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Where Wonder Dynamics has now gone with its AI VFX tools

befores & afters

Release Date: 04/21/2025

Paul Franklin reflects on the VFX of ‘Interstellar’ show art Paul Franklin reflects on the VFX of ‘Interstellar’

befores & afters

Ian Failes from befores & afters chats to visual effects supervisor Paul Franklin, who reflects on what he was doing 10 years ago, which was just after his VFX Oscar win for Interstellar. We dive into the scientific research, the CG and the miniatures side of that film. There’s a whole lot of fun anecdotes I had never heard about before. This is a special ep of the podcast that was originally recorded for Hugo Guerra’s 10th anniversary Hugo’s Desk stream.

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Behind that crazy creature work in the finale of 'The Umbrella Academy' show art Behind that crazy creature work in the finale of 'The Umbrella Academy'

befores & afters

Ian Failes from befores & afters chats to 'The Umbrella Academy' production VFX supervisor Everett Burrell about the final episode ‘End of The Beginning’ and the impressive creatures.

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What exactly does the role of a visual effects producer involve? show art What exactly does the role of a visual effects producer involve?

befores & afters

Ian Failes from befores & afters chats to VFX producer Lynzi Grant to help demystify the role of a visual effects producer. Lynzi has worked on such films as Bad Boys: Ride or Die, Hocus Pocus 2, Spiderhead and Extraction.

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How they made the new 'Lilo & Stitch' show art How they made the new 'Lilo & Stitch'

befores & afters

Ian Failes from befores & afters chats to 'Lilo & Stitch' visual effects supervisor Craig Hammack, from ILM, about stuffies, stand-ins, CG animation and all the challenges of making the live-action film.

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The surprising use of visual effects in season 6 of 'The Handmaid’s Tale' show art The surprising use of visual effects in season 6 of 'The Handmaid’s Tale'

befores & afters

Ian Failes from befores & afters chats to visual effects supervisor Brendan Taylor from Mavericks VFX and the VFX of season 6 of 'The Handmaid’s Tale', including the opening train scenes filmed with an LED wall, the wedding scene, which had an interesting object removal challenge, muzzle flash work, crowds, that dramatic plane explosion and the final Boston environment shots.

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How Steamroller Animation made a 30 min animated pilot episode in Unreal Engine show art How Steamroller Animation made a 30 min animated pilot episode in Unreal Engine

befores & afters

Ian Failes chats to key members of Steamroller Animation - Adam Meyer, Josh Carroll and Dave Alve - about their pilot episode of 'Spice Frontier'.

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Version Zero AI has a splines output solution for AI/ML rotoscoping show art Version Zero AI has a splines output solution for AI/ML rotoscoping

befores & afters

Ian Failes from befores & afters chats to Version Zero AI co-founders Chad Wanstreet and Allan McKay about their new platform and tool that utilizes machine leaning for roto, matting, clean painting and paint.

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The latest machine learning side of Silhouette show art The latest machine learning side of Silhouette

befores & afters

Ian Failes chats to Marco Paolini and Paul Miller, two names synonymous with rotoscoping tool Silhouette from Boris FX, about the machine learning developments now implemented in the tool.

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AI and ML in VFX from a VFX artist/supervisor point of view show art AI and ML in VFX from a VFX artist/supervisor point of view

befores & afters

Ian Failes from befores & afters chats to visual effects supervisor and VFX artist Andreas Maaninka about his take on the wave of AI and ML tools and techniques hitting the industry right now.

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Behind the development of Slapshot's AI roto and generative retiming tools show art Behind the development of Slapshot's AI roto and generative retiming tools

befores & afters

Ian Failes from befores & afters chats to Jon Mason, the co-founder and CEO of Slapshot, an AI-powered VFX toolkit.

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More Episodes

Ian Failes from befores & afters chats to Nikola Todorovic, co-founder of Wonder Dynamics, about the latest AI-related aspects of the tool, including motion prediction.