139: The Intriguing Secondary Markets of CCI

Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on’ experience and carry it over to the launching of their very own series. Each episode of Season 15 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries.

We begin this week with Margarette Quiambao sits down with Bekah Phillips, Director of Social Media and Graphic Design at the Frida Cinema in Santa Ana. Together they trace Bekah’s path from a senior-year internship at the theater to how she grew into a leadership role. They walk through what her position entails from day-to-day content decisions to the larger creative vision behind the Frida's social presence. Bekah offers an inside look at what it takes to build and maintain a brand that reflects a genuinely independent, community-rooted institution. Listen along as Bekah opens up about how now her aesthetic sensibilities inform the visual identity of Orange County's only arthouse cinema. Equal parts practical and personal, this conversation is a compelling portrait of what creative leadership looks like at the intersection of film culture and digital communication.

We wrap the episode this week focusing on Sean Cleary, Chief Operating Officer of Phillips Auction, who sat down for an interview with Kiera Freeman to talk about what it is like to work at one of the world's leading auction houses. Their fascinating conversation covers prehistoric dinosaur bones; Picasso canvases; and duct-taped bananas. Sean pulls back the curtain on how an auction actually works, from sourcing and valuing artwork to choreographing a live sale, and offers a frank look at the operational complexity most people never see. Their conversation highlights the logistical precision required to move multimillion-dollar pieces across the globe, how technology is reshaping the auction world, and what it means to work at the intersection of commerce, culture, and creativity. For anyone who has ever wondered what happens before the gavel falls, this episode has the answer.