone who writes about American architecture of the mid twentieth and early 21 st century measures their critical achievement with the yardstick drawn by Ada Louise Huxtable. With countless articles for two great daily newspapers, this petite New Yorker had a gigantic influence on our understanding of the work of architects, real estate developers, city bureaucrats, and the city itself, over the course of six decades in print. General readers are quite accustomed to having their choices in books, films, dance, opera, drama, TV, and music directed and influenced by critics opinions. We find...
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New Angle: Voice is back! We kick off Season Two with Ray Kaiser Eames. Many know Ray Eames as the small, dirndled woman behind her more famous husband. In this episode, we uncover the talented artist who saw the world full of color, the industrial designer bending plywood in the spare bedroom, and the visionary who treated folk art, cigarette wrappers, flowers, and toys as equally valuable and inspiring. Ray brought the sparkle to the legendary Eames Office, as you’ll discover in this episode “Beauty in the Everyday: The Life and Work of Ray Eames.” Special thanks in this episode to Pat...
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With her legendary unerring taste and a total commitment to produce absolute perfection in her self, her work, her products, and how she would be remembered, Florence Knoll is generally recognized as the single most powerful figure in the field of modern design. As an architect, Florence was the force behind the seamless integration of furniture, space, textile, art, graphic design into a perfect brand concept: Total Design. Her influence transcends the specific disciplines, she was the force integrating them, and in her work at the Knoll Planning Unit, she promulgated...
info_outlineHello, this is New Angle: Voice, the podcast about Pioneering Women in American Architecture brought to you by the Beverly Willis Architecture Foundation. I’m your new host, Alexandra Lange.
Our latest episode describes the creation and experience of the Women’s School of Planning and Architecture, popularly known as WSPA, which ran for four summers from 1974 to 1979. It completes a trilogy of episodes, including previous ones on the fantasy environments of architect Phyllis Birkby and the first exhibition on Women in American Architecture at the Brooklyn Museum, that ask and answer the question, How did architecture meet the feminist movement in the 1970s?
WSPA was the brainchild of seven women, Leslie Kanes Weisman, Phyllis Birkby, Katrin Adam, Bobbie Sue Hood, Ellen Perry Berkeley, Marie Kennedy, and Joan Forrester Sprague. These women represented a mix of academic, professional, and practical experience. What they wanted to create was an educational curriculum, by women and for women, that freed architecture from the hierarchies of existing schools and practice.
At their workshops, held on a succession of college campuses, starting with St. Joseph’s College in Biddeford, Maine, everyone was a student and everyone was a teacher. No one was passive. You could learn woodworking in the morning and feminist theory in the afternoon, and then let loose and make candy houses in the evening. Childcare was free, tuition was minimal, and the locations were scattered throughout the country, making it easy for interested parties to attend.
For many of the participants, it was their first experience of being the majority gender in a design classroom or architecture office. Even decades later, they remembered the experience with happy tears.
As with many collaborative enterprises with shoestring budgets, WSPA eventually dissipated, but not before giving a generation of women architects the tools (sometimes literally) to imagine a more communitarian world.
It sounds like a club I would definitely have liked to be part of. Without further ado, here is “Not Only Survive, but Flourish: The Story of WSPA.”
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Special thanks in this episode to Leslie Kanes Wisemen, Katrin Adam, Cathy Simon, and Paulett Taggart. And to the Smith College Special Collections, which houses all of the WSPA archives. You can see some incredible photos from this collection, including the Building Charades and Architecture Cakes, on our Instagram page at NewAngleVoice
This podcast is brought to you by the Beverly Willis Architecture Foundation and produced by Brandi Howell.
You can find other episodes of New Angle: Voice wherever you find your podcasts. And if you liked this episode, please leave a review and share with a friend.