Cello Journey
I thought ...
info_outline Cello Journey #29, Thais MeditationCello Journey
I thought ...
info_outline Cello Journey #28, Haydn Concerto in C, 1st MovementCello Journey
In this episode we play the cello concerto in C Major by Joseph Haydn.
info_outline Cello Journey #27, Kol Nidrei (re-post)Cello Journey
In this episode we play the Kol Nidrei by Max Bruch. This piece is
info_outline Cello Journey #26, Faure SicilienneCello Journey
In this ...
info_outline Cello Journey #25, Beethoven VariationsCello Journey
In this episode we play the variations by Ludwig van Beethoven on a theme by Mozart, “Bei Männern, welche Liebe fühlen?. This is based on a theme from the opera The Magic Flute originally sung by a soprano and a baritone in a duet. Musicians in Beethoven's time were very adept at playing and improvising variations. They could even improvise on a melody or favorite tune given to them by a member of the audience. Beethoven wrote many variations for piano solo and many variations for cello and piano. We hope you enjoy it.website: cellojourney.come-mail:...
info_outline Cello Journey #24, Schumann Fantasiestucke No.1Cello Journey
In this episode we play the first of three Fantasiestucke (Fantasy
info_outline Cello Journey #23, April 18, 2007 Allemande from Suite No. 2 by BachCello Journey
In this episode I play another dance by Johann Sebastian Bach. It is the Allemande from Suite No.2. What I like about this piece is how it flows along and how each phrase seems connected to another phrase. I hope you enjoy [email protected]
info_outline Cello Journey #22, March 15, 2007, Allegro AppassionatoCello Journey
In this episode we play the Allegro Appassionato by Camille
info_outline Cello Journey #21, Feb. 20, 2007, Prelude from Suite No.2 by BachCello Journey
This prelude is the
info_outlineIn this episode we play the Meditation from the Opera Thais by Jules Massenet.
The Thais comes from an interlude towards the end of the opera. It is usually played on the violin. It is marked Andante Religioso and there is a reflective mood throughout.
This piece is special to me because, over the years, my mother has played it in church on the violin. I wanted to do a good job with it. We hope you enjoy it.
For feedback you can e-mail [email protected] or visit the website cellojourney.com